Shiva Collection (page 5)

Daikokuten, from the series The Seven Gods of Good Luck in Modern Life
3504363 Daikokuten, from the series The Seven Gods of Good Luck in Modern Life (Tosei Shichi Fukujin), c.1769 (colour woodblock print) by Harunobu, Suzuki (1725-70); The Art Institute of Chicago, IL

Kama Shoots a Love Arrow at Shiva, page from a copy of the Gita-Gauri, Song of Gauri, c
2969810 Kama Shoots a Love Arrow at Shiva, page from a copy of the Gita-Gauri, Song of Gauri, c.1675-80 (opaque watercolour & gold on paper) by Indian School

Shiva dancing (colour litho)
423611 Shiva dancing (colour litho) by Indian School; Private Collection; Photo eLuca Tettoni; Indian, out of copyright

Crystal Palace, the Tunis and China Galleries (coloured litho)
STC61534 Crystal Palace, the Tunis and China Galleries (coloured litho) by Nash, Joseph (1809-78); Private Collection; The Stapleton Collection; English, out of copyright

Shiva, 15th century (bronze)
5952028 Shiva, 15th century (bronze) by Chinese School (15th century); 68.5x39.4x35.2 cm; Freer Gallery of Art, Smithsonian Institution

Shiva as Teacher, 12th century (granite)
5952022 Shiva as Teacher, 12th century (granite) by Chinese School (12th century); 57.2x37.1x19 cm; Freer Gallery of Art, Smithsonian Institution

Repousse mask of Shiva, c. 11th century (copper)
1201833 Repousse mask of Shiva, c.11th century (copper) by Nepalese School; height: 36.5 cm; Private Collection; (add.info.: The face with pursed lips, elongated nose)

Shiva at Ellora (engraving)
5224537 Shiva at Ellora (engraving) by English School, (19th century); Private Collection; (add.info.: Shiva at Ellora. Illustration for The Sunday At Home, 1892/93.); © Look and Learn

The Subtle Body and the Chakras, Punjab Hills, c. 1850 (opaque pigments on paper)
3083472 The Subtle Body and the Chakras, Punjab Hills, c.1850 (opaque pigments on paper) by Indian School, (19th century); 39.5x26.5 cm; Private Collection; (add.info.: Opaque pigments on paper)

Siva, from Tiruverkadu, Chennai, Tamil Nadu, 1011-12 AD (bronze)
834224 Siva, from Tiruverkadu, Chennai, Tamil Nadu, 1011-12 AD (bronze) by Indian School (11th century); 104x49 cm; Private Collection; (add.info.: Siva, or Shiva)

Nandi (granite)
1072568 Nandi (granite) by Indian School, (13th century); 43.2x61x40.6 cm; Dallas Museum of Art, Texas, USA; (add.info.: In Hinduism)

Shiva and Parvati on a tiger skin: Anakul Nayaka folio from a Rasamanjari, ca. 1710 - ca. 1715. Attributed to Golu

The Descent of the Ganges, ca. 1800. Creator: Unknown
The Descent of the Ganges, ca. 1800

Shiva, Museum of Cham Sculpture, Danang, Vietnam, Indochina, Southeast Asia, Asia

Hindu Gods Ganesh, Shiva and Durga, Mariamman Hindu Temple, Ho Chi Minh City, Vietnam, Indochina, Southeast Asia, Asia

Shiva, Kuala Lumpur, Malaysia, Southeast Asia, Asia

Shiva Carries the Corpse of Sati, ca. 1865-75. Creator: Unknown
Shiva Carries the Corpse of Sati, ca. 1865-75. Pilgrims and devotees would have purchased such paintings as this one from craftsmen who worked around Calcuttas Kalighat temple

Page from a Dispersed Shiva Mahatmya (Great Tales of Shiva), ca. 1710. Creator: Unknown
Page from a Dispersed Shiva Mahatmya (Great Tales of Shiva), ca. 1710

Ganesha Leads Shiva and Durga in Procession, 18th century. Creator: Unknown
Ganesha Leads Shiva and Durga in Procession, 18th century. Shiva is mounted on his bull, Nandi

Shiva and Parvati Playing Chaupar: Folio from a Rasamanjari Series, dated 1694-95

Chakrasamvara and Vajravarahi, 1575-1600. Creator: Unknown
Chakrasamvara and Vajravarahi, 1575-1600. Chakrasamvara and Vajravarahi trample a blue Bhairava and a red Kalartri, showing their dominance over these Hindu gods

Drunken Dance of the Eight-armed Divinity, Siva - Rock-hewn Temple at Elephanta, India, c1930s. Rock cut stone sculptures at Elephanta

Entrance of Cave at Elephanta (Bombay Presidency), 1890. Creator: Unknown
Entrance of Cave at Elephanta (Bombay Presidency), 1890. Five hindu caves dating to 2nd century and predominantly dedicated to the Hindu god Shiva

Ganesha (muscovite biotite schist)
871735 Ganesha (muscovite biotite schist) by Indian School (11th century); 96x59x29.3 cm; Walters Art Museum, Baltimore, USA; (add.info.: Ganesha (also spelled Ganesa)

View on the Banks of the Ganges with representation of the Churruck Poojah …, pub
View on the Banks of the Ganges with representation of the Churruck Poojah - A Hindoo Holiday, from Views of Bengal and along the Ganges, pub. 1810 (engraving)

Harihara, 10th-11th century. Found in the Collection of State Oriental Art Museum, Moscow

Plan of the Elephanta Caves, India, 1799. The Elephanta Caves are located on Elephanta Island in the Arabian Sea off Mumbai

