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Sorcery Collection (page 3)

"Sorcery: Unveiling the Mystical Realm of Magic and Witchcraft" Step into a world where enchantment reigns supreme

Background imageSorcery Collection: Circe Changing the Companions of Ulysses into Boars (oil on canvas)

Circe Changing the Companions of Ulysses into Boars (oil on canvas)
475780 Circe Changing the Companions of Ulysses into Boars (oil on canvas) by Castiglione, Giovanni Benedetto (Il Grechetto) (1609-64)

Background imageSorcery Collection: The Three Witches appearing to Macbeth and Banquo, 1800-1810 (oil on canvas)

The Three Witches appearing to Macbeth and Banquo, 1800-1810 (oil on canvas)
CH401495 The Three Witches appearing to Macbeth and Banquo, 1800-1810 (oil on canvas) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 87.1x112 cm; Private Collection; (add.info.: Macbeth)

Background imageSorcery Collection: Witches Sabbath, 17th Century. Illustration for Bilder-Atlas (engraving)

Witches Sabbath, 17th Century. Illustration for Bilder-Atlas (engraving)
5996342 Witches Sabbath, 17th Century. Illustration for Bilder-Atlas (engraving) by English School, (19th century); Private Collection; (add.info.: Witches Sabbath, 17th Century)

Background imageSorcery Collection: Witches disguised as animals riding a broomstick (left) and male witch riding a wolf

Witches disguised as animals riding a broomstick (left) and male witch riding a wolf
STC205008 Witches disguised as animals riding a broomstick (left) and male witch riding a wolf (right), copies of illustrations from Compendium Maleticarum by Fr M Guaccius, Milan 1608

Background imageSorcery Collection: Homage to the Devil, copy of an illustration from Compendium Maleticarum

Homage to the Devil, copy of an illustration from Compendium Maleticarum
STC205003 Homage to the Devil, copy of an illustration from Compendium Maleticarum by Fr M Guaccius, Milan 1608, used in History of Magic

Background imageSorcery Collection: The Hand of Glory (litho)

The Hand of Glory (litho)
908269 The Hand of Glory (litho) by French School; Private Collection; (add.info.: La Main de Gloire); The Stapleton Collection; French, out of copyright

Background imageSorcery Collection: Magic Circle, copy of an illustration from Dreyfacher Hollenzwang

Magic Circle, copy of an illustration from Dreyfacher Hollenzwang
STC202576 Magic Circle, copy of an illustration from Dreyfacher Hollenzwang by Dr Faustens, Passau 1407, Reproduced in Das Kolster Vol V, by J Scheible, 1845, used in a History of Magic

Background imageSorcery Collection: A Black and a White Witch with a Devil Animal, illustration from a collection of

A Black and a White Witch with a Devil Animal, illustration from a collection of
STC198812 A Black and a White Witch with a Devil Animal, illustration from a collection of chapbooks on esoterica (woodcut) by English School; Private Collection; The Stapleton Collection; English

Background imageSorcery Collection: The sorceresses, an incident of Puritan times (engraving)

The sorceresses, an incident of Puritan times (engraving)
2792943 The sorceresses, an incident of Puritan times (engraving) by English School, (19th century); Private Collection; (add.info.: The sorceresses, an incident of Puritan times)

Background imageSorcery Collection: The Leech of Folkstone (etching)

The Leech of Folkstone (etching)
2563294 The Leech of Folkstone (etching) by Cruikshank, George (1792-1878); 18x11 cm; Free Library of Philadelphia; (add.info.: Illustration for a story in The Ingoldsby Legends by Thomas Ingoldsby)

Background imageSorcery Collection: MADRAS SORCERY

MADRAS SORCERY
Madras, India : to encourage a goddess to reveal where treasure is hidden, a lady kidnaps a child and buries it alive, backed by her family and the local magician Date: 1925

Background imageSorcery Collection: The Bewitched Groom (engraving)

The Bewitched Groom (engraving)
3646428 The Bewitched Groom (engraving) by Baldung Grien, Hans (1484/5-1545) (after); Private Collection; (add.info.: The Bewitched Groom)

Background imageSorcery Collection: A Midsummer Nights Dream, 1840 (oil on canvas)

