Sherratt Collection

Bridgewater canal boat diagram, by William Sherratt, 1799 Date: 1799

An earthenware group of Politos Menagerie of Wonderful Burds
1766841 An earthenware group of Politos Menagerie of Wonderful Burds and Beasts from Most Parts of the World, c.1830 (earthenware) by Sherratt

Queen Isabella and her ladies, c1870. Artist: Thomas Sherratt
Queen Isabella and her ladies, c1870. 19th century imagining of a scene from Richard II, play by William Shakespeare, showing Isabella of Valois (1389-1409) queen consort of Richard II

Queen Isabella and Her Ladies (King Richard II), c1870. Artist: T Sherratt
Queen Isabella and Her Ladies (King Richard II), c1870. From The Works of Shakspere, by Charles Knight. [Virtue & Co. Limited, London, c1870]

The Great Harry, man of war, the largest ship in the world during the reign of Henry VIII, c1857. Artist: T Sherratt
The Great Harry, man of war, the largest ship in the world during the reign of Henry VIII, c1857. The ship, properly named the Henry Grace a Dieu, is contrasted with HMS Royal Albert, of 131 guns

Passage of the Ingour by Omar Pasha (1806-1871), 1854 (1857). Artist: T Sherratt
Passage of the Ingour by Omar Pasha (1806-1871), 1854 (1857). From Englands Battles by Sea and Land, volume IV: Russia and Turkey, by Lieutenant Colonel Williams

Queen Victoria (1819-1901) taking leave of the Fusilier Guards, London, 1857. Artist: T Sherratt
Queen Victoria (1819-1901), taking leave of the Fusilier Guards prior to their departure to the east, London, 1857. From Englands Battles by Sea and Land, volume II: Russia and Turkey

The Battle of Inkerman during the Crimean War, 1854 (1857). Artist: T Sherratt
The Battle of Inkerman during the Crimean War, 1854 (1857). Guards resist the attack on the two gun redoubt. From Englands Battles by Sea and Land, volume III: Russia and Turkey

King John swearing fealty to the Pope before Princes Arthur and Hubert, 19th century. Artist: T Sherratt
King John (1167-1216) swearing fealty to the Pope before Princes Arthur and Hubert, 19th century. John reigned as King of England from 6 April 1199 until his death in 1216

Arrest of the Duke of Monmouth, 1685, (1860). Artist: T Sherratt
Arrest of the Duke of Monmouth, 1685, (1860). James Scott, Duke of Monmouth and Buccleuch, (1649-1685), the illegitimate son of Charles II

The Burghers of Calais before Edward, King of England, 1347, (1875). Artist: T Sherratt
The Burghers of Calais before Edward, King of England, 1347, (1875). Edward III, (1312-1377), was one of the most successful English kings of medieval times

Paris besieged by the Normans, 885 AD, (1875). Artist: T Sherratt
Paris besieged by the Normans, 885 AD, (1875). The Normans occupied the northern area of France now known as Normandy in the latter half of the 9th century

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"Exploring the Artistic Legacy of Sherratt: A Journey Through History" Step into the world of William Sherratt, an artist whose works have left an indelible mark on history. In 1799, he crafted a captivating diagram of a Bridgewater canal boat, showcasing his meticulous attention to detail. But Sherratt's artistic prowess extended beyond diagrams. His earthenware group titled "Politos Menagerie of Wonderful Burds" mesmerized viewers with its intricate craftsmanship and lifelike portrayal of avian beauty. In the realm of portraiture, Thomas Sherratt emerged as a masterful artist. His depiction of Queen Isabella and her ladies in c1870 captures the elegance and grace that defined this era. Similarly, his portrayal of Queen Victoria bidding farewell to the Fusilier Guards in 1857 evokes a sense of regal majesty. Sherratt's talent also found expression in historical events. The Battle of Inkerman during the Crimean War comes alive through his brushstrokes, transporting us back to this pivotal moment in time. Likewise, his rendition of King John swearing fealty before Princes Arthur and Hubert immerses us in medieval politics. The grandeur and power depicted by T it can evident in his artwork featuring monumental ships like "The Great Harry, " which reigned supreme during Henry VIII's era. Equally compelling is Omar Pasha's daring passage across Ingour River—a testament to both bravery and artistry. Delving further into history, we encounter dramatic scenes captured by T Sherratt—such as the arrest of the Duke Monmouth after failed rebellion or Edward III facing The Burghers' sacrifice at Calais—an emotionally charged tableau from 1347 AD. Finally, we witness Paris besieged by Normans in 885 AD—a haunting image that resonates with our fascination for ancient conflicts brought vividly to life by Sherratt's skillful hand.