Sufferings Collection

Christ as the man in sorrows, 1525, (fresco)
7129015 Christ as the man in sorrows, 1525, (fresco) by Sarto, Andrea del (1486-1530); Galleria dell'Accademia, Florence, Tuscany, Italy; (add.info.: Christ as the man in sorrows)

Christ Displaying His Wounds, 1615-20 (oil on canvas)
7333494 Christ Displaying His Wounds, 1615-20 (oil on canvas) by Galli, Giovanni Antonio (Lo Spadarino) (1585-1651/3); 148.7x114 (framed) cm; Perth Museum & Art Gallery

Medicine: treatment of syphilis (verola), cauterization of wounds. Illustration from Codex G 61, 16th century
FGL5484281 Medicine: treatment of syphilis (verola), cauterization of wounds. Illustration from Codex G 61, 16th century. Biblioteca Augusta, Perugia; Fototeca Gilardi

Hunger in Japan caused by the Russo-Japanese War, 1904 (litho)
8655574 Hunger in Japan caused by the Russo-Japanese War, 1904 (litho) by English School, (20th century); Private Collection; (add.info.: Hunger in Japan caused by the Russo-Japanese War, 1904)

Are we downhearted? No! (colour litho)
8656899 Are we downhearted? No! (colour litho) by Browne, Tom (1872-1910); Private Collection; (add.info.: Are we downhearted? No! Wrestling match)

The Golden Legend: Friar Claus (colour litho)
8648825 The Golden Legend: Friar Claus (colour litho) by Meteyard, Sidney (1868-1947); Private Collection; (add.info.: Friar Claus)

Out on the deep: sailors bold (colour litho)
8635658 Out on the deep: sailors bold (colour litho) by Browne, Tom (1872-1910); Private Collection; (add.info.: Out on the deep: sailors bold. Sailors bold)

The Dying Year (colour litho)
8674438 The Dying Year (colour litho) by Miles, Helen J.A. (19th century); Private Collection; (add.info.: The Dying Year)

Food and Beerage. Sieve removing the bran from the flour. Engraving in: Grands hommes et grands faits de
3434799 Food and Beerage. Sieve removing the bran from the flour. Engraving in: Grands hommes et grands faits de l'industrie, France, c.1880 (engraving); (add.info.: Coll. Part. Food and Beerage)

Food and Beverage. A bakery. (engraving)
3434798 Food and Beverage. A bakery. (engraving); (add.info.: Coll. Part. Food and Beverage. A bakery.); Photo © CCI

Food and Beverage. Sectionplan of the Mills of Corbeil (Paris). Engraving in
3434796 Food and Beverage. Sectionplan of the Mills of Corbeil (Paris). Engraving in: Grands hommes et grands faits de l'industrie, France, c.1880 (engraving); (add.info.: Coll. Part)

Food and Beverage. Watermill in the 19th cent. Engraving in: Grands hommes et grands faits de l'industrie, France
3434795 Food and Beverage. Watermill in the 19th cent. Engraving in: Grands hommes et grands faits de l'industrie, France, c.1880 (engraving); (add.info.: Coll. Part. Food and Beverage)

Food and Beverage. Bread cooking in the prehistory. Engraving in: Grands hommes et grands faits de l'industrie
3434791 Food and Beverage. Bread cooking in the prehistory. Engraving in: Grands hommes et grands faits de l'industrie, France

The Devil and the Damned. Strasbourg cathedral (stained glass)
8711578 The Devil and the Damned. Strasbourg cathedral (stained glass); (add.info.: Strasbourg Cathedral. Stained glass. The Devil and the Damned. Strasbourg. France.); © Pascal Deloche/Godong

Oh dry those tears (colour litho)
8635615 Oh dry those tears (colour litho) by English School, (20th century); Private Collection; (add.info.: Oh dry those tears. Postcard, early 20th century)

The grenadier's horse (colour litho)
8664100 The grenadier's horse (colour litho) by Job, pseudonym for Onfray de Breville, Jacques (1858-1931); Private Collection; (add.info.: The grenadier's horse)

The Mortification, 1763 or before (oil on paper laid down on board))
XOS5877574 The Mortification, 1763 or before (oil on paper laid down on board)) by Zuccarelli, Francesco (1702-88); 35.2x27.3 cm; Cleveland Museum of Art, OH

Man of Sorrows. 14 th century. Colmar (sculpture)
8711515 Man of Sorrows. 14 th century. Colmar (sculpture); (add.info.: Man of Sorrows. Sandstone. 14 th century. Colmar. France. Colmar. France.); © Pascal Deloche/Godong

