Sir Edward Coley Burne Jones Collection

Sponsa De Libano, 1891, (c1930). Creator: Sir Edward Coley Burne-Jones
Sponsa De Libano, 1891, (c1930). The North and South Winds blow on the Bride of Lebanon. The lilies symbolise her virginity

The Green Dining-room at South Kensington Museum, c1870. Creator: Unknown
The Green Dining-room at South Kensington Museum, c1870. Interior of what is now the Victoria & Albert Museum in London. Decoration designed by William Morris (1834-1896)

Cupid's hunting fields, 1880 (oil on canvas)
930319 Cupid's hunting fields, 1880 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); Victoria & Albert Museum, London, UK; Photo © Stefano Baldini

Edward Burne Jones and William Morris, 1874 (b / w photo)
2625505 Edward Burne Jones and William Morris, 1874 (b/w photo) by Hollyer, Frederick (1837-1933); (add.info.: British 19th century artists Edward Burne Jones and William Morris)

Title page and opening page from the Kelmscott Press edition of
985837 Title page and opening page from the Kelmscott Press edition of The Works of Geoffrey Chaucer, 1896 (woodcut on vellum) by Burne-Jones, Edward Coley (1833-98) & Morris

Portrait of the artist Edward Burne Jones (engraving)
672752 Portrait of the artist Edward Burne Jones (engraving); (add.info.: Burne Jones - engraving Sir Edward Coley Burne-Jones)

Sir Edward Coley Burne-Jones (engraving)
3116269 Sir Edward Coley Burne-Jones (engraving); Private Collection; (add.info.: British artist and designer. From The Century Edition of Cassell's History of England, published c. 1900).

Sir Philip Burne-Jones, holding cat (photo)
681375 Sir Philip Burne-Jones, holding cat (photo); (add.info.: Sir Philip Burne-Jones, holding cat; son of Edward Burne-Jones); Universal History Archive/UIG.

The Golden Legend: the Golden Legend of Master William Caxton done anew, 1892

The Birth of Galatea, 1885. Creator: Charles William Campbell
The Birth of Galatea, 1885. Greek mythology: ivory statue carved by Pygmalion of Cyprus, which came to life

Sir Edward Burne-Jones, Bart, DCL (engraving)
970428 Sir Edward Burne-Jones, Bart, DCL (engraving); Private Collection; (add.info.: Sir Edward Burne-Jones, Bart, DCL. Illustration for Notables of Britain (Review of Reviews)

Head crowned with leaves, c.1897 (pencil on paper)
NGW405353 Head crowned with leaves, c.1897 (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 20x15 cm; National Museum Wales; National Museums & Galleries of Wales

Drapery study for King Cophetua, c.1883 (graphite on paper)
NGW405351 Drapery study for King Cophetua, c.1883 (graphite on paper) by Burne-Jones, Edward Coley (1833-98); 35.5x25.2 cm; National Museum Wales; National Museums & Galleries of Wales

Study of a Head (oil on panel)
NGW239411 Study of a Head (oil on panel) by Burne-Jones, Edward Coley (1833-98); 35.5x25.6 cm; National Museum Wales; National Museums & Galleries of Wales

Perseus and the Graiae, 1875-78 (mixed media)
NGW342644 Perseus and the Graiae, 1875-78 (mixed media) by Burne-Jones, Edward Coley (1833-98); 170.2x153.2 cm; National Museum Wales; (add.info.: made from: gold leaf, silver leaf)

Venus Discordia (oil on canvas)
NGW184264 Venus Discordia (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 128.2x209.8 cm; National Museum Wales; National Museums & Galleries of Wales

Head, 1885 (pencil on paper)
NGW405352 Head, 1885 (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 24.4x15.1 cm; National Museum Wales; National Museums & Galleries of Wales

Spring, 1894 (pencil & red chalk)
FFA178176 Spring, 1894 (pencil & red chalk) by Burne-Jones, Edward Coley (1833-98); 45.7x20.3 cm; Private Collection

Danae and the brazen Tower, 1872. Artist: Edward Burnes-Jones
Danae and the brazen Tower, 1872. Painting held at The Ashmolean Museum of Art and Archaeology, Oxford. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford

