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Stump Collection (page 5)

"Unveiling the Majestic Boston Stump: A Testament to 19th Century Architecture in Lincs" Step into history as you explore the iconic Boston Church

Background imageStump Collection: Ariadne, (paster relief painted and gilt)

Ariadne, (paster relief painted and gilt)
828391 Ariadne, (paster relief painted and gilt) by Bell, Robert Anning (1863-1933); 62.2x36.2 cm; Private Collection; (add.info.: Ariadne. Robert Anning Bell (1863-1933)

Background imageStump Collection: Plate 186. Hopping on Right Foot, 1885 (collotype on paper)

Plate 186. Hopping on Right Foot, 1885 (collotype on paper)
3950511 Plate 186. Hopping on Right Foot, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 19.8x35.6 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageStump Collection: Plate 291. Cricket; Batting; Drive, 1885 (collotype on paper)

Plate 291. Cricket; Batting; Drive, 1885 (collotype on paper)
3950046 Plate 291. Cricket; Batting; Drive, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 19.8x39.7 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageStump Collection: Mountainous Landscape with Peasants, Cows and Goats (oil on canvas)

Mountainous Landscape with Peasants, Cows and Goats (oil on canvas)
3743941 Mountainous Landscape with Peasants, Cows and Goats (oil on canvas) by Pynacker, Adam (1622-73); 90.2x76.2 cm; Nottingham City Museums and Galleries (Nottingham Castle)

Background imageStump Collection: Notes at a County Town Cricket Match with Stump and Point (engraving)

Notes at a County Town Cricket Match with Stump and Point (engraving)
1046414 Notes at a County Town Cricket Match with Stump and Point (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageStump Collection: Impromptu Ball on the Stump of a Sequoia (engraving)

Impromptu Ball on the Stump of a Sequoia (engraving)
2791421 Impromptu Ball on the Stump of a Sequoia (engraving) by English School, (19th century); Private Collection; (add.info.: Impromptu Ball on the Stump of a Sequoia)

Background imageStump Collection: Sketch of Magpie & Stump PH, Old Bailey, London

Sketch of Magpie & Stump PH, Old Bailey, London. The main side of the print (shown here) depicts: Sketch of the pub. The back of the print (available on request) details

Background imageStump Collection: Photograph of Magpie & Stump PH, Old Bailey, London

Photograph of Magpie & Stump PH, Old Bailey, London. The main side of the print (shown here) depicts: Right face on view of the pub

Background imageStump Collection: Children startled by a Witch (w / c, pen & ink on paper)

Children startled by a Witch (w / c, pen & ink on paper)
BOU203023 Children startled by a Witch (w/c, pen & ink on paper) by Rackham, Arthur (1867-1939); Private Collection; (add.info.: drawing possibly from Mother Goose ; ); Bourne Gallery, Reigate

Background imageStump Collection: Kodak photograph wallet, Interlaken, Switzerland

Kodak photograph wallet, Interlaken, Switzerland
Alpine Walkers on a Kodak photograph wallet, Interlaken, Switzerland. circa 1930s

Background imageStump Collection: Root brushpot, Ch ing dynasty 1644-1912, 18th-19th century (carved hardwood)

Root brushpot, Ch ing dynasty 1644-1912, 18th-19th century (carved hardwood)
PFR142652 Root brushpot, Ch ing dynasty 1644-1912, 18th-19th century (carved hardwood) by Chinese School; height: 21.9 cm; Private Collection; ePaul Freeman; Chinese, out of copyright

Background imageStump Collection: Portrait of Billy Waters, c. 1820 (etching and engraving with w / c)

Portrait of Billy Waters, c. 1820 (etching and engraving with w / c)
MGS180353 Portrait of Billy Waters, c.1820 (etching and engraving with w/c) by English School, (19th century); 15.5x10.7 cm; Private Collection; eMichael Graham-Stewart; English, out of copyright

Background imageStump Collection: Exotic longhorn beetles

Exotic longhorn beetles
Longhorn beetles: Stenodontes damicornis 1, hardwood stump borer, Mallodon dasystomus 2, Nothopleurus maxillosus 3. Handcoloured lithograph from John O

Background imageStump Collection: Caricature of Chelsea Pensioner of the Royal Hospital, from

