Sinner Collection (page 8)

Last Judgment, the Seven Works of Mercy, and the Seven Deadly Sins, c. 1490-1499. Found in the Collection of Maagdenhuismuseum, Antwerp

The Penitent Mary Magdalene visited by the Seven Deadly Sins, c. 1608-1610. Private Collection

Standing Witch with Monster. Found in the Collection of Kunsthalle, Karlsruhe

Witches at a black mass. Artist: Dandini, Ottaviano (ca 1706-1740)
Witches at a black mass. Private Collection

The Fall of Lucifer. From Book of Hours, c. 1500. Artist: Anonymous
The Fall of Lucifer. From Book of Hours, c. 1500. Private Collection

Minerva Expelling the Vices from the Garden of Virtue. Artist: Mantegna, Andrea (1431-1506)
Minerva Expelling the Vices from the Garden of Virtue. Found in the collection of Louvre, Paris

Witches Sabbath, 1797-1798. Artist: Goya, Francisco, de (1746-1828)
Witches Sabbath, 1797-1798. Found in the collection of the Museo Lazaro Galdiano, Madrid

The Seven Virtues, c. 1450. Artist: Pesellino, Francesco di Stefano (1422-1457)
The Seven Virtues, c. 1450. Found in the collection of the Birmingham Museum of Art, Birmingham, Alabama

New Years Greeting with Three Witches, 1514. Artist: Baldung, Hans (1484-1545)
New Years Greeting with Three Witches, 1514. Found in the collection of the Albertina, Vienna

Man Having to Choose between the Virtues and Vices, 1635. Artist: Francken, Frans, the Younger (1581-1642)
Man Having to Choose between the Virtues and Vices, 1635. From a private collection

Dante and Virgil at the edge of the abyss from which a foetid smell steamed up, 1863. Artist: Gustave Dore
Dante and Virgil at the edge of the abyss from which a foetid smell steamed up, 1863. Italian poet Dante Alighieri (1265-1321) was a great admirer of Virgil

Christ and the Adulteress, c. 1508-10 (oil on canvas)
2650250 Christ and the Adulteress, c.1508-10 (oil on canvas) by Titian (Tiziano Vecellio) (c.1488-1576); Art Gallery and Museum, Kelvingrove, Glasgow

View of the Chapter Arm (Bras-du-Chapis) in Creteil en Val de Marne Postcard Private Collection
ELD4944521 View of the Chapter Arm (Bras-du-Chapis) in Creteil en Val de Marne Postcard Private Collection; (add.info.: View of the Chapter Arm (Bras-du-Chapis)

Triumphs of the Mother of God or Panos de Oro, c. 1500-02 (tapestry)
CUL4908866 Triumphs of the Mother of God or Panos de Oro, c.1500-02 (tapestry) by Coecke van Aelst, Pieter (1502-50) (attr)

The Garden of Earthly Delights. ca. 1560 (tapestry)
CUL4908343 The Garden of Earthly Delights. ca. 1560 (tapestry) by Bosch, Hieronymus (c.1450-1516) (after); 292x492 cm; (add.info)

Tapestry inspired by the work of Hieronymus Bosch, c. 1560 (gold, silver, silk and wool)
CUL4907312 Tapestry inspired by the work of Hieronymus Bosch, c.1560 (gold, silver, silk and wool) by Bosch, Hieronymus (c.1450-1516) (after); 298x368 cm; (add.info)

View of Martigues. Painting by Charles Malfroy (1862-1918). Oil on wood. Dim: 29, 5x40cm
JEB4862759 View of Martigues. Painting by Charles Malfroy (1862-1918). Oil on wood. Dim: 29, 5x40cm. Mandatory mention: Collection fondation regards de Provence, Marseille by Malfroy

Pecheurs ravauding the nets Painting by Louis Nattero (1875-1915) Mandatory mention
JEB4894435 Pecheurs ravauding the nets Painting by Louis Nattero (1875-1915) Mandatory mention: Collection foundation regards of Provence, Marseille by Nattero

The Garden of Earthly Delights. ca. 1560 (tapestry)
CUL4907712 The Garden of Earthly Delights. ca. 1560 (tapestry) by Bosch, Hieronymus (c.1450-1516) (after); 292x492 cm; (add.info)

The Garden of Earthly Delights. ca. 1560 (tapestry)
CUL4907821 The Garden of Earthly Delights. ca. 1560 (tapestry) by Bosch, Hieronymus (c.1450-1516) (after); 292x492 cm; (add.info)

