Suavius Collection

Saint John and Saint Peter Healing the Cripple, 1553. Creator: Lambert Suavius
Saint John and Saint Peter Healing the Cripple, 1553

St. Philip(?), standing with his left hand on his hip and his right hand resting on his head, masonry walls to his right and behind him

St. James Major leaning on a pole before a niche, his left leg crossed over his right, from a series of full-length figures of Christ and the Twelve Apostles, 1545

St. Paul standing under an overgrown arch, his left foot poised upon a rock, his right hand grasping a scroll, from a series of full-length figures of Christ and the Twelve Apostles, 1545

St. Simon standing before an open book with the fingers of his left hand pressed onto the pages, his chin resting in his right hand, a shallow barrel vault with oculus beyond

St. James Minor(?) in an arcuated niche, holding a walking stick in his hands, which are covered by his cloak, from a series of full-length figures of Christ and the Twelve Apostles, 1545

Vertical Landscape with the Ruins of the Temple of Venus and Roma, from the series Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles, 1554

Ruin of a Palace Facade [Palatium M. Agrippa] from the series Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles, 1554

Ruins of a Basilica (?) from the series Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles, 1554

Partial View of a Building [Templum Isaiae Prophetae] from the series Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles, 1554

Partial View of a Monument [Mercurii Templum] from the series Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles, 1554

Building [Aerarii Publici Rome] from the series Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles, 1554

Partial view of a Building [Templum Veneris] from the series Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles, 1554

Partial view of a Building [Sepulchrum Adriani] from the series Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles, 1554

Half of an Arch [Arcus Lutii Septimi] from the series Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles, 1554

Half of an Arch [Porta Antonae] from the series Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles, 1554

The Amphitheater in Bordeaux [Teatrum Bordeos; Transitorium Caesaris], from the series Ruinarum variarum fabricarum delineationes pictoribus caeterisque id genus artificibus multum utiles, 1554

Lambert Suavius (Flemish, c. 1510 - 1567), Saint Matthias (?), engraving

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"Exploring the Artistry of Lambert Suavius: A Glimpse into Saint John and Saint Peter Healing the Cripple, 1553" Step back in time as you witness the breathtaking masterpiece created by Lambert Suavius. In this captivating painting, "Saint John and Saint Peter Healing the Cripple, " we are transported to a scene filled with divine intervention. The artist's attention to detail is remarkable, capturing every nuance of emotion on each saint's face. Moving our gaze towards another artwork, we encounter St. Philip standing confidently with his left hand on his hip while his right hand rests gently on an unknown object. His posture exudes strength and determination, reminding us of the unwavering faith that these saints possessed. Adjacent to St. Philip stands St. James Major leaning casually on a pole before a niche, showcasing a sense of ease amidst adversity. With his left leg crossed over his right, he emanates tranquility and wisdom. As our eyes wander further across Suavius' collection, we stumble upon St. Paul standing under an overgrown arch with his left foot poised upon a rock—a symbol of stability amidst chaos. His presence commands respect and admiration as he embodies resilience in the face of challenges. Next in line is St. Simon standing before an open book; one can almost feel the weight of knowledge pressing onto his fingers as they rest firmly upon its pages. This depiction reminds us that true enlightenment comes from embracing education and seeking wisdom. Intriguingly nestled within an arcuated niche is St. James Minor (?), holding a walking stick tightly in his hands—an emblematic representation of guidance through life's journey—both physical and spiritual. Beyond these religious depictions lies Suavius' exploration into landscapes—the ruins that whisper tales from ancient times gone by—a Vertical Landscape with the Ruins of Temple Venus and Roma captures nature reclaiming man-made structures; it serves as a poignant reminder of the transience of human achievements.