Caricature of Chelsea Pensioner of the Royal Hospital, from
3470731 Caricature of Chelsea Pensioner of the Royal Hospital, from Army and Navy Drolleries by Major Seccombe (coloured engraving) by English School

Background imageStump Collection: Dance on the Stump of a 'Sequoia'(engraving)

Dance on the Stump of a "Sequoia"(engraving)
3627618 Dance on the Stump of a " Sequoia" (engraving) by English School, (19th century); Private Collection; (add.info.: Dance on the Stump of a " Sequoia")

Background imageStump Collection: The misery and disorder in Vienna (colour litho)

The misery and disorder in Vienna (colour litho)
2808864 The misery and disorder in Vienna (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: The misery and disorder in Vienna)

Background imageStump Collection: Hougoumont drawn one month after the Action of June 18 1815

Hougoumont drawn one month after the Action of June 18 1815
1268388 Hougoumont drawn one month after the Action of June 18 1815, July 1815 (pencil & w/c on paper) by Ponsonby (fl.1815); National Army Museum

Background imageStump Collection: Babys cot transfer, Gnome reading a book

Babys cot transfer, Gnome reading a book

Background imageStump Collection: Panten Bruck, 1781 (pen & brown ink with brown wash on paper)

Panten Bruck, 1781 (pen & brown ink with brown wash on paper)
2607297 Panten Bruck, 1781 (pen & brown ink with brown wash on paper) by Towne, Francis (1740-1816); 28.5x46.5 cm; Leeds Museums and Galleries (Leeds Art Gallery)

Background imageStump Collection: Superman on the Stump - George Bernard Shaw 1910

Superman on the Stump - George Bernard Shaw 1910
Front cover of The Graphic, showing George Bernard Shaw taking part in a lively electioneering campaign, in Portsmouth. Date: 1910

Background imageStump Collection: Paget stump work

Paget stump work
Page from The Sketch featuring two examples of stump-work - raised needlework and embroidery pictures - done for the Paget family

Background imageStump Collection: Pond at Thiepval, by Richard Carline, WW1

Pond at Thiepval, by Richard Carline, WW1
Pond at Thiepval, Somme, watercolour by Richard Carline, First World War. 1918

Background imageStump Collection: The Hills, c. 1910 (oil on canvas)

The Hills, c. 1910 (oil on canvas)
651060 The Hills, c.1910 (oil on canvas) by Crane, Bruce (1857-1937); 117.5x115 cm; Private Collection; (add.info.: The Hills. Bruce Crane (1857-1937). Oil on canvas. Painted circa 1910

Background imageStump Collection: Interior Woodland, (oil on canvas)

Interior Woodland, (oil on canvas)
650730 Interior Woodland, (oil on canvas) by Carlsen, Emil (1853-1932); 46.2x38.4 cm; Private Collection; (add.info.: Interior Woodland. Soren Emil Carlsen (1853-1932). Oil on canvas

Background imageStump Collection: Plate 537. Single Amputation of Leg; Hopping with Crutches, 1885 (collotype on paper)

Plate 537. Single Amputation of Leg; Hopping with Crutches, 1885 (collotype on paper)
3950513 Plate 537. Single Amputation of Leg; Hopping with Crutches, 1885 (collotype on paper) by Muybridge, Eadweard (1830-1904); 19.5x38.4 cm; Addison Gallery of American Art, Phillips Academy

Background imageStump Collection: Ariadne (polychrome plaster relief sculpture)

Ariadne (polychrome plaster relief sculpture)
PNH350648 Ariadne (polychrome plaster relief sculpture) by Bell, Robert Anning (1863-1933); 70.5x44.5 cm; Private Collection; (add.info.: Ariadne)

Background imageStump Collection: A Red Legged Partridge (gouache on vellum)

A Red Legged Partridge (gouache on vellum)
RAF228156 A Red Legged Partridge (gouache on vellum) by Battaglia, Carlo (c.1600-c.64); 24x32 cm; Private Collection; Photo eRafael Valls Gallery, London, UK; Italian, out of copyright

Background imageStump Collection: Wooded and Hilly Landscape, 1660s (oil on canvas)

