Tayler Collection

Fete champetre in the time of Charles II, 1852. Artist: Tayler, John Frederick (1802-1889)
Fete champetre in the time of Charles II, 1852. Private Collection

The Anchorite by Laurie Tayler
A lone male bather reads a newspaper on a jetty, unaware that he is the focus of every woman on the beach. Date: 1927

Interior of a Greenlander's Hut, 1856. Creator: H. Crane
Interior of a Greenlander's Hut, 1856. In the winter they live in huts built of stones and turf, lined inside with old skins

Loss of the Schooner "Archus", loaded with Silver-Lead Ore, on the Coast of Greenland, 1856....she put into the harbour of Kajarlik, a small opening in an island of Arksuk [Arsuk] Fiord

Fiord of Kangerlic, South Greenland, in the Month of August, 1856. Creator: Unknown
Fiord of Kangerlic, South Greenland, in the Month of August, 1856. View of...the Fjord of Kangerluarsuk [also spelt Kajarlik

Exterior of a Greenlander's Hut, 1856. Creator: Unknown
Exterior of a Greenlander's Hut, 1856. In the winter they live in huts built of stones and turf, lined inside with old skins...Amongst themselves the Greenlanders have no chiefs or laws;

Lead Mine and Cryolite, in Arksul Ford, 1856. Creator: H. Crane
Lead Mine and Cryolite, in Arksul [sic] Ford, 1856....Evigtok...in Arksuk [Arsuk] Fiord, with the miners houses, smithy, store-house...and the lead ore being wheeled over the ice to the ship...the

Ruins of Church, in the Fiord of Igaliko, 1856. Creator: Unknown
Ruins of Church, in the Fiord of Igaliko, 1856. Remains of an early Christian settlement in Greenland:..many ruins have been found

Destruction of a Skin-Boat by the Falling of an Iceberg, 1856. Creator: Unknown
Destruction of a Skin-Boat by the Falling of an Iceberg, 1856. Kayak off the coast of Greenland. Boat travelling among the icebergs is not without danger; rotten icebergs frequently fall in pieces

Arranging the Lilac, 1906 (oil on canvas)
656894 Arranging the Lilac, 1906 (oil on canvas) by Tayler, Albert Chevallier (1862-1925); Private Collection; (add.info.: Arranging the Lilac. Albert Chevallier Tayler (1862-1925). Oil on canvas

Reading by the Window, 1919 (oil on canvas)
657740 Reading by the Window, 1919 (oil on canvas) by Tayler, Albert Chevallier (1862-1925); Private Collection; (add.info.: Reading by the Window. Albert Chevallier Tayler (1862-1925)

A Teatime Rest, 1892 (oil on canvas)
657034 A Teatime Rest, 1892 (oil on canvas) by Tayler, Albert Chevallier (1862-1925); Private Collection; (add.info.: A Teatime Rest. Albert Chevallier Tayler (1862-1925). Oil on canvas

The Shipwrights Workshop, 1902 (oil on canvas)
657035 The Shipwrights Workshop, 1902 (oil on canvas) by Tayler, Albert Chevallier (1862-1925); Private Collection; (add.info.: The Shipwrights Workshop. Albert Chevallier Tayler (1862-1925)

The Village Barber, 1842 (hand coloured lithograph)
986458 The Village Barber, 1842 (hand coloured lithograph) by Tayler, William (1808-92) (after); Private Collection; (add.info.: The Village Barber)

The House of Cards, 1888 (oil on canvas)
989739 The House of Cards, 1888 (oil on canvas) by Tayler, Albert Chevallier (1862-1925); 53.4x64.7 cm; Private Collection; (add.info.: The House of Cards. Albert Chevallier Tayler (1862-1925)

The Departure Of The Fishing Fleet, Boulogne, 1891. Creator: Albert Chevallier Tayler
The Departure Of The Fishing Fleet, Boulogne, 1891

Thomas Tayler, Master of Lloyds Coffee House, 1774-1796, (1928)
Thomas Tayler, Master of Lloyds Coffee House, 1774-1796, 1928. From A History of Lloyd s, by Charles Wright and C. Ernest Fayle. [Macmillan and Company Limited, London, 1928]

