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Tennyson Collection (page 3)

"Tennyson: A Journey through Art and Poetry" Step into the enchanting world of Tennyson, where art and poetry intertwine to create timeless masterpieces

Background imageTennyson Collection: Joan of Arc a light of ancient France Illustration by Florence Harrison of Joan of Arc

Joan of Arc a light of ancient France Illustration by Florence Harrison of Joan of Arc from Tennysons Dream of Fair Women. Date: c.1920

Background imageTennyson Collection: Whereto the other with downward brow... Illustration by Florence Harrison to Tennyson s

Whereto the other with downward brow... Illustration by Florence Harrison to Tennyson s
Whereto the other with downward brow... Illustration by Florence Harrison to Tennysons poem, Dream of Fair Women. Date: c.1920

Background imageTennyson Collection: Study for The Lady Clare, c. 1900 (red chalk on paper) (see 55018)

Study for The Lady Clare, c. 1900 (red chalk on paper) (see 55018)
Ma120458 Study for The Lady Clare, c.1900 (red chalk on paper) (see 55018) by Waterhouse, John William (1849-1917); 48.3x36.8 cm; Private Collection; Photo eThe Ms Gallery, London; English

Background imageTennyson Collection: Tithonus, Auroras Husband, Turned into a Grasshopper, 1731 (engraving)

Tithonus, Auroras Husband, Turned into a Grasshopper, 1731 (engraving)
STC134134 Tithonus, Auroras Husband, Turned into a Grasshopper, 1731 (engraving) by Picart, Bernard (1673-1733); Private Collection; The Stapleton Collection; French, out of copyright

Background imageTennyson Collection: Lady Clara Vere de Vere

Lady Clara Vere de Vere
Lady Clara Verede Vere is an English poem byAlfred Tennyson, part of his collected poems published in 1842. The poem is about a lady in a family ofaristocrats

Background imageTennyson Collection: King Arthur in the Broceliande Forest (Cycle of the Knights of the Round Table

King Arthur in the Broceliande Forest (Cycle of the Knights of the Round Table
LSE4094940 King Arthur in the Broceliande Forest (Cycle of the Knights of the Round Table) - in " Viviane" by Alfred Tennyson, illustration by G

Background imageTennyson Collection: King Arthur and Guinevere, 1884-1911 (vellum over painted paper; morocco)

King Arthur and Guinevere, 1884-1911 (vellum over painted paper; morocco)
1195359 King Arthur and Guinevere, 1884-1911 (vellum over painted paper; morocco) by English School; Private Collection; Photo eChristies Images; English, out of copyright

Background imageTennyson Collection: Dora, 1883 (oil on canvas)

Dora, 1883 (oil on canvas)
659748 Dora, 1883 (oil on canvas) by Woolmer, Arthur Joseph (1805-92); 61.6x52.1 cm; Private Collection; (add.info.: Dora. Alfred Joseph Woolmer (1805-1892). Oil on canvas. 61.6 x 52.1cm

Background imageTennyson Collection: Study for Amfortas Released by Galahad in The Quest and Achievement of the Holy Grail, c

Study for Amfortas Released by Galahad in The Quest and Achievement of the Holy Grail, c
3956042 Study for Amfortas Released by Galahad in The Quest and Achievement of the Holy Grail, c.1893-1901 (oil on canvas) by Abbey

Background imageTennyson Collection: The passing of Arthur, illustration from Tennyson Pictures published by E P Dutton & Co

The passing of Arthur, illustration from Tennyson Pictures published by E P Dutton & Co
3787703 The passing of Arthur, illustration from Tennyson Pictures published by E P Dutton & Co, c.1900 (colour litho) by Paget, Walter (1863-1935); Private Collection; British, out of copyright

Background imageTennyson Collection: Lancelot and Elaine (engraving)

Lancelot and Elaine (engraving)
2808135 Lancelot and Elaine (engraving) by English School, (19th century); Private Collection; (add.info.: Lancelot and Elaine.); © Look and Learn

