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Tailpiece Collection

"Exploring the Artistic Evolution of Tailpieces: From Hogarth to Beardsley" In the world of art

Background imageTailpiece Collection: The tailpiece from 'The Quiver', 1850

The tailpiece from 'The Quiver', 1850
3330582 The tailpiece from 'The Quiver', 1850; (add.info.: Engraving depicting the tailpiece from 'The Quiver'. Dated 19th Century.); Universal History Archive/UIG.

Background imageTailpiece Collection: Tailpiece depicting an angel guarding a child from evil, 19th century

Tailpiece depicting an angel guarding a child from evil, 19th century
5309016 Tailpiece depicting an angel guarding a child from evil, 19th century; (add.info.: Tailpiece depicting an angel guarding a child from evil)

Background imageTailpiece Collection: Tailpiece depicting a ruined cottage surrounded by sheep

Tailpiece depicting a ruined cottage surrounded by sheep
5311901 Tailpiece depicting a ruined cottage surrounded by sheep; (add.info.: Tailpiece depicting a ruined cottage surrounded by sheep. Dated 18th century.); Universal History Archive/UIG.

Background imageTailpiece Collection: The tailpiece of Thomas Bewick's 'Select Fables' depicting a hunting scene

The tailpiece of Thomas Bewick's 'Select Fables' depicting a hunting scene
5310617 The tailpiece of Thomas Bewick's 'Select Fables' depicting a hunting scene. Thomas Bewick (1753-1828) an English engraver and natural history author

Background imageTailpiece Collection: The tailpiece of Thomas Bewick's 'Select Fables' depicting a hunting scene

The tailpiece of Thomas Bewick's 'Select Fables' depicting a hunting scene
5310614 The tailpiece of Thomas Bewick's 'Select Fables' depicting a hunting scene. Thomas Bewick (1753-1828) an English engraver and natural history author

Background imageTailpiece Collection: Angel guarding child from evil, 1892

Angel guarding child from evil, 1892
3479404 Angel guarding child from evil, 1892; (add.info.: Angel guarding child from evil, Tailpiece (Final illustration of a book). London, dated 1892.); Universal History Archive/UIG.

Background imageTailpiece Collection: Hogarth Tailpiece Art 1764 English Artistic Saplings

Hogarth Tailpiece Art 1764 English Artistic Saplings
hogarth, tailpiece, art, 1764, english, artistic, saplings, thrive, foreign, exoticks, watered, monkey, connoisseur, stunted, trunnks, dead, beyond, revival, a, by, the, 10138885

Background imageTailpiece Collection: The End (engraving)

The End (engraving)
5991853 The End (engraving) by Robinson, William Heath (1872-1944); Private Collection; (add.info.: The End. Illustration for The Arabian Nights Entertainments with several hundred illustrations by W)

Background imageTailpiece Collection: Tailpiece

Tailpiece
LLM461998 Tailpiece by Reed, Edward Tennyson (1860-1933); Private Collection; (add.info.: Tailpiece. Illustration for Prehistoric Peeps from Punch (Bradbury, Agnew, c 1900).); © Look and Learn

Background imageTailpiece Collection: Little Women - a lobster for a special lunch

Little Women - a lobster for a special lunch
Little Women by Louisa May Alcott - a lobster for a special lunch. 1880

Background imageTailpiece Collection: Little Women - Lauries felt hat and rattle

Little Women - Lauries felt hat and rattle
Little Women by Louisa May Alcott - Lauries felt hat and watchmans rattle. 1880

Background imageTailpiece Collection: The Duchess Of Malfi by John Webster: Tailpiece (litho)

The Duchess Of Malfi by John Webster: Tailpiece (litho)
5988831 The Duchess Of Malfi by John Webster: Tailpiece (litho) by Keen, Henry Weston (1899-1935); Private Collection; (add.info.: Tailpiece)

Background imageTailpiece Collection: Art, Engraving, Print

Art, Engraving, Print
England, an Engraving by William Hogarth on the Tailpiece to the artists catalogue of 1761, depicting a monkey watering sticks as a satirical contrast to the frontispiece which depicts Britannia

