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Tablet Collection (page 5)

"Exploring the Mysteries of the Tablet: From Emerald to Arcadia" In the vast realm of history and art, tablets have held a significant place

Background imageTablet Collection: The Phaistos Disc, with symbols of unknown significance, from Crete, c

The Phaistos Disc, with symbols of unknown significance, from Crete, c
XIR106117 The Phaistos Disc, with symbols of unknown significance, from Crete, c.1650 BC (clay) (for other side see 106116) by Minoan; diameter: 16 cm; Archaeological Museum of Heraklion, Crete

Background imageTablet Collection: Hucknall Torkard Church (engraving)

Hucknall Torkard Church (engraving)
1586989 Hucknall Torkard Church (engraving) by English School, (19th century); Private Collection; (add.info.: Hucknall Torkard Church)

Background imageTablet Collection: Aesculapius and Hygeia, Wedgwood jasperware bas-relief or tablet designed by Camillo Pacetti

Aesculapius and Hygeia, Wedgwood jasperware bas-relief or tablet designed by Camillo Pacetti, c1788 (autotype)
6014455 Aesculapius and Hygeia, Wedgwood jasperware bas-relief or tablet designed by Camillo Pacetti, c1788 (autotype) by English Photographer

Background imageTablet Collection: Moses, engraved by Ludwig Businck (c. 1590-after 1630) (engraving) (b / w photo)

Moses, engraved by Ludwig Businck (c. 1590-after 1630) (engraving) (b / w photo)
XJF139854 Moses, engraved by Ludwig Businck (c.1590-after 1630) (engraving) (b/w photo) by Lallemand, Georges (1575-1635) (after); Private Collection; French, out of copyright

Background imageTablet Collection: Moses With the Ten Commandments, from a series of portraits of illustrious men (panel

Moses With the Ten Commandments, from a series of portraits of illustrious men (panel
BEN133948 Moses With the Ten Commandments, from a series of portraits of illustrious men (panel) (detail) (see 80418) by Joos van Gent (Joos van Wassenhove) (fl.1460-75); Palazzo Ducale, Urbino

Background imageTablet Collection: A Doric Greek inscribed curse tablet (lead)

A Doric Greek inscribed curse tablet (lead)
6164924 A Doric Greek inscribed curse tablet (lead) by Greek, (5th century BC); 6.7x9.7 cm; Private Collection; (add.info.: Of roughly rectangular form)

Background imageTablet Collection: Tax Collector with Taxpayer, 1340 (oil on wood)

Tax Collector with Taxpayer, 1340 (oil on wood)
885880 Tax Collector with Taxpayer, 1340 (oil on wood) by Lorenzetti, Ambrogio (fl.1313-d.1348) (circle of); 25x41 cm; Archivio di Stato, Siena

Background imageTablet Collection: The Deluge-tablet, Obverse and Reverse (b / w photo)

The Deluge-tablet, Obverse and Reverse (b / w photo)
3622987 The Deluge-tablet, Obverse and Reverse (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: The Deluge-tablet, Obverse and Reverse)

Background imageTablet Collection: Potter (engraving)

Potter (engraving)
3635370 Potter (engraving) by English School, (20th century); Private Collection; (add.info.: Potter. Illustration for Illustrations of School Classics arranged and described by G F Hill (Macmillan)

Background imageTablet Collection: Advertisement for Rigges celebrated magnetic razor tablet (engraving)

Advertisement for Rigges celebrated magnetic razor tablet (engraving)
733825 Advertisement for Rigges celebrated magnetic razor tablet (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageTablet Collection: Allan Ramsay (colour litho)

Allan Ramsay (colour litho)
2798035 Allan Ramsay (colour litho) by English School, (20th century); Private Collection; (add.info.: Allan Ramsay. Postcard, early 20th century.); © Look and Learn

Background imageTablet Collection: The Ford, Kenilworth (photo)

The Ford, Kenilworth (photo)
727550 The Ford, Kenilworth (photo) by English Photographer, (20th century); Private Collection; (add.info.: The Ford, Kenilworth)