Triumphs of the Mother of God or Panos de Oro, 1500-02 (tapestry)
CUL4908852 Triumphs of the Mother of God or Panos de Oro, 1500-02 (tapestry) by Coecke van Aelst, Pieter (1502-50); (add.info.: Triumphs of the Mother of God or Panos de Oro: Anunciation)

Jesus and the Adulteress (grisaille on wood)
XIR390390 Jesus and the Adulteress (grisaille on wood) by Venne, Adriaen Pietersz. van de (1589-1662); 58.5x61.8 cm; Musee des Beaux-Arts, Caen

U - Fauna fishing and naked woman among birds, a snake, an insect and fruits - Alphabet by T
DUV4221390 U - Fauna fishing and naked woman among birds, a snake, an insect and fruits - Alphabet by T. de Bry (new artistic alphabet), 1880 (engraving) by Bry

Y - Deux cherubins - Alphabet by T. de Bry (new artistic alphabet), 1880 (engraving)
DUV4221365 Y - Deux cherubins - Alphabet by T. de Bry (new artistic alphabet), 1880 (engraving) by Bry, Theodor de (1528-98); 27x18.5 cm; Private Collection; (add.info.: 28-page booklet - G)

R - Un Romain (holding a cimetererre and a branch of palm) - Alphabet by T
DUV4221397 R - Un Romain (holding a cimetererre and a branch of palm) - Alphabet by T. de Bry (new artistic alphabet), 1880 (engraving) by Bry

Triumphs of the Mother of God or Panos de Oro, 1500-02 (tapestry)
CUL4908839 Triumphs of the Mother of God or Panos de Oro, 1500-02 (tapestry) by Coecke van Aelst, Pieter (1502-50); (add.info.: Triumphs of the Mother of God or Panos de Oro: Anunciation)

Detail of the Last Judgement, 1525 (oil on panel)
490013 Detail of the Last Judgement, 1525 (oil on panel) by Provoost, Jan (c.1465-1529); Groeningemuseum, Bruges, Belgium; (add.info)

Detail of the Last Judgement, 1551 (oil on panel)
489993 Detail of the Last Judgement, 1551 (oil on panel) by Pourbus, Pieter Jansz. (1523-84); Groeningemuseum, Bruges, Belgium; (add.info.: See 489991.); © Art in Flanders

The Last Judgement, 1525 (oil on panel)
490011 The Last Judgement, 1525 (oil on panel) by Provoost, Jan (c.1465-1529); 145x169 cm; Groeningemuseum, Bruges, Belgium; (add.info)

Pecheurs dans la Vieux Port de Marseille Painting by Fernand Van Den Bussche (1892-1975) 20th century Mandatory mention
JEB4884627 Pecheurs dans la Vieux Port de Marseille Painting by Fernand Van Den Bussche (1892-1975) 20th century Mandatory mention: Collection foundation regards de Provence, Marseille by Bussche

The sinner, in Imagier de l'enfance, c. 1900 (engraving)
DUV4206283 The sinner, in Imagier de l enfance, c.1900 (engraving) by Raffin, Ferdinand (1870?-1948); 14.5 x 18.5 cm; Private Collection; (add.info.: The sinner)

Landscape of Boats on the Seashore (oil on canvas, 19th-20th century)
LRI4692591 Landscape of Boats on the Seashore (oil on canvas, 19th-20th century) by Figari, Andrea (1858-1945); Galleria d Arte Moderna, Musei Nervi, Genoa

Marche sur les quais sur les coasts du Nord - in "Garirlande des dunes"by Emile Verhaeren, ill. by H
LSE4084779 Marche sur les quais sur les coasts du Nord - in " Garirlande des dunes" by Emile Verhaeren, ill. by H. Cassiers, ed

The return of fishing, in Imagier de l'enfance, c. 1900 (engraving)
DUV4206300 The return of fishing, in Imagier de l enfance, c.1900 (engraving) by Raffin, Ferdinand (1870?-1948); 14.5 x 18.5 cm; Private Collection; (add.info.: The return of fishing)

Return of fishing on the northern coasts - in "Garirlande des dunes"by Emile Verhaeren, ill. by H
LSE4084774 Return of fishing on the northern coasts - in " Garirlande des dunes" by Emile Verhaeren, ill. by H. Cassiers, ed

On the beach, in Imagier de l'enfance, c. 1900 (engraving)
DUV4206223 On the beach, in Imagier de l enfance, c.1900 (engraving) by Raffin, Ferdinand (1870?-1948); 14.5 x 18.5 cm; Private Collection; (add.info.: On the beach)

Fishing scene: grabbing to the fins, a man rides a whale (dolphin or orca - epaulard)
PCT4261073 Fishing scene: grabbing to the fins, a man rides a whale (dolphin or orca - epaulard) swimming on the surface of the sea. Engraving 19th by Yan Dargent

