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Suprematism Collection

Suprematism, an avant-garde art movement that emerged in Russia during the early 20th century, revolutionized the way we perceive and interpret artistic expression

Background imageSuprematism Collection: Woman with a Rake, 1928-1932. Artist: Kazimir Malevich

Woman with a Rake, 1928-1932. Artist: Kazimir Malevich
Woman with a Rake, 1928-1932. Found in the collection of the State Russian Museum, St Petersburg

Background imageSuprematism Collection: Architectonic Painting. Artist: Popova, Lyubov Sergeyevna (1889-1924)

Architectonic Painting. Artist: Popova, Lyubov Sergeyevna (1889-1924)
Architectonic Painting. Found in the collection of © Museum of Modern Art, New York

Background imageSuprematism Collection: Malevich: Morning, 1912

Malevich: Morning, 1912
MALEVICH: MORNING, 1912. Morning in Village After Snow. Oil on canvas, 1912, by Kazimir Malevich

Background imageSuprematism Collection: A Carpenter (oil on canvas)

A Carpenter (oil on canvas)
FIA5326843 A Carpenter (oil on canvas) by Malevich, Kazimir Severinovich (1878-1935); State Russian Museum, St. Petersburg

Background imageSuprematism Collection: Portrait of Mikhail Matyushin, 1913. Artist: Kazimir Malevich

Portrait of Mikhail Matyushin, 1913. Artist: Kazimir Malevich
Portrait of Mikhail Matyushin, 1913. Found in the collection of the State Tretyakov Gallery, Moscow

Background imageSuprematism Collection: Nude (positive), 1931. Creator: Moholy-Nagy, Laszlo (1895-1946)

Nude (positive), 1931. Creator: Moholy-Nagy, Laszlo (1895-1946)
Nude (positive), 1931. Private Collection

Background imageSuprematism Collection: Photogram, c.1925. Creator: Moholy-Nagy, Laszlo (1895-1946)

Photogram, c.1925. Creator: Moholy-Nagy, Laszlo (1895-1946)
Photogram, c.1925. Private Collection

Background imageSuprematism Collection: Flower photogram, 1926. Creator: Moholy-Nagy, Laszlo (1895-1946)

Flower photogram, 1926. Creator: Moholy-Nagy, Laszlo (1895-1946)
Flower photogram, 1926. Private Collection

Background imageSuprematism Collection: Nude (negative), 1931. Creator: Moholy-Nagy, Laszlo (1895-1946)

Nude (negative), 1931. Creator: Moholy-Nagy, Laszlo (1895-1946)
Nude (negative), 1931. Private Collection

Background imageSuprematism Collection: Photogram (positive), 1924. Creator: Moholy-Nagy, Laszlo (1895-1946)

Photogram (positive), 1924. Creator: Moholy-Nagy, Laszlo (1895-1946)
Photogram (positive), 1924. Private Collection

Background imageSuprematism Collection: Composition, 1915. Creator: Pestel, Vera Yefremovna (1887-1952)

Composition, 1915. Creator: Pestel, Vera Yefremovna (1887-1952)
Composition, 1915. Found in the collection of the State A. Radishchev Art Museum, Saratov.

Background imageSuprematism Collection: Aunty Pasha. Creator: Pestel, Vera Yefremovna (1887-1952)

Aunty Pasha. Creator: Pestel, Vera Yefremovna (1887-1952)
Aunty Pasha. Found in the collection of the State Russian Museum, St. Petersburg.

Background imageSuprematism Collection: Scala allargata

Scala allargata
Gilbert Claes

Background imageSuprematism Collection: 7 A.M. (New Year's Morning), 1928. Creator: Moholy-Nagy, Laszlo (1895-1946)

7 A.M. (New Year's Morning), 1928. Creator: Moholy-Nagy, Laszlo (1895-1946)
7 A.M. (New Year's Morning), 1928. Private Collection

Background imageSuprematism Collection: Fotogramm, 1926. Creator: Moholy-Nagy, Laszlo (1895-1946)

Fotogramm, 1926. Creator: Moholy-Nagy, Laszlo (1895-1946)
Fotogramm, 1926. Private Collection

Background imageSuprematism Collection: Fotogramm, 1925. Creator: Moholy-Nagy, Laszlo (1895-1946)

