Sword Fight Collection

Derek Ware fight co-ordinator runs through the fight scene with the Saracen (Valentino Musetti) and Ian (William Russell) during a break in filming the Dr Who story The Crusades at the BBC studios in

The Saracen (Valentino Musetti) and Ian (William Russell) during filming the Dr Who story The Crusades at the BBC studios in Ealing. 16th February 1965

The Saracen (Valentino Musetti) and Ian (William Russell) during filming the Dr Who story The Crusades at the BBC studios in Ealing. 16th February 1965

Derek Ware (left) teaches a Saracen (Valentino Musetti) how to fight, while William Russell who plays Ian looks on during filming for the Dr Who story The Crusades at the BBC studios in Ealing

Derek Ware fight co-ordinator runs through the fight scene with the Saracen (Valentino Musetti) and Ian (William Russell) during a break in filming the Dr Who story The Crusades at the BBC studios in

Derek Ware fight co-ordinator runs through the fight scene with the Saracen (Valentino Musetti) and Ian (William Russell) during a break in filming the Dr Who story The Crusades at the BBC studios in

A thrust in epee or foil fencing. Copper engraving, French, mid-18th century
FENCING, 18TH CENTURY A thrust in epee or foil fencing. Copper engraving, French, mid-18th century

BATTLE OF WATERLOO. Charge of the cavalry regiment, the Scots Greys, during the Battle of Waterloo, during the Napoleonic Wars, 18 June 1815. Illustration, English, 1894

RICHARD WORLEY (c1686-1719). English pirate. Worley and his crew fighting the crews of two South Carolina warships, 1719. Aquatint, English, 1820s

DOUBLE DUEL. Line engraving, 19th century

A scene at the School of Geometrical Fencing
5305094 A scene at the School of Geometrical Fencing.; (add.info.: Engraving depicting a scene at the School of Geometrical Fencing. Dated 17th Century.); Universal History Archive/UIG.

The Knight of the Swan (colour litho)
STC312592 The Knight of the Swan (colour litho) by Michael, Arthur C. (d.1945) (after); Private Collection; The Stapleton Collection

The Duel between Valmont and Danceny, illustration from Les Liaisons Dangereuses by Pierre Chodlerlos de Laclos
STC226916 The Duel between Valmont and Danceny, illustration from Les Liaisons Dangereuses by Pierre Chodlerlos de Laclos (1741-1803) published 1920s (pochoir print) by Barbier

Fencing, from Academie de l Espee by Girard Thibault
619479 Fencing, from Academie de l Espee by Girard Thibault, published 1630 (coloured engraving) by French School, (17th century); Private Collection; The Stapleton Collection; French

How Sir Launcelot slew the knight Sir Peris de Forest Savage that did distress ladies
STC398622 How Sir Launcelot slew the knight Sir Peris de Forest Savage that did distress ladies, damosels and gentlewomwen

The New Broad Sword Exercise cotton handkerchief, 1798 (cotton)
3062538 The New Broad Sword Exercise cotton handkerchief, 1798 (cotton) by English School, (18th century); National Army Museum, London; (add.info.: Printed cotton handkerchief)

Blackbeards last fight (coloured engraving)
PNP269591 Blackbeards last fight (coloured engraving) by English School, (18th century); Private Collection; (add.info.: Edward Teach or Blackbeard (1680-1718)

Robin Hood and Guy of Gisborne
LLM455722 Robin Hood and Guy of Gisborne by Crane, Walter (1845-1915); Private Collection; (add.info.: Robin Hood and Guy of Gisborne)

Sir Gareth doeth Battle with the Knight of the River Ford
STC335762 Sir Gareth doeth Battle with the Knight of the River Ford, illustration from The Story of Sir Launcelot and his Companions, 1907 (litho) by Pyle

A scene from an amateur production of a play titled "The Heir at Law"
MNY381296 A scene from an amateur production of a play titled " The Heir at Law" presented at Barnard College, New York (silver gelatin print) by Byron Company (fl.1890-1942)

One last tremendous cut which would certainly have split him to the chine had it not been
STC321024 One last tremendous cut which would certainly have split him to the chine had it not been intercepted by our big signboard of Admiral Benbow

Fencing, from Academie de l Espee by Girard Thibault
619498 Fencing, from Academie de l Espee by Girard Thibault, published 1628 (coloured engraving) by French School, (17th century); Private Collection; The Stapleton Collection; French

Blackbeards last fight (colour litho)
PNP269592 Blackbeards last fight (colour litho) by English School, (19th century); Private Collection; (add.info.: Edward Teach or Blackbeard (1680-1718)

Blackbeard boarding the Pearl, commanded by Lieutenant Maynard
3867880 Blackbeard boarding the Pearl, commanded by Lieutenant Maynard by Unknown Artist, (19th century); (add.info.: Edward Teach (c.1680-1718), better known as Blackbeard

Two jugs fighting a duel (litho)
3094407 Two jugs fighting a duel (litho) by German School, (20th century); Private Collection; (add.info.: Postcard, early 20th century.); © Look and Learn; German, out of copyright

