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Seven Deadly Sins Collection (page 8)

"Exploring the Depths of Human Nature: A Journey through the Seven Deadly Sins" "Fleisch macht Fleisch (Meat Gives Meat

Background imageSeven Deadly Sins Collection: 'Blue Monday'- a shoemakers wife beating her husband, broadsheet published by C

"Blue Monday"- a shoemakers wife beating her husband, broadsheet published by C. Burckhardt, Weissenburg, c
DHC379923 " Blue Monday" - a shoemakers wife beating her husband, broadsheet published by C. Burckhardt, Weissenburg, c.1850 (colour litho) by German School

Background imageSeven Deadly Sins Collection: A Wife Beating her Husband (oil on panel)

A Wife Beating her Husband (oil on panel)
RAF81405 A Wife Beating her Husband (oil on panel) by Molenaer, Bartholomeus (1612-50); 24x17 cm; Private Collection; Photo © Rafael Valls Gallery, London, UK; Dutch, out of copyright

Background imageSeven Deadly Sins Collection: Mighty was he to look upon, illustration from Myths and Legends of Babylonia

Mighty was he to look upon, illustration from Myths and Legends of Babylonia and Assyria by Lewis Spence
STC323931 Mighty was he to look upon, illustration from Myths and Legends of Babylonia and Assyria by Lewis Spence, 1916 (colour litho) by Paul

Background imageSeven Deadly Sins Collection: Misericord (wood)

Misericord (wood)
PNH351544 Misericord (wood) by English School; Carlisle Cathedral, Carlisle, Cumbria, UK; (add.info.: Carlisle Cathedral was built in 1122; wife beating her husband; )

Background imageSeven Deadly Sins Collection: The Haywain, Allegory of the Vanity of the World (oil on panel)

The Haywain, Allegory of the Vanity of the World (oil on panel)
XIR216117 The Haywain, Allegory of the Vanity of the World (oil on panel) by Mostaert, Gillis (1534-98) (workshop of); 104x139 cm; Louvre, Paris, France; (add.info.: allegorie de la vanite du monde; )

Background imageSeven Deadly Sins Collection: Rotten job, engraved by Langlume (19th century) (litho) (b / w photo)

Rotten job, engraved by Langlume (19th century) (litho) (b / w photo)
REV345815 Rotten job, engraved by Langlume (19th century) (litho) (b/w photo) by Pigal, Edme Jean (1798-1872) (after); Bibliotheque Nationale, Paris, France; (add.info.: Chien de metier ; )

Background imageSeven Deadly Sins Collection: Wrath, detail from the Table of the Seven Deadly Sins and the Four Last Things, c

Wrath, detail from the Table of the Seven Deadly Sins and the Four Last Things, c. 1480 (oil on panel)
XIR405649 Wrath, detail from the Table of the Seven Deadly Sins and the Four Last Things, c.1480 (oil on panel) by Bosch, Hieronymus (c.1450-1516); Prado, Madrid

Background imageSeven Deadly Sins Collection: The Bread Riot in Richmond, Virginia, 1863 (litho)

The Bread Riot in Richmond, Virginia, 1863 (litho)
PNP256386 The Bread Riot in Richmond, Virginia, 1863 (litho) by American School, (19th century); Private Collection; (add.info)

Background imageSeven Deadly Sins Collection: The Three Graces (pen, ink and w / c on paper)

The Three Graces (pen, ink and w / c on paper)
CH139962 The Three Graces (pen, ink and w/c on paper) by Barbier, Georges (1882-1932); 31.5x26.2 cm; Private Collection; Photo © Christies Images

Background imageSeven Deadly Sins Collection: The Cruel Father, 1897 (colour litho)

The Cruel Father, 1897 (colour litho)
CHT169354 The Cruel Father, 1897 (colour litho) by Austrian School, (19th century); Bibliotheque Nationale, Paris, France; © Archives Charmet

Background imageSeven Deadly Sins Collection: The Husband Who Beats His Wife, engraved by Le Blond (engraving)