Fotogramm, 1925. Creator: Moholy-Nagy, Laszlo (1895-1946)
Fotogramm, 1925. Private Collection

Background imageSuprematism Collection: Fotogramm, Between 1925 and 1928. Creator: Moholy-Nagy, Laszlo (1895-1946)

Fotogramm, Between 1925 and 1928. Creator: Moholy-Nagy, Laszlo (1895-1946)
Fotogramm, Between 1925 and 1928. Private Collection

Background imageSuprematism Collection: Fotogramm, 1922. Creator: Moholy-Nagy, Laszlo (1895-1946)

Fotogramm, 1922. Creator: Moholy-Nagy, Laszlo (1895-1946)
Fotogramm, 1922. Private Collection

Background imageSuprematism Collection: Peasant Woman Going to Fetch Water, 1913. Creator: Malevich, Kasimir Severinovich (1878-1935)

Peasant Woman Going to Fetch Water, 1913. Creator: Malevich, Kasimir Severinovich (1878-1935)
Peasant Woman Going to Fetch Water. Illustration for "Vozropshchem (Let's grumble)" by Aleksey Kruchenykh, 1913. Private Collection

Background imageSuprematism Collection: Arithmetic. Illustration for 'Vozropshchem (Let's grumble)' by Aleksey Kruchenykh, 1913

Arithmetic. Illustration for "Vozropshchem (Let's grumble)" by Aleksey Kruchenykh, 1913. Private Collection

Background imageSuprematism Collection: Death of the Man on the Airplane and on the Train at the Same Time, 1913. Creator: Malevich

Death of the Man on the Airplane and on the Train at the Same Time, 1913. Creator: Malevich
Death of the Man on the Airplane and on the Train at the Same Time. Illustration for "Vzorval (Explodity)" by Aleksey Kruchenykh, 1913. Private Collection

Background imageSuprematism Collection: City. Artist: Exter, Alexandra Alexandrovna (1882-1949)

City. Artist: Exter, Alexandra Alexandrovna (1882-1949)
City. From a private collection

Background imageSuprematism Collection: Colour rhythm, 1921. Artist: Exter, Alexandra Alexandrovna (1882-1949)

Colour rhythm, 1921. Artist: Exter, Alexandra Alexandrovna (1882-1949)
Colour rhythm, 1921. From a private collection

Background imageSuprematism Collection: Untitled (Universal Landscape) from 'Poetry of Mayakovsky', 1913 (litho)

Untitled (Universal Landscape) from "Poetry of Mayakovsky", 1913 (litho)
1068671 Untitled (Universal Landscape) from "Poetry of Mayakovsky", 1913 (litho) by Malevich, Kazimir Severinovich (1878-1935); 8.1x11.91x cm; Dallas Museum of Art, Texas

Background imageSuprematism Collection: Small Black Cross, Tilted from 'Suprematism: 34 Drawings', 1920 (litho)

Small Black Cross, Tilted from "Suprematism: 34 Drawings", 1920 (litho)
1068630 Small Black Cross, Tilted from "Suprematism: 34 Drawings", 1920 (litho) by Malevich, Kazimir Severinovich (1878-1935); 42.9x57.5x3.2 cm; Dallas Museum of Art, Texas

Background imageSuprematism Collection: Text pages for 'On New Systems in Art', 1919 (litho)

Text pages for "On New Systems in Art", 1919 (litho)
1068624 Text pages for "On New Systems in Art", 1919 (litho) by Malevich, Kazimir Severinovich (1878-1935); 22.86x36.51 cm; Dallas Museum of Art, Texas

Background imageSuprematism Collection: Text pages for 'From Cubism and Futurism to Suprematism: A New Realism in Painting'

Text pages for "From Cubism and Futurism to Suprematism: A New Realism in Painting", 1916 (letterpress)
1068616 Text pages for "From Cubism and Futurism to Suprematism: A New Realism in Painting", 1916 (letterpress) by Malevich

Background imageSuprematism Collection: Suprematist Satellites from 'Suprematism: 34 Drawings', 1920 (litho)

Suprematist Satellites from "Suprematism: 34 Drawings", 1920 (litho)
1068629 Suprematist Satellites from "Suprematism: 34 Drawings", 1920 (litho) by Malevich, Kazimir Severinovich (1878-1935); 42.9x57.5x3.2 cm; Dallas Museum of Art, Texas