Are we downhearted - no! (colour litho)
8656894 Are we downhearted - no! (colour litho) by Browne, Tom (1872-1910); Private Collection; (add.info.: Are we downhearted - no! Rugby scrum. Postcard, early 20th century.); © Look and Learn

Bridge across the Ebro, 1835
3480093 Bridge across the Ebro, 1835; (add.info.: Zaragoza; Spain. Bridge across the Ebro.); Universal History Archive/UIG

Lamenting the suffering of the Paris Commune, 1871
3478656 Lamenting the suffering of the Paris Commune, 1871; (add.info.: Illustration lamenting the suffering of the Paris Commune; the municipal government organized on communalistic principles that)

Flagellants, 15th Century (colour litho)
8672839 Flagellants, 15th Century (colour litho) by German School, (15th century) (after); Private Collection; (add.info.: Flagellants, 15th Century)

Forgetting Pain (litho)
8655395 Forgetting Pain (litho) by Max, Gabriel Cornelius, Ritter von (1840-1915) (after); Private Collection; (add.info.: Forgetting Pain. Ape sleeping on a blanket in an enclosure)

Employment of a Carguero (engraving)
8667601 Employment of a Carguero (engraving) by English School, (19th century); Private Collection; (add.info.: Employment of a Carguero)

Bacchus reaches Ariadne abandoned by Theseus on the island of Naxos, 1650-52 (wall tempera painting)
8683553 Bacchus reaches Ariadne abandoned by Theseus on the island of Naxos, 1650-52 (wall tempera painting) by Boulanger, Jean (1606-c.1680); Palazzo Ducale Estense, Sassuolo, Emilia Romagna

Teeth extractor, c.1880 (print)
7293395 Teeth extractor, c.1880 (print); (add.info.: Medicine. Dentistry. Teeth extracting in the XIXth century. Imagery, Epinal, France, ca 1880.); Photo: © Archives Charmet

Teeth extractor, c.1880 (print)
7293394 Teeth extractor, c.1880 (print); (add.info.: Medicine. Dentistry. Teeth extracting in the XIXth century. Imagery, Epinal, France, ca 1880.); Photo: © Archives Charmet

Capital letters Plate in "Picturesque alphabet or New informative and picturesque alphabet", 1892 (engraving)
DUV4220449 Capital letters Plate in "Picturesque alphabet or New informative and picturesque alphabet", 1892 (engraving); 27x17.5 cm; (add.info)

Page from The Bible Emblem Anniversary Book (colour litho)
8630705 Page from The Bible Emblem Anniversary Book (colour litho) by Foster, William (1852-1924); Private Collection; (add.info)

Expression of physical and mental suffering (coloured engraving)
8655705 Expression of physical and mental suffering (coloured engraving) by French School, (19th century) (after); Private Collection; (add.info)

Wounded Russian soldiers, Manchuria, Russo-Japanese War, 1904 (litho)
8655581 Wounded Russian soldiers, Manchuria, Russo-Japanese War, 1904 (litho) by Woodville, Richard Caton II (1856-1927) (after); Private Collection; (add.info.: Wounded Russian soldiers, Manchuria)

P.S. Mr - got it in the neck again last night (colour litho)
8656709 P.S. Mr - got it in the neck again last night (colour litho) by Flohri, Emil (1869-1938); Private Collection; (add.info.: "P.S)

Ecce Homo (engraving)
8650611 Ecce Homo (engraving) by Morales, Luis de (1500-86); Private Collection; (add.info.: Ecce Homo. Pilate Saith unto them, "Behold the Man." John XIX, 5)

A young man suffering from a hangover, 1850
3478085 A young man suffering from a hangover, 1850; (add.info.: Cartoon depicting a young man suffering from a hangover. Dated 19th Century.); Universal History Archive/UIG

Nonsense: Nursing a trod-on toe (colour litho)
8636046 Nonsense: Nursing a trod-on toe (colour litho) by Robinson, Charles (1870-1937); Private Collection; (add.info.: Nursing a trod-on toe)

The cut finger (colour litho)
8641612 The cut finger (colour litho) by English School, (19th century); Private Collection; (add.info.: The cut finger. Illustration for The Prize, 1888.); © Look and Learn

There's a woman at the bottom of it (colour litho)
8656811 There's a woman at the bottom of it (colour litho) by English School, (20th century); Private Collection; (add.info.: There's a woman at the bottom of it. Woman smacking a child)

