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Shakespeare William 1564 1616 Collection

"Shakespeare: A Timeless Legacy in Art and Literature" Step into the enchanting world of William Shakespeare

Background imageShakespeare William 1564 1616 Collection: Reproduction of a poster advertising the play Hamlet (colour litho)

Reproduction of a poster advertising the play Hamlet (colour litho)
STC139153 Reproduction of a poster advertising the play Hamlet (colour litho) by Nicholson, William (1872-1949) & Pryde, James (1866-1941); Private Collection; (add.info)

Background imageShakespeare William 1564 1616 Collection: Shakespeares Globe Theatre, Southwark, London (litho)

Shakespeares Globe Theatre, Southwark, London (litho)
7172907 Shakespeares Globe Theatre, Southwark, London (litho) by Forrest, George Topham (1872-1945); Private Collection; (add.info.: Shakespeares Globe Theatre, Southwark, London)

Background imageShakespeare William 1564 1616 Collection: Otello: Poster for the first performance of Verdis opera Otello at the Teatro Fenice

Otello: Poster for the first performance of Verdis opera Otello at the Teatro Fenice
5973419 Otello: Poster for the first performance of Verdis opera Otello at the Teatro Fenice in Venice, 17 May 1887 by Italian School

Background imageShakespeare William 1564 1616 Collection: Handbill advertising a performance of Hamlet at the Theatre, Leeds

Handbill advertising a performance of Hamlet at the Theatre, Leeds
5917334 Handbill advertising a performance of Hamlet at the Theatre, Leeds, 9th November 1843 (print) by English School, (19th century)

Background imageShakespeare William 1564 1616 Collection: Four Fairy Costumes for 'A Midsummer Nights Dream'

Four Fairy Costumes for "A Midsummer Nights Dream"
SC36463 Four Fairy Costumes for " A Midsummer Nights Dream" produced by Robert Courtneidge at the Princes Theatre, Manchester, 1896-1903 by Wilhelm, C

Background imageShakespeare William 1564 1616 Collection: Titania and Bottom from William Shakespeares A Midsummer-Nights Dream

Titania and Bottom from William Shakespeares A Midsummer-Nights Dream
1199541 Titania and Bottom from William Shakespeares A Midsummer-Nights Dream, (pencil and w/c on paper) by Fitzgerald, John Anster (1832-1906)

Background imageShakespeare William 1564 1616 Collection: Prospero and Miranda watch the Tempest (colour litho)

Prospero and Miranda watch the Tempest (colour litho)
5988786 Prospero and Miranda watch the Tempest (colour litho) by Dugdale, Thomas Cantrell (1880-1952); Private Collection; (add.info.: Prospero and Miranda watch the Tempest)

Background imageShakespeare William 1564 1616 Collection: Shakespeares Globe Theatre, Southwark, London (litho)

Shakespeares Globe Theatre, Southwark, London (litho)
7172912 Shakespeares Globe Theatre, Southwark, London (litho) by Forrest, George Topham (1872-1945); Private Collection; (add.info.: Shakespeares Globe Theatre, Southwark, London)

Background imageShakespeare William 1564 1616 Collection: Beatrice and Benedick (Much Ado About Nothing), 1920s (colour litho)

Beatrice and Benedick (Much Ado About Nothing), 1920s (colour litho)
2920063 Beatrice and Benedick (Much Ado About Nothing), 1920s (colour litho) by Price, Norman Mills (1877-1951); Private Collection; (add.info)

Background imageShakespeare William 1564 1616 Collection: Falstaff Enacting Henry IV, c. 1834 (oil on canvas)

Falstaff Enacting Henry IV, c. 1834 (oil on canvas)
NYH150002 Falstaff Enacting Henry IV, c.1834 (oil on canvas) by Flagg, George Whiting (1816-97); 91.4x73.7 cm; Collection of the New-York Historical Society

Background imageShakespeare William 1564 1616 Collection: Beatrice, who had been listening with breathless interest exclaimed '

Beatrice, who had been listening with breathless interest exclaimed "
3949476 Beatrice, who had been listening with breathless interest exclaimed " What fire is in mine ears can this be true? " (Much Ado About Nothing), from Tales from Shakespeare pub

Background imageShakespeare William 1564 1616 Collection: Thisbe

Thisbe
WH48469 Thisbe by Waterhouse, John William (1849-1917); Private Collection; Photo eWhitford & Hughes, London, UK; English, out of copyright

Background imageShakespeare William 1564 1616 Collection: Miranda, 1916 (oil on canvas)

Miranda, 1916 (oil on canvas)
Ma181771 Miranda, 1916 (oil on canvas) by Waterhouse, John William (1849-1917); 45.7x60 cm; Private Collection; (add.info.: one of two versions of Miranda; ); Photo eThe Ms Gallery, London; English