Interior of the temple of Babulnath, Bombay, India, 1901. Artist: BW Kilburn
Interior of the temple of Babulnath, Bombay, India, 1901. Babulnath is an ancient Shiva temple. Stereoscopic slide. Detail

Vishnu, Shiva, and Brahma, 1847. Artist: Robinson
Vishnu, Shiva, and Brahma, 1847. Hindu deities. Illustration from The History of China and India, by Miss Corner, (Dean and Co, London, 1847)

Sculpture on the Wall at the Upper End of the Cave, Island of Elephanta, India, 1799. The Elephanta Caves are located on Elephanta Island in the Arabian Sea off Mumbai

Nataraja, Shiva, 13th Century. Nataraja (The King of Dance) is the dancing posture of the Hindu god Shiva, who performs his divine dance as a part of his divine duties of creation and destruction

Ancient Temple at Hulwud, 1826. Artist: William Frederick Witherington
Ancient Temple at Hulwud, 1826. The temple is dedicated to Shiva in his role of regenerator. In the foreground is a step-well

Siva, followed by his consort Parvati, walking with the Bull, Nandi, c1730. Painting from Mandi, Victoria and Albert Museum. London

Siva destroys the demon Andhaka, Harivamsa manuscript, Mughul, c1590. In Hindu mythology, Andhaka often refer to a malevolent asura, is killed by Shiva for trying to abduct Parvati

Siva and Parvati with their children, Ganesh and Karttikgya on Mount Kailash, c1745. Painting from Punjab Hills. At Victoria and Albert Museum, London

Siva as Lord of the Dance, Indian Bronze From Madras, (Chola Dynasty), 10th century. 69 cm high. At Victoria and Albert Museum. London

Siva Destroys the Demon and Haka, Harivamsa manuscript, Mughal School, c1590. The Harivamsha is an important work of Sanskrit literature also known as the Harivamsha Purana

Shiva, one of the gods of the Hindu trinity (trimurti) with his consort Parvati, c19th century. Artist: A Geringer
Shiva, one of the gods of the Hindu trinity (trimurti) with his consort Parvati, c19th century. From L Inde Francaise

The holy family seated in a cave on Mount Kailasa
The holy family, Siva, Parvati and their children Karttikeya and Ganesh, seated in a cave on Mount Kailasa. In the style of Sathu Mandi, from the V&As collection

Bronze statuette of Parvati, the consort of Siva, 14th century
Bronze statuette of Parvati, the consort of Siva, from South India. From the British Museums collection, 14th century

Siva with the bull, Nandi, followed by his consort Parvati, 18th century
Painting of Siva with the bull, Nandi, followed by his consort Parvati from Mandi, India, 18th century

Painting of the gods Siva and Khrishna accompanied by a bull, tiger, and jackals
Painting of Siva and Khrishna accompanied by a bull, tiger, and jackals, from Mandi in India. from the V&As collections collection in London

Holy family at the Burning Ground, showing Siva, Parvati, and Ghanesh, 19th century
Depiction of the holy family at the Burning Ground. Siva is helped by his elephant-headed son Ghanesh to thread a necklace of heads, while Parvati holds their many-headed son, 19th century

Painting of the god Siva with attributes from Mandi, from the V&As collection

Depiction of Siva and his consort Parvati, shown as one figure half male and half female, from the V&As collection

Circular plaque from Nepal with dancing figure, probably Chamunda
The figure dancing is probably Chamunda. Other deities visible are Vishnu, Bhairavya and Shiva

Bronze figure of Shiva, Tamil Nadu, India, 950. Shiva (Siva), the third member of the Hindu Trimurti, is a god with contrasting qualities of destructive and renovating power

Five-headed bust of Shiva, Mid 10th century
Five-headed bust of Shiva, third divinity of Hindu trinity (trimurti), Mid 10th century. Photograph

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Shiva, the embodiment of divine power and cosmic destruction, is revered across the world for his multifaceted nature. From the majestic Char Bangla Temple in Baranagore, West Bengal to the vibrant murals depicting Shiva and his beloved consort Parvati in India, Asia, his presence is felt far and wide. One cannot help but be captivated by the mesmerizing Dancing Shiva Nataraj statue in Paris, France. This exquisite portrayal showcases Shiva's rhythmic movements as he gracefully performs the cosmic dance of creation and destruction. In Siva Parvati's armor lies a symbol of their unwavering protection towards righteousness. Their union represents harmony between masculine and feminine energies that sustain life itself. The depiction of Siva Parvati with infant Kumar celebrating his birthday transports us back to ancient times when familial love was celebrated with utmost devotion. This 5th-6th century AD artwork from Kathe Simbhu beautifully captures this joyous occasion. Traveling to Central Java, Indonesia takes us to Prambanan Temple (Candi Rara Jonggrang), where an awe-inspiring shrine dedicated to Lord Shiva stands tall amidst intricate carvings. The temple's grandeur reflects humanity's deep reverence for this deity. Shiva Nataraja reigns supreme as the King of Dance through centuries-old sculptures like those found at Annamalaiyar Temple in India. These masterpieces depict him dancing with unparalleled grace while simultaneously maintaining balance within the universe. As part of Hindu mythology's Trimurti - alongside Vishnu and Krishna - Shiva embodies both destructive forces necessary for rebirth and preservation aspects essential for sustenance. Together they form a divine trinity representing different facets of existence itself. Even though Kali may appear fearsome holding a bloody sword while trampling her consort Shiva underfoot, she symbolizes transformation and liberation from ignorance or darkness—a reminder that destruction is necessary for new beginnings.