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Sleeve Collection (#24)

"Sleeve: A Fashion Statement Through the Ages" From the regal portraits of Elizabeth I to the vibrant laughter captured in Frans Hals' "The Laughing Cavalier

Background imageSleeve Collection: A U. S. Naval Academy midshipman stands at attention

A U. S. Naval Academy midshipman stands at attention
Annapolis, Maryland, April 13, 2011 - A U.S. Naval Academy midshipman stands at attention before a formal parade on the schools campus

Background imageSleeve Collection: World War Two poster of Uncle Sam placing a hat on a smiling nurse

World War Two poster of Uncle Sam placing a hat on a smiling nurse
Digitally restored war propaganda poster. This vintage World War Two poster features Uncle Sam placing a hat on a smiling nurse. It declares - Become A Nurse, Your Country Needs You

Background imageSleeve Collection: Fleet Marine Force Warfare Device

Fleet Marine Force Warfare Device

Background imageSleeve Collection: Big Red One patch on the uniform of a soldier assigned to the 1st Infantry Division

Big Red One patch on the uniform of a soldier assigned to the 1st Infantry Division

Background imageSleeve Collection: Close-up view of a patch sewn onto the arm of a soldiers uniform

Close-up view of a patch sewn onto the arm of a soldiers uniform

Background imageSleeve Collection: Patch of Exercise Green Shield 2014

Patch of Exercise Green Shield 2014

Background imageSleeve Collection: Susanna Hope (detail of 1194)

Susanna Hope (detail of 1194)
BAL227123 Susanna Hope (detail of 1194) by Wright of Derby, Joseph (1734-97); Private Collection; English, out of copyright

Background imageSleeve Collection: Portrait of Francis Burmannus, Jacob Folkema, Jan Maurits Quinkhard, 1747

Portrait of Francis Burmannus, Jacob Folkema, Jan Maurits Quinkhard, 1747

Background imageSleeve Collection: Sir John Corbet of Adderley, c. 1676 (oil on canvas)

Sir John Corbet of Adderley, c. 1676 (oil on canvas)
XYC173216 Sir John Corbet of Adderley, c.1676 (oil on canvas) by Wright, John Michael (1617-94); 127x101.6 cm; Yale Center for British Art, Paul Mellon Fund, USA; English, out of copyright

Background imageSleeve Collection: Woman with sleeve, Jan Gillisz. van Vliet, 1635

Woman with sleeve, Jan Gillisz. van Vliet, 1635

Background imageSleeve Collection: Portrait of a Man, c. 1640 (oil on panel)

Portrait of a Man, c. 1640 (oil on panel)
XIR181995 Portrait of a Man, c.1640 (oil on panel) by Dutch School, (17th century); 40x31 cm; Musee Municipal, Cambrai, France; (add.info.: PE 6518 is thought to be his wife; ); Dutch

Background imageSleeve Collection: A Girl from Probsteier, 1844 (oil on canvas)

A Girl from Probsteier, 1844 (oil on canvas)
XKH146769 A Girl from Probsteier, 1844 (oil on canvas) by Gensler, Jacob (1808-45); 34.3x49 cm; Hamburger Kunsthalle, Hamburg, Germany; German, out of copyright

Background imageSleeve Collection: Clayton Jones Seth Jones, Thomas Gainsborough, 1727-1788, British

Clayton Jones Seth Jones, Thomas Gainsborough, 1727-1788, British

Background imageSleeve Collection: Sunday Best

Sunday Best
circa 1895: A group in their Sunday wear in the 1890s waiting for the boat at Richmond, London. (Photo by Paul Martin/General Photographic Agency/Getty Images)

Background imageSleeve Collection: Man wearing a suit pulling an ace of spades out of his sleeve

Man wearing a suit pulling an ace of spades out of his sleeve

Background imageSleeve Collection: Man wearing a suit pulling an ace of hearts out of his sleeve

Man wearing a suit pulling an ace of hearts out of his sleeve

Background imageSleeve Collection: Man wearing a suit pulling several aces out of his sleeve

Man wearing a suit pulling several aces out of his sleeve

Background imageSleeve Collection: Smiling man wearing a suit pulling several aces out of his sleeve

