Spagnoletto Collection

The Club-Foot, 1652, (1938). Artist: Jusepe de Ribera
The Club-Foot, 1652, (1938). The Clubfoot (also known as The Club-Footed Boy ), Neapolitan beggar boy with a deformed foot. Painting held in the Louvre, Paris, France

Saint James the Greater by Jusepe Ribera
Jusepe Ribera (1591-1652). Spanish painter. Saint James the Greater. 1631. Prado Museum. Madrid. Spain

Apollo and Marsyas, 1637, (1938). Artist: Jusepe de Ribera
Apollo and Marsyas, 1637, (1938). The satyr Marsyas being flayed alive by Apollo. Painting held by the Royal Museums of Fine Arts of Belgium, Brussels

St. Francis
A painting of Saint Francis of Assisi, an Italian catholic friar, deacon and mystic. He is one of the most venerated figures in Christianity who founded the men's Order of Friars Minor

Saint Anthony of Padua (1195-1231) by Juseppe de Ribera
Saint Anthony of Padua (1195-1231). Portuguese friar of Franciscan Order. Painting by Juseppe de Ribera (1591-1652). Spanish painter. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

Head of Saint John the Baptist, 1644, by Juseppe de Ribera
Juseppe de Ribera (1591-1652). Spanish painter. Head of Saint John the Baptist, 1644. San Fernando Royal Academy of Fine Arts. Madrid. Spain. Date: 2019

17th Century 1632 Art Baroque Bird Catholic Catholicism
17th, century, 1632, art, baroque, bird, Catholic, catholicism, cherub, Christ, death, father, Giusseppe, god, Holy, Spirit, Trinity, Jesus, Jose, Jusepe, de, Ribera, Little, Spaniard, Lo

Joseph interpreting the dreams of Pharoahs chief butler and baker, 1766. Formerly said to be after Jusepe de Ribera

The Tears of Saint Peter, ca. 1612-13. Creator: Jusepe de Ribera
The Tears of Saint Peter, ca. 1612-13

The Holy Family with Saints Anne and Catherine of Alexandria, 1648. Creator: Jusepe de Ribera
The Holy Family with Saints Anne and Catherine of Alexandria, 1648

El Sueno De Jacob, (Jacobs Dream), 1639, (c1934). Artist: Jusepe de Ribera
El Sueno De Jacob, (Jacobs Dream), 1639, (c1934). Jacob appears as a shepherd sleeping, resting on his left shoulder with a tree behind

Joseph Ribera, Spanish artist active in Italy, c1880-1882. Artist: Hans Makart
Joseph Ribera, Spanish artist active in Italy, c1880-1882. A print from Modern Artists, prepared under the direction of FG Dumas, JS Virtue and Co, London, c1880-1882

Allegory of the History, c1615-c1620. Artist: Jusepe de Ribera
Allegory of the History, c1615-c1620. Found in the collection of the State Hermitage, St Petersburg

The Apostle Saint James the Great, 17th century. Artist: Jusepe de Ribera
The Apostle Saint James the Great, 17th century. Found in the collection of the Regional A Deineka Art Gallery, Kursk, Russia

The Apostle Saint James the Great, c1630-c1635. Artist: Jusepe de Ribera
The Apostle Saint James the Great, c1630-c1635. Found in the collection of the State A Pushkin Museum of Fine Arts, Moscow

Jusepe De Ribera, Or Josep De Ribera, 1591

Saint Jerome, 1646, by Jusepe de Ribera (1591-1652)
Jusepe de Ribera (1591-1652). Spanish painter. Saint Jerome, 1646. National Gallery. Prague. Czech Republic

Jusepe de Ribera (1591-1652). The Deposition. 1620
Jusepe de Ribera (1591-1652). Spanish Tenebrist painter. Called Lo Spagnoletto. The Deposition. 1620. Museum of Louvre, Paris, France

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"Spagnoletto: A Glimpse into the Baroque World" Step into the captivating world of Spagnoletto, a renowned Spanish-Italian artist of the 17th century. Known for his masterful technique and dramatic style, he left an indelible mark on art history. In his painting "Saint James the Greater, " we witness the saint's unwavering faith and determination. Moving on to "St. Francis, " Spagnoletto captures the essence of this beloved saint's humility and devotion to nature. The delicate brushstrokes bring out every detail, making it a true masterpiece. In "Saint Anthony of Padua, " we see another example of Spagnoletto's skill in portraying religious figures with utmost realism. The intensity in Saint Anthony's eyes reflects his deep spiritual connection. One cannot overlook "Head of Saint John the Baptist. " This striking portrait showcases Spagnoletto's ability to capture raw emotions through meticulous attention to detail. Turning our attention to mythology, "Apollo and Marsyas" transports us back in time as we witness Apollo playing his lyre while Marsyas listens intently, and is a testament to Spagnoletto's versatility as an artist. "The Club-Foot" depicts a man with physical deformity but exudes strength and resilience despite society's judgment—a poignant reminder that beauty lies within one’s character rather than appearance alone. In "Saint Jerome, " Spagnoletto brings forth this revered figure with profound introspection etched upon his face—an embodiment of wisdom and contemplation. "The Deposition" portrays Christ being taken down from the cross—a powerful image that evokes both sorrow and hope simultaneously—showcasing Spagnoletto’s ability to evoke strong emotions through paintbrush strokes alone. With "St Sebastian, " we are confronted by a martyr bound by arrows yet emanating serenity amidst suffering—a testament to Spagnoletto's ability to capture the human spirit.