Studio Volume 86 Collection

Pinks, c1920. Artist: Charles Rennie Mackintosh
Pinks, c1920. From The Studio Volume 86. [London Offices of the Studio, London, 1923]

Pastures in the Apuan Alps, c1922. Artist: Alfredo Vaccari
Pastures in the Apuan Alps, c1922. From The Studio Volume 86. [London Offices of the Studio, London, 1923]

Le Puy, France, 1922. Artist: Herbert Edwin Pelham Hughes-Stanton
Le Puy, France, 1922. From The Studio Volume 86. [London Offices of the Studio, London, 1923]

Sea Piece, 1922. Artist: Mary McCrossan
Sea Piece, 1922. From The Studio Volume 86. [London Offices of the Studio, London, 1923]

Burningfold Farm, Dunsfold, Surrey, c1923. Artist: Harold Chalton Bradshaw
Burningfold Farm, Dunsfold, Surrey, c1923. Burningfold Manor (formerly Burningfold Farm) desiged by Harold Chalton Bradshaw (1893?1943). From The Studio Volume 86

Ian and Rosemary, c1923. Artist: Norah Neilson Gray
Ian and Rosemary, c1923. From The Studio Volume 86. [London Offices of the Studio, London, 1923]

The Winner, 1913. Artist: William Newenham Montague Orpen
The Winner, 1913. From The Studio Volume 86. [London Offices of the Studio, London, 1923]

The Fiddler, Study for Central Group in the Wayside Wedding, c1923. Artist: William Newenham Montague Orpen
The Fiddler, Study for Central Group in the Wayside Wedding, c1923. From The Studio Volume 86. [London Offices of the Studio, London, 1923]

The Jackdaws of Chartres, 1917. Artist: George Marples
The Jackdaws of Chartres, 1917. Etching held in the National Gallery of Art, Washington. From The Studio Volume 86. [London Offices of the Studio, London, 1923]

Stump Work Picture, Jacobean Period, c1615. Stumpwork flourished as a secular pursuit in the mid-1600s, around the time of the English Civil War (1642-1651). From The Studio Volume 86

Her Grace The Duchess of Portland, 1912. Artist: Philip A de Laszlo
Her Grace The Duchess of Portland. From the painting by, M.V.O. 1923. From The Studio Volume 86. [London Offices of the Studio, London, 1923]

Basket of Fruit, c1922. Artist: Mark Gertler
Basket of Fruit, c1922. From The Studio Volume 86. [London Offices of the Studio, London, 1923]

Portrait of the Artist with his Wife and Daughter, c1748. Artist: Thomas Gainsborough
Portrait of the Artist with his Wife and Daughter, c1748. Painting held in the National Gallery, London. From The Studio Volume 86. [London Offices of the Studio, London, 1923]

The Island of Brecqhou, Off Sark, c1921. Artist: Edward Reginald Frampton
The Island of Brecqhou, Off Sark, c1921. From The Studio Volume 86. [London Offices of the Studio, London, 1923]

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Step into the vibrant world of Studio Volume 86, where art comes alive and whispers stories from the past. Immerse yourself in a journey through time as you explore breathtaking masterpieces that have stood the test of time. Transport yourself to the serene Pastures in the Apuan Alps, circa 1922, crafted by Alfredo Vaccari. Lose yourself in its tranquil beauty and let your imagination wander among rolling hills and lush greenery. Marvel at Pinks, created by Charles Rennie Mackintosh around 1920. This captivating piece captures delicate flowers with such precision that you can almost smell their sweet fragrance wafting through the air. Le Puy, France beckons you next with Herbert Edwin Pelham Hughes-Stanton's masterpiece from 1922. Let this enchanting artwork transport you to a quaint French village nestled amidst picturesque landscapes. Dive deep into Mary McCrossan's Sea Piece from 1922 and feel the salty breeze on your face as waves crash against jagged rocks. Allow this mesmerizing painting to evoke memories of seaside adventures long gone. Harold Chalton Bradshaw takes us to Burningfold Farm in Dunsfold, Surrey circa 1923. Experience rural life through his eyes as he immortalizes rustic charm and hardworking farmers against an idyllic backdrop. Ian and Rosemary come alive before your eyes thanks to Norah Neilson Gray's talent captured around 1923. Witness their love story unfold within every brushstroke, leaving you captivated by their timeless romance. William Newenham Montague Orpen showcases his versatility with The Winner from 1913 - a powerful depiction of triumph etched onto canvas for eternity. Feel inspired by this celebration of human achievement that transcends time itself. In another stroke of genius, Orpen presents The Fiddler - Study for Central Group in the Wayside Wedding circa 1923. Observe how music weaves its magic, uniting people in joy and celebration.