Background imageSuprematism Collection: Schema I - III from 'On New Systems in Art', 1919 (litho)

Schema I - III from "On New Systems in Art", 1919 (litho)
1068626 Schema I - III from "On New Systems in Art", 1919 (litho) by Malevich, Kazimir Severinovich (1878-1935); 73.03x86.36 cm; Dallas Museum of Art, Texas

Background imageSuprematism Collection: Interior cover sheet and text page from 'From Cubism and Futurism to Suprematism

Interior cover sheet and text page from "From Cubism and Futurism to Suprematism: A New Realism in Painting"
1068615 Interior cover sheet and text page from "From Cubism and Futurism to Suprematism: A New Realism in Painting", 1916 (letterpress) by Malevich

Background imageSuprematism Collection: Text pages for 'From Cubism and Futurism to Suprematism: A New Realism in Painting'

Text pages for "From Cubism and Futurism to Suprematism: A New Realism in Painting", 1916 (letterpress)
1068613 Text pages for "From Cubism and Futurism to Suprematism: A New Realism in Painting", 1916 (letterpress) by Malevich

Background imageSuprematism Collection: Black Cross from 'Suprematism: 34 Drawings', 1920 (litho)

Black Cross from "Suprematism: 34 Drawings", 1920 (litho)
1068638 Black Cross from "Suprematism: 34 Drawings", 1920 (litho) by Malevich, Kazimir Severinovich (1878-1935); 42.9x57.5x3.2 cm; Dallas Museum of Art, Texas

Background imageSuprematism Collection: Sensation of the Motion and the Obstacle from 'Suprematism: 34 Drawings', 1920 (litho)

Sensation of the Motion and the Obstacle from "Suprematism: 34 Drawings", 1920 (litho)
1068637 Sensation of the Motion and the Obstacle from "Suprematism: 34 Drawings", 1920 (litho) by Malevich, Kazimir Severinovich (1878-1935); 26.67x18.24 cm; Dallas Museum of Art, Texas

Background imageSuprematism Collection: Text pages for 'From Cubism and Futurism to Suprematism: A New Realism in Painting'

Text pages for "From Cubism and Futurism to Suprematism: A New Realism in Painting", 1916 (letterpress)
1068621 Text pages for "From Cubism and Futurism to Suprematism: A New Realism in Painting", 1916 (letterpress) by Malevich

Background imageSuprematism Collection: Black Square from 'Suprematism: 34 Drawings', 1920 (litho)

Black Square from "Suprematism: 34 Drawings", 1920 (litho)
1068636 Black Square from "Suprematism: 34 Drawings", 1920 (litho) by Malevich, Kazimir Severinovich (1878-1935); 42.9x57.5x3.2 cm; Dallas Museum of Art, Texas

Background imageSuprematism Collection: Three Black and Five Grey Elements from 'Suprematism: 34 Drawings', 1920 (litho)

Three Black and Five Grey Elements from "Suprematism: 34 Drawings", 1920 (litho)
1068634 Three Black and Five Grey Elements from "Suprematism: 34 Drawings", 1920 (litho) by Malevich, Kazimir Severinovich (1878-1935); 42.9x57.5x3.2 cm; Dallas Museum of Art, Texas

Background imageSuprematism Collection: Untitled (Cow with Viola) for 'On New Systems in Art', 1919 (litho)

Untitled (Cow with Viola) for "On New Systems in Art", 1919 (litho)
1068627 Untitled (Cow with Viola) for "On New Systems in Art", 1919 (litho) by Malevich, Kazimir Severinovich (1878-1935); 22.86x19.05 cm; Dallas Museum of Art, Texas

Background imageSuprematism Collection: Text pages for 'From Cubism and Futurism to Suprematism: A New Realism in Painting'

Text pages for "From Cubism and Futurism to Suprematism: A New Realism in Painting", 1916 (letterpress)
1068620 Text pages for "From Cubism and Futurism to Suprematism: A New Realism in Painting", 1916 (letterpress) by Malevich

Background imageSuprematism Collection: The Shroud, 1908. Artist: Kazimir Malevich

The Shroud, 1908. Artist: Kazimir Malevich
The Shroud, 1908. Found in the collection of the State Tretyakov Gallery, Moscow

