Songs Collection (page 6)

Madame sees her page, all in black. (verse 3), 1880 (engraving)
7312526 Madame sees her page, all in black. (verse 3), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18, 5 cm; Private Collection; (add.info.: Madame sees her page, all in black)

Malbrough is going to war. (verse 1), 1880 (engraving)
7312523 Malbrough is going to war. (verse 1), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18, 5 cm; Private Collection; (add.info.: Malbrough is going to war)

Dagobert is seven years old, he is teething. Later, thanks to Saint Eloi, he would do his job as king very well
7312520 Dagobert is seven years old, he is teething. Later, thanks to Saint Eloi, he would do his job as king very well. (verse 7), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

Dagobert puts his panties on backwards. Saint Eloi tells him that his panties are bad. (verse 1), 1880 (engraving)
7312513 Dagobert puts his panties on backwards. Saint Eloi tells him that his panties are bad. (verse 1), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

Couples 1 to 3, 1880 (engraving)
7312512 Couples 1 to 3, 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18, 5 cm; Private Collection; (add.info.: Couplets 1 to 3 in "Songs and rounds from childhood)

A blacksmith shapes a crown for the young King Dagobert, 1880 (engraving)
7312511 A blacksmith shapes a crown for the young King Dagobert, 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

The Duke puts himself at the head of his guards and walks against the Tower. 1880 (engraving)
7312509 The Duke puts himself at the head of his guards and walks against the Tower. 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

Three scenes from "The tower, take care" with the lyrics. 1880 (engraving)
7312502 Three scenes from "The tower, take care" with the lyrics. 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

from the song "La Mere Michel", 1880 (engraving)
7312499 from the song "La Mere Michel", 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18, 5 cm; Private Collection; (add.info)

Lustucur's proposal satisfies the cat who jumps into the arms of his mistress. (verse 7), 1880 (engraving)
7312497 Lustucur's proposal satisfies the cat who jumps into the arms of his mistress. (verse 7), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

The nurses bandage his leg and put his arm back on (verse 7), 1880 (engraving)
7312485 The nurses bandage his leg and put his arm back on (verse 7), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

Guilleri climbs up a tree to see his dogs run (verse 2), 1880 (engraving)
7312479 Guilleri climbs up a tree to see his dogs run (verse 2), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

from the song "Au clair de la Lune", 1880 (engraving)
7312476 from the song "Au clair de la Lune", 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18, 5 cm; Private Collection; (add.info)

Arlequin and Leandre drink and sing while mocking Pierrot (verse 8), 1880 (engraving)
7312473 Arlequin and Leandre drink and sing while mocking Pierrot (verse 8), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

A partridge is roasting in the chimney, but Pierrot does not want to share with Arlequin (verses 3 and 4)
7312468 A partridge is roasting in the chimney, but Pierrot does not want to share with Arlequin (verses 3 and 4), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

Arlequin seeks a cottage, a basket in his arm (couplets 1 and 2), 1880 (engraving)
7312467 Arlequin seeks a cottage, a basket in his arm (couplets 1 and 2), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

As soon as he learned, he knew how to read and write. (verses 9 and 10), 1880 (engraving)
7312538 As soon as he learned, he knew how to read and write. (verses 9 and 10), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

He was angry so we could see him angry. (verses 7 and 8), 1880 (engraving)
7312536 He was angry so we could see him angry. (verses 7 and 8), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

Monsieur La Palisse never took off his hat without uncovering his head. (verses 3 and 4), 1880 (engraving)
7312534 Monsieur La Palisse never took off his hat without uncovering his head. (verses 3 and 4), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

A quarter of an hour before his death, Monsieur La Palisse was still alive
7312532 A quarter of an hour before his death, Monsieur La Palisse was still alive. As long as he was a child, he was not yet a man

The page announces Malbrough's death to Madame. (verse 4), 1880 (engraving)
7312527 The page announces Malbrough's death to Madame. (verse 4), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

Madame climbs her tower, so high that she can go up. (verse 2), 1880 (engraving)
7312525 Madame climbs her tower, so high that she can go up. (verse 2), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18, 5 cm; Private Collection; (add.info.: Madame climbs her tower)

from the song "The Good King Dagobert". 1880 (engraving)
7312521 from the song "The Good King Dagobert". 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18, 5 cm; Private Collection; (add.info)

Dagobert really likes cabbage soup. Saint Eloi told him that he, too, likes cabbage soup. (verse 2), 1880 (engraving)
7312514 Dagobert really likes cabbage soup. Saint Eloi told him that he, too, likes cabbage soup. (verse 2), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

from "The Tower, take care". 1880 (engraving)
7312510 from "The Tower, take care". 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18, 5 cm; Private Collection; (add.info.: Score of" La Tour, garde")

Lustucur offers Mother Michel to sell him meat for Moumouth. (verse 6), 1880 (engraving)
7312496 Lustucur offers Mother Michel to sell him meat for Moumouth. (verse 6), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

Mother Michet goes up to the attic. Lustucur imitates the cat's meow. (verse 2), 1880 (engraving)
7312491 Mother Michet goes up to the attic. Lustucur imitates the cat's meow. (verse 2), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

