Strumento Musicale Collection

Wolfgang Amadeus Mozart and the Austrian soprano Caterina Maddalena Giuseppa Cavalieri
6365929 Wolfgang Amadeus Mozart and the Austrian soprano Caterina Maddalena Giuseppa Cavalieri, born Katharina Magdalena Josepha Cavalier (engraving); Museo Civico Bibliografico Musicale, Bologna

Lute Player (engraving)
6365926 Lute Player (engraving); Museo Civico Bibliografico Musicale, Bologna, Italy; Ghigo Roli.

Family Concert (engraving)
6365917 Family Concert (engraving); Museo Civico Bibliografico Musicale, Bologna, Italy; Ghigo Roli.

Lutier, Harpe organisee (engraving)
6365923 Lutier, Harpe organisee (engraving); Museo Civico Bibliografico Musicale, Bologna, Italy; Ghigo Roli.

Violin Player (engraving)
6365922 Violin Player (engraving); Museo Civico Bibliografico Musicale, Bologna, Italy; (add.info.: By Belisario); Ghigo Roli.

Portrait of Clara and Robert Schumann at the piano (engraving)
6365913 Portrait of Clara and Robert Schumann at the piano (engraving); Museo Civico Bibliografico Musicale, Bologna, Italy; Ghigo Roli.

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6365928

Detail of "The Assumption of Mary", 1745-48 (fresco)
3928825 Detail of "The Assumption of Mary", 1745-48 (fresco) by Bortoloni, Mattia (1695-1750), Biella, Felice (1702-86) & Bibiena, Giuseppe Galli (1696-1757); Sanctuary of Vicoforte, Cuneo

6365925

Detail of "The Assumption of Mary", 1745-48 (fresco)
3928824 Detail of "The Assumption of Mary", 1745-48 (fresco) by Bortoloni, Mattia (1695-1750), Biella, Felice (1702-86) & Bibiena, Giuseppe Galli (1696-1757); Sanctuary of Vicoforte, Cuneo

Leopold, Marianne e Wolfgang Amadeus Mozart in a family concert, 1764 (engraving)
6365932 Leopold, Marianne e Wolfgang Amadeus Mozart in a family concert, 1764 (engraving) by Carmontelle, Louis Carrogis (1717-1806) (after); Museo Civico Bibliografico Musicale, Bologna

The Hall of Liberal Arts and Planets
6253602 The Hall of Liberal Arts and Planets by Fabriano, Gentile da (c.1370-1427); Palazzo Trinci, Foligno, Umbria, Italy; (add.info.: Foligno, Trinci Palace: The Hall of Liberal Arts and Planets)

Detail of "The Assumption of Mary", 1745-48 (fresco)
3928823 Detail of "The Assumption of Mary", 1745-48 (fresco) by Bortoloni, Mattia (1695-1750), Biella, Felice (1702-86) & Bibiena, Giuseppe Galli (1696-1757); Sanctuary of Vicoforte, Cuneo

Organ, presbitery
6262815 Organ, presbitery by Italian School; Duomo (Cathedral of Santa Maria Assunta), Orvieto, Umbria, Italy; (add.info.: Orvieto, Basilica Cattedrale di Santa Maria Assunta (o Duomo), interno

The Hall of Liberal Arts and Planets
6254952 The Hall of Liberal Arts and Planets by Fabriano, Gentile da (c.1370-1427); Palazzo Trinci, Foligno, Umbria, Italy; (add.info.: Foligno, Trinci Palace: The Hall of Liberal Arts and Planets)

Baroncelli Polyptych with the Coronation of the Virgin, Saints in Glory and Angels playing Music, the Bardi Chapel
6365952 Baroncelli Polyptych with the Coronation of the Virgin, Saints in Glory and Angels playing Music, the Bardi Chapel by Giotto di Bondone (c.1266-1337) & Gaddi, Taddeo (c.1300-66); Santa Croce

Parnassus, c. 1750-60 (oil on panel)
FIA5363265 Parnassus, c.1750-60 (oil on panel) by Mengs, Anton Raphael (1728-79); State Hermitage Museum, St. Petersburg, Russia; (add.info.: Mont Parnasse (Parnassus)

Portrait of german composer and harpist Philip Joseph Hinner (1754-after 1805)
LRI557879 Portrait of german composer and harpist Philip Joseph Hinner (1754-after 1805) by Crescimbeni, Angelo (1734-81); Museo internazionale e biblioteca della musica, Bologna, Emilia-Romagna

"How to hold archer"Page of violin method by Leopold Mozart (1719-1787
LRI557818 " How to hold archer" Page of violin method by Leopold Mozart (1719-1787) father of Wolfgang Amadeus by Italian School

