Simon Vouet Collection

Simon Vouet, French painter
5893242 Simon Vouet, French painter.; (add.info.: Portrait of Simon Vouet, French painter and draftsman 1590-1649. Copperplate engraving from Antoine-Joseph Dezallier d'Argenville's Abrege de)

Model for Altarpiece in St. Peter's (image 2 of 2), 1625. Creator: Simon Vouet
Model for Altarpiece in St. Peter's (image 2 of 2), 1625

Model for Altarpiece in St. Peter's (image 1 of 2), 1625. Creator: Simon Vouet
Model for Altarpiece in St. Peter's (image 1 of 2), 1625

Virginia da Vezzo, the Artist's Wife, as the Magdalen, c1627. Creator: Simon Vouet
Virginia da Vezzo, the Artist's Wife, as the Magdalen, c1627

Artemisia Building the Mausolaeum, early 1640s. Creator: Simon Vouet
Artemisia Building the Mausolaeum, early 1640s

Frontispiece, 1647. Creator: Michel Dorigny
Frontispiece, 1647

Hélène offrant à Ménélas la potion de la reine Polydamne, c1650. Creator: Workshop of Simon Vouet
Helene offrant a Menelas la potion de la reine Polydamne, c1650

Portrait de Michel de Le Masle (1587-1662), chanoine de Notre-Dame de Paris, secrétaire de
Portrait de Michel de Le Masle (1587-1662), chanoine de Notre-Dame de Paris, secretaire de Richelieu, c1646

Simon Vouet, 1630/36. Creators: Robert van Voerst, Anthony van Dyck
Simon Vouet, 1630/36

Plate, Sevres, 1834. Creator: Sevres Porcelain Manufactory
Plate, Sevres, 1834

Christ on the Cross with Mary Magdalene, 1640 / 50. Creator: Simon Vouet
Christ on the Cross with Mary Magdalene, 1640/50

Saint Veronica, c. 1630s (oil on canvas)
827739 Saint Veronica, c.1630s (oil on canvas) by Vouet, Simon (1590-1649); 59x47.5 cm; Private Collection; (add.info.: Saint Veronica. Simon Vouet (1590-1649). Oil on canvas

Portrait of Simon Vouet, 1590-1649, French painter, Premier peintre du Roi to King Louis XIII
6338913 Portrait of Simon Vouet, 1590-1649, French painter, Premier peintre du Roi to King Louis XIII by Vouet, Simon (1590-1649); (add.info.: Portrait of Simon Vouet, 1590-1649, French painter)

The Entombment, 1635-38 (oil on panel)
5938196 The Entombment, 1635-38 (oil on panel) by Vouet, Simon (1590-1649); 56.5x41.5 cm; Fitzwilliam Museum, University of Cambridge, UK; eFitzwilliam Museum; French, out of copyright

The Muses Urania and Calliope, c. 1634. Creators: Simon Vouet, Workshop of Simon Vouet
The Muses Urania and Calliope, c. 1634

Saint Jerome and the Angel, c. 1622 / 1625. Creator: Simon Vouet
Saint Jerome and the Angel, c. 1622/1625

Madonna and Child, 1633. Creator: Simon Vouet
Madonna and Child, 1633

Virginia da Vezzo, Wife of Simon Vouet, 1626. Creator: Claude Mellan
Virginia da Vezzo, Wife of Simon Vouet, 1626

Woman Playing a Guitar, ca. 1618. Creator: Simon Vouet
Woman Playing a Guitar, ca. 1618

Holy Family, 1633. Creator: Simon Vouet (French, 1590-1649)
Holy Family, 1633

Self-Portrait. Creator: Vouet, Simon (1590-1649)
Self-Portrait. Found in the Collection of Collection Motais de Narbonne

Self-Portrait, ca 1627. Found in the Collection of Musee des Beaux-Arts, Lyon

Simon Vouet, French Baroque era painter, (1825). Artist: John Corner
Simon Vouet, French Baroque era painter, (1825). An engraving of Vouet (1590-1649) from John Corners Portraits of Celebrated Painters, (London, 1825)

The Love which is Avenged, 17th century. Artist: Simon Vouet
The Love which is Avenged, 17th century

Louis XIII, 17th century. Artist: Simon Vouet
Louis XIII, 17th century. Louis XIII, King of France from 1610-1643, depicted between two figures representing France and Navarre. From the Musee du Louvre, Paris

Louis XIV King of France, 1648. Artist: Simon Vouet
Louis XIV King of France, 1648. Equestrian portrait of Louis (1638-1715) as a boy. Although Louis inherited the crown in 1643

Wealth, 1640. Artist: Simon Vouet
Wealth, 1640. A large serpentine figure of a woman draped in fabric is seated in front of an imposing architectural background

Polyhymnia, Muse of Eloquence, 17th century. Artist: Simon Vouet
Polyhymnia, Muse of Eloquence, 17th century. From the Musee du Louvre, Paris

