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Stationery Collection (page 4)

"Stationery: A Timeless Necessity Connecting History and Creativity" In the inter-war period

Background imageStationery Collection: Head of an Old Man, 1706-25 (pens, inks, w / c, red & black pencils on white paper)

Head of an Old Man, 1706-25 (pens, inks, w / c, red & black pencils on white paper)
7240559 Head of an Old Man, 1706-25 (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

Background imageStationery Collection: Two little girls sitting on the ground and a cat, 1706-25 (pens, inks, w / c)

Two little girls sitting on the ground and a cat, 1706-25 (pens, inks, w / c, red & black pencils on white paper)
7240553 Two little girls sitting on the ground and a cat, 1706-25 (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

Background imageStationery Collection: Nathan rebukingDavid, 1706-25 (pens, inks, w / c, red & black pencils on white paper)

Nathan rebukingDavid, 1706-25 (pens, inks, w / c, red & black pencils on white paper)
7240551 Nathan rebukingDavid, 1706-25 (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

Background imageStationery Collection: Sacrifice of Polyxena, 1706-25 (pens, inks, w / c, red & black pencils on white paper)

Sacrifice of Polyxena, 1706-25 (pens, inks, w / c, red & black pencils on white paper)
7240548 Sacrifice of Polyxena, 1706-25 (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

Background imageStationery Collection: Triumph of Venice, 1706-25 (pens, inks, w / c, red & black pencils on white paper)

Triumph of Venice, 1706-25 (pens, inks, w / c, red & black pencils on white paper)
7240545 Triumph of Venice, 1706-25 (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

Background imageStationery Collection: Christ among the doctors, 1706-25 (pens, inks, w / c, red & black pencils on white paper)

Christ among the doctors, 1706-25 (pens, inks, w / c, red & black pencils on white paper)
7240539 Christ among the doctors, 1706-25 (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

Background imageStationery Collection: Death of Coronis, 1706-25 (pens, inks, w / c, red & black pencils on white paper)

Death of Coronis, 1706-25 (pens, inks, w / c, red & black pencils on white paper)
7240556 Death of Coronis, 1706-25 (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

Background imageStationery Collection: The Holy Family with Infant St. John and St. Anne, 1706-25 (pens, inks, w / c)

The Holy Family with Infant St. John and St. Anne, 1706-25 (pens, inks, w / c, red & black pencils on white paper)
7240542 The Holy Family with Infant St. John and St. Anne, 1706-25 (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

Background imageStationery Collection: The Holy Family with Infant St. John and St. Anne (pens, inks, w / c)

The Holy Family with Infant St. John and St. Anne (pens, inks, w / c, red & black pencils on white paper)
7240541 The Holy Family with Infant St. John and St. Anne (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

Background imageStationery Collection: Settling the Debt, (oil on panel)

Settling the Debt, (oil on panel)
827128 Settling the Debt, (oil on panel) by Eichinger, Erwin (1892-1950); 40.6x47 cm; Private Collection; (add.info.: Settling the Debt. Erwin Eichinger (1892-1950). Oil on panel

Background imageStationery Collection: Sacrifice to Vesta, 1706-25 (pens, inks, w / c, red & black pencils on white paper)

Sacrifice to Vesta, 1706-25 (pens, inks, w / c, red & black pencils on white paper)
7240558 Sacrifice to Vesta, 1706-25 (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

Background imageStationery Collection: Aeneas and Anchises, 1706-25 (pens, inks, w / c, red & black pencils on white paper)

Aeneas and Anchises, 1706-25 (pens, inks, w / c, red & black pencils on white paper)
7240555 Aeneas and Anchises, 1706-25 (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

Background imageStationery Collection: Two Youths sitting on the Ground with a Stick and a Kid, 1706-25 (pens, inks, w / c)

Two Youths sitting on the Ground with a Stick and a Kid, 1706-25 (pens, inks, w / c)
7240549 Two Youths sitting on the Ground with a Stick and a Kid, 1706-25 (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

Background imageStationery Collection: Rural Scene, 1706-25 (pens, inks, w / c, red & black pencils on white paper)

Rural Scene, 1706-25 (pens, inks, w / c, red & black pencils on white paper)
7240564 Rural Scene, 1706-25 (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

Background imageStationery Collection: Religious Scene, 1706-25 (pens, inks, w / c, red & black pencils on white paper)