Feeling (colour litho)
8635368 Feeling (colour litho) by Holden, Albert William (1848-1932); Private Collection; (add.info.: Feeling. Illustration from Pears Annual, 1897.); © Look and Learn

Fat lady, swimming, being pinched in the foot by a crab (colour litho)
8621716 Fat lady, swimming, being pinched in the foot by a crab (colour litho) by English School, (20th century); Private Collection; (add.info.: Fat lady, swimming)

Thursday (colour litho)
8674339 Thursday (colour litho) by Miles, Helen J.A. (19th century); Private Collection; (add.info.: Thursday. Illustration for Tiles from Dame Marjorie's Chimney Corner)

Bulgarians besieging Adrianople, 1912-1913 (litho)
8661424 Bulgarians besieging Adrianople, 1912-1913 (litho) by Cuneo, Cyrus (1879-1916) (after); Private Collection; (add.info.: Bulgarians besieging Adrianople, 1912-1913)

Food and Beverage. A windmill in the 19th cent. Engraving in: Grands hommes et grands faits de l'industrie, France
3434794 Food and Beverage. A windmill in the 19th cent. Engraving in: Grands hommes et grands faits de l'industrie, France, c.1880 (engraving); (add.info.: Coll. Part. Food and Beverage)

Belgium, 1914 (print)
3789205 Belgium, 1914 (print) by Partridge, Bernard (1861-1945); (add.info.: La Belgique 1914 by Bernard Partridge. Quote from Jeremiah I, 2 and 10 - She weepeth sore in the night)

The opening of the fifth and sixth seals, 1522 (engraving)
1578227 The opening of the fifth and sixth seals, 1522 (engraving) by Durer or Duerer, Albrecht (1471-1528); (add.info.: Martin Luther: Preface to the Revelation of John ( 1522)

Madonna (Sorrowful Virgin), 1583-1584 (bronze)
7413351 Madonna (Sorrowful Virgin), 1583-1584 (bronze) by Vittoria, Alessandro (1525-1608); 104.5 cm; Basilica Santi Giovanni and Paolo, Venice

Christ at the column, 1510 (fresco)
885769 Christ at the column, 1510 (fresco) by Sodoma, Giovanni Antonio Bazzi (1477-1549); Pinacoteca Nazionale, Siena, Tuscany, Italy; (add.info.: by by Giovanni Antonio Bazzi, known as Sodoma)

The Passion of Christ: Jesus get his clothes removed, 18th century (oil on canvas)
AIS5365841 The Passion of Christ: Jesus get his clothes removed, 18th century (oil on canvas) by Viladomat, Antonio (1678-1755); (add.info)

Scene from the New Testament: Carrying of the cross (fresco)
885845 Scene from the New Testament: Carrying of the cross (fresco) by Barna da Siena (fl.1350-55); Collegiata di Santa Maria Assunta, San Gimignano

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"Sufferings: A Glimpse into the Depths of Human Pain" In Madonna (Sorrowful Virgin), 1583-1584 (bronze), the anguish etched on Mary's face reflects the depths of her suffering as she witnesses her son's crucifixion. The Scene from the New Testament: Flagellation of Christ (fresco) portrays Jesus enduring brutal lashes, his body contorted in pain, a poignant reminder of his sacrifice for humanity. Christ at the column, 1510 (fresco) captures the vulnerability and torment that Christ endured during his flagellation, highlighting both physical and emotional suffering. The Passion of Christ: Jesus gets his clothes removed, 18th century (oil on canvas) depicts an intimate moment where Jesus is stripped off His garments before His crucifixion. It symbolizes humiliation and agony beyond words. Scene from the New Testament: Carrying of the cross (fresco) showcases Jesus' arduous journey towards Calvary while bearing His own cross. The weight he carries represents not only physical but also spiritual burdens. Coal miners trapped 24 days underground after roof fall, 1906 (print) illustrates human suffering in a different context - trapped beneath tons of earth with dwindling hope. Their plight reminds us that suffering can strike unexpectedly in various forms. Predella panel: Holy deacon baptizes a prison neophyte; The holy deacon martyred in front of a Roman magistrate (painting on wood) portrays martyrdom and persecution faced by early Christians who remained steadfast despite immense suffering. Christ and Simon of Cyrene. Fifth stop on the Way to Cross), 1722/37 (oil on canvas), reveals Simon helping Christ carry His cross amidst jeering crowds. This act exemplifies compassion amid adversity when one person shares another's burden willingly.