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Stefano Della Bella Collection (page 8)

Stefano della Bella, an Italian draughtsman and printmaker, was a master of capturing the essence of various subjects in his artwork

Background imageStefano Della Bella Collection: Persee et Meduse, 1644. Creator: Stefano della Bella

Persee et Meduse, 1644. Creator: Stefano della Bella
Persee et Meduse, 1644

Background imageStefano Della Bella Collection: Les neuf Muses, 1644. Creator: Stefano della Bella

Les neuf Muses, 1644. Creator: Stefano della Bella
Les neuf Muses, 1644

Background imageStefano Della Bella Collection: Apollon et Marsyas, 1644. Creator: Stefano della Bella

Apollon et Marsyas, 1644. Creator: Stefano della Bella
Apollon et Marsyas, 1644

Background imageStefano Della Bella Collection: Pan et Syrinx, 1644. Creator: Stefano della Bella

Pan et Syrinx, 1644. Creator: Stefano della Bella
Pan et Syrinx, 1644

Background imageStefano Della Bella Collection: Torchlight Procession at the Modena Carrousel, 1652. Creator: Stefano della Bella

Torchlight Procession at the Modena Carrousel, 1652. Creator: Stefano della Bella
Torchlight Procession at the Modena Carrousel, 1652

Background imageStefano Della Bella Collection: Il Mondo Festeggiante: Entrance of Cosimo III de Medici, 1661

Il Mondo Festeggiante: Entrance of Cosimo III de Medici, 1661

Background imageStefano Della Bella Collection: The Tree House at Pratolino, ca. 1653. Creator: Stefano della Bella

The Tree House at Pratolino, ca. 1653. Creator: Stefano della Bella
The Tree House at Pratolino, ca. 1653

Background imageStefano Della Bella Collection: Siege of Saint-Omer, 1638. Creator: Stefano della Bella

Siege of Saint-Omer, 1638. Creator: Stefano della Bella
Siege of Saint-Omer, 1638

Background imageStefano Della Bella Collection: Capture of Two Galleys at Byserta, 1628. Creator: Stefano della Bella

Capture of Two Galleys at Byserta, 1628. Creator: Stefano della Bella
Capture of Two Galleys at Byserta, 1628

Background imageStefano Della Bella Collection: Frontispiece for Dialogo di Galileo Galilei, 1632. Creator: Stefano della Bella

Frontispiece for Dialogo di Galileo Galilei, 1632. Creator: Stefano della Bella
Frontispiece for Dialogo di Galileo Galilei, 1632

Background imageStefano Della Bella Collection: Castel Sant Angelo, ca. 1634. Creator: Stefano della Bella

Castel Sant Angelo, ca. 1634. Creator: Stefano della Bella
Castel Sant Angelo, ca. 1634

Background imageStefano Della Bella Collection: A galley covered in sails to left, six cannons and four people to left in foreground

A galley covered in sails to left, six cannons and four people to left in foreground, one man seated at far left smoking a pipe, a man assisting others disembarking from rowboats to right

Background imageStefano Della Bella Collection: The Medici vase, a large vase to right decorated with a representation of the sacrifice

The Medici vase, a large vase to right decorated with a representation of the sacrifice of Iphigenia, on a garden terrace

Background imageStefano Della Bella Collection: Arch of Constantine and Colosseum with sheep grazing in foreground, from Six large views

Arch of Constantine and Colosseum with sheep grazing in foreground, from Six large views, four of Rome, and two of the Roman countryside (Six grandes vues)

Background imageStefano Della Bella Collection: Departure of a galley at the Port of Livorno, from from Views of the port of Livorno

Departure of a galley at the Port of Livorno, from from Views of the port of Livorno (Vues du port de Livourne), 1654-55

Background imageStefano Della Bella Collection: Sixth scene, the heavens, from The marriage of the gods (Le nozze degli Dei), 1637

Sixth scene, the heavens, from The marriage of the gods (Le nozze degli Dei), 1637

Background imageStefano Della Bella Collection: The Wedding of the Gods: Second Scene, Diana, 1637. Creator: Stefano della Bella

The Wedding of the Gods: Second Scene, Diana, 1637. Creator: Stefano della Bella
The Wedding of the Gods: Second Scene, Diana, 1637

Background imageStefano Della Bella Collection: Frontispiece for Il Cosmo, 1650. Creator: Stefano della Bella

Frontispiece for Il Cosmo, 1650. Creator: Stefano della Bella
Frontispiece for Il Cosmo, 1650

Background imageStefano Della Bella Collection: Galileo and personifications of Astronomy, Perspective and Mathematics