Background imageTailpiece Collection: Fontainebleau Forest Tailpiece Grapes La et de Fontainebleau

Fontainebleau Forest Tailpiece Grapes La et de Fontainebleau
Fontainebleau Forest: Tailpiece, Grapes (La Foret de Fontainebleau: Cul-de-lampe), 1890. Auguste Louis Lepere (French, 1849-1918), A. Desmoulins, Published in Revue Illustree, 1887-90

Background imageTailpiece Collection: Tail-Piece From Salome By Aubrey Beardsley 1872 To 1898

Tail-Piece From Salome By Aubrey Beardsley 1872 To 1898

Background imageTailpiece Collection: Decorative tailpiece

Decorative tailpiece. Date: 1903

Background imageTailpiece Collection: Tailpiece design, Jeek the puppy

Tailpiece design, Jeek the puppy
Tailpiece design, Jeek the mongrel puppy -- The End. Date: 1940

Background imageTailpiece Collection: AM170720 083514

AM170720 083514
8, AM170720 083514

Background imageTailpiece Collection: AM170720 089731

AM170720 089731
8, AM170720 089731

Background imageTailpiece Collection: AM170720 089735

AM170720 089735
8, AM170720 089735

Background imageTailpiece Collection: Tailpiece Firebird Tsarevna ca 1925 Gouache metallic inks

Tailpiece Firebird Tsarevna ca 1925 Gouache metallic inks
Artokoloro

Background imageTailpiece Collection: Study Tailpiece 1774 Red chalk 3 1 / 4 x 4 9 / 16

Study Tailpiece 1774 Red chalk 3 1 / 4 x 4 9 / 16
Artokoloro

Background imageTailpiece Collection: Tailpiece Topsy-Turvy Tales ca 1923 Pen ink sheet

Tailpiece Topsy-Turvy Tales ca 1923 Pen ink sheet
Artokoloro

Background imageTailpiece Collection: KIPLING: JUNGLE BOOK, 1895. Mowglis song against people. Tailpiece for The Second Jungle Book

KIPLING: JUNGLE BOOK, 1895. Mowglis song against people. Tailpiece for The Second Jungle Book, 1895, by John Lockwood Kipling

Background imageTailpiece Collection: FRONTISPIECES & TAILPIECES. Woodcut by Thomas Bewick or a member of his school

FRONTISPIECES & TAILPIECES. Woodcut by Thomas Bewick or a member of his school, English, 18th century


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"Exploring the Artistic Evolution of Tailpieces: From Hogarth to Beardsley" In the world of art, tailpieces have served as captivating and symbolic additions to various works throughout history. One notable example is the Hogarth Tailpiece Art from 1764, which showcases English artistic saplings blooming with creativity and potential. Another intriguing they are be found in Oscar Wilde's "Salome, " a lithograph that adds an enigmatic touch to this renowned literary work. Its intricate design leaves viewers pondering over its hidden meanings. "The End" engraving serves as a powerful conclusion to many masterpieces, leaving readers or observers with a sense of closure and reflection. It signifies that every story has its final chapter, but also hints at new beginnings waiting just beyond. Tailpieces often bring unexpected elements into narratives, such as in "Little Women, " where a lobster becomes the centerpiece for a special lunch. This whimsical addition adds charm and humor to Louisa May Alcott's beloved novel. Similarly, Laurie's felt hat and rattle become significant symbols in "Little Women. " These seemingly ordinary objects hold sentimental value and represent cherished memories within the narrative. John Webster's lithographic tailpiece for "The Duchess Of Malfi" offers an eerie glimpse into the dark themes explored within this play. Its haunting beauty captures the essence of tragedy and intrigue. Artists have utilized various techniques like engraving or printing to create stunning decorative tailpieces that enhance their works' visual appeal. These intricate designs add depth and richness to any composition they adorn. One charming example is Jeek the puppy featured in a tailpiece design. This adorable canine brings warmth and joy through its presence, reminding us of life's simple pleasures amidst grander narratives. Even classical literature finds inspiration in these artistic embellishments; William Shakespeare's "Measure for Measure" includes an illustration featuring a thought-provoking tailpiece that complements his timeless words.