COTSWOLD GAMES, 1636. The annual Cotswold Games. Woodcut frontispiece for Annalia Dubrensia, London, 1636

Study Two Soldiers Swordfighting 17th century
Artokoloro

CLEMENS: HUCK FINN, 1885. Practicing. The king and the duke, a pair of con men traveling with Huck and Jim, practicing the sword fight scene from Shakespeares Richard III

BARRIE: PETER PAN, 1911. Swordfight between Peter and Captain Hook. Illustration by Francis D. Bedford for the 1911 edition of J.M. Barries Peter Pan

DUEL, 17th CENTURY. The Duel. Illustration, 1882, by Howard Pyle

TRIAL BY COMBAT. A medieval trial by combat. Miniature from a 15th century manuscript

DUELING, 1595. Dueling techniques as illustrated in Vincentio Saviolo, His Practise, a translation, published at London, England, in 1595

Scene from Spohrs Faust at the Royal Italian Opera, 1852 (engraving)
XJF862527 Scene from Spohrs Faust at the Royal Italian Opera, 1852 (engraving) by English School, (19th century); Private Collection; (add.info)

A swordsman about to disarm his opponent and in position ready to thrust, from XVIII
KW415688 A swordsman about to disarm his opponent and in position ready to thrust, from XVIII Siecle Institutions, Usages et Costumes, published 1875 (litho) by French School

A swordsman in position to thrust after grasping his opponents sword or sword hand
KW415689 A swordsman in position to thrust after grasping his opponents sword or sword hand, from XVIII Siecle Institutions, Usages et Costumes, published 1875 (litho) by French School

A swordsman parries a thrust from his opponent, from XVIII Siecle Institutions
KW415690 A swordsman parries a thrust from his opponent, from XVIII Siecle Institutions, Usages et Costumes, published 1875 (litho) by French School

A swordsman disarms his opponent and is in a position to thrust, from XVIII
KW415691 A swordsman disarms his opponent and is in a position to thrust, from XVIII Siecle Institutions, Usages et Costumes, published 1875 (litho) by French School

The Guard hussars attacking near Warsaw on August 26th, 1831, 1837 (oil on canvas)
BAL329120 The Guard hussars attacking near Warsaw on August 26th, 1831, 1837 (oil on canvas) by Lermontov, Mikhail Yuryevich (1814-41); Russian State Archive of Literature and Art

The Seine, the Louvre and the College des Quatre-Nations from the Pont-Neuf, detail
XIR199205 The Seine, the Louvre and the College des Quatre-Nations from the Pont-Neuf, detail of market stalls and men duelling, c.1665-70 (oil on canvas) by French School

FENCING, c1904. A woman and a man dueling as three people watch. Photograph, c1904

DUELING, 19th CENTURY. hotograph and drawing composite, 19th century

DUELING, 1595. Dueling techniques as illustrated in Vincentio Saviolo, His Practise, a translation, published at London, England, in 1595

SWORD FIGHT, 14th CENTURY. Two men sword fighting as a game. Detail of an illumination by Jehan de Grise in the Romance of Alexander, c1340

DAVID OFFERED CROWN. King Saul falls on his sword after the battle of Gilboa, and the crown is offered to the lamenting David (1 Samuel 31: 1-6 and 2 Samuel 1: 1-17)

CLEMENS: HUCK FINN. The king and the duke, a pair of con men traveling with Huck and Jim, practicing the sword fight scene from Shakespeares Richard III

BARRIE: PETER PAN, 1911. Swordfight between Peter and Captain Hook. Illustration by Francis D. Bedford for the 1911 edition of J.M. Barries Peter Pan

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In the realm of epic battles and daring duels, the art of sword fighting takes center stage. With precision and skill, The Saracen (Valentino Musetti) and Ian (William Russell) engage in a thrilling clash of blades. Under the watchful eye of Derek Ware, fight coordinator extraordinaire, they masterfully execute each move. As Derek Ware guides them through the fight scene, his expertise shines through. With every swing and parry, he ensures that their movements are seamless and authentic. The Saracen learns from Ware's tutelage, honing his technique to perfection. The intensity is palpable as swords clash with resounding force. Each thrust brings us closer to understanding the intricacies of epee or foil fencing depicted in an exquisite French engraving from the mid-18th century. It serves as a testament to centuries-old techniques passed down through generations. Just like the charge of cavalry during the Battle of Waterloo by the valiant Scots Greys regiment, this sword fight encapsulates bravery and determination. The clash between these two warriors mirrors historical conflicts where honor was at stake. Drawing inspiration from notorious figures such as English pirate Richard Worley (c1686-1719), William Russell (Ian) and Valentino Musetti (The Saracen) embody fierce adversaries locked in a double duel for supremacy. Their commitment to authenticity transports us back to a time when dueling was both an art form and a means of settling disputes. Through it all, Derek Ware remains steadfast in ensuring that every movement is executed flawlessly. His guidance allows these actors to bring life to their characters while showcasing their dedication to mastering this ancient craft. In this captivating display of skill and choreography, we witness not just a sword fight but also an homage to history itself—a reminder that even within staged battles lies an appreciation for our past's rich tapestry woven with valorous acts performed by those who wielded swords.