Hercules And The Hydra Hercules Kills The Hydra
Hercules kills the Hydra, the second of Hercules twelve labours. Hercules nephew Iolaus is doing battle with him against the monster. From a print by Michel Dorigny after the painting by Simon Vouet

Two female figures sitting right board games
Two female figures, sitting to the right, board games of chance, paddle wheel boat, Simon Vouet, 1600 - 1659, paper, chalk, h 278 mm × w 210 mm

Young man Theagenes Leaning table Simon Vouet
Young man (Theagenes?), Leaning against a table, Simon Vouet, 1600 - 1649, paper, chalk, h 385 mm × w 217 mm

Young woman Chariclea Simon Vouet 1600 1649 paper
Young woman (Chariclea?), Simon Vouet, 1600 - 1649, paper, chalk, h 385 mm × w 217 mm

Faun satyr sitting right Simon Vouet 1600 1665
Faun or satyr, sitting to the right, Simon Vouet (possibly), 1600 - 1665, paper, chalk, h 220 mm × w 165 mm

Standing girl lifting skirt construction canal
Standing girl lifting her skirt, construction of canal, ramming, driving piles (building activities), Katwijk aan Zee, Katwijk aan den Rijn, Katwijks Kanaal, Simon Vouet, 1600 - 1659, paper, chalk

Portrait Simon Vouet French artist Simon Vouet
Portrait of Simon Vouet, Portrait of French artist Simon Vouet, his hand rests on a book, book, Simon Vouet, Robert van Voerst, London, 1627 - 1636, paper, engraving, h 246 mm × w 180 mm

Venus Adonis Simon Vouet French 1590 1649 France
Venus and Adonis; Simon Vouet (French, 1590 - 1649); France; about 1642; Oil on canvas; 132.7 x 96.5 cm (52 1, 4 x 38 in.)

Study Female Figure Putto recto Male Nude verso
Study of a Female Figure with a Putto (recto); Study of a Male Nude (verso); Simon Vouet (French, 1590 - 1649); France; about 1630 - 1635; Black chalk with white chalk; 38.7 × 21.7 cm (15 1)

Portrait Armand-Jean du Plessis Cardinal de Richelieu
Portrait of Armand-Jean du Plessis, Cardinal de Richelieu; Simon Vouet (French, 1590 - 1649); France; about 1632 - 1634; Black, white and red chalk and pastel; 27.3 x 21.1 cm (10 3, 4 x 8 5, 16 in.)

Two Crouching Nude Male Figures ca 1640 Black chalk heightened
Artokoloro

Allegorical Figures Ceiling Decoration 17th century
Artokoloro

St Louis Glory ca0-41 Black chalk heightened
Artokoloro

Virginia da Vezzo Wife Simon Vouet 1626 Engraving
Artokoloro

Michel Lasne after Simon Vouet, French (1590 or before-1667), Jean Charles Doria, 1620, engraving on laid paper

Simon Vouet and Studio, French (1590-1649), The Muses Urania and Calliope, c. 1634, oil on panel

Simon Vouet, French (1590-1649), Saint Jerome and the Angel, c. 1622-1625, oil on canvas

Claude Mellan after Simon Vouet (French, 1598 - 1688), Urban VIII, 1624, engraving on laid paper

Michel Dorigny (French, 1616-1665) after Simon Vouet (French, 1590-1649). St. Margaret with the Dragon, 1639. Engraving and etching

Portrait of Armand-Jean du Plessis, Cardinal de Richelieu; Simon Vouet, French, 1590 - 1649; France, Europe; about 1632 - 1634; Black

All Professionally Made to Order for Quick Shipping

Simon Vouet: A Master of 17th Century Art Simon Vouet, a renowned French painter, left an indelible mark on the art world with his exquisite creations. Born in 1590 and serving as Premier peintre du Roi to King Louis XIII, Vouet's talent knew no bounds. One of his notable works is "Queen and Slave, " a captivating piece from the School of Simon Vouet. This painting depicts the stark contrast between power and servitude, showcasing the artist's ability to convey emotion through brushstrokes. In another masterpiece titled "Christ on the Cross with Mary Magdalene, " created in 1640/50, Vouet captures the profound grief and anguish surrounding Jesus' crucifixion. The intensity of this scene is palpable, revealing his mastery over religious themes. Vouet also excelled at portraiture, evident in his self-portrait dating back to 1590-1649. This portrait showcases not only his technical skill but also provides insight into the man behind these extraordinary artworks. Among his religious paintings is "The Entombment" (1635-38), which portrays Christ's burial with great sensitivity and attention to detail. Through careful composition and use of color, Vouet brings this biblical event to life before our eyes. "The Muses Urania and Calliope" (c. 1634) demonstrates Vouet's ability to depict mythological subjects with elegance and grace. These muses exude creativity and inspiration while reflecting the influence of classical art on Renaissance painters like himself. Another striking artwork by Vouet is "Saint Jerome and the Angel" (c. 1622/25). In this piece, he captures Saint Jerome deep in contemplation as an angel whispers divine wisdom into his ear—a testament to both spiritual devotion and artistic brilliance.