Statua Collection

Winged Victory of Samothrace or Nike of Samothrace
Greek art. Winged Victory of Samothrace or Nike of Samothrace. 2nd century BC. Marble. Sculpture of the greek goodess Nike (Victory). Museum of Louvre. Paris

Ganymede with Jupiters eagle, 1814-5 (marble)
5973922 Ganymede with Jupiters eagle, 1814-5 (marble) by Thorvaldsen, Bertel (1770-1844); Pinacoteca Tosio Martinengo, Brescia, Italy; (add.info.: Brescia)

Works by Antonio Canova: Fine Amorous Statues, 1841 (litho on mounted wove paper)
6343060 Works by Antonio Canova: Fine Amorous Statues, 1841 (litho on mounted wove paper) by Fanoli, Michele (1807-76); Biblioteca Nazionale Braidense, Milan, Lombardy

Massachusetts, Boston, Paul Revere Monument

Statue of Adolph Simon Ochs (b. March 12, 1858-April 8, 1935) in the lobby of the New York Times Building designed by
4066770 Statue of Adolph Simon Ochs (b. March 12, 1858-April 8, 1935) in the lobby of the New York Times Building designed by architect Renzo Piano. Adolph S

Statue of Adolph Simon Ochs (b. March 12, 1858-April 8, 1935) in the lobby of the New York Times Building designed by
4066769 Statue of Adolph Simon Ochs (b. March 12, 1858-April 8, 1935) in the lobby of the New York Times Building designed by architect Renzo Piano. Adolph S

Panel of the main bronze door of the Duomo di Milano designed by Lodovico Pogliaghi: The Flagellation of Christ
4066188 Panel of the main bronze door of the Duomo di Milano designed by Lodovico Pogliaghi: The Flagellation of Christ, located on the left shutter

Panel of the main bronze door of the Milan Cathedral designed by Lodovico Pogliaghi: The Marriage of the Virgin Mary
4066190 Panel of the main bronze door of the Milan Cathedral designed by Lodovico Pogliaghi: The Marriage of the Virgin Mary, located on the right shutter

Statue of Adolph Simon Ochs (b. March 12, 1858-April 8, 1935) in the lobby of the New York Times Building designed by
4066771 Statue of Adolph Simon Ochs (b. March 12, 1858-April 8, 1935) in the lobby of the New York Times Building designed by architect Renzo Piano. Adolph S

Madonna with Infant Jesus, XIV century (wood)
2654999 Madonna with Infant Jesus, XIV century (wood) by Lombard School, (14th century); Museo Adriano Bernareggi, Bergamo, Italy; (add.info.: Bergamo, Bernareggi Museum; Madonna with Infant Jesus)

Detail of the Mausoleum of St. Pius V: a high-relief in white marble representing the Resurrection
3928845 Detail of the Mausoleum of St. Pius V: a high-relief in white marble representing the Resurrection and Pius V in prayer (marble) by Buzzi

Statue representing the Faith, detail of the Mausoleum of St. Pius V
3928841 Statue representing the Faith, detail of the Mausoleum of St. Pius V by Buzzi, Giovanni Antonio (fl.1568-79); Church of Santa Croce, Bosco Marengo, Alessandria, Piedmont

Mausoleum of St. Pius V (marble)
3928832 Mausoleum of St. Pius V (marble) by Buzzi, Giovanni Antonio (fl.1568-79); (add.info.: A high-relief in white marble representing the Resurrection and Pius V in prayer)

Apollino (Young Apollo), detail, c. 1797 (marble)
6343104 Apollino (Young Apollo), detail, c.1797 (marble) by Canova, Antonio (1757-1822); J. Paul Getty Museum, Los Angeles, USA; (add.info.: Apollino, 1797 circa, di Antonio Canova (1757 - 1822)

Apollino (Young Apollo), c. 1797 (marble)
6343101 Apollino (Young Apollo), c.1797 (marble) by Canova, Antonio (1757-1822); J. Paul Getty Museum, Los Angeles, USA; (add.info.: Apollino, 1797 circa, di Antonio Canova (1757 - 1822)

The adolescent (bronze)
5894131 The adolescent (bronze) by Graziosi, Giuseppe (1879-1942); Assicoop-Unipol Collection, Modena, Emilia Romagna, Italy; (add.info.: Collezione Assicoop - Unipol, inv)

Sepulchre of Michelangelo Buonarroti, detail of the personification of Sculpture and the bust portraying Michelangelo
6366102 Sepulchre of Michelangelo Buonarroti, detail of the personification of Sculpture and the bust portraying Michelangelo by Lorenzi, Battista (1527-94) & Cioli

