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Shroud Collection (page 2)

The shroud, a mysterious and enigmatic relic that has captivated the world for centuries

Background imageShroud Collection: Veil of Veronica. Creator: Anon

Veil of Veronica. Creator: Anon
Veil of Veronica

Background imageShroud Collection: A man from the Muskogee tribe looks at the Oceti Sakowin shrouded in mist during a

A man from the Muskogee tribe looks at the Oceti Sakowin shrouded in mist during a protest against the Dakota Access pipeline near the Standing Rock Indian Reservation near Cannon Ball, North Dakota

Background imageShroud Collection: Fog partially shrouds the White House in Washington

Fog partially shrouds the White House in Washington, U.S. January 9, 2018. REUTERS/Jonathan Ernst

Background imageShroud Collection: A seagull flies above the fog-shrouded skyline of New York City

A seagull flies above the fog-shrouded skyline of New York City, as the sun rises in New York, U.S. December 4, 2017. REUTERS/Mike Segar TPX IMAGES OF THE DAY

Background imageShroud Collection: Entombment sculpture, Eglise Saint-Jean-Baptiste, Chaource

Entombment sculpture, Eglise Saint-Jean-Baptiste, Chaource
Entombment, or Holy Sepulchre, sculptural group, 1515, by the Master of Chaource, made for the sepulchral chapel of Nicolas de Monstier and Jacqueline de Laignes

Background imageShroud Collection: SANCHEZ, Pedro. Spanish painter active in Seville in the sec

SANCHEZ, Pedro. Spanish painter active in Seville in the second half of the fifteenth century. THE BURIAL OF CHRIST. Painting on wood. Museum of Fine Arts. Budapest. Hungary

Background imageShroud Collection: The Triumph of Death (detail), by Pieter Bruegel the Elder

The Triumph of Death (detail), by Pieter Bruegel the Elder
Pieter Bruegel The Elder, called Peasant Bruegel (1525-1569). The Triumph of Death (detail). Date: circa 1562

Background imageShroud Collection: Hammersmith Ghost Paranormal Apparitions 1804

Hammersmith Ghost Paranormal Apparitions 1804
hammersmith, ghost, paranormal, apparitions, 1804, mysterious, figure, white, terrifies, populace, vigilantes, lie, wait, shoot, dead, thomas, milwood, millwood, bricklayer, dusty, clothing, led

Background imageShroud Collection: SAXON BURIAL

SAXON BURIAL
Saxons bury their dead wrapped in a shroud, not in a coffin but in a grave lined with stones Date: circa 600

Background imageShroud Collection: French satire on Otto von Bismarck with grim reaper 1892

French satire on Otto von Bismarck with grim reaper 1892
Otto Eduard Leopold Bismarck(1815-1898), Prussian statesman and first chancellor of the German Empire. Depicted here in a French satire entitled "L'Aveu"

Background imageShroud Collection: Sir Thomas Aston (1600-45) at the Deathbed of his Wife, 1635 (oil on canvas)

Sir Thomas Aston (1600-45) at the Deathbed of his Wife, 1635 (oil on canvas)
MAN176499 Sir Thomas Aston (1600-45) at the Deathbed of his Wife, 1635 (oil on canvas) by Souch, John (c.1593-1645); 203.2x215.1 cm; Manchester Art Gallery

Background imageShroud Collection: Sappho, 1877 (oil on canvas)

Sappho, 1877 (oil on canvas)
MAN75576 Sappho, 1877 (oil on canvas) by Mengin, Charles Auguste (1853-1933); 230.7x151.1 cm; Manchester Art Gallery, UK; (add.info)

Background imageShroud Collection: Bobalicon (Silly Idiot), 1864 (etching, aquatint & drypoint)

Bobalicon (Silly Idiot), 1864 (etching, aquatint & drypoint)
3959779 Bobalicon (Silly Idiot), 1864 (etching, aquatint & drypoint) by Goya y Lucientes, Francisco Jose de (1746-1828); 24.3x34.5 cm; Manchester Art Gallery

Background imageShroud Collection: The Holy Women at the Sepulchre, 1845 (oil on panel)

The Holy Women at the Sepulchre, 1845 (oil on panel)
3744648 The Holy Women at the Sepulchre, 1845 (oil on panel) by Scheffer, Ary (1795-1858); 108.8x86 cm; Manchester Art Gallery, UK; (add.info.: This is a late work by Ary Scheffer)

Background imageShroud Collection: The descent from the cross to the torch, 1654 (Etching)

