Studio Volume 82 Collection

The Song of the Mad Prince, c1917. Artist: Harry Clarke
The Song of the Mad Prince, c1917. A miniature stained glass panel designed by Harry Clarke (1889-1931). This panel was inspired by the Walter de la Mare (1873?1956) poem of the same name

The Shower, c20th century. Artist: Charles Sims
The Shower, c20th century. From The Studio Volume 82. [London Offices of the Studio, London, 1921]

Shoeing the Ox, c1910. Artist: John Singer Sargent
Shoeing the Ox, c1910. Painting held in the Aberdeen Art Gallery, Scotland. From The Studio Volume 82. [London Offices of the Studio, London, 1921]

House in Grosvenor Road Westminster - The Stoa Looking West. G. and A. Gilbert Scott, Architects, c1921. 29 Grosvenor Road, Westminster, became The Riviera Dance Club which was one of London

A House in Grosvenor Road, Westminster (Thames Embankment). G. & A. Gilbert Scott, Architects, c1921. 129 Grosvenor Road, Westminster, became The Riviera Dance Club which was one of London

The Angler, c1912. Artist: William Newenham Montague Orpen
The Angler, c1912. Painting held by the Tate. From The Studio Volume 82. [London Offices of the Studio, London, 1921]

Dardagny, c1855. Artist: Jean-Baptiste-Camille Corot
Dardagny, c1855. From The Studio Volume 82. [London Offices of the Studio, London, 1921]

Portrait of a Manchu Statesman, c17th century. From The Studio Volume 82. [London Offices of the Studio, London, 1921]

The Young Duke, 1888. Artist: William Quiller Orchardson
The Young Duke, 1888. Painting held in the Lady Lever Art Gallery, Liverpool. From The Studio Volume 82. [London Offices of the Studio, London, 1921]

Rivington Water, 1910. Artist: Alfred Edward East
Rivington Water, 1910. Painting held in Lady Lever Art Gallery. From The Studio Volume 82. [London Offices of the Studio, London, 1921]

Messinger Monsey, 18th century. Artist: Henry Edridge
Messinger Monsey, 18th century. Messenger Monsey (c1694-1788), English physician and humourist. From The Studio Volume 82. [London Offices of the Studio, London, 1921]

Hagar and Ishmael, c19th century. Artist: Edward Stott
Hagar and Ishmael, c19th century. From The Studio Volume 82. [London Offices of the Studio, London, 1921]

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Step into Studio Volume 82 and immerse yourself in a world of artistic wonders. This captivating space showcases an eclectic collection of masterpieces that span across various genres and eras. One such enchanting piece is "The Song of the Mad Prince" by Harry Clarke, created in 1917. Its intricate details and haunting beauty transport you to a realm where madness intertwines with artistry. As you wander further, your eyes are drawn to "The Shower" by Charles Sims, a mesmerizing depiction of nature's cleansing embrace from the 20th century. The artist's skillful brushstrokes capture every droplet as they dance through the air. In contrast, John Singer Sargent's "Shoeing the Ox, " painted in 1910, offers a glimpse into everyday life with its portrayal of laborious work on a farm. Sargent's mastery lies in his ability to elevate mundane scenes into extraordinary works of art. Moving beyond paintings, architectural marvels await your admiration. G. And A. Gilbert Scott's masterpiece - "House in Grosvenor Road Westminster - The Stoa Looking West" - stands tall as an embodiment of timeless elegance and grandeur from centuries past. Adjacent to it is another gem by G. & A. Gilbert Scott: "A House in Grosvenor Road, Westminster (Thames Embankment). " This architectural marvel seamlessly blends tradition with modernity along London's iconic riverfront. Stepping back into the realm of paintings, William Newenham Montague Orpen invites you to join "The Angler" on his serene fishing expedition from 1912. Through Orpen's skilled hand, tranquility radiates from this scene as if time itself slows down for this solitary moment. Jean-Baptiste-Camille Corot takes us on a journey through time with his masterpiece "Dardagny, " crafted in 1855.