Shapeless Collection
"Exploring the Shapeless Depths: Lovecraft's Encounter with Colour and Space" In 1919, as Paris dressed for peace
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"Exploring the Shapeless Depths: Lovecraft's Encounter with Colour and Space" In 1919, as Paris dressed for peace, fashion took on a shapeless form that defied convention. The illustration for Oliver Goldsmith's "The Deserted Village" captured this essence in a mesmerizing colour litho. Amidst the changing times, an engraving titled "The British Bather" revealed how to bathe in a land where bathing machines were absent. A testament to adaptability and resilience. As the 1940s unfolded, casual wear became a symbol of liberation. It embraced simplicity while echoing the echoes of war-torn Iraq and its rich archaeological heritage from Babylon. Fast forward to 1967 when Marilyn Rickard showcased Reveille Fashions - her designs transcended boundaries, just like the double-hemisphere map from 1542 which depicted uncharted territories waiting to be explored. Evening dresses by Philippe et Gaston and Drecoll exuded elegance and grace against the backdrop of societal change. They epitomized timeless beauty amidst shifting trends. A slouching girl from the swinging sixties embodied rebellion against conformity. Her carefree spirit challenged traditional norms with every stride she took in her shapeless attire. Intriguingly, a checkerboard scarf from 1922 added an element of playfulness to any ensemble it adorned – breaking free from rigid patterns with its unique charm. Meanwhile, a knitted paletot from 1924 enveloped individuals in warmth and comfort during colder days; its shapelessness offering freedom of movement without compromising style. Through these diverse snapshots spanning different eras, we glimpse into history's kaleidoscope – where shapes shift like shadows cast upon our imagination.