Background imageSuprematism Collection: A Girl with a Comb, 1932-1933. Artist: Kazimir Malevich

A Girl with a Comb, 1932-1933. Artist: Kazimir Malevich
A Girl with a Comb, 1932-1933. Found in the collection of the State Tretyakov Gallery, Moscow

Background imageSuprematism Collection: Head of a Peasant, 1928-1932. Artist: Kazimir Malevich

Head of a Peasant, 1928-1932. Artist: Kazimir Malevich
Head of a Peasant, 1928-1932. Found in the collection of the State Russian Museum, St Petersburg

Background imageSuprematism Collection: Suprematist portrait of Lena Naymkina

Suprematist portrait of Lena Naymkina
Photographer

Background imageSuprematism Collection: Suprematic lemon tea

Suprematic lemon tea
Dina Belenko

Background imageSuprematism Collection: Olga Rozanova, c. 1900 (b/w photo)

Olga Rozanova, c. 1900 (b/w photo)
2653760 Olga Rozanova, c.1900 (b/w photo) by Russian Photographer, (20th century); Rostov Museum of Fine Art, Russia; (add.info.: Olga Vladimirovna Rozanova (also spelled Rosanova)

Background imageSuprematism Collection: Proun R. V. N. 2. 1923 (painting)

Proun R. V. N. 2. 1923 (painting)
885192 Proun R.V.N.2. 1923 (painting) by Lissitzky, Eliezer (El) Markowich (1890-1941); Niedersachsisches Landesmuseum, Hanover

Background imageSuprematism Collection: Cristal (Crystal), 1919 (oil on canvas)

Cristal (Crystal), 1919 (oil on canvas)
FIA5326865 Cristal (Crystal), 1919 (oil on canvas) by Matyushin, Mikhail Vasilievich (1861-1934); State Russian Museum, St. Petersburg, Russia; Photo eFine Art Images; Russian, out of copyright

Background imageSuprematism Collection: Suprematism: Stages of its Development, after 1923 (pen & ink on paper)

Suprematism: Stages of its Development, after 1923 (pen & ink on paper)
957197 Suprematism: Stages of its Development, after 1923 (pen & ink on paper) by Malevich, Kazimir Severinovich (1878-1935); Private Collection; Photo eChristies Images; Russian, out of copyright

Background imageSuprematism Collection: Architectonic Painting, 1917 (oil on canvas)

Architectonic Painting, 1917 (oil on canvas)
3588526 Architectonic Painting, 1917 (oil on canvas) by Popova, Lyubov Sergeevna (1889-1924); 83.8x61.6 cm; Los Angeles County Museum of Art, CA, USA; Russian, out of copyright



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Suprematism, an avant-garde art movement that emerged in Russia during the early 20th century, revolutionized the way we perceive and interpret artistic expression. Kazimir Malevich, one of its key proponents, created iconic works like "Woman with a Rake" and "Portrait of Mikhail Matyushin, " showcasing his mastery of geometric shapes and bold colors. Another influential artist within this movement was Lyubov Sergeyevna Popova, whose "Architectonic Painting" exemplifies her innovative approach to abstract composition. Her use of intersecting lines and vibrant hues creates a dynamic visual experience that challenges traditional notions of representation. Malevich's groundbreaking piece titled "Morning" from 1912 is considered one of the earliest Suprematism. With its simple yet powerful arrangement of geometric forms floating on a white background, it represents a departure from representational art towards pure abstraction. The influence extended beyond painting into other mediums as well. For instance, Olga Rozanova's experimental photography captured the essence of this movement through her striking black-and-white images. Even everyday objects were not immune to the impact of Suprematism. The concept even inspired products such as "Suprematic lemon tea, " which embraced the movement's principles by incorporating bold shapes and colors into packaging design. Alexandra Alexandrovna Exter explored Suprematist ideas in her paintings like "City" and "Colour rhythm. " These works showcase her ability to create harmonious compositions using fragmented forms and vibrant color schemes. In addition to these renowned artists' contributions, Malevich's earlier works such as "The Shroud" demonstrate his evolution towards abstraction while still retaining elements reminiscent of traditional portraiture. Female figures also played a significant role in Suprematist art. Malevich's masterpiece titled "A Girl with a Comb" portrays an enigmatic woman adorned with geometric patterns that challenge the viewer's perception of form and space.