Danae, or The Tower of Brass, 1887-88 (oil on canvas)
GLS111327 Danae, or The Tower of Brass, 1887-88 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); 231.1x113 cm; Art Gallery and Museum, Kelvingrove, Glasgow

The Angel (oil on panel)
GLS314063 The Angel (oil on panel) by Burne-Jones, Edward Coley (1833-98); 26.7x19.1 cm; Glasgow Museums, UK; (add.info.: playing a flageolet.); © CSG CIC Glasgow Museums Collection

The Sleeping Beauty, 1871 (w/c, bodycolour & gold paint on vellum)
MAN63033 The Sleeping Beauty, 1871 (w/c, bodycolour & gold paint on vellum) by Burne-Jones, Edward Coley (1833-98); 25.9x36 cm; Manchester Art Gallery

Cupid and Psyche, 1865-87 (w/c, bodycolour & gold paint on wove paper)
MAN63032 Cupid and Psyche, 1865-87 (w/c, bodycolour & gold paint on wove paper) by Burne-Jones, Edward Coley (1833-98); 64.9x49.4 cm; Manchester Art Gallery

Sibylla Delphica, 1868 (oil on panel)
MAN62938 Sibylla Delphica, 1868 (oil on panel) by Burne-Jones, Edward Coley (1833-98); 152.8x60.3 cm; Manchester Art Gallery

Scene of King Rene sculpting a figure while being watched by his new bride
451293 Scene of King Rene sculpting a figure while being watched by his new bride (pen & india ink with wash and pencil on paper) by Burne-Jones

Unpainted masterpieces (self-caricature) (pen & ink on paper)
BIR185843 Unpainted masterpieces (self-caricature) (pen & ink on paper) by Burne-Jones, Edward Coley (1833-98); 17.6x10.7 cm; Birmingham Museums and Art Gallery

Study for the Briar Rose Series, 1889 (oil on canvas)
7388603 Study for the Briar Rose Series, 1889 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); Birmingham Museums and Art Gallery; (add.info)

Study for the Briar Rose Series, The Garden Court, 1889 (oil on canvas)
7388606 Study for the Briar Rose Series, The Garden Court, 1889 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); Birmingham Museums and Art Gallery; (add.info)

Study for the Briar Rose Series, The Garden Court, 1889 (oil on canvas)
7388604 Study for the Briar Rose Series, The Garden Court, 1889 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); Birmingham Museums and Art Gallery; (add.info)

Two Female Heads, 1865-66 (chalk on paper)
BIR100720 Two Female Heads, 1865-66 (chalk on paper) by Burne-Jones, Edward Coley (1833-98); Birmingham Museums and Art Gallery; (add.info.: by Edward Coley Burne-Jones)

Study for the Briar Rose Series, The Garden Court, 1889 (oil on canvas)
7388605 Study for the Briar Rose Series, The Garden Court, 1889 (oil on canvas) by Burne-Jones, Edward Coley (1833-98); Birmingham Museums and Art Gallery; (add.info)

The Worship of the Lamb, design for a stained glass window at St Edmund Hall, Oxford, 1865 (pencil on paper)
BIR185842 The Worship of the Lamb, design for a stained glass window at St Edmund Hall, Oxford, 1865 (pencil on paper) by Burne-Jones

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Sir Edward Burne-Jones painting The Star of Bethlehem in his studio, 1890 (b/w photo)
XJF366938 Sir Edward Burne-Jones painting The Star of Bethlehem in his studio, 1890 (b/w photo) by Sotheby (nee Leighton)

7388098

Study of a horse's head (pencil on paper)
PNH452510 Study of a horse's head (pencil on paper) by Burne-Jones, Edward Coley (1833-98); 16x12 cm; Private Collection; Photo © Peter Nahum at The Leicester Galleries, London

Great bookcase, 1859-62 (pine, carved, painted and gilded)
7246644 Great bookcase, 1859-62 (pine, carved, painted and gilded) by English School, (19th century); 317.5x173.9x49.5 cm; Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