Background imageTablet Collection: Painted window over Christ Church altar, showing Moses and St John the Evangelist

Painted window over Christ Church altar, showing Moses and St John the Evangelist
2831813 Painted window over Christ Church altar, showing Moses and St John the Evangelist (w/c on paper) by Manning, Joseph (c.1801-1861/1871); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageTablet Collection: Coil of Justice, 1890-95 (oil on canvas)

Coil of Justice, 1890-95 (oil on canvas)
651044 Coil of Justice, 1890-95 (oil on canvas) by Granville-Smith, Walter (1870-1938); 61x46 cm; Private Collection; (add.info.: Coil of Justice. Walter Granville-Smith (1870-1938). Oil on canvas

Background imageTablet Collection: Inscription forbidding entry into the sanctified area of the Second Temple

Inscription forbidding entry into the sanctified area of the Second Temple
BLP398122 Inscription forbidding entry into the sanctified area of the Second Temple, Jerusalem (stone) by Roman; Private Collection; (add.info.: inscription reads)

Background imageTablet Collection: Baked Clay Prism ( Weld-Blundell Prism ) with the Sumerian King List giving

Baked Clay Prism ( Weld-Blundell Prism ) with the Sumerian King List giving
AMQ419839 Baked Clay Prism ( Weld-Blundell Prism ) with the Sumerian King List giving rulers from before the Flood to King Sin-magir of Isin (c.1827-17 BC) inscribed in cuneiform script

Background imageTablet Collection: Cippus of Horus (serpentine stone) (see also 325606)

Cippus of Horus (serpentine stone) (see also 325606)
HSC325609 Cippus of Horus (serpentine stone) (see also 325606) by Egyptian Ptolemaic Period (332-30 BC); height: 14.8 cm; Private Collection; (add.info)

Background imageTablet Collection: The Removal of the Remains of Dr William Harvey, the Discoverer of the Circulation of the Blood

The Removal of the Remains of Dr William Harvey, the Discoverer of the Circulation of the Blood, at Hempstead Church
1044525 The Removal of the Remains of Dr William Harvey, the Discoverer of the Circulation of the Blood, at Hempstead Church, Essex (engraving) by English School

Background imageTablet Collection: Tablet to the Late Commander Wyatt Rawson, RN, killed at Tel-el-Kebir (engraving)

Tablet to the Late Commander Wyatt Rawson, RN, killed at Tel-el-Kebir (engraving)
1107188 Tablet to the Late Commander Wyatt Rawson, RN, killed at Tel-el-Kebir (engraving) by English School, (19th century); Private Collection; (add.info.: Tablet to the Late Commander Wyatt Rawson)

Background imageTablet Collection: The Tablet containing the Chaldean Account of the Deluge (engraving)

The Tablet containing the Chaldean Account of the Deluge (engraving)
1058244 The Tablet containing the Chaldean Account of the Deluge (engraving) by English School, (19th century); Private Collection; (add.info)

Background imageTablet Collection: The Room in Kensington Palace in which the Queen was Born (litho)

The Room in Kensington Palace in which the Queen was Born (litho)
1040170 The Room in Kensington Palace in which the Queen was Born (litho) by Macquoid, Percy (1852-1925); Private Collection; (add.info.: The Room in Kensington Palace in which the Queen was Born)

Background imageTablet Collection: Monument to the Late Major Fitzroy Somerset (engraving)

Monument to the Late Major Fitzroy Somerset (engraving)
1095859 Monument to the Late Major Fitzroy Somerset (engraving) by English School, (19th century); Private Collection; (add.info.: Monument to the Late Major Fitzroy Somerset)

Background imageTablet Collection: King Williams Town, Public Buildings (b / w photo)

King Williams Town, Public Buildings (b / w photo)
3092497 King Williams Town, Public Buildings (b/w photo) by English Photographer, (19th century); Private Collection; (add.info.: King Williams Town, Public Buildings)

Background imageTablet Collection: Tombstone (white calcite)