Greek at the time of the Republics: Wedding Procession, 1866 (coloured engraving)
XEE702545 Greek at the time of the Republics: Wedding Procession, 1866 (coloured engraving) by Leutemann, Heinrich (1824-1905); Private Collection; (add.info)

Frontispiece of "Regola Rubertina"treatise on viola da gamba bySilvestro
LRI557698 Frontispiece of " Regola Rubertina" treatise on viola da gamba bySilvestro Ganassi dal Fontego by Italian School, (16th century); Museo internazionale e biblioteca della musica

Inferno, Canto 31 : Nimrod of the giants (Nimrud, Nemrod)
GIA745671 Inferno, Canto 31 : Nimrod of the giants (Nimrud, Nemrod), illustration from The Divine Comedy by Dante Alighieri, 1885 (digitally coloured engraving) by Dore

Ancient Egypt: Music and dance before the king, 1866 (coloured engraving)
XEE702561 Ancient Egypt: Music and dance before the king, 1866 (coloured engraving) by Leutemann, Heinrich (1824-1905); Private Collection; (add.info)

Ancient Greece: Dynasty of Kings, Royal Household, 1866 (coloured engraving)
XEE702553 Ancient Greece: Dynasty of Kings, Royal Household, 1866 (coloured engraving) by Leutemann, Heinrich (1824-1905); Private Collection; (add.info)

Ancient Rome: Military, Storming of a city, 1866 (coloured engraving)
XEE702522 Ancient Rome: Military, Storming of a city, 1866 (coloured engraving) by Leutemann, Heinrich (1824-1905); Private Collection; (add.info)

"The Guidonian hand and a luth"Page from an anonymous essay
LRI557791 " The Guidonian hand and a luth" Page from an anonymous essay by Italian School, (16th century); Museo internazionale e biblioteca della musica, Bologna, Emilia-Romagna

Portrait of Alfredo Piatti (1822-1901) italian composer and cellist
LRI557738 Portrait of Alfredo Piatti (1822-1901) italian composer and cellist by Italian Photographer, (19th century); Museo internazionale e biblioteca della musica, Bologna, Emilia-Romagna

Frontispiece with Fontegara in "Opera intitulata Fontegara"
LRI557695 Frontispiece with Fontegara in " Opera intitulata Fontegara" by venetian musician Silvestro Ganassi dal Fontego by Italian School

Cover page of "L art de la poesie francoise et latine
LRI557665 Cover page of " L art de la poesie francoise et latine, avec une idee de la musique sous une nouvelle methode" by Pherotee de la Croix by Italian School

"The sistrum (sistra), various representations"from "De sistris"
LRI557631 " The sistrum (sistra), various representations" from " De sistris" by Benedictus Bacchinius (1651-1721) by Italian School

"Allegory of music"Page from "Somma di tutte le scienze"
LRI557797 " Allegory of music" Page from " Somma di tutte le scienze" essay by Aurelio Marinati (16th century) by Italian School

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"Strumento Musicale: A Melodic Journey Through Art and History" Immerse yourself in the enchanting world of music as we explore the captivating presence of "strumento musicale" throughout various artistic masterpieces. From intricate frescoes to detailed engravings, these hints offer a glimpse into the profound influence that musical instruments have had on human expression. In the detail of "The Assumption of Mary, " painted between 1745-48, we witness celestial figures adorned with harps and lutes, symbolizing harmony and divine melodies. This fresco transports us to an ethereal realm where music intertwines with spirituality. Leopold, Marianne, and Wolfgang Amadeus Mozart grace our vision in an engraving from 1764. The family concert captures their prodigious talent and showcases the power of instruments to unite generations through harmonious compositions. Venturing further into art's embrace of music, we encounter "The Hall of Liberal Arts and Planets. " Within this grand space, instruments take center stage alongside other intellectual pursuits. Here lies a testament to society's recognition of music as a vital form of cultural enrichment. Moving towards sacred spaces, we find ourselves captivated by the organ in the presbytery. Its majestic pipes echo through hallowed halls, enhancing spiritual experiences for all who gather within its reach. An instrument capable not only of producing sound but also stirring emotions deep within our souls. The Baroncelli Polyptych beckons us closer with its depiction of angels playing heavenly tunes during the Coronation of the Virgin. Their delicate fingers caress strings while trumpets resound joyously—a visual symphony celebrating divinity itself. "Parnassus, " an oil painting from c. 1750-60, invites us into a mythical realm where Apollo himself conducts an orchestra amidst muses playing various instruments—an ode to creativity's boundless potential when guided by melodic inspiration.