Tabernacle with the Cavalcanti Annunciation, right aisle, detail of the Archangel Gabriel, 1433-35 (sandstone)
6366089 Tabernacle with the Cavalcanti Annunciation, right aisle, detail of the Archangel Gabriel, 1433-35 (sandstone) by Donatello, (c.1386-1466); Santa Croce, Florence

Tabernacle with the Cavalcanti Annunciation, right aisle, 1433-35 (sandstone)
6366088 Tabernacle with the Cavalcanti Annunciation, right aisle, 1433-35 (sandstone) by Donatello, (c.1386-1466); Santa Croce, Florence, Italy; (add.info.: Basilica of the Holy Cross)

St. Louis of Toulouse, detail, 1422-25 (gilt bronze; silver, enamel and crystal rock)
6365892 St. Louis of Toulouse, detail, 1422-25 (gilt bronze; silver, enamel and crystal rock) by Donatello, (c.1386-1466); Santa Croce, Florence

The raid (bronze)
5894128 The raid (bronze) by Graziosi, Giuseppe (1879-1942); Assicoop-Unipol Collection, Modena, Emilia Romagna, Italy; (add.info.: Collezione Assicoop - Unipol, inv)

Hercules, after slaying bare-handed the Nemean lion, bearing the remains wearing its skin
6336329 Hercules, after slaying bare-handed the Nemean lion, bearing the remains wearing its skin and holding the open mouth of the beast with his right hand, 1473 (bronze) by Bertoldo

Earthenware urn
6263028 Earthenware urn by Etruscan; Museo Claudio Faina, Orvieto, Italy; (add.info.: Orvieto, Museo Faina: urna cineraria in terracotta.); Ghigo Roli; out of copyright

Canopic urn, first half of the VI century BC
6263025 Canopic urn, first half of the VI century BC by Etruscan, (6th century BC); Museo Claudio Faina, Orvieto, Italy; (add.info.: From the Chiusi area)

Gorgoneion
6263019 Gorgoneion by Etruscan; Museo Claudio Faina, Orvieto, Italy; (add.info.: Orvieto, Museo Faina: Gorgoneion.); Ghigo Roli; out of copyright

Portrait of ideal young divinity, or Youth, II century AD
6255423 Portrait of ideal young divinity, or Youth, II century AD by Roman, (2nd century AD); Palazzo Trinci, Foligno, Umbria

Portrait of Eugenia Bolognini (the Bolognina), 1851 (marble)
6200603 Portrait of Eugenia Bolognini (the Bolognina), 1851 (marble) by Vela, Vincenzo (1820-91); Private Collection; (add.info.: Vincenzo Vela)

Francis I of Austria, 1781-82 (marble)
6343116 Francis I of Austria, 1781-82 (marble) by Canova, Antonio (1757-1822); Fondazione Canova, Possagno, Veneto, Italy; (add.info.: Francesco I d Austria, 1822 di Antonio Canova (1757 - 1822)

Apollino (Young Apollo), c. 1797 (marble)
6343103 Apollino (Young Apollo), c.1797 (marble) by Canova, Antonio (1757-1822); J. Paul Getty Museum, Los Angeles, USA; (add.info.: Apollino, 1797 circa, di Antonio Canova (1757 - 1822)

Apollino (Young Apollo), c. 1797 (marble)
6343102 Apollino (Young Apollo), c.1797 (marble) by Canova, Antonio (1757-1822); J. Paul Getty Museum, Los Angeles, USA; (add.info.: Apollino, 1797 circa, di Antonio Canova (1757 - 1822)

Pope Pius VII, detail of the mozzetta, 1804-5 (marble)
6343027 Pope Pius VII, detail of the mozzetta, 1804-5 (marble) by Canova, Antonio (1757-1822); Musee et Domaine National de Versailles et de Trianon, Versailles, France; (add.info.: Papa Pio VII)

Pope Pius VII, 1804-5 (marble)
6343026 Pope Pius VII, 1804-5 (marble) by Canova, Antonio (1757-1822); Musee et Domaine National de Versailles et de Trianon, Versailles, France; (add.info.: Papa Pio VII, 1804-5)

The three Graces, detail of legs and feet, 1812-17 (marble)
6342981 The three Graces, detail of legs and feet, 1812-17 (marble) by Canova, Antonio (1757-1822); State Hermitage Museum, St

St. Jerome (bronze)
6336343 St. Jerome (bronze) by Graziosi, Giuseppe (1879-1942); 60 cm; Assicoop-Unipol Collection, Modena, Emilia Romagna, Italy; (add.info.: Giuseppe Graziosi (1879 - 1942)

