Symbolist Collection (page 18)

Still Life with a Pitcher, c. 1901-03 (oil on canvas)
LEF218182 Still Life with a Pitcher, c.1901-03 (oil on canvas) by Redon, Odilon (1840-1916); 38x55 cm; Private Collection; Photo eLefevre Fine Art Ltd. London; French, out of copyright

Neptunes Horses, 1892 (oil on canvas)
JHG169595 Neptunes Horses, 1892 (oil on canvas) by Crane, Walter (1845-1915); 86x215 cm; Neue Pinakothek, Munich, Germany; English, out of copyright

Britomart, 1900 (w / c on paper)
CHT163378 Britomart, 1900 (w/c on paper) by Crane, Walter (1845-1915); Bibliotheque des Arts Decoratifs, Paris, France; (add.info)

Street in Fontarabie (oil on canvas)
CH445144 Street in Fontarabie (oil on canvas) by Redon, Odilon (1840-1916); 52x46 cm; Private Collection; (add.info.: Rue a Fontarabie; ); Photo eChristies Images; French, out of copyright

Personnage (oil on paper laid on board)
CH376438 Personnage (oil on paper laid on board) by Redon, Odilon (1840-1916); Private Collection; Photo eChristies Images; French, out of copyright

Tree with Blue Sky (oil on paper laid on panel)
CH376432 Tree with Blue Sky (oil on paper laid on panel) by Redon, Odilon (1840-1916); 30x24 cm; Private Collection; Photo eChristies Images; French, out of copyright

Souci d Absolu. Philosophe, 1881 (charcoal on paper laid down on board)
CH376428 Souci d Absolu.Philosophe, 1881 (charcoal on paper laid down on board) by Redon, Odilon (1840-1916); 43.2x35.3 cm; Private Collection; Photo eChristies Images; French, out of copyright

The Man Tree (charcoal on paper)
CH376427 The Man Tree (charcoal on paper) by Redon, Odilon (1840-1916); 51.1x37.6 cm; Private Collection; Photo eChristies Images; French, out of copyright

Eye (charcoal on paper)
CH376426 Eye (charcoal on paper) by Redon, Odilon (1840-1916); 43x29 cm; Private Collection; Photo eChristies Images; French, out of copyright

Orpheus
CH376408 Orpheus by Redon, Odilon (1840-1916); Private Collection; Photo eChristies Images; French, out of copyright

Eve, c. 1880-c. 1885 (w / c & gouache on paper)
PNH347150 Eve, c.1880-c.1885 (w/c & gouache on paper) by Moreau, Gustave (1826-98); 33x19.5 cm; Private Collection; Photo ePeter Nahum at The Leicester Galleries, London; French, out of copyright

Ophelia, 1893 (oil on panel)
PNH347173 Ophelia, 1893 (oil on panel) by Montald, Constant (1862-1944); Private Collection; Photo ePeter Nahum at The Leicester Galleries, London; Belgian, out of copyright

The Apparition, 1890-95 (charcoal on paper)
JKL104842 The Apparition, 1890-95 (charcoal on paper) by Redon, Odilon (1840-1916); 51.5x31.5 cm; Private Collection; French, out of copyright

Feast of Kings, 1913 (oil on canvas)
SRM112308 Feast of Kings, 1913 (oil on canvas) by Filonov, Pavel Nikolaevich (1883-1941); 175x215 cm; State Russian Museum, St. Petersburg, Russia; eState Russian Museum; Russian, out of copyright

At the Allied Music Concert in Piazza del Duomo in Milan (colour litho)
2808673 At the Allied Music Concert in Piazza del Duomo in Milan (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info)

Christmas in Rome at the National Stadium, in front of the stage of the Sovereigns, the children of the schools
2815747 Christmas in Rome at the National Stadium, in front of the stage of the Sovereigns, the children of the schools

Fan Shield and Spears (engraving)
2796641 Fan Shield and Spears (engraving) by English School, (19th century); Private Collection; (add.info.: Fan Shield and Spears)

Richelieu directing the ship of State (colour litho)
2795465 Richelieu directing the ship of State (colour litho) by Leloir, Maurice (1853-1940); Private Collection; (add.info.: Richelieu directing the ship of State)

Winter Forced to Go (Colour Litho)
2783581 Winter Forced to Go (Colour Litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info.: Winter forced to leave)