Galileo and personifications of Astronomy, Perspective and Mathematics, frontispiece for Opere di Galileo Galilei, 1656

Background imageStefano Della Bella Collection: Frontispiece for the Instruzione a Cancellieri, 1635. Creator: Stefano della Bella

Frontispiece for the Instruzione a Cancellieri, 1635. Creator: Stefano della Bella
Frontispiece for the Instruzione a Cancellieri, 1635

Background imageStefano Della Bella Collection: Frontispiece for Il Mercurio, III: Hercules Planting His Club, 1652

Frontispiece for Il Mercurio, III: Hercules Planting His Club, 1652

Background imageStefano Della Bella Collection: Frontispiece for Il Nino Figlio, 1655. Creator: Stefano della Bella

Frontispiece for Il Nino Figlio, 1655. Creator: Stefano della Bella
Frontispiece for Il Nino Figlio, 1655

Background imageStefano Della Bella Collection: Fame, 1649-50. Creator: Stefano della Bella

Fame, 1649-50. Creator: Stefano della Bella
Fame, 1649-50

Background imageStefano Della Bella Collection: Plate 6: three ships in a storm, from Various Embarkations (Divers embarquements), ca

Plate 6: three ships in a storm, from Various Embarkations (Divers embarquements), ca. 1646-47

Background imageStefano Della Bella Collection: Frontispiece: cartouche at center, putti on either side riding on dolphins, from V

Frontispiece: cartouche at center, putti on either side riding on dolphins, from Various Embarkations (Divers embarquements), ca. 1646-47

Background imageStefano Della Bella Collection: Plate 13: ruins of a temple in a Roman landscape, from Roman landscapes and ruins (P

Plate 13: ruins of a temple in a Roman landscape, from Roman landscapes and ruins (Paysages et ruines de Rome), ca. 1646

Background imageStefano Della Bella Collection: Plate 10: a horse lying down at center, a cow and two goats at right, two seated sheph

Plate 10: a horse lying down at center, a cow and two goats at right, two seated shepherds to left, a waterfall and a mountain at left in the background

Background imageStefano Della Bella Collection: Two Different Halves of Cartouches Each Showing an Eagle Fighting a Serpent, 1646

Two Different Halves of Cartouches Each Showing an Eagle Fighting a Serpent, 1646

Background imageStefano Della Bella Collection: Plate 9: the Arch of Constantine at left, part of the Colosseum at right, various hors

Plate 9: the Arch of Constantine at left, part of the Colosseum at right, various horses and figures in foreground and background, from Roman landscapes and ruins (Paysages et ruines de Rome), ca

Background imageStefano Della Bella Collection: Plate 8: the Colosseum, two herds being directed towards the amphitheater in the foreg

Plate 8: the Colosseum, two herds being directed towards the amphitheater in the foreground, from Roman landscapes and ruins (Paysages et ruines de Rome), ca. 1646

Background imageStefano Della Bella Collection: Plate 6: cows crossing a valley at left, a horseman and other cows in the background

Plate 6: cows crossing a valley at left, a horseman and other cows in the background, from Roman landscapes and ruins (Paysages et ruines de Rome), ca. 1646

Background imageStefano Della Bella Collection: Plate 1: fragments from ancient monuments, from Roman Landscapes and Ruins (Paysages

Plate 1: fragments from ancient monuments, from Roman Landscapes and Ruins (Paysages et ruines de Rome), ca. 1646

Background imageStefano Della Bella Collection: Plate 12: a shepherd sleeping on the ground at right, three horses at left, other hors

Plate 12: a shepherd sleeping on the ground at right, three horses at left, other horses and various figures to right, the Baths of Diocletian in the background

Background imageStefano Della Bella Collection: Plate 4: a Corinthian capital on the ground at left, a monument with figures in low re

Plate 4: a Corinthian capital on the ground at left, a monument with figures in low relief at left in the middleground, various animals and two shepherds at right

Background imageStefano Della Bella Collection: Plate 5: a woman carrying a child on a horse at left, a camel following her, a herd of

Plate 5: a woman carrying a child on a horse at left, a camel following her, a herd of goats, sheep, and a shepherd in front of her at right

Background imageStefano Della Bella Collection: Plate 2: Campo Vaccino, a buffalo and two shepherds in center, the Fontanone to right

Plate 2: Campo Vaccino, a buffalo and two shepherds in center, the Fontanone to right in the middle ground, various animals and people in the background

Background imageStefano Della Bella Collection: Plate 3: a gale in the forest, two horsemen wrapped in their cloaks, with the wind blo