The descent from the cross to the torch, 1654 (Etching)
7393349 The descent from the cross to the torch, 1654 (Etching) by Rembrandt Harmensz. van Rijn (1606-69); 21, 3 x 16, 3 cm; Fondation Glenat, Grenoble, France; © Fonds Glenat

Background imageShroud Collection: The Byzantine Fresco from the 15th century (detail) Lazarus resurrection Wall painting Michael

The Byzantine Fresco from the 15th century (detail) Lazarus resurrection Wall painting Michael Archangel Chapel
FBU4246384 The Byzantine Fresco from the 15th century (detail) Lazarus resurrection Wall painting Michael Archangel Chapel, Galata village Cyprus Painted churches UNESCO site Troodos

Background imageShroud Collection: The Raising of Lazarus, Russian icon from the iconostasis in the Cathedral of St

The Raising of Lazarus, Russian icon from the iconostasis in the Cathedral of St
BAL93091 The Raising of Lazarus, Russian icon from the iconostasis in the Cathedral of St. Sophia, Novgorod School, 14th century (tempera on panel) by Russian School; 72.3x58 cm; Museum of Art

Background imageShroud Collection: Lamentation over the dead Christ, 1360-65 circa, (tempera on wood)

Lamentation over the dead Christ, 1360-65 circa, (tempera on wood)
7146400 Lamentation over the dead Christ, 1360-65 circa, (tempera on wood) by Giottino, Tommaso di Stefano (fl.1368); Galleria degli Uffizi, Florence, Tuscany

Background imageShroud Collection: Pieta, 1890 ca, (oil on canvas)

Pieta, 1890 ca, (oil on canvas)
7146006 Pieta, 1890 ca, (oil on canvas) by Gogh, Vincent van (1853-90); 41.5 x 34 cm; Vatican Museums and Galleries, Vatican City; (add.info.: Pieta, Vincent Van Gogh, 1890 ca, oil on canvas)

Background imageShroud Collection: Pieta, 17th century (oil on canvas)

Pieta, 17th century (oil on canvas)
7129587 Pieta, 17th century (oil on canvas) by Cozza, Francesco (1605-82); Palazzo Corsini, Gallerie Nazionali Barberini Corsini, Rome, Italy; (add.info.: Pieta, Francesco Cozza, cm 221 x 167)

Background imageShroud Collection: Pieta, 1493-94 circa, (oil on wood)

Pieta, 1493-94 circa, (oil on wood)
7146533 Pieta, 1493-94 circa, (oil on wood) by Perugino, Pietro (c.1445-1523); 168x166 cm; Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Pieta')

Background imageShroud Collection: The Deposition of Christ, 15th century (painting)

The Deposition of Christ, 15th century (painting)
CUL4929101 The Deposition of Christ, 15th century (painting) by Goes, Hugo van der (c.1440-82); Musee des Beaux-Arts, Tournai, Belgium; (add.info.: by Goes, Hugo van der)

Background imageShroud Collection: Nullarbor Plain, Western Australia, Australia

Nullarbor Plain, Western Australia, Australia
A rain storm falls over a long, straight road on the Nullarbor Plain

Background imageShroud Collection: Resurrection of Lazarus, Second half of the 17th century (oil on canvas)

Resurrection of Lazarus, Second half of the 17th century (oil on canvas)
7352752 Resurrection of Lazarus, Second half of the 17th century (oil on canvas) by Preti, Mattia (Il Calabrese) (1613-99); 128x182 cm; Galleria Nazionale di Palazzo Spinola, Genoa, Liguria

Background imageShroud Collection: The resurrection of Lazarus, 17th century (oil on canvas)

The resurrection of Lazarus, 17th century (oil on canvas)
7129373 The resurrection of Lazarus, 17th century (oil on canvas) by Preti, Mattia (Il Calabrese) (1613-99); Galleria Nazionale d'Arte Antica, Rome

Background imageShroud Collection: Deposition of Christ, c. 1592 (oil on wood)

Deposition of Christ, c. 1592 (oil on wood)
7129045 Deposition of Christ, c. 1592 (oil on wood by Santi di Tito (1536-1603); Galleria dell'Accademia, Florence, Tuscany, Italy; (add.info.: Deposition of Christ with the Virgin)

Background imageShroud Collection: Resurrection of Christ, 1500-05, (panel)

Resurrection of Christ, 1500-05, (panel)
7129141 Resurrection of Christ, 1500-05, (panel) by Garbo, Raffaellino del (c.1466-1524); Galleria dell'Accademia, Florence, Tuscany, Italy; (add.info.: Resurrection of Christ, 1500-05)

Background imageShroud Collection: St Mary Magdalen, the virgin Mary and st John the evangelist mourning the dead Christ, 1490-95 circa

