Social Class Collection (page 54)

The Urchin, 1868. Creator: Edouard Manet
The Urchin, 1868

Bull Dogs, 1872. Creator: Gustave Doré
Bull Dogs, 1872. Originally used for bull baiting made illegal in England by the Cruelty to Animals Act 1835. From " LONDON. A Pilgrimage" by Gustave Dore and Blanchard Jerrold

Barnes Bridge, 1872. Creator: Gustave Doré
Barnes Bridge, 1872. Spectators under Grade II listed Barnes Railway Bridge built 1849 by Joseph Locke, during a boat race on the River Thames. From, " LONDON

Household servants sharing a laugh, 1900
Servants imitating the lady of the house, circa 1900. Hand-colored woodcut of a Charles Dana Gibson illustration

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Russian serfs greeting a noble, 1800s. Hand-colored woodcut of a 19th-century illustration

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A group of Russian nobles called boyars, the Kremlin in the background, 1600s. Hand-colored woodcut

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Gentlemens toast to " The Queen, " England, 1890s. Hand-colored woodcut of a 19th-century Charles Dana Gibson illustration

FRANCE: FOUR TRUTHS, c1825. The Fourth Truths of Our Century. Epinal print, c1825

COURTIER AND COUNTRY MAN. Woodcut from Robert Greenes A Quip for an Upstart Courtier, 1592

The Life of Charles Dickens The uneducated father in fustian and the educated boy in spectacles. Dickens on seeing these two characters in Chatham, Kent

From Margaret Sangers Birth Control Review, 1918. Mrs. Poor Patient: If you re rich, the law don t count
CARTOON: BIRTH CONTROL. From Margaret Sangers Birth Control Review, 1918. Mrs. Poor Patient: If you re rich, the law don t count. Drawn by Lou Rogers

ENGLISH WOMEN. An English lady and country woman at the time of Queen Elizabeth I. Line engraving, 19th century

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Fieldings Tom Jones refused admittance by the noblemans porter. Hand-colored woodcut of an illustration by Thomas Rowlandson

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Young society couple, 1890s. Hand-colored woodcut of a 19th-century Charles Dana Gibson illustration

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"Exploring Social Class Through Art: A Glimpse into the Struggles and Aspirations" In this captivating collection of artworks, we delve into the intricate tapestry of social class, unraveling its complexities and shedding light on the lives of individuals across different strata. Each piece tells a unique story, offering us a glimpse into the struggles and aspirations that defined their existence. The Worker and Kolkhoz Woman sculpture by Vera Mukhina stands tall in Moscow, symbolizing the unity between laborers and farmers during Soviet times. This powerful black-and-white photograph captures their strength amidst societal divisions. Moving to 1872 Westminster, Gustave Doré's The Devils Acre transports us to a notorious slum area where poverty reigns supreme. With meticulous detail, Doré exposes the harsh reality faced by those trapped in destitution while challenging society's indifference towards their plight. Hubert von Herkomer's Our Village takes us back to c1890 when rural life was marked by simplicity and close-knit communities. Here we witness an idyllic scene where neighbors come together, transcending social barriers through shared experiences. An Elegant Lady in a Rowing Boat presents an intriguing contrast as it portrays opulence against a serene backdrop. This oil painting invites contemplation on how wealth can shape one's position within society while highlighting leisurely pursuits enjoyed exclusively by the upper classes. Gustave Doré returns with Limehouse Dock in 1872, revealing another facet - industrialization versus manual labor. Amidst towering cranes and bustling activity, workers struggle for survival amidst unforgiving conditions imposed upon them. Juxtaposing time periods further is The Crane on the Antwerp quay by the frozen Scheldt from 1622—an ode to maritime commerce that fueled economic disparities during Europe's Golden Age. It reminds us how trade shaped hierarchies within societies centuries ago.