Plate 3: a gale in the forest, two horsemen wrapped in their cloaks, with the wind blowing from the left side, from Roman landscapes and ruins (Paysages et ruines de Rome), ca. 1646

Background imageStefano Della Bella Collection: Cartouche Crowned by Helmet and Leopards, 1647. Creator: Stefano della Bella

Cartouche Crowned by Helmet and Leopards, 1647. Creator: Stefano della Bella
Cartouche Crowned by Helmet and Leopards, 1647

Background imageStefano Della Bella Collection: Cartouche with Skeletons, 1647. Creator: Stefano della Bella

Cartouche with Skeletons, 1647. Creator: Stefano della Bella
Cartouche with Skeletons, 1647

Background imageStefano Della Bella Collection: Cartouche with Duck and Nymphs, 1647. Creator: Stefano della Bella

Cartouche with Duck and Nymphs, 1647. Creator: Stefano della Bella
Cartouche with Duck and Nymphs, 1647

Background imageStefano Della Bella Collection: Frontispiece for Epigrammi de Guelfi, ca. 1636. Creator: Stefano della Bella

Frontispiece for Epigrammi de Guelfi, ca. 1636. Creator: Stefano della Bella
Frontispiece for Epigrammi de Guelfi, ca. 1636

Background imageStefano Della Bella Collection: Arms of the Medici with Della Rovere, 1637. Creator: Stefano della Bella

Arms of the Medici with Della Rovere, 1637. Creator: Stefano della Bella
Arms of the Medici with Della Rovere, 1637

Background imageStefano Della Bella Collection: Cartouche Formed by a Tiger Skin Flanked by Two Centaurs, 1647

Cartouche Formed by a Tiger Skin Flanked by Two Centaurs, 1647

Background imageStefano Della Bella Collection: Cartouche Framed by Apollo and Pan, 1647. Creator: Stefano della Bella

Cartouche Framed by Apollo and Pan, 1647. Creator: Stefano della Bella
Cartouche Framed by Apollo and Pan, 1647

Background imageStefano Della Bella Collection: Cartouche Containing an Empty Shield Surmounted by a Lion and Framed by a Lion

Cartouche Containing an Empty Shield Surmounted by a Lion and Framed by a Lion and a Child, 1646

Background imageStefano Della Bella Collection: Villa of Pratolino: The Appenino, ca. 1653. Creator: Stefano della Bella

Villa of Pratolino: The Appenino, ca. 1653. Creator: Stefano della Bella
Villa of Pratolino: The Appenino, ca. 1653

Background imageStefano Della Bella Collection: Frontispiece for Le Veritable Plan et Pourtrait de la Maison de la Ste. Vierge, 1649

Frontispiece for Le Veritable Plan et Pourtrait de la Maison de la Ste. Vierge, 1649

Background imageStefano Della Bella Collection: Frontispiece for Les Oeuvres de Scarron, 1649. Creator: Stefano della Bella

Frontispiece for Les Oeuvres de Scarron, 1649. Creator: Stefano della Bella
Frontispiece for Les Oeuvres de Scarron, 1649



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Stefano della Bella, an Italian draughtsman and printmaker, was a master of capturing the essence of various subjects in his artwork. In "The three graces, from Game of Mythology (Jeu de la Mythologie), 1644, " he beautifully portrays the elegance and harmony of these mythical figures. In "A child and a satyr child playing with a goat, ca. 1657, " Della Bella captures the innocence and joy of childhood as two young ones engage in playful antics with a friendly goat. His attention to detail is evident in "Temple of Antoninus and the Campo Vaccino, 1656. " The architectural precision combined with delicate shading creates a captivating scene that transports viewers to ancient Rome. Della Bella's creativity shines through in "Screen with Rebus of Fortune, ca. 1639. " This intricate piece combines visual elements to convey hidden meanings while showcasing his mastery over composition. As seen in the frontispiece for the comedy "The Buffoons (Li Buffoni), " Della Bella's artistry extends beyond traditional mediums. His ability to bring scenes to life on stage demonstrates his versatility as an artist. With "Woman Seated on a Stool, c. 1620s-1630s, " Della Bella showcases his skill at capturing human form and emotion. The subject exudes gracefulness while inviting viewers into her world through her gaze. Throughout his career, Stefano della Bella left an indelible mark on art history through engravings like those depicting Galileo conversing with Ptolemy and Copernicus or Perseus rescuing Andromeda; Cephalus reuniting with Procris; Hippomene racing against Atalantus - each work telling its own unique story. Even after centuries have passed since their creation, Della Bella's works continue to captivate audiences worldwide by transporting them to different times and places.