Wooded and Hilly Landscape, 1660s (oil on canvas)
499572 Wooded and Hilly Landscape, 1660s (oil on canvas) by Ruisdael, Jacob Isaaksz. or Isaacksz. van (1628/9-82); 51.6x59.4 (unframed) cm; Cleveland Museum of Art, OH

Background imageStump Collection: The Dunes near Haarlem (oil on canvas)

The Dunes near Haarlem (oil on canvas)
SOU112503 The Dunes near Haarlem (oil on canvas) by Ruisdael, Jacob Isaaksz. or Isaacksz. van (1628/9-82); 70x65.6 cm; Southampton City Art Gallery, Hampshire

Background imageStump Collection: Relics of the Primaeval Forest, Canada, 1885 (oil on canvas)

Relics of the Primaeval Forest, Canada, 1885 (oil on canvas)
995957 Relics of the Primaeval Forest, Canada, 1885 (oil on canvas) by Hopkins, Frances Anne (1838-1918); 81.5x127.9 cm; Art Gallery of Ontario, Toronto

Background imageStump Collection: The Sanctuary, (oil on canvas)

The Sanctuary, (oil on canvas)
823117 The Sanctuary, (oil on canvas) by Carlson, John Fabian (1874-1945); 76.2x101.7 cm; Private Collection; (add.info.: The Sanctuary. John Fabian Carlson (1874-1945). Oil on canvas

Background imageStump Collection: The wedding party, c. 1905 (oil on canvas)

The wedding party, c. 1905 (oil on canvas)
XIR309523 The wedding party, c.1905 (oil on canvas) by Rousseau, Henri J.F. (Le Douanier) (1844-1910); 163x114 cm; Musee de l Orangerie, Paris, France; (add.info.: La noce; ); French, out of copyright

Background imageStump Collection: Double Portrait of Thomas Somers Cocks and Richard Cocks of Castleditch

Double Portrait of Thomas Somers Cocks and Richard Cocks of Castleditch
652129 Double Portrait of Thomas Somers Cocks and Richard Cocks of Castleditch, Both Small Full-Length, the Former in a Blue Coat and Waistcoat Holding a Black Tricorn

Background imageStump Collection: The Boundary, illustration from Laws of Cricket, published 1910

The Boundary, illustration from Laws of Cricket, published 1910
STC169263 The Boundary, illustration from Laws of Cricket, published 1910 by Crombie, Charles (fl.1910); Private Collection; (add.info.: When the ball touches a boundary it becomes Dead)

Background imageStump Collection: Golden Parakeet, Ara Guarouba, at an early age (Plate 20)

Golden Parakeet, Ara Guarouba, at an early age (Plate 20)
986400 Golden Parakeet, Ara Guarouba, at an early age (Plate 20), 1801-1805 (engraving printed in colours, finished by hand) by Barraband

Background imageStump Collection: Peafowl, c. 1809-1829 (hand-coloured engraving)

Peafowl, c. 1809-1829 (hand-coloured engraving)
985834 Peafowl, c.1809-1829 (hand-coloured engraving) by Sepp, Jan Christiaen (1739-1811); 52.7x36 cm; Private Collection; (add.info.: Peafowl; Pavo Cristatus Mas)

Background imageStump Collection: A Bateleur Eagle stands on a tree stump and spreads its wings, London Zoo

A Bateleur Eagle stands on a tree stump and spreads its wings, London Zoo
3086213 A Bateleur Eagle stands on a tree stump and spreads its wings, London Zoo, 1925 (b/w photo) by Bond, Frederick William (1887-1942)

Background imageStump Collection: A Flock of Crows, c. 1690-1700 (ink on paper)

A Flock of Crows, c. 1690-1700 (ink on paper)
883574 A Flock of Crows, c.1690-1700 (ink on paper) by Kusumi Morikage (c.1620-90); 88.3x26.4 cm; Minneapolis Institute of Arts, MN, USA; eMinneapolis Institute of Art; Bequest of Richard P

Background imageStump Collection: Near Amberley (oil on canvas)

Near Amberley (oil on canvas)
Ma201254 Near Amberley (oil on canvas) by Rackham, Arthur (1867-1939); Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imageStump Collection: A pelican standing on a tree stump at London Zoo in September 1925 (b / w photo)