Cover, 1880 (engraving)
7312488 Cover, 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18, 5 cm; Private Collection; (add.info.: Cover in "Songs and rounds from childhood)

from the song "Compere Guilleri", 1880 (engraving)
7312487 from the song "Compere Guilleri", 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18, 5 cm; Private Collection; (add.info)

The branch of the tree breaks and Guilleri falls (verse 3), 1880 (engraving)
7312480 The branch of the tree breaks and Guilleri falls (verse 3), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

He did not run away from those he found pleasant at all. (verses 5 and 6), 1880 (engraving)
7312535 He did not run away from those he found pleasant at all. (verses 5 and 6), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

Couples 3 to 8, 1880 (engraving)
7312533 Couples 3 to 8, 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18, 5 cm; Private Collection; (add.info.: Couplets 3 to 8 in "Songs and rounds from childhood)

Dagobert runs in the woods of Vauvert, chased by a rabbit. Saint Eloi notes that the king is very short of breath
7312519 Dagobert runs in the woods of Vauvert, chased by a rabbit. Saint Eloi notes that the king is very short of breath

Dagobert is going to embark on the sea. Saint Eloi advised him not to do so. (verse 4), 1880 (engraving)
7312517 Dagobert is going to embark on the sea. Saint Eloi advised him not to do so. (verse 4), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

Dagobert wears a short coat in winter. Saint Eloi tells him that he is going to freeze. (verse 3), 1880 (engraving)
7312515 Dagobert wears a short coat in winter. Saint Eloi tells him that he is going to freeze. (verse 3), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

Two young girls depict the Tower holding hands. 1880 (engraving)
7312500 Two young girls depict the Tower holding hands. 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18, 5 cm; Private Collection; (add.info)

The nurses look after Guilleri (verse 6), 1880 (engraving)
7312484 The nurses look after Guilleri (verse 6), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18, 5 cm; Private Collection; (add.info)

Couples 5 to 7, 1880 (engraving)
7312482 Couples 5 to 7, 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18, 5 cm; Private Collection; (add.info.: Couplets 5 to 7 in "Songs and rounds from childhood)

The child became Marechal of France. He fell iron in hand, like Bayard did in Pavia
7312541 The child became Marechal of France. He fell iron in hand, like Bayard did in Pavia. (verses 15 and 16), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

Couples 9 to 14, 1880 (engraving)
7312537 Couples 9 to 14, 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18, 5 cm; Private Collection; (add.info.: Couplets 9 to 14 in "Songs and rounds from childhood)

Couples 4 to 6, 1880 (engraving)
7312516 Couples 4 to 6, 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18, 5 cm; Private Collection; (add.info.: Couplets 4 to 6 in "Songs and rounds from childhood)

Three other scenes from "The tower, take care", 1880 (engraving)
7312506 Three other scenes from "The tower, take care", 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

At the sound of Guilleri's fall, the ladies of the Hospital run up (verse 5), 1880 (engraving)
7312483 At the sound of Guilleri's fall, the ladies of the Hospital run up (verse 5), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

Guilleri goes hunting (verse 1), 1880 (engraving)
7312477 Guilleri goes hunting (verse 1), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18, 5 cm; Private Collection; (add.info)

Arlequin brings a paste and a sealed bottle of wine (verse 7), 1880 (engraving)
7312472 Arlequin brings a paste and a sealed bottle of wine (verse 7), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

Leandre offers Harlequin a handkerchief to treat his sick nose (verse 6), 1880 (engraving)
7312471 Leandre offers Harlequin a handkerchief to treat his sick nose (verse 6), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

from the song" Monsieur La Palisse. 1880 (engraving)
7312542 from the song" Monsieur La Palisse. 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18, 5 cm; Private Collection; (add.info.: Score of the song" Monsieur La Palisse)

One officer carried his big sword, the other carried nothing. (verse 6), 1880 (engraving)
7312529 One officer carried his big sword, the other carried nothing. (verse 6), 1880 (engraving) by Froelich, Lorentz (1820-1908); 27, 5x18

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Melodies that transcend time and boundaries, they have the power to transport us to different worlds. From Edward Lear's whimsical tales of the Owl & Pussycat sailing away on a beautiful pea-green boat, to the enchanting tunes sung by the Jubilee Singers of Fisk University during a pivotal era in American history. Even amidst the challenges of C19, music remained a source of solace and unity. In 1898, Cecil Aldin captured the joyous anticipation of Christmas with his painting 'Hills. Christmas Is Coming. ' The Wassailing Apple Trees echoed harmonies through ancient orchards, celebrating nature's abundance and fertility. An angelic figure adorned with butterfly wings strummed their harp, creating celestial melodies that touched our souls. Sir Edward Elgar composed symphonies that stirred emotions deep within us; his music resonating through generations. Meanwhile, Arthur Roberts and Florrie Forde graced music halls with their charismatic performances, captivating audiences with laughter and song. From Lear's imaginative Quangle-Wangles to Jumblies dancing in nonsense rhythms, they have always embraced creativity beyond conventions. And let us not forget James Doughty - England's oldest clown - whose playful tunes brought smiles to faces young and old alike and can more than just words set to melody; they are vessels carrying stories untold and emotions unfelt until they reach our ears. They remind us of our shared humanity as we join together in harmony.