Background imageTennyson Collection: The Hon. Mrs Lionel Tennyson

The Hon. Mrs Lionel Tennyson, formerly Felicite Tennant and daughter of Lord Glenconner. Wife of Lionel Tennyson and the Hampshire cricketer and England captain, who was the grandson of Alfred

Background imageTennyson Collection: Easter Monday Recreations (litho)

Easter Monday Recreations (litho)
1629536 Easter Monday Recreations (litho) by Cleaver, Ralph (fl.1902); Private Collection; (add.info.: Easter Monday Recreations, the Spirit of Bank Holiday)

Background imageTennyson Collection: George Frederick Watts, statue of Tennyson

George Frederick Watts, statue of Tennyson
George Frederick Watts RA, painter and sculptor, working on a large statue of Alfred Lord Tennyson. circa 1900

Background imageTennyson Collection: Charge of the Light Brigade, 25 October 1854

Charge of the Light Brigade, 25 October 1854, with a quotation from Tennysons poem. 1854

Background imageTennyson Collection: Letter by Tennyson (engraving)

Letter by Tennyson (engraving)
1100512 Letter by Tennyson (engraving) by English School, (19th century); Private Collection; (add.info.: Letter by Tennyson)

Background imageTennyson Collection: The return of Enoch Arden, illustration from Tennyson Pictures published by E P Dutton

The return of Enoch Arden, illustration from Tennyson Pictures published by E P Dutton
3787682 The return of Enoch Arden, illustration from Tennyson Pictures published by E P Dutton & Co, c.1900 (colour litho) by Paget, Walter (1863-1935); Private Collection; British, out of copyright

Background imageTennyson Collection: The Mermaidens (engraving)

The Mermaidens (engraving)
2808061 The Mermaidens (engraving) by Bocklin, Arnold (1827-1901); Private Collection; (add.info.: The Mermaidens.); © Look and Learn

Background imageTennyson Collection: Vasthi (engraving)

Vasthi (engraving)
2808041 Vasthi (engraving) by Normand, Ernest (1857-1923); Private Collection; (add.info.: Vasthi.); © Look and Learn

Background imageTennyson Collection: Victorian greeting card of a brook in a snowy moonlit scene, c. 1880 (colour litho)

Victorian greeting card of a brook in a snowy moonlit scene, c. 1880 (colour litho)
3603885 Victorian greeting card of a brook in a snowy moonlit scene, c.1880 (colour litho) by English School, (19th century); Private Collection; Photo eDavid Pearson; English, out of copyright

Background imageTennyson Collection: The Lady of Shalott, 1853 (pen & ink on paper)

The Lady of Shalott, 1853 (pen & ink on paper)
Ma98135 The Lady of Shalott, 1853 (pen & ink on paper) by Siddal, Elizabeth Eleanor (Lizzie) (1834-62); 19.7x24.8 cm; Private Collection; Photo eThe Ms Gallery, London; English, out of copyright

Background imageTennyson Collection: Study for Mariana in the Moated Grange (oil on panel) (see MAK 618)

Study for Mariana in the Moated Grange (oil on panel) (see MAK 618)
MAK79771 Study for Mariana in the Moated Grange (oil on panel) (see MAK 618) by Millais, John Everett (1829-96); 13.3x11.8 cm; The Makins Collection; English, out of copyright

Background imageTennyson Collection: Merlin and Viviane in the Broceliande Forest (Cycle des chevaliers de la Table Ronde

Merlin and Viviane in the Broceliande Forest (Cycle des chevaliers de la Table Ronde
LSE4094947 Merlin and Viviane in the Broceliande Forest (Cycle des chevaliers de la Table Ronde) - in " Viviane" by Alfred Tennyson, illustration by G

Background imageTennyson Collection: The White Owl: Alone and warming his five wits, the white owl in the belfry sits

The White Owl: Alone and warming his five wits, the white owl in the belfry sits
696512 The White Owl: Alone and warming his five wits, the white owl in the belfry sits, 1856 (oil on board) by Webbe, William J. (1831-1904) (attr)