St Mary Magdalen, the virgin Mary and st John the evangelist mourning the dead Christ, 1490-95 circa
7146576 St Mary Magdalen, the virgin Mary and st John the evangelist mourning the dead Christ, 1490-95 circa, (tempera on panel) by Lorenzo da Sanseverino

Background imageShroud Collection: Deposition in the Sepulchre, 1645 (oil on canvas)

Deposition in the Sepulchre, 1645 (oil on canvas)
7352718 Deposition in the Sepulchre, 1645 (oil on canvas) by Casoni, Giovanni Battista (1609-81); 260x170 cm; Parrocchiale di Sant'Antonio Abate, Diano Marina, Liguria

Background imageShroud Collection: Medici altar: the Saviour and God the Father, 1541-42 circa (bronze, gilded bronze and wood)

Medici altar: the Saviour and God the Father, 1541-42 circa (bronze, gilded bronze and wood)
7146176 Medici altar: the Saviour and God the Father, 1541-42 circa (bronze, gilded bronze and wood) by Sansovino, Jacopo (Jacopo Tatti) (1486-1570); Museo Nazionale del Bargello, Florence, Tuscany

Background imageShroud Collection: The lamentation over the dead Christ, 1550-1575 circa, (oil on wood)

The lamentation over the dead Christ, 1550-1575 circa, (oil on wood)
7130048 The lamentation over the dead Christ, 1550-1575 circa, (oil on wood) by Orsi da Novellara, Lelio (1511-87); Museo Nazionale del Palazzo di Venezia, Rome

Background imageShroud Collection: Cristo morto tra la Vergine e san Giovanni, 14th century, (marble)

Cristo morto tra la Vergine e san Giovanni, 14th century, (marble)
7129703 Cristo morto tra la Vergine e san Giovanni, 14th century, (marble) by Unknown Artist, (14th century); MAG Alto Garda Museum, Italy, Riva del Garda, Trentino-Alto Adige

Background imageShroud Collection: The entombment of Christ, 16th century, (oil on wood)

The entombment of Christ, 16th century, (oil on wood)
7129538 The entombment of Christ, 16th century, (oil on wood) by Italian School, (16th century); Palazzo Corsini, Gallerie Nazionali Barberini Corsini, Rome

Background imageShroud Collection: Deposition of Christ, 1587, (oil on wood)

Deposition of Christ, 1587, (oil on wood)
7129043 Deposition of Christ, 1587, (oil on wood) by Pieri, Stefano (1542-1629); Galleria dell'Accademia, Florence, Tuscany, Italy; (add.info.: Deposition of Christ, 1587, Stefano Pieri)

Background imageShroud Collection: The deposition, 16th century, ( panel)

The deposition, 16th century, ( panel)
7129389 The deposition, 16th century, ( panel) by Heemskerk, Maarten van (1498-1574); Galleria Nazionale d'Arte Antica, Rome, Italy; (add.info.: The deposition, Marteen van Heemskerk, panel)

Background imageShroud Collection: Lament over the dead Christ, 17th century (painting)

Lament over the dead Christ, 17th century (painting)
7129435 Lament over the dead Christ, 17th century (painting) by Stanzione, Massimo (1585-1656); Galleria Nazionale d'Arte Antica, Rome, Italy; (add.info.: Lament over the dead Christ)

Background imageShroud Collection: Pieta, 16th century (oil on canvas)

Pieta, 16th century (oil on canvas)
7129491 Pieta, 16th century (oil on canvas) by Carracci, Ludovico (1555-1619); Palazzo Corsini, Gallerie Nazionali Barberini Corsini, Rome, Italy; (add.info.: Pieta, Ludovico Carracci, oil on canvas)

Background imageShroud Collection: Pieta, 17th century (painting)

Pieta, 17th century (painting)
7129454 Pieta, 17th century (painting) by Gaulli, Giovanni Battista (Baciccio) (1639-1709); Galleria Nazionale d'Arte Antica, Rome, Italy; (add.info.: Pieta, Baciccio, Giovanni Battista Gaulli)

Background imageShroud Collection: Man of sorrows, 1350-1369, (panel)

Man of sorrows, 1350-1369, (panel)
7129082 Man of sorrows, 1350-1369, (panel) by Milano, Giovanni da (fl.1350-69); Galleria dell'Accademia, Florence, Tuscany, Italy; (add.info.: Man of sorrows, Giovanni da Milano, panel)

Background imageShroud Collection: Lamentation over the dead Christ, 1511-12 circa, (oil on panel)