Shark fishing. Engraving 19th by Yan Dargent. A fisherman takes the pose, standing on the failed shark on the beach
PCT4261056 Shark fishing. Engraving 19th by Yan Dargent. A fisherman takes the pose, standing on the failed shark on the beach that he pretends to harpoon

Shark fishing. Engraving 19th by Yan Dargent. Two fishermen (a white man and a black man)
PCT4261076 Shark fishing. Engraving 19th by Yan Dargent. Two fishermen (a white man and a black man) harpoons from the beach of sharks swimming near the shore

Rixe on the old port of Marseille Painting by Francois Marius Valere Bernard (1860-1936)
JEB4882875 Rixe on the old port of Marseille Painting by Francois Marius Valere Bernard (1860-1936), Mandatory mention: Collection foundation regards de provence, Marseille by Bernard

Return from the Tempete A sailor knocks at the door of a woman of a sinner who died in a tempete to tell her the news
JLJ4665831 Return from the Tempete A sailor knocks at the door of a woman of a sinner who died in a tempete to tell her the news

The sinking of two fishing boats off the coast of the Finistere, following a violent storm
XEE4189086 The sinking of two fishing boats off the coast of the Finistere, following a violent storm. Illustration from " Le petit journal" 07/06/1925 Collection privee by Anonymous;

Shark fishing. Engraving 19th by Yan Dargent. A shark came up at the end of a line aboard the boat
PCT4261065 Shark fishing. Engraving 19th by Yan Dargent. A shark came up at the end of a line aboard the boat. by Dargent, Jean Edouard (Yan) (1824-99); (add.info.: Shark fishing)

A dog and a monkey tyranning a weasel. Animals depicted in male posture. Miniature taken from a German translation of
JLJ4583962 A dog and a monkey tyranning a weasel. Animals depicted in male posture. Miniature taken from a German translation of the fables of " Kalila (Calila) and Dimna" by Bidpai

Panel of the Descent into Limbo, from the altarpiece of the convent of Santo Sepulchro, Zaragoza (tempera on panel)
IND112756 Panel of the Descent into Limbo, from the altarpiece of the convent of Santo Sepulchro, Zaragoza (tempera on panel) by Serra, Jaume (fl.1358-95); Museo Provincial de Bellas Artes, Zaragoza

Fol. 89v Christ warns the adulteress not to sin anymore (vellum)
ALI142921 Fol.89v Christ warns the adulteress not to sin anymore (vellum) by Italian School, (15th century); Biblioteca Reale, Turin, Piedmont, Italy; (add.info.: Codex de Predis; ); Alinari

Fol. 89R The Pharisees present to Christ a woman caught in adultery (vellum)
ALI142922 Fol.89R The Pharisees present to Christ a woman caught in adultery (vellum) by Italian School, (15th century); Biblioteca Reale, Turin, Piedmont

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"Sinner: A Journey through the Depths of Humanity" In Dante's Divine Comedy they can confronted with their own transgressions as they traverse the circles of Hell. The frontispiece vividly captures Dante's descent into the abyss, a haunting reminder of the consequences that await those who stray from righteousness. Goya's "Witches in Flight" and Fussli's "The Weird Sisters" depict the allure and danger of dark magic, where sin takes on an otherworldly form. These captivating artworks serve as cautionary tales, reminding us of the temptations that can lead one astray. "The Witches Sabbath by Moonlight" and "Initiation of a Witch" reveal sinister gatherings where wickedness thrives under cover of darkness. These chilling scenes remind us that evil often lurks in unexpected places, waiting to ensnare unsuspecting souls. Posada's depiction of a rich man hounded by the Seven Deadly Sins serves as a stark reminder that even wealth cannot shield one from moral corruption, and is a powerful portrayal of how our desires can consume us if left unchecked. The image capturing Glace Bay seal fishermen venturing around Cape Breton on an iceberg reminds us that recklessness can lead to dire consequences. Just like these brave but misguided men, we must navigate life's treacherous waters with caution lest we become victims to our own folly. The monstrous witch on her broomstick transports us back to an era when superstition reigned supreme. This eerie artwork serves as a reminder that fear and ignorance can breed hatred and persecution against those deemed different or unconventional. "Irvingites; Wrestling" portrays individuals locked in spiritual struggle, wrestling with their inner demons while seeking redemption. It symbolizes our constant battle between good and evil within ourselves—a testament to humanity’s inherent flaws yet also its capacity for growth and change. Finally, C17 Autopsy reveals the grim reality faced by sinners in death.