Background imageShakespeare William 1564 1616 Collection: A Wood- Illustration for King Lear, Act 2 Scene III, 1926 (ink on paper)

A Wood- Illustration for King Lear, Act 2 Scene III, 1926 (ink on paper)
PNH356244 A Wood- Illustration for King Lear, Act 2 Scene III, 1926 (ink on paper) by Nash, Paul (1889-1946); 35.8x20.5 cm; Private Collection; Photo © Peter Nahum at The Leicester Galleries

Background imageShakespeare William 1564 1616 Collection: The Wrestling Scene in As You Like It, 1854 (oil on canvas)

The Wrestling Scene in As You Like It, 1854 (oil on canvas)
1199485 The Wrestling Scene in As You Like It, 1854 (oil on canvas) by Maclise, Daniel (Croquis, Alfred) (1806-70); 129x177.1 cm; Private Collection; Photo © Christies Images

Background imageShakespeare William 1564 1616 Collection: William Shakespeare (engraving)

William Shakespeare (engraving)
7239653 William Shakespeare (engraving) by Cook, J.W. (19th Century); Private Collection; (add.info.: William Shakespeare, 1564-1616. English poet, playwright, dramatist and actor)

Background imageShakespeare William 1564 1616 Collection: The Merchant of Venice, 1892 (oil on canvas)

The Merchant of Venice, 1892 (oil on canvas)
7063447 The Merchant of Venice, 1892 (oil on canvas) by Muschamp, Francis Sydney (1851-1929); 61x91.5 cm; Private Collection

Background imageShakespeare William 1564 1616 Collection: Costume preparatoire pour la piece de theatre 'Romeo et Juliette'de William Shakespeare (1564-1616)

Costume preparatoire pour la piece de theatre "Romeo et Juliette"de William Shakespeare (1564-1616)
FIA5410207 Costume preparatoire pour la piece de theatre " Romeo et Juliette" de William Shakespeare (1564-1616)

Background imageShakespeare William 1564 1616 Collection: Titania (The Dream of a Summer Night) (A Midsummer Nights Dream) - in - '

Titania (The Dream of a Summer Night) (A Midsummer Nights Dream) - in - "
XEE4152886 Titania (The Dream of a Summer Night) (A Midsummer Nights Dream) - in - " Shakespeare Womens Gallery, collection of forty-five serious portraits by early London artists

Background imageShakespeare William 1564 1616 Collection: Ophelia, 1894 (oil on canvas)

Ophelia, 1894 (oil on canvas)
CH35175 Ophelia, 1894 (oil on canvas) by Waterhouse, John William (1849-1917); 124.4x73.6 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageShakespeare William 1564 1616 Collection: Goneril and Regan in King Lear Act I Scene I, 1902 (oil on canvas)

Goneril and Regan in King Lear Act I Scene I, 1902 (oil on canvas)
3956045 Goneril and Regan in King Lear Act I Scene I, 1902 (oil on canvas) by Abbey, Edwin Austin (1852-1911); 76.8 x 44.5 cm; Yale University Art Gallery, New Haven, CT

Background imageShakespeare William 1564 1616 Collection: Sometimes a thousand twangling instruments will hum about mine ears

Sometimes a thousand twangling instruments will hum about mine ears
3260687 Sometimes a thousand twangling instruments will hum about mine ears, illustration from William Shakespeares The Tempest, pub

Background imageShakespeare William 1564 1616 Collection: 'Romeo et Juliet'Scene from 'Romeo and Juliette'

"Romeo et Juliet"Scene from "Romeo and Juliette"
LRI557711 " Romeo et Juliet" Scene from " Romeo and Juliette" opera by Charles Gounod (1818-1893). c.1880

Background imageShakespeare William 1564 1616 Collection: Le Songe d une nuit d ete, Lysandre et Hermia - Hermia and Lysander

Le Songe d une nuit d ete, Lysandre et Hermia - Hermia and Lysander
FIA5402941 Le Songe d une nuit d ete, Lysandre et Hermia - Hermia and Lysander, A Midsummer Nights Dream - par John Simmons (1823-1876), 1870 - Watercolour, Gouache on Paper

Background imageShakespeare William 1564 1616 Collection: The isle is full of noises, sounds and sweet airs, that give delight and hurst not

The isle is full of noises, sounds and sweet airs, that give delight and hurst not
3260683 The isle is full of noises, sounds and sweet airs, that give delight and hurst not, illustration from William Shakespeares The Tempest, pub

Background imageShakespeare William 1564 1616 Collection: Illustration by Arthur RACKHAM (1867-1939) for The Dream of a Summer Night by William