Smiling man wearing a suit pulling several aces out of his sleeve

Background imageSleeve Collection: Man wearing a suit pulling an ace of diamonds out of his sleeve with other aces in his pocket

Man wearing a suit pulling an ace of diamonds out of his sleeve with other aces in his pocket

Background imageSleeve Collection: INAUGURAL BALL, 1893. Inaugural ball at the Pension Building in Washington, D. C

INAUGURAL BALL, 1893. Inaugural ball at the Pension Building in Washington, D. C
INAUGURAL BALL, 1893. Inaugural ball at the Pension Building in Washington, D.C. following the inauguration of Grover Cleveland as 24th President of the United States, 4 March 1893

Background imageSleeve Collection: LETITIA CHRISTIAN TYLER (1790-1842). First wife of President John Tyler. Oil on canvas

LETITIA CHRISTIAN TYLER (1790-1842). First wife of President John Tyler. Oil on canvas, c1835, by an unknown artist

Background imageSleeve Collection: PAUL REVERE (1735-1818). American patriot

PAUL REVERE (1735-1818). American patriot. Oil on canvas, 1768, by John Singleton Copley

Background imageSleeve Collection: SAMUEL WILBERFORCE (1805-1873). English theologian and Bishop of Oxford. Color lithograph

SAMUEL WILBERFORCE (1805-1873). English theologian and Bishop of Oxford. Color lithograph, 1869, after a watercolor drawing by Ape (Carlo Pellegrini)

Background imageSleeve Collection: SIGISMUND VON HERBERSTEIN (1479-1533). Austrian diplomat, writer, and historian

SIGISMUND VON HERBERSTEIN (1479-1533). Austrian diplomat, writer, and historian. Wearing robes presented to him by Grand Prince Vasily III of Moscow in 1526

Background imageSleeve Collection: SIR ALGERNON PERCY (1602-1668). Earl of Northumberland. Engraving, 1831

SIR ALGERNON PERCY (1602-1668). Earl of Northumberland. Engraving, 1831

Background imageSleeve Collection: FLORENCE NIGHTINGALE (seated) with her sister Parthenope

FLORENCE NIGHTINGALE (seated) with her sister Parthenope. Watercolor, c1836, by William White

Background imageSleeve Collection: Sarah Bernhardt

Sarah Bernhardt
circa 1875: French actress Sarah Bernhardt (1844 - 1923) sitting at a table writing. (Photo by London Stereoscopic Company/Getty Images)

Background imageSleeve Collection: Tea Time

Tea Time
circa 1865: A middle class family take tea while a St Bernard dog sleeps at their feet. London Stereoscopic Company Comic Series - 35 (Photo by London Stereoscopic Company/Getty Images)

Background imageSleeve Collection: HELEN ADAMS KELLER (1880-1968). American author and lecturer

HELEN ADAMS KELLER (1880-1968). American author and lecturer. Keller (left) with Anne Sullivan Macy (1866-1936), American educator. Oil over a photograph, 1893

Background imageSleeve Collection: AUGUSTUS HENRY FITZROY (1735-1811). 3rd Duke of Grafton. English statesman. Oil on canvas

AUGUSTUS HENRY FITZROY (1735-1811). 3rd Duke of Grafton. English statesman. Oil on canvas, 1762, by Pompeo Batoni

Background imageSleeve Collection: NELL GWYN (1650-1687). English actress and mistress of Charles II. Oil on canvas (detail)

NELL GWYN (1650-1687). English actress and mistress of Charles II. Oil on canvas (detail), by Sir Godfrey Kneller

Background imageSleeve Collection: SARAH FAIRFAX (1730-1811). Called Sally. American colonial plantation owner and society figure

SARAH FAIRFAX (1730-1811). Called Sally. American colonial plantation owner and society figure. Oil painting by an unknown artist

Background imageSleeve Collection: MARIA ANNE FITZHERBERT (1756-1837). Nee Smythe

MARIA ANNE FITZHERBERT (1756-1837). Nee Smythe. Wife of the Prince of Wales, the future King George IV of England. Oil on canvas, c1788, by Sir Joshua Reynolds