Hercules, after slaying bare-handed the Nemean lion, bearing the remains wearing its skin
6336328 Hercules, after slaying bare-handed the Nemean lion, bearing the remains wearing its skin and holding the open mouth of the beast with his right hand, 1473 (bronze) by Bertoldo

Hercules, after slaying bare-handed the Nemean lion, bearing the remains wearing its skin
6336326 Hercules, after slaying bare-handed the Nemean lion, bearing the remains wearing its skin and holding the open mouth of the beast with his right hand, detail, 1473 (bronze) by Bertoldo

Statue and Staircase, 1931 (mixed media on cardboard)
6283863 Statue and Staircase, 1931 (mixed media on cardboard) by Paresce, Renato (1886-1937); Museo Novecento, Florence, Italy; (add.info.: " Statua e scala", di Renato Paresce, 1931)

Statue of St. Michael defeating the devil, detail of the Mausoleum of St. Pius V (marble)
3928847 Statue of St. Michael defeating the devil, detail of the Mausoleum of St. Pius V (marble) by Buzzi, Giovanni Antonio (fl.1568-79); Church of Santa Croce, Bosco Marengo, Alessandria, Piedmont

High-relief in white marble representing the Resurrection and Pius V in prayer, detail of the Mausoleum of St. Pius V
3928840 High-relief in white marble representing the Resurrection and Pius V in prayer, detail of the Mausoleum of St. Pius V by Buzzi, Giovanni Antonio (fl.1568-79); Church of Santa Croce

Resurrected Christ, detail of the Mausoleum of St. Pius V (marble)
3928835 Resurrected Christ, detail of the Mausoleum of St. Pius V (marble) by Buzzi, Giovanni Antonio (fl.1568-79); (add.info)

Genoa, Museum of St Augustine: Virile standing figure, by Campionese sclptor (Master of Giano), about 1307 - 1312
6372816 Genoa, Museum of St Augustine: Virile standing figure, by Campionese sclptor (Master of Giano), about 1307 - 1312 by Italian School, (14th century); Cattedrale di San Lorenzo, Genoa

Venus of Cannicella, 520-530 BC (marble)
6263013 Venus of Cannicella, 520-530 BC (marble) by Etruscan, (6th century BC); Museo Claudio Faina, Orvieto, Italy; (add.info)

The lion, symbol of St. Mark, 1329-30 (bronze)
6263006 The lion, symbol of St. Mark, 1329-30 (bronze) by Maitani, Lorenzo (c.1255-1330); Duomo (Cathedral of Santa Maria Assunta), Orvieto, Umbria

The bull, symbol of St Luke, 1329-30 (bronze)
6263004 The bull, symbol of St Luke, 1329-30 (bronze) by Maitani, Lorenzo (c.1255-1330); Duomo (Cathedral of Santa Maria Assunta), Orvieto, Umbria

Madonna with Child and six angels holding a curtain, detail (marble, bronze, polychromy, gold and glass paste)
6262999 Madonna with Child and six angels holding a curtain, detail (marble, bronze, polychromy, gold and glass paste) by Italian School, (14th century); Museo dell Opera del Duomo (MODO), Orvieto

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"Unveiling the Beauty of Statues: A Journey through Time and Materials" Step into a world where art comes to life, where statues tell stories that transcend time. Witness the grandeur of the Winged Victory of Samothrace, also known as Nike of Samothrace, as she stands proudly atop her pedestal, her wings spread wide in triumph. Marvel at the delicate craftsmanship of the XIV century Madonna with Infant Jesus, carved meticulously from wood. The tender bond between mother and child captured forever in this timeless masterpiece. Gaze upon the high-relief white marble sculpture adorning the Mausoleum of St. Pius V - an awe-inspiring depiction of Resurrection and Pius V deep in prayer. Nearby stands a statue representing Faith itself, symbolizing unwavering devotion. Intrigue fills the air as Apollino (Young Apollo) takes center stage; his marble form radiating youthful energy and grace. His presence evokes a sense of wonder and admiration for classical beauty. The adolescent bronze figure captivates with its enigmatic allure - a silent observer frozen in time, leaving us to ponder their story lost to history's embrace. Venture further into Michelangelo's sepulchre where Sculpture personified meets his bust portraying Michelangelo himself - an homage to one master by another. Their artistic spirits entwined forever within this sacred space. Discover serenity within Tabernacle with Cavalcanti Annunciation; sandstone intricately carved to depict Archangel Gabriel delivering heavenly news. This masterpiece transports us back centuries ago when faith was intertwined with every aspect of life. Finally, behold St. Louis of Toulouse crafted from gilt bronze adorned with silver, enamel, and crystal rock - a testament to exquisite craftsmanship that transcends mere metalwork. These statues stand as guardians preserving our collective heritage while inviting us on an enchanting journey through time.