A pelican standing on a tree stump at London Zoo in September 1925 (b / w photo)
3116194 A pelican standing on a tree stump at London Zoo in September 1925 (b/w photo) by Bond, Frederick William (1887-1942); Zoological Society of London; eZoological Society of London; British

Background imageStump Collection: General Obregon after his right arm was blown off by a grenade at Santa Ana del Conde

General Obregon after his right arm was blown off by a grenade at Santa Ana del Conde
STC375629 General Obregon after his right arm was blown off by a grenade at Santa Ana del Conde, 1915 (b/w photo) by Thompson

Background imageStump Collection: (9) The innings shall commence after the ground has been swept

(9) The innings shall commence after the ground has been swept
STC169266 (9) The innings shall commence after the ground has been swept and rolled unless the In-side object, from Laws of Cricket, published 1910 by Crombie

Background imageStump Collection: How to Place Men in the Field (V), from Laws of Cricket, published 1910

How to Place Men in the Field (V), from Laws of Cricket, published 1910
STC169264 How to Place Men in the Field (V), from Laws of Cricket, published 1910 by Crombie, Charles (fl.1910); Private Collection; (add.info.: To a fast left-handed bowler)

Background imageStump Collection: The Blasted Tree (oil on canvas)

The Blasted Tree (oil on canvas)
3744388 The Blasted Tree (oil on canvas) by MacCallum, Andrew (1821-1902); 57.1x129.5 cm; Nottingham City Museums and Galleries (Nottingham Castle); eNottingham City Museums & Galleries; English

Background imageStump Collection: Landscape with Peasants and a Road (oil on wood)

Landscape with Peasants and a Road (oil on wood)
3743951 Landscape with Peasants and a Road (oil on wood) by Wijnants, Jan (1631/2-84); 20.3x26 cm; Nottingham City Museums and Galleries (Nottingham Castle)

Background imageStump Collection: American Buzzard or White Breasted Hawk, (pastel, pencil and chalk on paper)

American Buzzard or White Breasted Hawk, (pastel, pencil and chalk on paper)
984987 American Buzzard or White Breasted Hawk, (pastel, pencil and chalk on paper) by Audubon, John James (1785-1851); 51.4x41.8 cm; Private Collection; (add.info)

Background imageStump Collection: European badger, Meles meles

European badger, Meles meles is standing in the shoreline of a pond in the golden light of sunset. The badger is mirroring in the golden surface of the pond.. Petr Simon

Background imageStump Collection: St. Botolphs church, Boston, Lincolnshire, better known as Boston Stump

St. Botolphs church, Boston, Lincolnshire, better known as Boston Stump, with the River Witham in the foreground. Building began in 1309 and the tower was built 1425 - 1520. Date: 14th - 16th century



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"Unveiling the Majestic Boston Stump: A Testament to 19th Century Architecture in Lincs" Step into history as you explore the iconic Boston Church, affectionately known as the "Boston Stump. " This magnificent structure stands tall, proudly representing a bygone era of craftsmanship and devotion. Witness nature's grace as a peregrine falcon gracefully soars above this architectural masterpiece, its wings outstretched against the backdrop of an endless sky. In Staffordshire's Cannock Chase, amidst December's snowy embrace, a nuthatch perches upon an ancient stump. Its portrait captures both the delicate beauty of nature and the resilience found within these wintry landscapes. Craftsmen diligently shape besom brooms and wooden rakes with their skilled hands, preserving age-old traditions that have stood the test of time. Their dedication ensures that these timeless tools continue to serve us faithfully. Transport yourself back to 1743 when cricket enthusiasts gathered for a match filled with excitement and camaraderie. The echoes of cheers still resonate through time at this historic event. Venture across continents to Vienna, Virginia where an Eastern Screech Owl gazes intently from atop a tree stump. Its steel grey eyes hold secrets untold while symbolizing wisdom in its purest form. Crevenish Castle in Co. Fermanagh stands resolute on its moss-covered stump—a silent witness to centuries past—its weathered stones whispering tales of battles fought and lives lived within its walls. As we journey near the coast, our gaze is drawn towards a majestic mansion overlooking the sea—an enchanting vista framed by lush greenery and rolling waves—a sight that stirs both awe and tranquility within our souls. From historical landmarks to captivating wildlife encounters, from traditional craftsman skills to moments frozen in time—each image tells a unique story rooted deep within our collective heritage.