A Midsummer Nights Dream, 1840 (oil on canvas)
PNH368259 A Midsummer Nights Dream, 1840 (oil on canvas) by Scott, David (1806-1849) (attr. to); 24.6x34.2 cm; Private Collection; (add.info.: Titania, Queen of the Fairies)

Background imageSorcery Collection: Witches and sorcerers feasting at the Sabbath, illustration from

Witches and sorcerers feasting at the Sabbath, illustration from
530457 Witches and sorcerers feasting at the Sabbath, illustration from Compendium Maleficarum by Francesco Maria Guazzo, 1608 (woodcut) by Italian School

Background imageSorcery Collection: The Evocation of the Devil, copy of an illustration from Compendium Maleticarum

The Evocation of the Devil, copy of an illustration from Compendium Maleticarum
STC202560 The Evocation of the Devil, copy of an illustration from Compendium Maleticarum by Fr M Guaccius, Milan 1608, used in a History of Magic

Background imageSorcery Collection: The Astrologer Albumasar (787-885) copy of an illustration from his

The Astrologer Albumasar (787-885) copy of an illustration from his
STC202530 The Astrologer Albumasar (787-885) copy of an illustration from his Introductorium in Astronomiam, Venice 1506, used in a History of Magic

Background imageSorcery Collection: Sacrificing Dolls, 1871 (oil on canvas)

Sacrificing Dolls, 1871 (oil on canvas)
XNT223273 Sacrificing Dolls, 1871 (oil on canvas) by Merson, Luc-Oliver (1846-1920); Musee des Beaux-Arts, Nantes, France; French, out of copyright

Background imageSorcery Collection: Pharmakeutria (Brewing the Love Philtre) (w / c, bodycolour & gum arabic on paper laid down)

Pharmakeutria (Brewing the Love Philtre) (w / c, bodycolour & gum arabic on paper laid down)
1152921 Pharmakeutria (Brewing the Love Philtre) (w/c, bodycolour & gum arabic on paper laid down on panel) by Stillman, Marie Spartali (1844-1927)

Background imageSorcery Collection: Sleeping Beauty: The Princess Pricks her Finger (tempera)

Sleeping Beauty: The Princess Pricks her Finger (tempera)
1765028 Sleeping Beauty: The Princess Pricks her Finger (tempera) by Batten, John Dickson (1860-1932); Private Collection; (add.info.: Sleeping Beauty: The Princess Pricks her Finger)

Background imageSorcery Collection: Detail from A Witches Sabbath, illustration from Tableau de L

Detail from A Witches Sabbath, illustration from Tableau de L
829408 Detail from A Witches Sabbath, illustration from Tableau de L Inconstance des Mauuais Anges et Demons, by Pierre de Lancre, 1613 (engraving) by Ziarnki (Ziarnko)

Background imageSorcery Collection: Incantation (w / c & b / c on paper)

Incantation (w / c & b / c on paper)
869259 Incantation (w/c & b/c on paper) by Grant, Carleton (fl.1883-99); 34.3x51.4 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imageSorcery Collection: A beautiful Siberian snake charmer bitten by a python during a show in Alexandria (Piedmont)

A beautiful Siberian snake charmer bitten by a python during a show in Alexandria (Piedmont) (colour litho)
2815298 A beautiful Siberian snake charmer bitten by a python during a show in Alexandria (Piedmont) (colour litho) by Beltrame

Background imageSorcery Collection: To honor the Prince of Wales in India (colour litho)

To honor the Prince of Wales in India (colour litho)
2809071 To honor the Prince of Wales in India (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: To honor the Prince of Wales in India)

Background imageSorcery Collection: Ouganga exorcising a Sorcerer (engraving)

Ouganga exorcising a Sorcerer (engraving)
2796629 Ouganga exorcising a Sorcerer (engraving) by English School, (19th century); Private Collection; (add.info.: Ouganga exorcising a Sorcerer)

Background imageSorcery Collection: Francis Barrett, illustration from The Magus, London, 1801

Francis Barrett, illustration from The Magus, London, 1801
CHT326185 Francis Barrett, illustration from The Magus, London, 1801, published by Lackington, Allen, and co. (engraving) (b/w photo) by Orme, Daniel (1766-p.1832); Bibliotheque Nationale, Paris

Background imageSorcery Collection: Witches dancing with the Devil, illustration from Compendium Maleficarum