Encre L. Marquet, 1892 (colour lithograph)
5051867 Encre L. Marquet, 1892 (colour lithograph) by Grasset, Eugene (1841-1917); 82.5x121.2 cm; Rijksmuseum, Amsterdam, The Netherlands; (add.info.: Advertisment for Marquet ink); French

Little Water, Dalaro, 1892 (oil on carboard)
5042983 Little Water, Dalaro, 1892 (oil on carboard) by Strindberg, August Johan (1849-1912); 22x33 cm; National Museum, Stockholm, Sweden; Swedish, out of copyright

Underwater Vision (pastel on paper)
XIR205431 Underwater Vision (pastel on paper) by Redon, Odilon (1840-1916); 65.8x54 cm; Musee d Orsay, Paris, France; French, out of copyright

St. George, c. 1905 (pastel on paper)
CH99199 St. George, c.1905 (pastel on paper) by Redon, Odilon (1840-1916); 53.6x37.5 cm; Private Collection; Photo eChristies Images; French, out of copyright

Dame en Rose (painting)
PHD352 Dame en Rose (painting) by Aman-Jean, Edmond-Francois (1858-1936); Private Collection; Phaidon Press; French, out of copyright

Why should there not exist an invisible world... ?
HGM81125 Why should there not exist an invisible world...?, plate 6 from Le Jure by Edmond Picard, 1887 (litho) by Redon, Odilon (1840-1916); Haags Gemeentemuseum, The Hague

A Witch representing Night (engraving)
AFC77950 A Witch representing Night (engraving) by German School, (19th century); Private Collection; German, out of copyright

The Plague, from the Of Death, Part Two series, 1898 (etching)
REY77743 The Plague, from the Of Death, Part Two series, 1898 (etching) by Klinger, Max (1857-1920); 36x31 cm; Private Collection; German, out of copyright

Battle for a Woman, 1905 (oil on wood)
BOO73538 Battle for a Woman, 1905 (oil on wood) by Stuck, Franz von (1863-1928); 90x117 cm; State Hermitage Museum, St. Petersburg, Russia; German, out of copyright

The House, 1900 (oil on canvas)
NUL117911 The House, 1900 (oil on canvas) by Le Sidaner, Henri Eugene Augustin (1862-1939); 60.5x81.5 cm; Private Collection; French, out of copyright

White Pegasus, c. 1908 (oil on canvas)
NUL117866 White Pegasus, c.1908 (oil on canvas) by Redon, Odilon (1840-1916); 65x50 cm; Private Collection; French, out of copyright

Composition, c. 1900 (oil on canvas)
NUL117864 Composition, c.1900 (oil on canvas) by Redon, Odilon (1840-1916); 50x37 cm; Private Collection; French, out of copyright

Penelope weaving a shroud for Laertes her father-in-law while she awaits the return of
STC113976 Penelope weaving a shroud for Laertes her father-in-law while she awaits the return of her husband Odysseus, 1895 (coloured etching) by Klinger

A Knight, c. 1885
NUL104656 A Knight, c.1885 by Redon, Odilon (1840-1916); 53.5x37.5 cm; Private Collection; French, out of copyright

Closed Eyes, 1890 (colour litho)
2972666 Closed Eyes, 1890 (colour litho) by Redon, Odilon (1840-1916); 53x37.3 cm; The Art Institute of Chicago, IL, USA; The Stickney Collection; French, out of copyright

The Little Abbot Reading the Ramayana, 1883 (charcoal with black chalk, stumping
2972610 The Little Abbot Reading the Ramayana, 1883 (charcoal with black chalk, stumping, scraping & erasing, on dark cream wove paper, discolored to tan)

Sita, c. 1893 (pastel, with touches of black conte crayon, over various charcoals
2972519 Sita, c.1893 (pastel, with touches of black contecrayon, over various charcoals, on cream wove paper altered to a golden tone) by Redon

The Infinite Search, from Night, 1886 (lithograph in black on ivory china paper colle
2972494 The Infinite Search, from Night, 1886 (lithograph in black on ivory china paper collA©, laid down on white wove paper) by Redon

Portrait of Ari Redon, c. 1898 (pastel on pale blue wove paper faded to grey)
2972405 Portrait of Ari Redon, c.1898 (pastel on pale blue wove paper faded to grey) by Redon, Odilon (1840-1916); 44.8x30.8 cm; The Art Institute of Chicago, IL, USA; Bequest of Kate L

