Siege Of Sebastopol Collection (page 2)

The Siege of Sebastopol, Retreat of the Russians from the South to the North Side (engraving)
1608441 The Siege of Sebastopol, Retreat of the Russians from the South to the North Side (engraving) by Dore, Gustave (1832-83) (after); Private Collection; (add.info.: The Siege of Sebastopol)

Storming of the Great Redan, Sebastopol, 1855, from The Officers
NAM261024 Storming of the Great Redan, Sebastopol, 1855, from The Officers Portfolio of the Striking Reminiscences of the War from Drawings, Photographs and Notes, taken on the spot

Redan and Advanced Trenches of British Right Attack, 1856 (lithograph)
3744626 Redan and Advanced Trenches of British Right Attack, 1856 (lithograph) by Simpson, William Crimea (1823-99); Private Collection; (add.info.: Plate 38 of The Seat of War in the East, 1856)

Le monument russe a Sebastopol (engraving)
2783258 Le monument russe a Sebastopol (engraving) by French School, (19th century); Private Collection; (add.info.: Le monument russe a Sebastopol)

Life in Camp before Sebastopol, No. 2: An Unwelcome Visitor
NAM280862 Life in Camp before Sebastopol, No. 2: An Unwelcome Visitor, published by Read and Company, 1854 (colour litho) by English School, (19th century); National Army Museum

The Siege of Sebastopol, Destruction of the Southern Part of the Large Barracks (engraving)
1608300 The Siege of Sebastopol, Destruction of the Southern Part of the Large Barracks (engraving) by English School, (19th century); Private Collection; (add.info.: The Siege of Sebastopol)

The Siege of Sebastopol, Interior of the Redan (engraving)
1608641 The Siege of Sebastopol, Interior of the Redan (engraving) by English School, (19th century); Private Collection; (add.info.: The Siege of Sebastopol, Interior of the Redan)

The Siege of Sebastopol (engraving)
2785657 The Siege of Sebastopol (engraving) by English School, (19th century); Private Collection; (add.info.: The Siege of Sebastopol, an entirely Original Christmas Game)

Assault on the Malakoff (colour litho)
2787349 Assault on the Malakoff (colour litho) by English School, (19th century); Private Collection; (add.info.: Assault on the Malakoff)

Siege of Sebastopol, 1854-1855 (gravure)
959891 Siege of Sebastopol, 1854-1855 (gravure) by Dupray, Henri-Louis (1841-1909); Private Collection; (add.info.: Siege of Sebastopol, Crimea, 1854-1855)

Retreat of the Russians from the South Side of Sebastopol, Crimean War, 8 September 1855 (engraving)
3638150 Retreat of the Russians from the South Side of Sebastopol, Crimean War, 8 September 1855 (engraving) by English School

Siege of Sebastopol. Near Entrance of the French into the Town, c1850s. Creator: Unknown
Siege of Sebastopol. Near Entrance of the French into the Town, c1850s. French troops at the Siege of Sebastopol, (modern-day Sevastopol in the Ukraine), a strategic Russian port on the Black Sea

In The Hospital at Scutari, c1880, (1902). The Siege of Sevastopol (1854-1855), during the Crimean War. From Battles of the Nineteenth Century, Vol. II

Omar Pasha, c1906, (1907). Omar Latas (Omar Pasha) (1806?1871), Ottoman general, governor and notable commander in the Crimean War, where he won outstanding victories at Silistra and Eupatoria

Mine in the Bastion du Mat, 1856. Artist: Thomas Picken
Mine in the Bastion du Mat, 1856. The Bastion du Mat was a French redoubt at the Siege of Sevastopol. From The Seat of War in the East, by William Simpson (1823-99). [Paul & Dominic Colnaghi & Co

Redan and Advanced Trenches of British Right Attack, 1856. Artist: Thomas Picken
Redan and Advanced Trenches of British Right Attack, 1856. Scene from the Siege of Sevastopol during the Crimean War. From The Seat of War in the East, by William Simpson (1823-99)

Sebastopol from Old Chersonese and Ancient Church of St Vladimir, 1856. Artists: William Simpson, E Walker
Sebastopol from Old Chersonese and Ancient Church of St Vladimir, 1856. From The Seat of War in the East, by William Simpson (1823-99). [Paul & Dominic Colnaghi & Co. London, 1856]

The Admiralty, Sebastopol, 1856. Artist: William Simpson
The Admiralty, Sebastopol, 1856. From The Seat of War in the East, by William Simpson (1823-99). [Paul & Dominic Colnaghi & Co. London, 1856]

Public Library and Temple of the Winds, 1856. Artist: William Simpson
Public Library and Temple of the Winds, 1856. The burning of buildings in the city of Sevastopol during the Crimean War. From The Seat of War in the East, by William Simpson (1823-99)