Religious Scene, 1706-25 (pens, inks, w / c, red & black pencils on white paper)
7240561 Religious Scene, 1706-25 (pens, inks, w/c, red & black pencils on white paper) by Ricci, Sebastiano (1658-1734); Gallerie dell Accademia, Venice

Background imageStationery Collection: Portrait of the 3rd Earl of Bradford, c. 1872 (oil on canvas)

Portrait of the 3rd Earl of Bradford, c. 1872 (oil on canvas)
7240940 Portrait of the 3rd Earl of Bradford, c.1872 (oil on canvas) by Sargent, Frederick (1837-99); 29x23 cm; The Weston Park Foundation, Shropshire, UK; (add.info.: The sitter seated at a desk)

Background imageStationery Collection: St Matthew the Apostle (engraving)

St Matthew the Apostle (engraving)
7149622 St Matthew the Apostle (engraving) by English School, (17th century) (after); Private Collection; (add.info.: St Matthew the Apostle)

Background imageStationery Collection: Zoological Gardens, Ghent, Belgium (litho)

Zoological Gardens, Ghent, Belgium (litho)
7154180 Zoological Gardens, Ghent, Belgium (litho) by European School, (19th century); Private Collection; (add.info.: Zoological Gardens, Ghent, Belgium)

Background imageStationery Collection: Animal enclosures at the Zoological Gardens, Ghent, Belgium (litho)

Animal enclosures at the Zoological Gardens, Ghent, Belgium (litho)
7154179 Animal enclosures at the Zoological Gardens, Ghent, Belgium (litho) by European School, (19th century); Private Collection; (add.info.: Animal enclosures at the Zoological Gardens, Ghent)

Background imageStationery Collection: Roderigo, from Giuseppe Verdis opera Otello, based on William Shakespeares play (colour litho)

Roderigo, from Giuseppe Verdis opera Otello, based on William Shakespeares play (colour litho)
7154002 Roderigo, from Giuseppe Verdis opera Otello, based on William Shakespeares play (colour litho) by Italian School, (19th century); Private Collection; (add.info.: Roderigo)

Background imageStationery Collection: Montano, from Giuseppe Verdis opera Otello, based on William Shakespeares play (colour litho)

Montano, from Giuseppe Verdis opera Otello, based on William Shakespeares play (colour litho)
7153999 Montano, from Giuseppe Verdis opera Otello, based on William Shakespeares play (colour litho) by Italian School, (19th century); Private Collection; (add.info.: Montano)

Background imageStationery Collection: John Strype, English clergyman, historian and biographer (engraving)

John Strype, English clergyman, historian and biographer (engraving)
7185581 John Strype, English clergyman, historian and biographer (engraving) by Vertue, George (1684-1756) (after); Private Collection; (add.info.: John Strype (1643-1737), English clergyman

Background imageStationery Collection: Carved and Gilt Causeuse or Settee, and Fauteuil or Arm Chair, End of Louis XVI (coloured engraving)

Carved and Gilt Causeuse or Settee, and Fauteuil or Arm Chair, End of Louis XVI (coloured engraving)
7159268 Carved and Gilt Causeuse or Settee, and Fauteuil or Arm Chair, End of Louis XVI (coloured engraving) by English School

Background imageStationery Collection: The classroom (chromolitho)

The classroom (chromolitho)
7148666 The classroom (chromolitho) by English School, (20th century); Private Collection; (add.info.: The classroom. Illustration from Le Livre Rouge, by E Magee (Blackie & Son Limited)

Background imageStationery Collection: Francis White, Bishop of Ely (engraving)

Francis White, Bishop of Ely (engraving)
7185599 Francis White, Bishop of Ely (engraving) by English School, (19th century); Private Collection; (add.info.: Francis White (1564-1638), Bishop of Ely

Background imageStationery Collection: Moses in the desert (engraving)

Moses in the desert (engraving)
7185369 Moses in the desert (engraving) by French School, (19th century); Private Collection; (add.info.: Moses in the desert)

Background imageStationery Collection: John Bennett, Secretary of Lloyds of London, 1804-1834 (litho)

John Bennett, Secretary of Lloyds of London, 1804-1834 (litho)
7185001 John Bennett, Secretary of Lloyds of London, 1804-1834 (litho) by Haughton, Moses (1772-1848); Private Collection; (add.info.: John Bennett, Secretary of Lloyds of London, 1804-1834)