Lamentation over the dead Christ, 1511-12 circa, (oil on panel)
7129988 Lamentation over the dead Christ, 1511-12 circa, (oil on panel) by Fra Bartolomeo (1475-1517); Palazzo Pitti, Florence, Italy; (add.info.: Lamentation over the dead Christ, 1511-12 circa)

Background imageShroud Collection: Veronica (oil on panel)

Veronica (oil on panel)
930347 Veronica (oil on panel) by Zaganelli di Bosio, Francesco (c.1470-1531); Museo della Citta, Rimini, Italy; Photo © Stefano Baldini

Background imageShroud Collection: Deposition, (oil on canvas)

Deposition, (oil on canvas)
7129940 Deposition, (oil on canvas) by Giordano, Luca (1634-1705); Pio Monte della Misericordia, Naples, Italy; (add.info.: Deposition, Luca Giordano, oil on canvas, Pio Monte della Misericordia)

Background imageShroud Collection: Dead Christ sustained by an angel, 16th century, (oil on canvas)

Dead Christ sustained by an angel, 16th century, (oil on canvas)
7129397 Dead Christ sustained by an angel, 16th century, (oil on canvas) by Backer, Jacob de the Elder (1550-71); Galleria Nazionale d'Arte Antica, Rome

Background imageShroud Collection: Descent from the cross, 16th century (oil on wood)

Descent from the cross, 16th century (oil on wood)
7129517 Descent from the cross, 16th century (oil on wood) by Italian School, (16th century); Palazzo Corsini, Gallerie Nazionali Barberini Corsini, Rome, Italy; (add.info.: Descent from the cross)

Background imageShroud Collection: Lamentation over the dead Christ, 1615 circa, (oil on canvas)

Lamentation over the dead Christ, 1615 circa, (oil on canvas)
7130061 Lamentation over the dead Christ, 1615 circa, (oil on canvas) by Borgianni, Orazio (1578-1616); Museo Nazionale del Palazzo di Venezia, Rome

Background imageShroud Collection: Anglo Saxon man in shirt and corpse in shroud. 1796 (engraving)

Anglo Saxon man in shirt and corpse in shroud. 1796 (engraving)
7233740 Anglo Saxon man in shirt and corpse in shroud. 1796 (engraving) by Austrian School, (18th century); Private Collection; (add.info)

Background imageShroud Collection: The Entombment of Christ (oil on panel)

The Entombment of Christ (oil on panel)
XIR418454 The Entombment of Christ (oil on panel) by Huguet, Jaume (1415-92); 73 x 158 cm; Louvre, Paris, France; (add.info.: Christ's body placed in the tomb by Nicodemus, Joseph of Arimathea)

Background imageShroud Collection: The Entombment of Christ, 1699 (oil on copper)

The Entombment of Christ, 1699 (oil on copper)
XIR417013 The Entombment of Christ, 1699 (oil on copper) by Portuguese School, (17th century); 35.5x28.5 cm; Musee des Beaux-Arts, Dunkirk, France; (add.info.: The burial of Christ;)



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The shroud, a mysterious and enigmatic relic that has captivated the world for centuries. From the Turin Shroud Face of 1934 to the intricate details found in the Chiesa della SS. Annunziata church in Turin, this ancient cloth holds secrets that continue to baffle experts. One cannot mention the shroud without delving into its most famous association - Jesus Christ himself. The Shroud of Turin, believed by many to be his burial cloth, is an object of intense fascination and debate. Its presence in Paris, France further adds to its allure as it stands as a tangible connection between Europe's history and religious beliefs. But the shroud's intrigue extends beyond religious symbolism. It intertwines with tales of ghostly apparitions like The Queens House Ghost on the Tulip Staircase or John Dee and Edward Kelly summoning the Dead from a History of Magic. These haunting stories only deepen our curiosity about what lies beneath this ethereal veil. Artistic interpretations also play their part in shaping our perception of the shroud. The Veiled Christ sculpture from 1753 showcases marble craftsmanship at its finest while leaving us wondering about its inspiration and meaning. As we explore these various references to "shrouds, " we are reminded that they serve as reminders of humanity's eternal quest for answers - whether through faith, historical exploration, or artistic expression. In museums such as Von Erlach Holy Shroud Prayerbook or churches like Chiesa della SS. Annunziata in Turin, Piedmont, Italy; fragments of truth are carefully preserved within each delicate fiber. The journey through these hints leads us on an odyssey where Penelope waits faithfully for her long-lost love while Gorguet watches over them both with silent wisdom. Intricate yet elusive, sacred yet mysterious –the shrouds hold within them countless untold stories waiting patiently to be unraveled.