The Husband Who Beats His Wife, engraved by Le Blond (engraving)
XIR176064 The Husband Who Beats His Wife, engraved by Le Blond (engraving) by Bosse, Abraham (1602-76) (after); Grosjean Collection, Paris, France; (add.info.: The husband who beats his wife; )

Background imageSeven Deadly Sins Collection: Attack on the Westgate Hotel, Newport on 4th November 1839 (engraving) (b / w photo)

Attack on the Westgate Hotel, Newport on 4th November 1839 (engraving) (b / w photo)
XJF294003 Attack on the Westgate Hotel, Newport on 4th November 1839 (engraving) (b/w photo) by English School, (19th century); Private Collection; (add.info.: Approximately 5)

Background imageSeven Deadly Sins Collection: A peacock chosen king of the farm birds. 1811 (etching)

A peacock chosen king of the farm birds. 1811 (etching)
7235828 A peacock chosen king of the farm birds. 1811 (etching) by Howitt, Samuel (1756-1822); (add.info.: A peacock displays his tail feathers in front of a barnyard of birds)

Background imageSeven Deadly Sins Collection: A frog inflates itself to become a big as a cow. 1811 (etching)

A frog inflates itself to become a big as a cow. 1811 (etching)
7235840 A frog inflates itself to become a big as a cow. 1811 (etching) by Howitt, Samuel (1756-1822); (add.info.: A frog near a pond inflates itself to become a big as a cow, but explodes)

Background imageSeven Deadly Sins Collection: Children of the devil living in fornication (woodcut)

Children of the devil living in fornication (woodcut)
7201454 Children of the devil living in fornication (woodcut) by German School, (15th century) (after); Private Collection; (add.info.: Children of the devil living in fornication)

Background imageSeven Deadly Sins Collection: The president of the council of the Kingdom of Sardinia Camillo Benso de Cavour not consulted

The president of the council of the Kingdom of Sardinia Camillo Benso de Cavour not consulted during the Armistice of
ELD4860459 The president of the council of the Kingdom of Sardinia Camillo Benso de Cavour not consulted during the Armistice of Villafranca

Background imageSeven Deadly Sins Collection: Wrath, from the Seven Deadly Sins, ca. 1550-55. Creator: Leon Davent

Wrath, from the Seven Deadly Sins, ca. 1550-55. Creator: Leon Davent
Wrath, from the Seven Deadly Sins, ca. 1550-55

Background imageSeven Deadly Sins Collection: Sloth, after the Seven Deadly Sins, ca. 1550-55. Creator: Leon Davent

Sloth, after the Seven Deadly Sins, ca. 1550-55. Creator: Leon Davent
Sloth, after the Seven Deadly Sins, ca. 1550-55

Background imageSeven Deadly Sins Collection: Envy, from the Seven Deadly Sins, ca. 1550-55. Creator: Leon Davent

Envy, from the Seven Deadly Sins, ca. 1550-55. Creator: Leon Davent
Envy, from the Seven Deadly Sins, ca. 1550-55

Background imageSeven Deadly Sins Collection: Lust, from the Seven Deadly Sins, ca. 1550-55. Creator: Leon Davent

Lust, from the Seven Deadly Sins, ca. 1550-55. Creator: Leon Davent
Lust, from the Seven Deadly Sins, ca. 1550-55

Background imageSeven Deadly Sins Collection: A CHECK TO CORSICAN ASSURANCE, 1805 (engraving)

A CHECK TO CORSICAN ASSURANCE, 1805 (engraving)
7262207 A CHECK TO CORSICAN ASSURANCE, 1805 (engraving) by Williams, C. (19th century); Bromley Museum, Orpington, UK; (add.info.: A CHECK TO CORSICAN ASSURANCE)

Background imageSeven Deadly Sins Collection: Lady at the Mirror, c. 1520 (oil on canvas)

Lady at the Mirror, c. 1520 (oil on canvas)
XAM66734 Lady at the Mirror, c.1520 (oil on canvas) by Romano, Giulio (1492-1546); 111x92 cm; Pushkin Museum, Moscow, Russia