Background imageStationery Collection: Caricature of British author Hall Caine (litho)

Caricature of British author Hall Caine (litho)
7201826 Caricature of British author Hall Caine (litho) by Ritchie, Alick Penrose Forbes (1868-1938); Private Collection; (add.info.: A Manx Cat o Nine Tails)

Background imageStationery Collection: Methods of holding the pen (engraving)

Methods of holding the pen (engraving)
7178766 Methods of holding the pen (engraving) by American School, (19th century); Private Collection; (add.info.: Methods of holding the pen)

Background imageStationery Collection: 'Pennsylvania'(engraving)

"Pennsylvania"(engraving)
7177710 " Pennsylvania" (engraving) by English School, (19th century); Private Collection; (add.info.: " Pennsylvania." Illustration for The Comic Annual by Thomas Hood)

Background imageStationery Collection: Wild goat enclosure at the Zoological Gardens, Ghent, Belgium (litho)

Wild goat enclosure at the Zoological Gardens, Ghent, Belgium (litho)
7154182 Wild goat enclosure at the Zoological Gardens, Ghent, Belgium (litho) by European School, (19th century); Private Collection; (add.info.: Wild goat enclosure at the Zoological Gardens, Ghent)

Background imageStationery Collection: Rocky animal enclosure at the Zoological Gardens, Ghent, Belgium (colour litho)

Rocky animal enclosure at the Zoological Gardens, Ghent, Belgium (colour litho)
7154173 Rocky animal enclosure at the Zoological Gardens, Ghent, Belgium (colour litho) by European School, (19th century); Private Collection; (add.info)

Background imageStationery Collection: Ludovico, from Giuseppe Verdis opera Otello, based on William Shakespeares play (colour litho)

Ludovico, from Giuseppe Verdis opera Otello, based on William Shakespeares play (colour litho)
7154000 Ludovico, from Giuseppe Verdis opera Otello, based on William Shakespeares play (colour litho) by Italian School, (19th century); Private Collection; (add.info.: Ludovico)

Background imageStationery Collection: Emilia, from Giuseppe Verdis opera Otello, based on William Shakespeares play (colour litho)

Emilia, from Giuseppe Verdis opera Otello, based on William Shakespeares play (colour litho)
7153998 Emilia, from Giuseppe Verdis opera Otello, based on William Shakespeares play (colour litho) by Italian School, (19th century); Private Collection; (add.info.: Emilia)

Background imageStationery Collection: Bedstead of Marie Antoinette, Louis XVI (coloured engraving)

Bedstead of Marie Antoinette, Louis XVI (coloured engraving)
7159271 Bedstead of Marie Antoinette, Louis XVI (coloured engraving) by English School, (19th century); Private Collection; (add.info.: Bedstead of Marie Antoinette, Louis XVI)

Background imageStationery Collection: The Masters Chair (coloured engraving)

The Masters Chair (coloured engraving)
7159286 The Masters Chair (coloured engraving) by English School, (19th century); Private Collection; (add.info.: The Masters Chair)

Background imageStationery Collection: Le Vocabulaire Illustre: Plume (a ecrire); Pen; Schreibfeder (engraving)

Le Vocabulaire Illustre: Plume (a ecrire); Pen; Schreibfeder (engraving)
7197161 Le Vocabulaire Illustre: Plume (a ecrire); Pen; Schreibfeder (engraving) by European School, (19th century); Private Collection; (add.info.: Plume (a ecrire); Pen; Schreibfeder

Background imageStationery Collection: There Was a Crooked Man (colour litho)

There Was a Crooked Man (colour litho)
7186317 There Was a Crooked Man (colour litho) by English School, (19th century); Private Collection; (add.info.: There Was a Crooked Man, childrens nursery rhyme)

Background imageStationery Collection: Advertisement for Mimeograph copying machines manufactured by the A B Dick Company (litho)

Advertisement for Mimeograph copying machines manufactured by the A B Dick Company (litho)
7172094 Advertisement for Mimeograph copying machines manufactured by the A B Dick Company (litho) by American School, (20th century); Private Collection; (add.info)

Background imageStationery Collection: Bureau Du Roi, Louis XV (coloured engraving)

Bureau Du Roi, Louis XV (coloured engraving)
7159273 Bureau Du Roi, Louis XV (coloured engraving) by English School, (19th century); Private Collection; (add.info.: Bureau Du Roi, Louis XV)