Tombstone (white calcite)
623255 Tombstone (white calcite) by Egyptian, (9th century); 69.5x39 cm; Private Collection; (add.info.: Of rectangular form)

Background imageTablet Collection: Frontispiece to Pharsalia or The Civil War Between Caesar and Pompey

Frontispiece to Pharsalia or The Civil War Between Caesar and Pompey
BAL137438 Frontispiece to Pharsalia or The Civil War Between Caesar and Pompey by Marcus Annaeus Lucan (AD 39-65) engraved by J

Background imageTablet Collection: A Pharmacy (stone)

A Pharmacy (stone)
XIR175277 A Pharmacy (stone) by Roman, (2nd century AD); Museo della Civilta Romana, Rome, Italy; out of copyright

Background imageTablet Collection: Wisdom, 1560-62 (oil on canvas)

Wisdom, 1560-62 (oil on canvas)
FTB64545 Wisdom, 1560-62 (oil on canvas) by Titian (Tiziano Vecellio) (c.1488-1576); Biblioteca Nazionale Marciana, Venice, Italy; (add.info.: La Sapienza); Italian, out of copyright

Background imageTablet Collection: The Marriage of Cupid and Psyche, Wedgwood jasperware bas-relief or tablet (autotype)

The Marriage of Cupid and Psyche, Wedgwood jasperware bas-relief or tablet (autotype)
6014466 The Marriage of Cupid and Psyche, Wedgwood jasperware bas-relief or tablet (autotype) by English Photographer, (19th century); Private Collection; (add.info)

Background imageTablet Collection: Mercury Joining the Hands of France and England, Wedgwood china

Mercury Joining the Hands of France and England, Wedgwood china and blue ball clay bas-relief or tablet designed by
6014461 Mercury Joining the Hands of France and England, Wedgwood china and blue ball clay bas-relief or tablet designed by John Flaxman, 1787 (autotype) by English Photographer

Background imageTablet Collection: Diana, Wedgwood jasperware bas-relief or tablet designed by Camillo Pacetti (autotype)

Diana, Wedgwood jasperware bas-relief or tablet designed by Camillo Pacetti (autotype)
6014460 Diana, Wedgwood jasperware bas-relief or tablet designed by Camillo Pacetti (autotype) by English Photographer, (19th century); Private Collection; (add.info.: Diana)

Background imageTablet Collection: Endymion on the Rock Latmus, Wedgwood jasperware bas-relief or tablet designed by Camillo Pacetti

Endymion on the Rock Latmus, Wedgwood jasperware bas-relief or tablet designed by Camillo Pacetti (autotype)
6014453 Endymion on the Rock Latmus, Wedgwood jasperware bas-relief or tablet designed by Camillo Pacetti (autotype) by English Photographer

Background imageTablet Collection: A large multi-columned Ur III tablet concerning itemised livestock for sacrifice

A large multi-columned Ur III tablet concerning itemised livestock for sacrifice
1764793 A large multi-columned Ur III tablet concerning itemised livestock for sacrifice, 2047-2038 BC (stone) by Sumerian; 18.4x17.2 cm; Private Collection; (add.info)

Background imageTablet Collection: Cyprosyllabic Eteocypriot inscription (4 lines) on stone slab, c. 480-310 BC (stone)

Cyprosyllabic Eteocypriot inscription (4 lines) on stone slab, c. 480-310 BC (stone)
1216505 Cyprosyllabic Eteocypriot inscription (4 lines) on stone slab, c.480-310 BC (stone) by Cypriot; 34x66 cm; Ashmolean Museum, University of Oxford

Background imageTablet Collection: King List Prism (clay)

King List Prism (clay)
1216372 King List Prism (clay) by Mesopotamian; 20x9.1 cm; Ashmolean Museum, University of Oxford, UK; (add.info.: Isin-Larsa period King List prism; Sumerian, written in cuneiform script)

Background imageTablet Collection: Detail of Moses from the tomb of Julius II, 1515 (marble)

Detail of Moses from the tomb of Julius II, 1515 (marble)
991753 Detail of Moses from the tomb of Julius II, 1515 (marble) by Buonarroti, Michelangelo (1475-1564); San Pietro in Vincoli, Rome, Italy; Italian, out of copyright

