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Sir David Collection

"Sir David: A Master of Artistic Portraits and Historical Scenes" Step into the world of Sir David

Background imageSir David Collection: The Highland Family, 1824. Creator: David Wilkie

The Highland Family, 1824. Creator: David Wilkie
The Highland Family, 1824

Background imageSir David Collection: The First Ear Ring, 1849. Artist: William Greatbach

The First Ear Ring, 1849. Artist: William Greatbach
The First Ear Ring, 1849

Background imageSir David Collection: Lady Hester Stanhope in Oriental Dress, early 19th century?, (1942). Creator: David Wilkie

Lady Hester Stanhope in Oriental Dress, early 19th century?, (1942). Creator: David Wilkie
Lady Hester Stanhope in Oriental Dress, early 19th century?, (1942). Portrait of Hester Lucy Stanhope (1776-1839), British socialite, adventurer and traveller. A sketch made in 1841

Background imageSir David Collection: King Alfred in Neatherd Cottage, 1806, (1912). Artist: David Wilkie

King Alfred in Neatherd Cottage, 1806, (1912). Artist: David Wilkie
King Alfred in Neatherd Cottage, 1806, (1912). From Bibbys Annual 1912, [J. Bibby & Sons, Liverpool, 1912]

Background imageSir David Collection: A Study for Sir David Baird Discovering the Body of Tipu Sahib, 1838 (pencil)

A Study for Sir David Baird Discovering the Body of Tipu Sahib, 1838 (pencil, black chalk and watercolour)
651940 A Study for Sir David Baird Discovering the Body of Tipu Sahib, 1838 (pencil, black chalk and watercolour) by Wilkie

Background imageSir David Collection: The Vicars Close, Wells Cathedral, 1924 (oil on canvas)

The Vicars Close, Wells Cathedral, 1924 (oil on canvas)
657437 The Vicars Close, Wells Cathedral, 1924 (oil on canvas) by Murray, David (1849-1933); Private Collection; (add.info.: The Vicars Close, Wells Cathedral. Sir David Murray (1849-1933)

Background imageSir David Collection: Grace Before Meat, 1839. Creator: David Wilkie

Grace Before Meat, 1839. Creator: David Wilkie
Grace Before Meat, 1839

Background imageSir David Collection: Portrait Of King William The Fourth (1765-1837), 1838. Creator: David Wilkie

Portrait Of King William The Fourth (1765-1837), 1838. Creator: David Wilkie
Portrait Of King William The Fourth (1765-1837), 1838

Background imageSir David Collection: Portrait of Abram Jacob Messir, 1841. Creator: David Wilkie

Portrait of Abram Jacob Messir, 1841. Creator: David Wilkie
Portrait of Abram Jacob Messir, 1841

Background imageSir David Collection: [Sir David Brewster], 1860s. Creator: John & Charles Watkins

[Sir David Brewster], 1860s. Creator: John & Charles Watkins
Sir David Brewster, 1860s

Background imageSir David Collection: Sir David Brewster, ca. 1844. Creators: David Octavius Hill, Robert Adamson

Sir David Brewster, ca. 1844. Creators: David Octavius Hill, Robert Adamson
Sir David Brewster, ca. 1844

Background imageSir David Collection: Highlander, early 19th century, (1946). Creator: David Wilkie

Highlander, early 19th century, (1946). Creator: David Wilkie
Highlander, early 19th century, (1946). A Scot in traditional tartan kilt and full plaid - a length of fabric matching the kilt, worn draped over the shoulder and tucked into the belt

Background imageSir David Collection: Study for Penny Wedding, 1817, (1946). Creator: David Wilkie

Study for Penny Wedding, 1817, (1946). Creator: David Wilkie
Study for Penny Wedding, 1817, (1946). The penny wedding, common in Scotland, was a marriage ceremony where each guest paid a penny towards the expenses (for the food and the musicians)

Background imageSir David Collection: A Hampshire Haying, c1891, (c1930). Creator: David Murray

A Hampshire Haying, c1891, (c1930). Creator: David Murray
A Hampshire Haying, c1891, (c1930). A farmworker drives his cart piled high with hay, hurrying home before the oncoming storm soaks the hay