Background imageStationery Collection: Writing Table, Late Louis XV (coloured engraving)

Writing Table, Late Louis XV (coloured engraving)
7159272 Writing Table, Late Louis XV (coloured engraving) by English School, (19th century); Private Collection; (add.info.: Writing Table, Late Louis XV)

Background imageStationery Collection: St Mark the Evangelist (engraving)

St Mark the Evangelist (engraving)
7149623 St Mark the Evangelist (engraving) by English School, (17th century) (after); Private Collection; (add.info.: St Mark the Evangelist)

Background imageStationery Collection: St Luke the Evangelist (engraving)

St Luke the Evangelist (engraving)
7149620 St Luke the Evangelist (engraving) by English School, (17th century) (after); Private Collection; (add.info.: St Luke the Evangelist)

Background imageStationery Collection: Cassio, from Giuseppe Verdis opera Otello, based on William Shakespeares play (colour litho)

Cassio, from Giuseppe Verdis opera Otello, based on William Shakespeares play (colour litho)
7154004 Cassio, from Giuseppe Verdis opera Otello, based on William Shakespeares play (colour litho) by Italian School, (19th century); Private Collection; (add.info.: Cassio)

Background imageStationery Collection: Desdemona, from Giuseppe Verdis opera Otello, based on William Shakespeares play (colour litho)

Desdemona, from Giuseppe Verdis opera Otello, based on William Shakespeares play (colour litho)
7153997 Desdemona, from Giuseppe Verdis opera Otello, based on William Shakespeares play (colour litho) by Italian School, (19th century); Private Collection; (add.info.: Desdemona)

Background imageStationery Collection: Otello, from Giuseppe Verdis opera Otello, based on William Shakespeares play (colour litho)

Otello, from Giuseppe Verdis opera Otello, based on William Shakespeares play (colour litho)
7153995 Otello, from Giuseppe Verdis opera Otello, based on William Shakespeares play (colour litho) by Italian School, (19th century); Private Collection; (add.info.: Otello)

Background imageStationery Collection: Ludovico, from Giuseppe Verdis opera Otello, based on William Shakespeares play (colour litho)

Ludovico, from Giuseppe Verdis opera Otello, based on William Shakespeares play (colour litho)
7153994 Ludovico, from Giuseppe Verdis opera Otello, based on William Shakespeares play (colour litho) by Italian School, (19th century); Private Collection; (add.info.: Ludovico)

Background imageStationery Collection: Merchant with her account book, 19th century (Engraving)

Merchant with her account book, 19th century (Engraving)
7211563 Merchant with her account book, 19th century (Engraving) by Lami, Eugene-Louis (1800-90); (add.info.: Nineteenth-century trader at her counter with her account book - Engraving by Eugene)



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"Stationery: A Timeless Necessity Connecting History and Creativity" In the inter-war period, British Military Posters showcased the importance in various aspects of life. F G Pearce Ltd understood this significance by providing high-quality business stationery that reflected professionalism and attention to detail. During this time, even the Territorial Army recognized the value of good jobs, good money, and good times through their posters. Stationery played a crucial role in maintaining records and communication within military units. The Card index box emerged as an organizational marvel, ensuring efficiency in managing information. Witness my Act and Deed (1882), depicted on canvas, symbolized how stationery immortalizes important moments throughout history. As World War II approached, another poster urged women to join the ATS (Auxiliary Territorial Service) with a powerful message - "You are wanted too. " Stationery became an essential tool for administrative tasks during wartime. Beyond military contexts, stationery found its place in everyday life. The home of Judith Quiney in Stratford witnessed countless letters written on beautiful letterheads or elegant notepaper. Even across borders, Hotel Royal Grande Bretagne in Florence proudly displayed its own unique stationery design. It served as a reminder that no matter where we travel or stay, writing materials connect us to our thoughts and memories. Artistic representations also celebrated stationary's charm; Kittens Playing on Desk captured the innocence and joy found amidst pens and papers. This oil painting highlighted how even playful distractions can be intertwined with creativity facilitated by stationary tools. Pawlyn & Sons at Victoria Square in Truro Cornwall offered locals access to quality stationeries for personal or professional use. Their presence exemplified how small businesses contributed to communities' needs while preserving traditional craftsmanship values. From military campaigns to artistic expressions; from historical documentation to personal correspondence –stationary has remained an indispensable part of human existence throughout different eras.