Illustration by Arthur RACKHAM (1867-1939) for The Dream of a Summer Night by William
GIA4708805 Illustration by Arthur RACKHAM (1867-1939) for The Dream of a Summer Night by William SHAKESPEARE, 1908 (A Midsummer Nights Dream) by Rackham

Background imageShakespeare William 1564 1616 Collection: Titania the Queen of Fees flies with her changelin child on the back

Titania the Queen of Fees flies with her changelin child on the back
GIA4708817 Titania the Queen of Fees flies with her changelin child on the back. Illustration by Arthur RACKHAM (1867-1939) for The Dream of a Summer Night by William SHAKESPEARE

Background imageShakespeare William 1564 1616 Collection: C13644

C13644
4594483

Background imageShakespeare William 1564 1616 Collection: View of the city of Seville (Spain), 16th century (oil on canvas)

View of the city of Seville (Spain), 16th century (oil on canvas)
JLJ4650334 View of the city of Seville (Spain), 16th century (oil on canvas) by Sanchez Coello, Alonso (c.1531-88); Museo de America, Madrid

Background imageShakespeare William 1564 1616 Collection: Titania, Queen of the Fairies. Costume design for 'A Midsummer Night

Titania, Queen of the Fairies. Costume design for "A Midsummer Night
SC36443 Titania, Queen of the Fairies. Costume design for " A Midsummer Nights Dream" produced by Robert Courtneidge at the Princes Theatre, Manchester by Wilhelm, C

Background imageShakespeare William 1564 1616 Collection: Ms 782 ff. 107v-108 Come away, come away Hecate

Ms 782 ff. 107v-108 Come away, come away Hecate
2613457 Ms 782 ff.107v-108 Come away, come away Hecate, musical score for Macbeth (ink on paper) by English School, (17th century); Fitzwilliam Museum, University of Cambridge

Background imageShakespeare William 1564 1616 Collection: Interior of Westminster Abbey (b/w photo) (see also 294192)

Interior of Westminster Abbey (b/w photo) (see also 294192)
CLF294192 Interior of Westminster Abbey (b/w photo) (see also 294192) by Evans, Frederick Henry (1853-1943); (add.info.: main part of present building begun by King Henry III in 1245;)

Background imageShakespeare William 1564 1616 Collection: Jesus raising Lazarus from his tomb, 1865-66 (engraving)

Jesus raising Lazarus from his tomb, 1865-66 (engraving)
536428 Jesus raising Lazarus from his tomb, 1865-66 (engraving) by Dore, Gustave (1832-83); (add.info.: John 2:43 From Gustave Dore illustrated Bible 1865-1866)

Background imageShakespeare William 1564 1616 Collection: Lady Macbeth, Act, 5 scene One, why then tis time to do't. painted after H. Fuseli

Lady Macbeth, Act, 5 scene One, why then tis time to do't. painted after H. Fuseli
2598950 Lady Macbeth, Act, 5 scene One, why then tis time to do't. painted after H. Fuseli by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825) (after); (add.info.: Lady Macbeth, Act)

Background imageShakespeare William 1564 1616 Collection: Illustration for the poem of Shakespeare 'The Passionate Pilgrim' (chromolithograph)

Illustration for the poem of Shakespeare "The Passionate Pilgrim" (chromolithograph)
UTD4950885 Illustration for the poem of Shakespeare "The Passionate Pilgrim" (chromolithograph) by Gilbert, John (1817-97); (add.info.: "Crabbed age and youth cannot live together)

Background imageShakespeare William 1564 1616 Collection: Cymbeline, play by William Shakespeare, c. 1880 (print)

Cymbeline, play by William Shakespeare, c. 1880 (print)
2102370 Cymbeline, play by William Shakespeare, c.1880 (print) by Scheiner, Artus (1863-1938); (add.info.: Literature. Imogen Discovered in the Cave of Belarius)

Background imageShakespeare William 1564 1616 Collection: Twelth Night, play by William Shakespeare, c. 1880 (print)

Twelth Night, play by William Shakespeare, c. 1880 (print)
2102114 Twelth Night, play by William Shakespeare, c.1880 (print) by Scheiner, Artus (1863-1938); (add.info.: Twelth Night, play by William Shakespeare (1599-1601)

Background imageShakespeare William 1564 1616 Collection: Henry V, King of England, courting Katherine of Valois, scene from Henry V by William Shakespeare

Henry V, King of England, courting Katherine of Valois, scene from Henry V by William Shakespeare (chromolithograph)
UTD4950923 Henry V, King of England, courting Katherine of Valois, scene from Henry V by William Shakespeare (chromolithograph) by Dudley, Robert Charles (1826-1909); United Archives GmbH

Background imageShakespeare William 1564 1616 Collection: 'Let me the Canakin Clink' Othello Act II. Scene II. (chromolithograph)