Background imageSeven Deadly Sins Collection: THE TYRANT OF THE CONTINENT IS FALLEN, 19th century (engraving)

THE TYRANT OF THE CONTINENT IS FALLEN, 19th century (engraving)
7262219 THE TYRANT OF THE CONTINENT IS FALLEN, 19th century (engraving) by Rowlandson, Thomas (1756-1827); Bromley Museum, Orpington, UK; (add.info.: THE TYRANT OF THE CONTINENT IS FALLEN)

Background imageSeven Deadly Sins Collection: Female Nude (woman with her mirror) (oil on canvas)

Female Nude (woman with her mirror) (oil on canvas)
XIR164921 Female Nude (woman with her mirror) (oil on canvas) by Renoux, Jules Ernest (1863-1932); Private Collection; (add.info.: by Jules Ernest Renoux (1863-1932))

Background imageSeven Deadly Sins Collection: Woman at Mirror (oil on plywood)

Woman at Mirror (oil on plywood)
3708541 Woman at Mirror (oil on plywood) by Jodi, Casimiro (1886-1948); 47.5x59.5 cm; Assicoop-Unipol Collection, Modena, Emilia Romagna

Background imageSeven Deadly Sins Collection: Woman at Mirror (oil on plywood)

Woman at Mirror (oil on plywood)
3708542 Woman at Mirror (oil on plywood) by Jodi, Casimiro (1886-1948); 47.5x59.5 cm; Assicoop-Unipol Collection, Modena, Emilia Romagna

Background imageSeven Deadly Sins Collection: Lazy Lawrence (colour litho)

Lazy Lawrence (colour litho)
7157012 Lazy Lawrence (colour litho) by Hassall, John (1868-1948) (after); Private Collection; (add.info.: Lazy Lawrence. Illustration from Six and Twenty Boys and Girls (Blackie & Son Limited)

Background imageSeven Deadly Sins Collection: Useful Ursula, Vain Victor (colour litho)

Useful Ursula, Vain Victor (colour litho)
7157006 Useful Ursula, Vain Victor (colour litho) by Hassall, John (1868-1948) (after); Private Collection; (add.info.: Useful Ursula, Vain Victor)

Background imageSeven Deadly Sins Collection: Q. Quarreller

Q. Quarreller
6523709 Q. Quarreller by Henreaux, Lucien L. (pseudonym LSH) (active 1904); Private Collection; (add.info.: in " Silhouettes -- Alphabet. Publisher unknown, 1904 (legal depot BNF)

Background imageSeven Deadly Sins Collection: Rumpelstilzchen (Dwarf Tracassin). Tale of the Grimm brothers (Jacob, 1785-1863 and Wilhelm Grimm)

Rumpelstilzchen (Dwarf Tracassin). Tale of the Grimm brothers (Jacob, 1785-1863 and Wilhelm Grimm, 1786-1859)
XEE4181699 Rumpelstilzchen (Dwarf Tracassin). Tale of the Grimm brothers (Jacob, 1785-1863 and Wilhelm Grimm, 1786-1859). Illustration of Vaccari

Background imageSeven Deadly Sins Collection: A Young Man Shouting; Un Jeune Homme Hurlant, (red and black chalk)

A Young Man Shouting; Un Jeune Homme Hurlant, (red and black chalk)
827615 A Young Man Shouting; Un Jeune Homme Hurlant, (red and black chalk) by Procaccini, Camillo (c.1560-1629); 15.8x10.7 cm; Private Collection; (add.info)

Background imageSeven Deadly Sins Collection: French Revolution: 'Colonel Charles Eugene de Lorraine, Prince of Lambesc (1754-1825)

French Revolution: "Colonel Charles Eugene de Lorraine, Prince of Lambesc (1754-1825)
JLJ4646764 French Revolution: " Colonel Charles Eugene de Lorraine, Prince of Lambesc (1754-1825) entered the Tuileries on 12/07/1789, with a detachment from his royal regiment

Background imageSeven Deadly Sins Collection: The Gentle Katherine, The Taming of the Shrew, Act II Scene 1