Witches dancing with the Devil, illustration from Compendium Maleficarum
XEE940449 Witches dancing with the Devil, illustration from Compendium Maleficarum by Francesco Maria Guazzo, 1608 (woodcut) by Italian School

Background imageSorcery Collection: Tapan Mask, from the Elema Region of the Papuan Gulf, Papua New Guinea, Oceania

Tapan Mask, from the Elema Region of the Papuan Gulf, Papua New Guinea, Oceania
HSC137106 Tapan Mask, from the Elema Region of the Papuan Gulf, Papua New Guinea, Oceania, (mixed media) by Oceanic; Private Collection; Photo eHeini Schneebeli; out of copyright

Background imageSorcery Collection: Black Magic, the month of November for a magic calendar published in Art Nouveau

Black Magic, the month of November for a magic calendar published in Art Nouveau
CHT173753 Black Magic, the month of November for a magic calendar published in Art Nouveau review, 1896 (colour litho) by Orazi, Manuel (1860-1934); Private Collection; eArchives Charmet; Italian

Background imageSorcery Collection: Departure for the Sabbath, copy of an illustration from

Departure for the Sabbath, copy of an illustration from
STC202567 Departure for the Sabbath, copy of an illustration from Von den Unholden oder Hexen by Ulrich Molior, Constanz 1489, used in a History of Magic

Background imageSorcery Collection: The Magic Circle (oil on canvas)

The Magic Circle (oil on canvas)
1766749 The Magic Circle (oil on canvas) by Waterhouse, John William (1849-1917); Private Collection; (add.info.: The Magic Circle. John William Waterhouse (1849-1917)

Background imageSorcery Collection: Merlin and Viviane, the Lady of the Lake (chromolitho)

Merlin and Viviane, the Lady of the Lake (chromolitho)
3100697 Merlin and Viviane, the Lady of the Lake (chromolitho) by Spanish School, (19th century); Private Collection; (add.info.: Merlin and Viviane, the Lady of the Lake)

Background imageSorcery Collection: Renaud in the arms of Armide, 1730-39 (oil on canvas)

Renaud in the arms of Armide, 1730-39 (oil on canvas)
XIR390310 Renaud in the arms of Armide, 1730-39 (oil on canvas) by Loo, Jean-Baptiste van (1684-1745); 130x200 cm; Musee des Beaux-Arts, Angers

Background imageSorcery Collection: Baptism by the Devil, copy of an illustration from Compendium Maleficarum

Baptism by the Devil, copy of an illustration from Compendium Maleficarum
STC205005 Baptism by the Devil, copy of an illustration from Compendium Maleficarum by Fr M Guaccius, Milan 1608, used in History of Magic

Background imageSorcery Collection: The Witches Sabbath, copy of an illustration from Tableau de l

The Witches Sabbath, copy of an illustration from Tableau de l
STC202562 The Witches Sabbath, copy of an illustration from Tableau de l inconstance des mauvais anges by Pierre de Lancre, Paris 1612, used in a History of Magic

Background imageSorcery Collection: A witch frightens a man with a cudgel, c. 1790s (coloured engraving)

A witch frightens a man with a cudgel, c. 1790s (coloured engraving)
STC202577 A witch frightens a man with a cudgel, c.1790s (coloured engraving) by English School, (18th century); Private Collection; The Stapleton Collection; English, out of copyright

Background imageSorcery Collection: Veal heart pricked with pins, found c. 1900 in a tomb in Montmartre cemetery, Paris

Veal heart pricked with pins, found c. 1900 in a tomb in Montmartre cemetery, Paris
CHT163092 Veal heart pricked with pins, found c.1900 in a tomb in Montmartre cemetery, Paris by French School, (19th century); Musee de l Institut Medico-legal, Paris

Background imageSorcery Collection: Alla va eso (There it goes), plate 66 of Los Caprichos

Alla va eso (There it goes), plate 66 of Los Caprichos
CHT163128 Alla va eso (There it goes), plate 66 of Los Caprichos, late 18th (colour engraving) by Goya y Lucientes, Francisco Jose de (1746-1828); Bibliotheque Nationale, Paris

Background imageSorcery Collection: The Witches Sabbath, the month of January for a magic calendar published in