"Let me the Canakin Clink" Othello Act II. Scene II. (chromolithograph)
UTD4950960 "Let me the Canakin Clink" Othello Act II. Scene II. (chromolithograph) by Dudley, Robert Charles (1826-1909); (add.info.: Iago)

Background imageShakespeare William 1564 1616 Collection: La Megere Taming

La Megere Taming
2102109 La Megere Taming by Scheiner, Artus (1863-1938); (add.info.: Literature. The Taming of the Shrew, play by William Shakespeare (1594)

Background imageShakespeare William 1564 1616 Collection: Parables, including the Raising of Lazarus. 19th century (Russian popular coloured woodcut)

Parables, including the Raising of Lazarus. 19th century (Russian popular coloured woodcut)
542809 Parables, including the Raising of Lazarus. 19th century (Russian popular coloured woodcut) by Russian School, (19th century); Universal History Archive/UIG

Background imageShakespeare William 1564 1616 Collection: Gertrude, Hamlet and the Ghost of the Father, 1793 (painting)

Gertrude, Hamlet and the Ghost of the Father, 1793 (painting)
7294370 Gertrude, Hamlet and the Ghost of the Father, 1793 (painting) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825) (after); Fondazione Magnani-Rocca, Parma, Italy; (add.info.: Gertrude)

Background imageShakespeare William 1564 1616 Collection: Princess Katherine from King Henry V by William Shakespeare, illustration from the Shakespeare

Princess Katherine from King Henry V by William Shakespeare, illustration from the Shakespeare Gallery, c
6116594 Princess Katherine from King Henry V by William Shakespeare, illustration from the Shakespeare Gallery, c.1840 (engraving) by English School, (19th century); Photo © Ken Welsh

Background imageShakespeare William 1564 1616 Collection: With a rapturous cry she flung herself upon the bosom of Posthumus

With a rapturous cry she flung herself upon the bosom of Posthumus, illustration from Shakespeare's stories of
IL274102 With a rapturous cry she flung herself upon the bosom of Posthumus, illustration from Shakespeare's stories of the English Kings, published by George Harrap & Son

Background imageShakespeare William 1564 1616 Collection: Andreas Vesalius

Andreas Vesalius
3586029 Andreas Vesalius by French School, (19th century); (add.info.: Portrait of Andreas Vesalius (1514-1564) a Flemish/Netherlandish anatomist, physician, and author of books on human anatomy

Background imageShakespeare William 1564 1616 Collection: Portrait of English playwright William Shakespeare (1564-1616)

Portrait of English playwright William Shakespeare (1564-1616) Engraving after an anonymous 18th century painting
ELD4933283 Portrait of English playwright William Shakespeare (1564-1616) Engraving after an anonymous 18th century painting by English School

Background imageShakespeare William 1564 1616 Collection: Shakespeare: The Tempest (colour litho)

Shakespeare: The Tempest (colour litho)
7155651 Shakespeare: The Tempest (colour litho) by Jackson, Albert Edward (1873-1952); Private Collection; (add.info.: The Tempest)



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"Shakespeare: A Timeless Legacy in Art and Literature" Step into the enchanting world of William Shakespeare, a literary genius whose works continue to captivate audiences centuries later. From the first performance of Verdi's opera Otello at the Teatro Fenice to a handbill advertising Hamlet at the Theatre in Leeds, his influence is undeniable. Intriguing scenes come to life through art, such as Falstaff enacting Henry IV on canvas, transporting us back to an era filled with drama and passion. Beatrice's breathless interest echoes our own fascination as we delve into Shakespeare's masterpieces. The whimsical costumes for "A Midsummer Night's Dream" reveal the magical realm where fairies dance and mischief ensues. Meanwhile, Prospero and Miranda watch intently as the tempest unfolds before their eyes in vivid color lithographs. The wrestling scene in "As You Like It" captures both physicality and wit, showcasing Shakespeare's ability to intertwine humor with profound storytelling. Beatrice and Benedick from "Much Ado About Nothing" exude charm and charisma in a 1920s lithograph that transports us straight into their witty banter. Titania and Bottom from "A Midsummer Night’s Dream" epitomize romance amidst fantastical settings, while Romeo et Juliette remind us of love’s tragic beauty. Lysander and Hermia embody youthful passion in Le Songe d'une nuit d'ete - Hermia et Lysandre by Arthur Rackham. Through these diverse artworks spanning different eras, we witness how Shakespeare continues to inspire artists across time. His words have become immortalized on stage, page, and canvas alike – forever engrained within our cultural fabric. Join us on this journey through history as we celebrate William Shakespeare – an eternal beacon of creativity whose legacy shines brighter than ever before.