Great bookcase, 1859-62 (pine, carved, painted and gilded)
7247006 Great bookcase, 1859-62 (pine, carved, painted and gilded) by English School, (19th century); 317.5x173.9x49.5 cm; Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

Great bookcase, 1859-62 (pine, carved, painted and gilded)
7246562 Great bookcase, 1859-62 (pine, carved, painted and gilded) by English School, (19th century); 317.5x173.9x49.5 cm; Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

The Prioress Tale, decorated wardrobe, designed by Philip Webb (1831-1915), 1859 (oil on panel)
7246991 The Prioress Tale, decorated wardrobe, designed by Philip Webb (1831-1915), 1859 (oil on panel) by Burne-Jones, Edward Coley (1833-98); Ashmolean Museum, University of Oxford

Great bookcase, 1859-62 (pine, carved, painted and gilded)
7250216 Great bookcase, 1859-62 (pine, carved, painted and gilded) by English School, (19th century); 317.5x173.9x49.5 cm; Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

Great bookcase, 1859-62 (pine, carved, painted and gilded)
7249864 Great bookcase, 1859-62 (pine, carved, painted and gilded) by English School, (19th century); 317.5x173.9x49.5 cm; Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

Great bookcase, 1859-62 (pine, carved, painted and gilded)
7249622 Great bookcase, 1859-62 (pine, carved, painted and gilded) by English School, (19th century); 317.5x173.9x49.5 cm; Ashmolean Museum, University of Oxford, UK; © Ashmolean Museum

The Passing of Venus, c. 1875 (oil on panel)
MH11890 The Passing of Venus, c.1875 (oil on panel) by Burne-Jones, Edward Coley (1833-98); Exeter College, Oxford, UK; © Martin Harrison

The Battle of Beth Horon, 1862-3 (stained glass)
3474767 The Battle of Beth Horon, 1862-3 (stained glass) by Burne-Jones, Edward Coley (1833-98); St Michael, Lyndhurst, UK; (add.info.: Manufactured by Morris, Marshall, Faulkner & Co)

Perseus and Andromeda, study for The Doom Fulfilled, 1875 (gouache with gold paint on board)
5859143 Perseus and Andromeda, study for The Doom Fulfilled, 1875 (gouache with gold paint on board) by Burne-Jones, Edward Coley (1833-98); 33--30 cm; The Art Institute of Chicago, IL

Christ Blessing the Little Children, 1892-93 (black & white chalks on paper)
PNH356957 Christ Blessing the Little Children, 1892-93 (black & white chalks on paper) by Burne-Jones, Edward Coley (1833-98); Private Collection; (add.info)

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Sir Edward Coley Burne-Jones, a renowned British artist of the 19th century, left an indelible mark on the art world with his exquisite creations. From his early works to his later masterpieces, Burne-Jones captivated audiences with his unique style and attention to detail. One of his notable contributions is "The Green Dining-room at South Kensington Museum, " a captivating piece that showcases the grandeur and elegance of Victorian interior design. Although its creator remains unknown, this artwork reflects Burne-Jones's influence in transforming ordinary spaces into extraordinary realms. Another remarkable creation by Burne-Jones is "Sponsa De Libano. " Painted in 1891 but not released until around 1930, this masterpiece exemplifies the artist's ability to depict ethereal beauty through delicate brushstrokes. The enchanting subject matter transports viewers into a realm where love and spirituality intertwine. In addition to being an accomplished painter, Burne-Jones was also known for his collaboration with William Morris. A black-and-white photograph from 1874 captures these two visionaries deep in conversation, their minds undoubtedly brimming with ideas that would shape the future of art and design. Burne-Jones's artistic prowess extended beyond painting; he was also involved in book illustration. The title page and opening page from the Kelmscott Press edition of "Danaë" showcase his talent for combining intricate details with storytelling elements. This particular work demonstrates how he seamlessly merged visual artistry with literature. "The Angel, " an oil painting on panel by Burne-Jones, exudes a sense of serenity and divine beauty. With soft colors and meticulous brushwork, he brings forth an otherworldly presence that seems to emanate from within the canvas itself. Among Burne-Jones's most celebrated works are those inspired by classic fairy tales such as "The Sleeping Beauty.