Studio Volume 80 Collection

Christchurch, Oxford, 1916. Artist: Edmund Hort New
Christchurch, Oxford, 1916. From The Studio Volume 80. [London Offices of the Studio, London, 1920]

Ivory, Apes and Peacocks (The Queen of Sheba), c1909. Artist: John Duncan
Ivory, Apes and Peacocks (The Queen of Sheba), c1909. Painting held at the Glasgow Museums, Glasgow. From The Studio Volume 80. [London Offices of the Studio, London, 1920]

Peacock Panel in Patchwork, c1920. Artist: Amy Sawyer
Peacock Panel in Patchwork, c1920. From The Studio Volume 80. [London Offices of the Studio, London, 1920]

Posters, c1916. Artist: F Gregory Brown
Posters, c1916. From The Studio Volume 80. [London Offices of the Studio, London, 1920]

Devonshire Bridge with Cottage, 1813. Artist: JMW Turner
Devonshire Bridge with Cottage, 1813. Painting held at The Tate, London. From The Studio Volume 80. [London Offices of the Studio, London, 1920]

Summer, c1862. Artist: Josef Manes
Summer, c1862. From The Studio Volume 80. [London Offices of the Studio, London, 1920]

Sketch of a child, c1920. Artist: Matthias Marris
Sketch of a child, c1920. From a drawing by Matthew Maris, 1920. From The Studio Volume 80. [London Offices of the Studio, London, 1920]

Lucy de Laszlo, the artist?s wife, 1919. Artist: Philip A de Laszlo
Lucy de Laszlo, the artist?s wife, 1919. Lucy de Laszlo nee Guinness, member of the banking branch of the Guinness family and a sister of Henry Guinness. From The Studio Volume 80

Oriel College, Oxford, 1919. Artist: Edmund Hort New
Oriel College, Oxford, 1919. From The Studio Volume 80. [London Offices of the Studio, London, 1920]

How Qua, Head of the Hong Merchants in Canton, c1830. Artist: George Chinnery
How Qua, Head of the Hong Merchants in Canton, c1830. Howqua (1769-1843), the most important of the Hong merchants in the Thirteen Factories, head of the E-wo hong and leader of the Canton Cohong

Illuminated Text From The Pilgrims progress, c1920. Artist: Marta Bowerley
Illuminated Text From The Pilgrims progress, c1920. An illuminated page taken from John Bunyans The Pilgrims Progress. An English nonconformist preacher and writer

The Red Ship, Barcelona, c1915. Artist: Rafael Forns y Romans
The Red Ship, Barcelona, c1915. From The Studio Volume 80. [London Offices of the Studio, London, 1920]

From Cornhill, c1906. Artist: William Monk
From Cornhill, c1906. From The Studio Volume 80. [London Offices of the Studio, London, 1920]

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"Studio Volume 80: A Journey Through Time and Artistic Brilliance" Step into the captivating world of Studio Volume 80, where art transcends time and space. This collection takes us on a visual voyage, showcasing masterpieces from various eras and artists who have left an indelible mark on the art scene. Transport yourself to Christchurch, Oxford in 1916 with Edmund Hort New's mesmerizing creation. His attention to detail brings life to every stroke, immersing viewers in a bygone era. Meanwhile, John Duncan's "Ivory, Apes and Peacocks (The Queen of Sheba)" captivates with its mythical allure. Amy Sawyer's "Peacock Panel in Patchwork" showcases her mastery of color and texture. The intricate patterns seem to dance before our eyes, leaving us spellbound by her artistic prowess. F Gregory Brown's posters from 1916 capture the spirit of the times with their bold designs. JMW Turner's "Devonshire Bridge with Cottage" transports us to a serene countryside landscape bathed in golden hues, and is a testament to his ability to evoke emotions through his brushstrokes. Josef Manes' "Summer" captures the essence of this vibrant season with its warm tones and joyful atmosphere. Matthias Marris' sketch of a child offers an intimate glimpse into innocence captured on paper – a tender moment frozen forever. Philip A de Laszlo immortalizes his wife Lucy de Laszlo in his portrait from 1919; her beauty radiates through his skilled hand. Edmund Hort New returns once again with Oriel College, Oxford as his subject matter – capturing its architectural grandeur for eternity. George Chinnery introduces us to How Qua, Head of the Hong Merchants in Canton circa 1830; it is an exquisite portrayal that reveals both power and wisdom.