The Witches Sabbath, the month of January for a magic calendar published in
CHT173750 The Witches Sabbath, the month of January for a magic calendar published in Art Nouveau review, 1896 (colour litho) by Orazi

Background imageSorcery Collection: The Spell, c. 1870 (charcoal on paper)

The Spell, c. 1870 (charcoal on paper)
CJP107712 The Spell, c.1870 (charcoal on paper) by English School, (19th century); Private Collection; eCharles Plante Fine Arts; English, out of copyright

Background imageSorcery Collection: Vanitas, (an allegorical still life)

Vanitas, (an allegorical still life)
RAF57910 Vanitas, (an allegorical still life) by Colyer or Collier, Edwaert (c.1640-c.1707); Private Collection; Photo eRafael Valls Gallery, London, UK; Dutch, out of copyright

Background imageSorcery Collection: Witch Preparing a Love Philtre, c. 1840 (litho) (b / w photo)

Witch Preparing a Love Philtre, c. 1840 (litho) (b / w photo)
CHT200400 Witch Preparing a Love Philtre, c. 1840 (litho) (b/w photo) by Gavarni, Paul (1804-66) (after); Bibliotheque des Arts Decoratifs, Paris

Background imageSorcery Collection: Scenes of Witchcraft: Morning, c. 1645-49 (oil on canvas)

Scenes of Witchcraft: Morning, c. 1645-49 (oil on canvas)
XOS5879299 Scenes of Witchcraft: Morning, c.1645-49 (oil on canvas) by Rosa, Salvator (1615-73); Cleveland Museum of Art, OH

Background imageSorcery Collection: Circe (litho)

Circe (litho)
3099091 Circe (litho) by Chalon, Louis (1866-1940); Private Collection; (add.info.: Circe. Illustration from Le Figaro Illustre, late 19th Century.); © Look and Learn

Background imageSorcery Collection: The Penitent Magdalen, (oil on canvas)

The Penitent Magdalen, (oil on canvas)
827699 The Penitent Magdalen, (oil on canvas) by Cerezo, Mateo (1626-1666); 102x82.3 cm; Private Collection; (add.info.: The Penitent Magdalen. Mateo Cerezo (1626-1666). Oil on canvas

Background imageSorcery Collection: The Witches Sabbath, copy of an illustration from Compendium Maleticarum

The Witches Sabbath, copy of an illustration from Compendium Maleticarum
STC205002 The Witches Sabbath, copy of an illustration from Compendium Maleticarum by Fr M Guaccius, Milan 1608, used in History of Magic

Background imageSorcery Collection: Witches roasting and boiling infants, copy of an illustration from

Witches roasting and boiling infants, copy of an illustration from
STC205001 Witches roasting and boiling infants, copy of an illustration from Compendium Maleticarum by Fr M Guaccius, Milan 1608, used in History of Magic

Background imageSorcery Collection: Circe, 1910. Creator: Frederick Stuart Church

Circe, 1910. Creator: Frederick Stuart Church
Circe, 1910



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"Sorcery: Unveiling the Mystical Realm of Magic and Witchcraft" Step into a world where enchantment reigns supreme, as a witch with her black cat casts spells that defy reason. NOSTRADAMUS, Michel de Notre Dame, a renowned French seer from the 16th century, delves deep into the secrets of sorcery. Intriguing illustrations from Ulrich Molitor's treatise on diviner women and witchcraft transport us to an era when belief in magic was both feared and revered. The Fil a la Sorciere brand of sewing thread adds an element of mystique to everyday tasks. Palmistry reveals its planetary and zodiacal diagram, connecting celestial forces with our earthly existence. Goya's haunting paintings depict The Witches Sabbath, capturing the dark allure of clandestine gatherings where witches revel in their powers. Even Quakers were not immune to the fascination surrounding sorcery; an engraving shows them hanging a condemned dog under suspicion of being bewitched by a warlock. Hans Baldung's masterpiece "The Bewitched Groom" portrays love entangled in supernatural forces. Tribute is paid to sorcery through various art forms - from Songye power figures exuding copper energy to lithographs depicting eerie Black Masses that send shivers down one's spine. Sorcery beckons those who dare venture beyond conventional understanding. It embodies ancient wisdom passed down through generations, reminding us that there is more than meets the eye in this vast universe. Explore this captivating realm at your own risk; for within lies both extraordinary power and unimaginable consequences.