Background imageSir David Collection: Driving the Cows, Hampshire, 1892, (c1930). Creator: David Murray

Driving the Cows, Hampshire, 1892, (c1930). Creator: David Murray
Driving the Cows, Hampshire, 1892, (c1930). A man herds cows as he punts a boat along a shallow water channel. Painting in the Leeds Art Gallery, Yorkshire

Background imageSir David Collection: The Cross on the Dunes, late 19th-early 20th century, (c1930). Creator: David Murray

The Cross on the Dunes, late 19th-early 20th century, (c1930). Creator: David Murray
The Cross on the Dunes, late 19th-early 20th century, (c1930). A man crosses himself in front of a wooden crucifix. From " Modern Masterpieces of British Art". [The Amalgamated Press Ltd

Background imageSir David Collection: Charge of Highlanders at Seringapatam, (1799), 1890. Creator: Unknown

Charge of Highlanders at Seringapatam, (1799), 1890. Creator: Unknown
Charge of Highlanders at Seringapatam, (1799), 1890. The Siege of Seringapatam (5 April-4 May 1799) in the Fourth Anglo-Mysore War between the British East India Company and the Kingdom of Mysore

Background imageSir David Collection: David Wilkie, R. A. 1881. Creator: Unknown

David Wilkie, R. A. 1881. Creator: Unknown
David Wilkie, R.A. 1881. Sir David Wilkie RA (1785-1841) From " The Leisure Hour 1881", by. [The Religious Tract Society, London, 1881]

Background imageSir David Collection: Blind Mans Buff, 1812, (mid 19th century). Creator: William Greatbach

Blind Mans Buff, 1812, (mid 19th century). Creator: William Greatbach
Blind Mans Buff, 1812, (mid 19th century). A group of people playing a game - some young men take advantage of the situation to grab and kiss one of the women

Background imageSir David Collection: The Bag Piper, from a picture by David Wlkie, R. A. Creator: Augustus Fox

The Bag Piper, from a picture by David Wlkie, R. A. Creator: Augustus Fox
The Bag Piper, 1829. Engraving after a painting of 1813, in the Tate Gallery, London

Background imageSir David Collection: David Wilkie, Esq. R. A. 1834. Creator: Henry Robinson

David Wilkie, Esq. R. A. 1834. Creator: Henry Robinson
David Wilkie, Esq. R.A. 1834. Portrait of Scottish painter Sir David Wilkie (1785-1841). [Fisher, Son & Co. London, 1834]

Background imageSir David Collection: Snow, early 19th century. Creator: J Moffat

Snow, early 19th century. Creator: J Moffat
Snow, early 19th century. Illustrations showing the structure of ice crystals which form snowflakes, as seen under the microscope

Background imageSir David Collection: Reaping Machine, early 19th century. Creator: J Moffat

Reaping Machine, early 19th century. Creator: J Moffat
Reaping Machine, early 19th century. Diagram of a farm implement used for harvesting crops mechanically. Plate CCCCLXXIX from the " Edinburgh Encyclopaedia" edited by David Brewster

Background imageSir David Collection: Conchology, early 19th century. Creator: J Moffat

Conchology, early 19th century. Creator: J Moffat
Conchology, early 19th century. From the " Edinburgh Encyclopaedia" edited by David Brewster. [Edinburgh, 1808-1830]

Background imageSir David Collection: Reading the Will, c1820. Creator: William Greatbach

Reading the Will, c1820. Creator: William Greatbach
Reading the Will, c1820. The numerous heirs gather round the lawyer seated at the table, on which are coins, bottles and glasses. One stands close with an ear trumpet

Background imageSir David Collection: Meadow Sweets, 1893, (c1902). Creator: Unknown

Meadow Sweets, 1893, (c1902). Creator: Unknown
Meadow Sweets, 1893, (c1902). After a painting in the Walker Art Gallery, Liverpool. Rural scene with wildflowers, and farm labourers loading a haycart in the distance. From The Nations Pictures

Background imageSir David Collection: Driving The Cows, Hampshire, 1892, (c1902). Creator: Unknown