Background imageSleeve Collection: LOUISE de BETTIGNIES (1880-1918). French spy

LOUISE de BETTIGNIES (1880-1918). French spy

Background imageSleeve Collection: GABRIELLE-EMILIE CHATELET (1706-1749). Marquise Gabrielle-Emilie du Chatelet, nee

GABRIELLE-EMILIE CHATELET (1706-1749). Marquise Gabrielle-Emilie du Chatelet, nee Le Tonnelier de Breteuil. French mathematician, physicist, and author. Oil by Maurice Quentin de la Tour

Background imageSleeve Collection: Young woman cupping hand to ear, (B&W), (Portrait)

Young woman cupping hand to ear, (B&W), (Portrait)

Background imageSleeve Collection: Teenage girl (14-15) with long hair, (B&W), portrait

Teenage girl (14-15) with long hair, (B&W), portrait

Background imageSleeve Collection: Teenage girl (14-15) with cupped hand, calling, (B&W), portrait

Teenage girl (14-15) with cupped hand, calling, (B&W), portrait

Background imageSleeve Collection: Young woman using phone, posing in studio, (B&W), close-up

Young woman using phone, posing in studio, (B&W), close-up

Background imageSleeve Collection: Manual worker fixing wooden doors in living room, (B&W)

Manual worker fixing wooden doors in living room, (B&W)

Background imageSleeve Collection: Young man standing in studio, gesturing, (B&W)

Young man standing in studio, gesturing, (B&W)

Background imageSleeve Collection: Young man standing in studio, holding hand on forehead, (B&W)

Young man standing in studio, holding hand on forehead, (B&W)

Background imageSleeve Collection: Young man in overalls showing card in studio, (B&W), portrait

Young man in overalls showing card in studio, (B&W), portrait

Background imageSleeve Collection: Handshake over desk

Handshake over desk

Background imageSleeve Collection: FASHION: GOWN, 1898. Cloth and velvet gown. English illustration, 1898

FASHION: GOWN, 1898. Cloth and velvet gown. English illustration, 1898

Background imageSleeve Collection: FASHION: MEN, 1866. The Spring and Summer fashions for men for 1866. Wood engraving

FASHION: MEN, 1866. The Spring and Summer fashions for men for 1866. Wood engraving, American, 1866

Background imageSleeve Collection: WOMENs FASHION, 1921. A woman wearing an evening coat designed by Paul Poiret

WOMENs FASHION, 1921. A woman wearing an evening coat designed by Paul Poiret arriving for dinner at a chateau in the French countryside



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"Sleeve: A Fashion Statement Through the Ages" From the regal portraits of Elizabeth I to the vibrant laughter captured in Frans Hals' "The Laughing Cavalier, " sleeves have long been a symbol of style and status. In George Gower's depiction of Queen Elizabeth I, her elaborate sleeve showcases her power and authority as she ruled over England and Ireland in the late 16th century. Moving forward to the 17th century, Frans Hals immortalized his subjects with their fashionable attire, including intricately designed sleeves that added flair to their outfits. Whether it was for royalty or commoners, sleeves became an essential element in defining one's rank and identity. Not limited to clothing alone, sleeves also found their place in other realms. The Royal Navy used specific sleeve designs as a means to recognize different ranks among its officers. This system allowed sailors at sea to identify those in command swiftly. Beyond fashion and military insignia, sleeves have even made political statements throughout history. An anti-American capitalism poster depicted a clenched fist bursting through a torn sleeve—a powerful image representing resistance against economic oppression. Sleeves were not only reserved for humans but also adorned artwork from various cultures worldwide. Hans Holbein's portrait of Jane Seymour showcased her elegant dress with voluminous puffed-up sleeves—an iconic fashion trend during the Tudor era. In more recent times, United States Border Patrol agents proudly wear patches on their uniformed sleeves while guarding borders—a symbol of duty and protection. Looking back further into art history reveals Giovanni Antonio Boltraffio's "Portrait of a Youth" where delicate lace cuffs peek out from beneath his garment—showcasing how even subtle details like these could enhance an individual's appearance centuries ago. Traveling eastward brings us to Bihzad's depiction of dancing dervishes wearing flowing robes with wide-sleeved garments—a visual representation of spiritual devotion expressed through their graceful movements. Even in the realm of advertising, sleeves played a role.