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Spandrel Collection

Spandrels are architectural elements that have been used throughout history to enhance the beauty and storytelling of various structures

Background imageSpandrel Collection: The Foundling Hospital, in Florence built in c.1420 (photo)

The Foundling Hospital, in Florence built in c.1420 (photo)
VLS64916 The Foundling Hospital, in Florence built in c.1420 (photo) by Brunelleschi, Filippo (1377-1446); Piazza Santissima Annunziata, Florence

Background imageSpandrel Collection: Study for Spandrel Decoration with Satyress, Satyrs, and Putti (r); Head of Putto (v), c.1588

Study for Spandrel Decoration with Satyress, Satyrs, and Putti (r); Head of Putto (v), c.1588. Creator: Paolo Farinati
Study for Spandrel Decoration with Satyress, Satyrs, and Putti (recto); Head of Putto (verso), c.1588

Background imageSpandrel Collection: Design for a Spandrel: A Roman Martyr and Two Putti-Saint Jude the Apostle, 1573/75

Design for a Spandrel: A Roman Martyr and Two Putti-Saint Jude the Apostle, 1573/75. Creator: Livio Agresti da Forlì
Design for a Spandrel: A Roman Martyr and Two Putti-Saint Jude the Apostle, 1573/75

Background imageSpandrel Collection: Pair of spandrels with hunt scenes, Safavid dynasty (1501-1722), mid-17th century

Pair of spandrels with hunt scenes, Safavid dynasty (1501-1722), mid-17th century

Background imageSpandrel Collection: Spandrel Panel from the Gage Building, Chicago, Illinois, 1898-1899

Spandrel Panel from the Gage Building, Chicago, Illinois, 1898-1899

Background imageSpandrel Collection: An Alchemist, from a choir stall (wood)

An Alchemist, from a choir stall (wood)
XIR246401 An Alchemist, from a choir stall (wood) by French School, (13th century); Poitiers Cathedral, Poitiers, France; French, out of copyright

Background imageSpandrel Collection: Piscina, Frieze and Spandrels in Courtyard of 131 Temple Street (pencil & w / c on paper)

Piscina, Frieze and Spandrels in Courtyard of 131 Temple Street (pencil & w / c on paper)
2831630 Piscina, Frieze and Spandrels in Courtyard of 131 Temple Street (pencil & w/c on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery

Background imageSpandrel Collection: Ms 1014 Elevation of the ballroom at Fontainebleau, plate from an album

Ms 1014 Elevation of the ballroom at Fontainebleau, plate from an album
CHT213391 Ms 1014 Elevation of the ballroom at Fontainebleau, plate from an album (w/c & pencil on paper) by Percier, Charles (1764-1838); Bibliotheque de l Institut de France, Paris

Background imageSpandrel Collection: Two angels, detail from the left side of the east wall in Strozzi Chapel, c

Two angels, detail from the left side of the east wall in Strozzi Chapel, c
BEN208290 Two angels, detail from the left side of the east wall in Strozzi Chapel, c.1457-1502 (fresco) by Lippi, Filippino (c.1457-1504); Santa Maria Novella, Florence

Background imageSpandrel Collection: Two angels, detail from right side of the east wall in Strozzi Chapel, c

Two angels, detail from right side of the east wall in Strozzi Chapel, c
BEN208289 Two angels, detail from right side of the east wall in Strozzi Chapel, c.1457-1502 (fresco) by Lippi, Filippino (c.1457-1504); Santa Maria Novella, Florence

Background imageSpandrel Collection: Roundel from the facade (glazed terracotta)

Roundel from the facade (glazed terracotta)
VLS60451 Roundel from the facade (glazed terracotta) by Robbia, Andrea della (1435-1525); Ospedale degli Innocenti, Florence, Italy; eGiuliano Valsecchi; Italian, out of copyright

Background imageSpandrel Collection: Cupid with Venus and Mercury whom she is sending to capture Psyche

Cupid with Venus and Mercury whom she is sending to capture Psyche
BEN78423 Cupid with Venus and Mercury whom she is sending to capture Psyche, lunette from the Sala di Amore e Psiche, 1528 (oil on stucco) by Romano, Giulio (1492-1546) (workshop of); Palazzo del Te

Background imageSpandrel Collection: Clorinde and Tancrede (wool & silk)

Clorinde and Tancrede (wool & silk)
CH355371 Clorinde and Tancrede (wool & silk) by Corneille, Michel (1602-64) (after); 333x251 cm; Private Collection; (add.info)

Background imageSpandrel Collection: Moresque No 2, Plate XI, from The Ornament of Grammar

Moresque No 2, Plate XI, from The Ornament of Grammar
STC286225 Moresque No 2, Plate XI, from The Ornament of Grammar by Owen Jones (1809-68) (colour litho) by Jones, Owen (1809-74); Private Collection; The Stapleton Collection; English, out of copyright