Driving The Cows, Hampshire, 1892, (c1902). Creator: Unknown
Driving The Cows, Hampshire, 1892, (c1902). After a painting in the Leeds Art Gallery. Rural scene in the south of England; a man drives cattle down a stream using a boat. From The Nations Pictures

Background imageSir David Collection: The Jews Harp, c1808. Artist: Edward Smith

The Jews Harp, c1808. Artist: Edward Smith
The Jews Harp, c1808. Engraving after a painting in Sudley House, Liverpool. The Jews Harp, also known as the jaw harp, mouth harp, Ozark harp or juice harp

Background imageSir David Collection: Sir David Salomans. 1858. Artist: William Behnes

Sir David Salomans. 1858. Artist: William Behnes
Sir David Salomans. 1858

Background imageSir David Collection: Sir David Salomans. c1856. Artist: Solomon Alexander Hart

Sir David Salomans. c1856. Artist: Solomon Alexander Hart
Sir David Salomans. c1856. Full length portrait in ceremonial dress

Background imageSir David Collection: Greenwich Pensioner in the character of Commodore Trunion, Greenwich Hospital, London, 1826

Greenwich Pensioner in the character of Commodore Trunion, Greenwich Hospital, London, 1826
Greenwich Pensioner in the character of Commodore Trunion, Greenwich Hospital, Greenwich, London, 1826. He is dressed in uniform and exudes an imposing air through expression

Background imageSir David Collection: Matthias Prime Lucas, Lord Mayor 1827 and President of St. Batholomews Hospital

Matthias Prime Lucas, Lord Mayor 1827 and President of St. Batholomews Hospital
Portrait of Matthias Prime Lucas, Lord Mayor 1827 and President of St Batholomews Hospital

Background imageSir David Collection: Sir David Baird (Colonel 24th Regiment), c1812 (1909). Artist: Thomas Hodgetts

Sir David Baird (Colonel 24th Regiment), c1812 (1909). Artist: Thomas Hodgetts
Sir David Baird (Colonel 24th Regiment), c1812 (1909). After Sir Henry Raeburn RA (1756-1823). Sir David Baird (1757-1829) was a British General. From British Military Prints, by Ralph Nevill

Background imageSir David Collection: John Knox Preaching before the Lords of the Congregation, 10 June 1559, c1827, (1912)

John Knox Preaching before the Lords of the Congregation, 10 June 1559, c1827, (1912). Artist: David Wilkie
John Knox Preaching before the Lords of the Congregation, 10 June 1559, c1827, (1912). John Knox (1513-1572) a Scottish clergyman, theologian

Background imageSir David Collection: Stenography, c1813. Artist: John Moffat

Stenography, c1813. Artist: John Moffat
Stenography, c1813. From Edinburgh Encyclopaedia, by David Brewster. [William Blackwood, London, c1813]

Background imageSir David Collection: Steam Engine, c1813. Artist: John Moffat

Steam Engine, c1813. Artist: John Moffat
Steam Engine, c1813. From Edinburgh Encyclopaedia, by David Brewster. [William Blackwood, London, c1813]

Background imageSir David Collection: Chaff-Cutter, c1813. Artist: Edmund Turrell

Chaff-Cutter, c1813. Artist: Edmund Turrell
Chaff-Cutter, c1813. After John Farey Junior (1791-1851). From Edinburgh Encyclopaedia, by David Brewster. [William Blackwood, London, c1813]

Background imageSir David Collection: Paper Making, c1813. Artist: John Moffat

Paper Making, c1813. Artist: John Moffat
Paper Making, c1813. From Edinburgh Encyclopaedia, by David Brewster. [William Blackwood, London, c1813]

Background imageSir David Collection: Sir David Baird Discovering the Body of Tippoo Sultaun, 1799 (1878). Artist: M Nargert

Sir David Baird Discovering the Body of Tippoo Sultaun, 1799 (1878). Artist: M Nargert
Sir David Baird Discovering the Body of Tippoo Sultaun, 1799 (1878). General Sir David Baird (1757?1829) discovering the body of Sultan Tippoo Sahib (1750)

Background imageSir David Collection: The Defence of Saragoosa, 1808-9, (1878). Artist: William Home Lizars