The Town Batteries or Interior Fortifications of Sebastopol, 1856. Artist: Thomas Picken
The Town Batteries or Interior Fortifications of Sebastopol, 1856. From The Seat of War in the East, by William Simpson (1823-99). [Paul & Dominic Colnaghi & Co. London, 1856]

The amusement of the soldiers before Sevastopol, 1855. Soldiers relaxing during the Siege of Sevastopol in the Crimean War. An engraving from the Cassells Illustrated Family Paper, London, 1855

French rifle pit in the parallel before the mamelon and white tower, Sevastopol, Crimean War, 1855
Interior of the French rifle pit in the parallel before the mamelon and white tower, Sevastopol, Crimean War, 1855. An engraving from the Cassells Illustrated Family Paper, (London, 1855)

The Peter and Paul Cathedral in Sevastopol after the Crimean War, Crimea, late 1850s. Sevastopol suffered extensive damage during the siege of the city in 1854-1855

Damaged building in Sevastopol after the Crimean War, Crimea, 1850s. Sevastopol suffered extensive damage during the siege of the city in 1854-1855

The South Bay and Cape Paul, Sevastopol, Crimea, 1850s. Buildings damaged during the siege of the city in the Crimean War can be seen in the foreground

The Siege of Sebastopol, 1854-1855 (c1850s). During the Crimean War (Russo-Turkish War) 1853-1856, Russian troops were besieged by the British and French at Sevastopol (Sebastopol)

Scene during the Siege of Sevastopol (Sebastapol), 1855. In the Crimean War (Russo-Turkish War), 1853-1856, Russian troops were under siege from 17 October 1854 to 8-9 September 1855

The fall of Sevastopol (Sebastopol), 1855. During the Crimean War (Russo-Turkish War) 1853-1856, Russian troops were under siege at Sevastopol from 17 October 1854 to 8-9 September 1855

Siege of Sebastopol, Crimean War, 1854-1855. Soldiers of a British Guards regiment working in the trenches during the 11-month allied siege of the Russian-held city

The New Works at the Siege of Sebastapol... Crimean War, 1853-1856. Artist: William Simpson
The New Works at the Siege of Sebastapol. Mortar battery on right of Jordans battery, Crimean War 1853-1856. From Illustrations of the War in the East by William Simpson. (London, 1855-1856)

A Hot Day in the Batteries, Crimean War, 1853-1856. Scene from the siege of Sebastopol, October 1854 to September 1855, showing one of the Allies batteries besieging the town

View of Sebastopol at the final assault, 1855. From An Illuminated History of North America, from the earliest period to the present time, published 1860

The Crimean War: the Siege of Sebastopol: Camp of the Siege Train (General Sir J. Burgoyne), at Sebastopol, 1854

Story of the siege of Sebastopol, by the soldiers of the army of the East, in the streets of Lyon. According to Mr. Steyert. France, 1855. The Crimean War. Engraving

Story of the siege of Sebastopol, by the soldiers of the army of the East, in the streets of Lyon. According to Mr. Steyert. France, 1855. The Crimean War. Engraving

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"The Siege of Sebastopol: A Glimpse into the Crimean War" Step back in time to the year 1855, where a Christmas dinner on the heights before Sevastopol paints a vivid picture of camaraderie amidst conflict. Captured by artist William Simpson, this heartwarming scene showcases soldiers finding solace and joy even in the midst of war. As we delve deeper into history, Robert Walker's map reveals the strategic intricacies of the Siege of Sevastopol during the Crimean War. The battle lines are drawn, highlighting both sides' determination to claim victory in this pivotal moment. One cannot ignore the breathtaking artwork depicting "The Taking of Malakoff" - an event that unfolded on September 8th, 1855. Through oil on canvas masterpieces created in both 1855 and later in 1858, these paintings immortalize brave soldiers storming enemy fortifications with unwavering courage. Engravings such as "The Redan, Sebastopol" provide us with glimpses into life within besieged walls. These images transport us to a world filled with tension and danger as troops defend their positions against relentless attacks. In contrast to these intense moments, plates from "The Seat of War in the East" series depict both hot nights and scorching days spent within batteries. Soldiers endure sweltering conditions while maintaining their resolve amidst constant bombardment – a testament to their resilience. Witnessing historical events unfold through engravings like "Retreat of Russians from South to North Side, " we gain insight into critical turning points during this siege. The ebb and flow of battles become apparent as forces maneuver for advantage across treacherous terrain. Amongst all these scenes lies one particularly significant event – "Storming of Great Redan. " This lithograph captures British officers leading courageous charges against formidable defenses; it epitomizes bravery under fire during this arduous campaign.