Field Marshall the Earl Haig, 1920. Artist: Albert Chevallier Tayler
Field Marshall the Earl Haig, 1920. Portrait of Sir Douglas Haig in uniform, with a grey cape or coat, his military cap on the table

Admiral of the Fleet, the Earl Beatty, 1920. Artist: Albert Chevallier Tayler
Admiral of the Fleet, the Earl Beatty, 1920. Portrait of Earl Beatty, the Admiral of the Fleet

Motorcycles racing at the MCC Members Meeting, Brooklands, 10 September 1938. Artist: Bill Brunell
Rudge-Whitworth 499 cc. Event Entry No: 19. Tayler, R.V. Triumph 498 cc. Entry No: 4. : Davis, C.M. BMW 494 cc. Entry No: 3. Tisdall, M.W.K. Ariel 497 cc. Event Entry No: 7. Rider: Riddle

The Mirror, 1914. Private Collection

The Highland Ferry, 1857, (1938). Artist: John Frederick Tayler
The Highland Ferry, 1857, (1938). From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford, Volume IV, by C. Reginald Grundy and F. Gordon Roe

Light and Shadow by Laurie Tayler
A couple leave a hotel after a night out at a supper cabaret. As the monocled and top-hatted gentleman helps his female companion with her coat or shawl

Pan by Laurie Tayler
A scene with a group of people ranging from a golfer, a tennis player and bathers all being attracted and led by the music that pan is playing on his saxophone. Date: 7th April 1926

The Homestead (1853). Tayler, J. Frederick 1802 - 1889. Date: 1853

Stag-Hunting in the Reign of George Ii. from a Painting by Frederick Tayler

Source Size = 4996 x 3740
The Favourites, from a Painting by Frederick Tayler, 1870

J. Frederick Tayler, A Horse Pulling a Load of Hay, British, 1802 - 1889, graphite on wove paper

Coupon Wedding - Cloth in short supply leads to a rather daring wedding gown! Date: 1943

A HAWKING PARTY, c1870. Line engraving after a painting by Frederick Tayler, c1870

BOY RIDING. The Young Chiefs First Ride. Steel engraving, American, 19th century, after a painting by John Frederick Tayler (1802-1889)

Steps Have Been Taken by Laurie Tayler - Growth of the Charl
Humorous cartoon illustrating the growth in popularity of the Charleston dance during the 1920s. The top picture shows a dancefloor crowd looking on with amusement as a single couple engage in

That Newest Step by Laurie Tayler
That Newest Step, by Laurie Tayler. Young couples on the dance floor comment jealously on the couple in the middle doing the latest dance

The Bronze Age. By Laurie Tayler
A stylish illustration of sunbathers relaxing on a beach

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Tayler, a name that resonates through time and art. From the Fete champetre in the time of Charles II by John Frederick Tayler to Laurie Tayler's captivating piece, The Anchorite, this surname has left its mark on the artistic world. In 1906, Tayler arranged lilacs on canvas, capturing their delicate beauty for eternity. And in 1919, Reading by the Window transported viewers into a serene moment of solitude and introspection. A teatime rest was beautifully depicted in 1892 by another talented Tayler artist. The oil on canvas painting exuded tranquility and invited us to take a break from our busy lives. The Shipwrights Workshop showcased craftsmanship at its finest in 1902. Every stroke of paint brought life to this scene of dedication and skill. Traveling back to 1842 with a hand-colored lithograph titled The Village Barber, we catch a glimpse of daily life during that era. It reminds us how much things have changed yet remained somewhat similar over time. The House of Cards painted in 1888 captured moments suspended between anticipation and uncertainty. A metaphorical representation reminding us that life is built upon fragile foundations. Albert Chevallier Tayler took us to Boulogne in 1891 with his masterpiece - The Departure Of The Fishing Fleet. We could almost feel the salty breeze as boats set sail into unknown waters. Thomas Tayler's legacy as Master of Lloyds Coffee House from 1774-1796 was immortalized through an artwork created in 1928. A tribute to his influential role within London's financial hub during those years. Field Marshall the Earl Haig stood tall amidst turmoil in Albert Chevallier Tayler's portrayal from 1920. This painting symbolizes bravery and leadership during times of war. Another military figure came alive under Albert Chevallier Taylor's brush: Admiral of the Fleet, the Earl Beatty.