The Defence of Saragoosa, 1808-9, (1878). Artist: William Home Lizars
The Defence of Saragoosa, 1808-9, (1878). The Second Siege of Zaragoza was the French capture of the Spanish city of Zaragoza (also known as Saragossa) during the Peninsular War

Background imageSir David Collection: The Bagpiper, c1845. Artist: Robert Charles Bell

The Bagpiper, c1845. Artist: Robert Charles Bell
The Bagpiper, c1845. After Sir David Wilkie (1785-1841)

Background imageSir David Collection: The Clubbists, 1860. Artist: William Greatbach

The Clubbists, 1860. Artist: William Greatbach
The Clubbists, 1860. After Sir David Wilkie (1785?1841)

Background imageSir David Collection: Columbus at the Convent of La Rabida, 1490 (19th century). Artist: H Lemon

Columbus at the Convent of La Rabida, 1490 (19th century). Artist: H Lemon
Columbus at the Convent of La Rabida, 1490 (19th century). Christopher Columbus visited the Franciscan monastery of La Rabida in Andalusia in 1490 to consult with the friars on his plans for a voyage

Background imageSir David Collection: The Hooka-Badar, c1820-1850. Artist: C Cousen

The Hooka-Badar, c1820-1850. Artist: C Cousen
The Hooka-Badar, c1820-1850

Background imageSir David Collection: Sir David Wilkie (1785-1841), Scottish painter, 19th century. Artist: Henry Robinson

Sir David Wilkie (1785-1841), Scottish painter, 19th century. Artist: Henry Robinson
Sir David Wilkie (1785-1841), Scottish painter, 19th century

Background imageSir David Collection: Sir David Brewster, 19th century. Artist: Henry Raeburn

Sir David Brewster, 19th century. Artist: Henry Raeburn
Sir David Brewster, 19th century

Background imageSir David Collection: William IV of the United Kingdom, 19th century. Artist: A Krausse

William IV of the United Kingdom, 19th century. Artist: A Krausse
William IV of the United Kingdom, 19th century. Portrait of King William IV (1765-1837) who came to the throne in 1830

Background imageSir David Collection: Sir David Wilkie, Scottish painter, 19th century. Artist: H Robinson

Sir David Wilkie, Scottish painter, 19th century. Artist: H Robinson
Sir David Wilkie, Scottish painter, 19th century. Portrait of Wilkie (1785-1841)



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"Sir David: A Master of Artistic Portraits and Historical Scenes" Step into the world of Sir David, a renowned artist whose brushstrokes captured the essence of his subjects with remarkable precision. From Lady Hester Stanhope's enchanting Oriental Dress to King Alfred finding solace in Neatherd Cottage, Sir David Wilkie's early 19th-century creations transport us through time. Intriguingly, a study for "Sir David Baird Discovering the Body of Tipu Sahib" showcases his mastery over pencil, black chalk, and watercolor. The intensity in this piece reflects both historical significance and artistic brilliance. Moving on to architectural wonders, we find ourselves immersed in "The Vicars Close, " an oil-on-canvas masterpiece depicting Wells Cathedral's tranquil surroundings. Sir David effortlessly captures the serenity that emanates from these hallowed grounds. Wilkie's talent extends beyond capturing scenes; he also delves into human emotions and rituals. In "Grace Before Meat, " he portrays a heartfelt moment as individuals gather around a table to give thanks before sharing their meal—a testament to his ability to evoke sentiment through art. Royal figures grace Wilkie's canvas too; behold the regal presence of King William IV in his portrait from 1838. Every stroke reveals not only physical likeness but also hints at the monarch's character and influence during that era. Delving deeper into portraiture, Abram Jacob Messir comes alive under Sir David's skilled hand. This 1841 creation immortalizes Messir with striking realism—an intimate glimpse into one man’s life preserved for eternity. Two captivating photographs capture another distinguished figure—Sir David Brewster—through different lenses. John & Charles Watkins' lens transports us back to the 1860s while Hill and Adamson provide an earlier snapshot ca. 1844—an intriguing juxtaposition revealing Brewster’s evolution over time.