The Gentle Katherine, The Taming of the Shrew, Act II Scene 1, illustration from Tales from Shakespeare by Charles
STC308584 The Gentle Katherine, The Taming of the Shrew, Act II Scene 1, illustration from Tales from Shakespeare by Charles and Mary Lamb, 1905 (colour litho) by Price

Background imageSeven Deadly Sins Collection: Vanity (engraving)

Vanity (engraving)
7201595 Vanity (engraving) by Gheyn, Jacob II de (1565-1625) (after); Private Collection; (add.info.: Vanity. Illustration from Illustrierte Sittengeschichte von Mittelalter bis zur Gegenwart)

Background imageSeven Deadly Sins Collection: Beethoven: The Allegro Finale of the C-sharp-minor Quartet (colour litho)

Beethoven: The Allegro Finale of the C-sharp-minor Quartet (colour litho)
7153214 Beethoven: The Allegro Finale of the C-sharp-minor Quartet (colour litho) by Lintott, Edward Barnard (1875-1951); Private Collection; (add.info)

Background imageSeven Deadly Sins Collection: A woman visits the home of a miser, 18th century. 1791 (engraving)

A woman visits the home of a miser, 18th century. 1791 (engraving)
7234859 A woman visits the home of a miser, 18th century. 1791 (engraving) by Chodowiecki, Daniel Nikolaus (1726-1801); Private Collection; (add.info)

Background imageSeven Deadly Sins Collection: Duncan Gray, 1876 (engraving)

Duncan Gray, 1876 (engraving)
6200003 Duncan Gray, 1876 (engraving) by Engleheart, Francis (1755-1849); 37.4x30.7 cm; The McManus, Dundee, UK; (add.info.: After Sir David Wilkie (1785 - 1841)); Dundee Art Galleries and Museums

Background imageSeven Deadly Sins Collection: The Ogre hunting for Tom Thumb and his brothers, illustration for a Perrault fairy tale Tom Thumb

The Ogre hunting for Tom Thumb and his brothers, illustration for a Perrault fairy tale Tom Thumb ( Le Petit Poucet )
694908 The Ogre hunting for Tom Thumb and his brothers, illustration for a Perrault fairy tale Tom Thumb ( Le Petit Poucet ), early 20th century (colour litho) by Thiriet

Background imageSeven Deadly Sins Collection: Russian schematic Illustration of the Seven Deadly Sins. Religious tract c. 1850 (engraving)

Russian schematic Illustration of the Seven Deadly Sins. Religious tract c. 1850 (engraving)
5669686 Russian schematic Illustration of the Seven Deadly Sins. Religious tract c.1850 (engraving) by Russian School, (19th century); Universal History Archive/UIG



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"Exploring the Depths of Human Nature: A Journey through the Seven Deadly Sins" "Fleisch macht Fleisch (Meat Gives Meat), 1555: An Indulgence in Gluttony" "The Plum Pudding in Danger or State Epicures taking un Petit Souper, 1805: When Greed Knows No Bounds" "An Angry Man With Finger Pointing (engraving): The Wrathful Fire Within" "Lazarus at the Rich Man's Door Engraving, 1870: The Sin of Neglect and Indifference" "The Parable of the Talents, c. 1884: Sloth - Wasting Potential and Ignoring Opportunities" "Bucking Bronco, 1903: Lust Unbridled - Succumbing to Temptation" "Illustration for The Taming Of The Shrew (chromolitho): Vanity and Pride Take Center Stage" "Le peche - The Sin par Stuck, Franz Ritter von (1863-1928): Envy Consumes from Within" "Pride (Superbia) from The Seven Deadly Sins, 1558: Hubris Leading to a Fall from Grace" "Jesus Falling Beneath the Cross Engraving, 1870: Humility Amidst Struggles and Sacrifice" "Arrival of Souls Purgatory Engraving, 1870: Escaping the Clutches of Gluttony Through Redemption" "POSADA: SEVEN DEADLY SINS – A Rich Man Hounded by his Demons" In this captivating journey through art across centuries, we delve into humanity's darkest corners as depicted by various artists exploring the concept of the seven deadly sins.