Background imageSpandrel Collection: Roundel and pilaster from a spandrel of the loggia, c. 1420 (photo)

Roundel and pilaster from a spandrel of the loggia, c. 1420 (photo)
VLS60452 Roundel and pilaster from a spandrel of the loggia, c.1420 (photo) by Robbia, Andrea della (1435-1525); Ospedale degli Innocenti, Florence

Background imageSpandrel Collection: Study for a female figure in a spandrel (recto), before 1747 (graphite on paper

Study for a female figure in a spandrel (recto), before 1747 (graphite on paper
5938251 Study for a female figure in a spandrel (recto), before 1747 (graphite on paper) [see 5938282] by Solimena, Francesco (1657-1747); 23.4x23.3 cm; Fitzwilliam Museum, University of Cambridge

Background imageSpandrel Collection: Pulpit (marble)

Pulpit (marble)
938050 Pulpit (marble) by Italian School, (12th century); Sant Ambrogio, Milan, Italy; eGiuliano Valsecchi; Italian, out of copyright

Background imageSpandrel Collection: Relief sculpture from the north face of the Arch of Constantine, AD 315 (marble) (b / w photo)

Relief sculpture from the north face of the Arch of Constantine, AD 315 (marble) (b / w photo)
ALI149570 Relief sculpture from the north face of the Arch of Constantine, AD 315 (marble) (b/w photo) by Roman, (4th century AD); Rome, Italy; Alinari

Background imageSpandrel Collection: Loggia of the Ospedale degli Innocenti, built c. 1420 (photo)

Loggia of the Ospedale degli Innocenti, built c. 1420 (photo)
VLS60450 Loggia of the Ospedale degli Innocenti, built c.1420 (photo) by Brunelleschi, Filippo (1377-1446); Piazza Santissima Annunziata, Florence

Background imageSpandrel Collection: Virtue Crowned by Honor, 1670-76. Creator: Carlo Maratti

Virtue Crowned by Honor, 1670-76. Creator: Carlo Maratti
Virtue Crowned by Honor, 1670-76

Background imageSpandrel Collection: Allegorical Figure of Peace, 1625-1713. Creator: Carlo Maratti

Allegorical Figure of Peace, 1625-1713. Creator: Carlo Maratti
Allegorical Figure of Peace, 1625-1713

Background imageSpandrel Collection: Spandril from niche of doorway at the entrance of the Hall of Ambassadors... 1907

Spandril from niche of doorway at the entrance of the Hall of Ambassadors... 1907
Spandril from niche of doorway at the entrance of the Hall of Ambassadors, from the Sala de la Barca, 1907. Interior decoration in the palace of the Alhambra, Granada, Spain

Background imageSpandrel Collection: Spandril of an arch of window, Hall of the Ambassadors, 1907. Creator: Unknown

Spandril of an arch of window, Hall of the Ambassadors, 1907. Creator: Unknown
Spandril of an arch of window, Hall of the Ambassadors, 1907. Interior decoration in the palace of the Alhambra, Granada, Spain, which mainly dates from the 14th century

Background imageSpandrel Collection: A geometrist or architect, from a choir stall (wood)

A geometrist or architect, from a choir stall (wood)
XIR246402 A geometrist or architect, from a choir stall (wood) by French School, (13th century); Poitiers Cathedral, Poitiers, France; French, out of copyright

Background imageSpandrel Collection: Vampire bat, from a choir stall (wood)

Vampire bat, from a choir stall (wood)
XIR246400 Vampire bat, from a choir stall (wood) by French School, (13th century); Poitiers Cathedral, Poitiers, France; French, out of copyright

Background imageSpandrel Collection: Architectural details, Fleet Street, City of London, 1861. Artist: Robert Dudley

Architectural details, Fleet Street, City of London, 1861. Artist: Robert Dudley
Architectural details, Fleet Street, City of London, 1861. Architectural details from the Promoter Life Insurance Companys offices, no 29 Fleet Street, including capitals

Background imageSpandrel Collection: ASE2914WT24

ASE2914WT24
Twilight over Adolphe Bridge and the State Savings Bank in Luxembourg City

Background imageSpandrel Collection: Big Creek Bridge From California Route 1 On The Big Sur Coast; Big Sur, California

Big Creek Bridge From California Route 1 On The Big Sur Coast; Big Sur, California, United States Of America

Background imageSpandrel Collection: Croatia. Pula. Triumphal Arch of the Sergii

Croatia. Pula. Triumphal Arch of the Sergii. 1st century BC

Background imageSpandrel Collection: Traditional Christian decorations in churches

Traditional Christian decorations in churches
Suggestions for decoration of parts of a church

Background imageSpandrel Collection: Study Justice Dispensing Rewards Arts recto Lunette