Background imageTablet Collection: The Duke of Cornwalls Tour, Unveiling a Tablet in Adelaide Cathedral (litho)

The Duke of Cornwalls Tour, Unveiling a Tablet in Adelaide Cathedral (litho)
1037302 The Duke of Cornwalls Tour, Unveiling a Tablet in Adelaide Cathedral (litho) by Hall, Sydney Prior (1842-1922) (after); Private Collection; (add.info.: The Duke of Cornwalls Tour)

Background imageTablet Collection: The Room in Kensington Palace in which the Queen was Born (colour litho)

The Room in Kensington Palace in which the Queen was Born (colour litho)
1039337 The Room in Kensington Palace in which the Queen was Born (colour litho) by Macquoid, Percy (1852-1925); Private Collection; (add.info)

Background imageTablet Collection: The Resurrection, 1862 (stained glass)

The Resurrection, 1862 (stained glass)
3474791 The Resurrection, 1862 (stained glass) by Clayton, John Richard (1827-1913); Peterborough Cathedral, Cambridgeshire

Background imageTablet Collection: Mural tablet of John Cutte in Burnett Church, 1825 (pencil & w / c on paper)

Mural tablet of John Cutte in Burnett Church, 1825 (pencil & w / c on paper)
2832515 Mural tablet of John Cutte in Burnett Church, 1825 (pencil & w/c on paper) by Rowbotham, Thomas Leeson the Elder (1783-1853); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageTablet Collection: Tomb Stone of Canynges Cook (pencil & w / c on paper)

Tomb Stone of Canynges Cook (pencil & w / c on paper)
2831471 Tomb Stone of Canynges Cook (pencil & w/c on paper) by Homes, Marcus H. (1803-1854); Bristol Museum and Art Gallery, UK; eBristol Museums

Background imageTablet Collection: Cuneiform Tablet (clay)

Cuneiform Tablet (clay)
617392 Cuneiform Tablet (clay) by Sumerian; Private Collection; Photo eBoltin Picture Library; out of copyright

Background imageTablet Collection: Interior of the Temple of Diana, Nimes, from Antiquites de la France: Vol I

Interior of the Temple of Diana, Nimes, from Antiquites de la France: Vol I
468651 Interior of the Temple of Diana, Nimes, from AntiquitA©s de la France: Vol I, Monuments de Nimes (engraving) by French School



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"Exploring the Mysteries of the Tablet: From Emerald to Arcadia" In the vast realm of history and art, tablets have held a significant place, transcending time and cultures. One such enigmatic the Emerald Tablet, also known as Smaragdine Table or Tabula Smaragdina. This ancient text attributed to Hermes Trismegistus has captivated scholars with its cryptic wisdom. Speaking of mysteries, Nicolas Poussin's masterpiece "Et in Arcadia ego" transports us to an idyllic world where shepherds ponder upon mortality. The tablet depicted in this painting adds an intriguing layer to their contemplation. Delving further into antiquity, we encounter Sappho, the Greek poet whose words were etched onto tablets that preserved her lyrical genius for centuries. Her portrait evokes both admiration and curiosity about her lost works. But they are not limited to literature alone; they hold legal significance too. The Twelve Tables of Rome stand as a testament to early Roman law and governance, shaping Western legal systems thereafter. Moving forward in time, we stumble upon Pompeii's preserved past through a captivating portrait of baker Terentius Neo and his wife on plastered tablets. These snapshots from everyday life offer glimpses into ancient customs and fashion. Tablets have also played a role in modern times - Horlicks' advert for malted milk tablets during World War I highlights their practical use even amidst chaos. Religious narratives find their place too; Gustave Doré's depiction of Moses descending from Mount Sinai with the Ten Commandments engraved on stone tablets reminds us of divine guidance throughout history. Traveling eastward brings us Mesopotamia's clay tablets adorned with pictographs - windows into an ancient civilization's communication system that still puzzles archaeologists today.