Pan, c. 1895 (w / c)
6198066 Pan, c.1895 (w/c) by Duncan, John (1866-1945); 44.7x50.7 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums; Scottish, out of copyright

The Sphinx and the Plough (w / c)
6198033 The Sphinx and the Plough (w/c) by Duncan, John (1866-1945); 29.5x49.3 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums; Scottish, out of copyright

Yorinda and Yoringel in the Witches Wood (w / c)
6199990 Yorinda and Yoringel in the Witches Wood (w/c) by Duncan, John (1866-1945); 24x35 cm; The McManus, Dundee, UK; Dundee Art Galleries and Museums; Scottish, out of copyright

Avenue of Schloss Kammer Park, 1912 (oil on canvas)
6219400 Avenue of Schloss Kammer Park, 1912 (oil on canvas) by Klimt, Gustav (1862-1918); 110x110 cm; Osterreichische Galerie Belvedere, Vienna, Austria; Austrian, out of copyright

Britomart, 1877-78 (oil on canvas)
BIR122825 Britomart, 1877-78 (oil on canvas) by Watts, George Frederic (1817-1904); 168.9x121.9 cm; Birmingham Museums and Art Gallery; (add.info)

The Expulsion from Paradise, 1911 (oil on canvas)
BAL75860 The Expulsion from Paradise, 1911 (oil on canvas) by Petrov-Vodkin, Kuzma Sergeevich (1878-1939); 183x160 cm; Private Collection; Russian, out of copyright

The Fall of Phaethon (w / c on paper)
PWI83720 The Fall of Phaethon (w/c on paper) by Moreau, Gustave (1826-98); Louvre, Paris, France; ePeter Willi; French, out of copyright

Front cover of the music score Le Chant de la pluie
CHT157495 Front cover of the music score Le Chant de la pluie, from a poem by Paul Verlaine, 1844 (litho) (b/w photo) by French School

Study for Hoffnung I (Hope I) 1903-04 (chalk on paper) (b / w photo)
FFA145390 Study for Hoffnung I (Hope I) 1903-04 (chalk on paper) (b/w photo) by Klimt, Gustav (1862-1918); 44.5x30.5 cm; Private Collection; Austrian, out of copyright

Yellow Flowering Branch, part of a screen, 1901 (oil on canvas)
ZEN144398 Yellow Flowering Branch, part of a screen, 1901 (oil on canvas) by Redon, Odilon (1840-1916); 247.5x163 cm; Musee d Orsay, Paris, France; (add.info.: La Branche Fleurie Jaune; ); eJ.P

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"Symbolist: Unveiling the Hidden Meanings in Art and Literature" Step into the enchanting world of Symbolism, where art becomes a language that speaks to our subconscious. From Gustav Klimt's mesmerizing masterpiece "The Kiss, " with its golden embrace capturing love's ethereal essence, to the haunting wood engraving "Death as Assassin, " which confronts mortality head-on, these artworks transport us to a realm beyond reality. In Laurits Andersen Ring's "Breakfast with the Morning Newspaper, " we witness a quiet moment frozen in time, inviting us to reflect on the fleeting nature of existence. The enigmatic figures of Arthur Rimbaud and Charles Baudelaire emerge from their poetic realms, leaving behind words that ignite our imagination and challenge societal norms. As we delve deeper into this artistic movement, we encounter Vienna Secessionists like Gustav Klimt himself, surrounded by fellow visionaries who dared to break free from traditional constraints. Their rebellious spirit is embodied in "A Garland for May Day, " an emblematic call for social change and equality. Don Quixote's encounter with Death echoes through centuries as an allegory for mankind's eternal struggle against adversity. Meanwhile, Narcissus gazes at his own reflection in watercolors—a poignant reminder of self-obsession and introspection. Beyond visual arts, symbolism permeates other aspects of life. Winston Churchill emerges as a symbol of resilience during World War II—an iconic figure wielding both power and vulnerability amidst chaos. And in "The Playing Boys, " innocence intertwines with mischief on canvas—reminding us not to lose touch with our inner childlike wonder. Symbolism invites us to decipher hidden messages within each stroke or word—to explore depths beyond what meets the eye. It challenges conventions while embracing ambiguity; it stirs emotions while provoking thoughts.