Study Justice Dispensing Rewards Arts recto Lunette
Artokoloro

Background imageSpandrel Collection: Design Bay Arcade Female Figures Base Arch Putto

Design Bay Arcade Female Figures Base Arch Putto
Artokoloro

Background imageSpandrel Collection: Decoration Spandrel Cove 16th century Pen brown ink

Decoration Spandrel Cove 16th century Pen brown ink
Artokoloro

Background imageSpandrel Collection: Allegorical Figure Peace 1625-1713 Pen brown ink

Allegorical Figure Peace 1625-1713 Pen brown ink
Artokoloro

Background imageSpandrel Collection: Prophet Seated Profile Cloudbank Praying decoration

Prophet Seated Profile Cloudbank Praying decoration
Artokoloro

Background imageSpandrel Collection: Project Decoration Spandrel Winged Female Figure Holding

Project Decoration Spandrel Winged Female Figure Holding
Artokoloro

Background imageSpandrel Collection: Composition Spandrel 16th century Black chalk

Composition Spandrel 16th century Black chalk
Artokoloro

Background imageSpandrel Collection: Scheme for the Sistine Chapel Ceiling, c. 1508 (pen & ink and chalk on paper)

Scheme for the Sistine Chapel Ceiling, c. 1508 (pen & ink and chalk on paper)
BAL49881 Scheme for the Sistine Chapel Ceiling, c.1508 (pen & ink and chalk on paper) by Buonarroti, Michelangelo (1475-1564); 27.5x38.6 cm; British Museum, London, UK; Italian, out of copyright

Background imageSpandrel Collection: Relief from the Arch of Constantine, c. 315 AD (marble)

Relief from the Arch of Constantine, c. 315 AD (marble)
XIR238765 Relief from the Arch of Constantine, c.315 AD (marble) by Roman, (4th century AD); Rome, Italy; (add.info.: Constantine on the rostrum of the Forum; built to celebrate Constantines victory)

Background imageSpandrel Collection: Louis XIV style angel, from the arch on the left of the High Altar in the Chapel

Louis XIV style angel, from the arch on the left of the High Altar in the Chapel
XIR199186 Louis XIV style angel, from the arch on the left of the High Altar in the Chapel (gilded bronze) by French School, (18th century); Chateau de Versailles

Background imageSpandrel Collection: Preparatory Study for the Punishment of Haman (red chalk & charcoal on paper) (verso)

Preparatory Study for the Punishment of Haman (red chalk & charcoal on paper) (verso)
BAL191786 Preparatory Study for the Punishment of Haman (red chalk & charcoal on paper) (verso) by Buonarroti, Michelangelo (1475-1564); British Museum, London, UK; Italian, out of copyright

Background imageSpandrel Collection: Secretaire a abattant

Secretaire a abattant; By Martin Carlin, French, born Germany, about 1730 - 1785, master 1766, Circular plaque painted by Jean-Jacques Pierre le jeune, French, about 1745 - about 1800, active Sevres

Background imageSpandrel Collection: Florence, Italy - View of the bridges over the River Arno

Florence, Italy - View of the bridges over the River Arno Date: 1909

Background imageSpandrel Collection: SPAIN

SPAIN. Sevilla. Royal Alcazars. Spandrel of the lobe arches from the Patio de las Doncellas (Courtyard of the Maidens)



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Spandrels are architectural elements that have been used throughout history to enhance the beauty and storytelling of various structures. From ancient civilizations to more modern times, spandrels have played a significant role in art and design. One example of they can be seen in a pair of hunt scene panels from the Safavid dynasty during the mid-17th century. These intricately crafted spandrels depict scenes of hunters on horseback, showcasing both skill and bravery. In Chicago, Illinois, the Gage Building features a stunning spandrel panel dating back to 1898-1899. This piece showcases intricate architectural details that add elegance and charm to the building's facade. Even choir stalls were not exempt from incorporating spandrels into their designs. An alchemist depicted on a wooden choir stall demonstrates how these elements were used not only for decoration but also as a means of storytelling within religious spaces. The Mesdjid-i-Shah in Isfahan is another example where spandrels take center stage. Architectural details found here showcase the rich cultural heritage of Iran, with plate 12-13 capturing its grandeur and beauty. Moving away from architecture, we find examples such as pencil & watercolor drawings depicting friezes and spandrels in courtyards at Temple Street. These delicate artworks capture the essence of these decorative elements with precision and detail. Ms 1014 offers us an elevation drawing showcasing ballroom designs at Fontainebleau. Spandrels play an essential role here by adding depth and character to this opulent space fit for royalty. Religious artwork also incorporates spandrels into its compositions. In Strozzi Chapel, two angels grace the east wall with their presence, demonstrating how even divine figures are enhanced by these architectural features. A roundel made from glazed terracotta adorns a facade beautifully while adding texture and visual interest to any structure lucky enough to feature it, and are not limited to architecture alone.