Background imageTennyson Collection: The Three Spires, Coventry (photo)

The Three Spires, Coventry (photo)
727552 The Three Spires, Coventry (photo) by English Photographer, (20th century); Private Collection; (add.info.: The Three Spires, Coventry)

Background imageTennyson Collection: The Sleeping Beauty, the arrival of the Prince (engraving)

The Sleeping Beauty, the arrival of the Prince (engraving)
2808020 The Sleeping Beauty, the arrival of the Prince (engraving) by Dore, Gustave (1832-83) (after); Private Collection; (add.info.: The Sleeping Beauty)

Background imageTennyson Collection: Scene from Tennysons Dora (engraving)

Scene from Tennysons Dora (engraving)
1103017 Scene from Tennysons Dora (engraving) by Burr, Alexander Hohenlohe (1837-99) (after); Private Collection; (add.info.: Scene from Tennysons Dora)

Background imageTennyson Collection: Vivien from Tennysons Idylls of the King, 1896 (polychromatic plaster)

Vivien from Tennysons Idylls of the King, 1896 (polychromatic plaster)
XAM70788 Vivien from Tennysons Idylls of the King, 1896 (polychromatic plaster) by Khnopff, Fernand (1858-1921); height 98 cm; Osterreichische Galerie Belvedere, Vienna

Background imageTennyson Collection: Tennysons 'Queen Mary, 'at the Lyceum Theatre (engraving)

Tennysons "Queen Mary, "at the Lyceum Theatre (engraving)
1616090 Tennysons " Queen Mary, " at the Lyceum Theatre (engraving) by Barnard, Frederick (1846-1896) (attr. to); Private Collection; (add.info.: Tennysons " Queen Mary)

Background imageTennyson Collection: Alfred, Baron Tennyson, Poet Laureate (engraving)

Alfred, Baron Tennyson, Poet Laureate (engraving)
1603636 Alfred, Baron Tennyson, Poet Laureate (engraving) by Watts, George Frederick (1817-1904) (after); Private Collection; (add.info.: Alfred, Baron Tennyson, Poet Laureate)

Background imageTennyson Collection: Carlyle and Tennyson talked and smoked together, from English Literature pub

Carlyle and Tennyson talked and smoked together, from English Literature pub
3949281 Carlyle and Tennyson talked and smoked together, from English Literature pub.by T C & EC Jack, c.1920 (colour litho) by Skelton, J. R. (1888-1924); Private Collection; out of copyright

Background imageTennyson Collection: Poets Corner, Westminster Abbey (engraving)

Poets Corner, Westminster Abbey (engraving)
1627775 Poets Corner, Westminster Abbey (engraving) by Holland Tringham, Joseph (1861-1908); Private Collection; (add.info.: Poets Corner, Westminster Abbey)

Background imageTennyson Collection: Illustrations to The Morte d Arthur: Sir Galahad Draws the Sword of Balin from

Illustrations to The Morte d Arthur: Sir Galahad Draws the Sword of Balin from
824158 Illustrations to The Morte d Arthur: Sir Galahad Draws the Sword of Balin from the Floating Stone; La Cole Male Taile Slays the Lion that Endangered Queen Guenevere;

Background imageTennyson Collection: The Dairy Door, Farringford, Lord Tennysons Home, c. 1890 (w / c)

The Dairy Door, Farringford, Lord Tennysons Home, c. 1890 (w / c, gum arabic & scraping out on wove paper)
995995 The Dairy Door, Farringford, Lord Tennysons Home, c.1890 (w/c, gum arabic & scraping out on wove paper) by Allingham, Helen (1848-1926); 27.8x21.7 cm; Art Gallery of Ontario, Toronto

Background imageTennyson Collection: Frontispiece, Portrait of Tennyson and Characters from the Idylls (engraving)

Frontispiece, Portrait of Tennyson and Characters from the Idylls (engraving)
3649271 Frontispiece, Portrait of Tennyson and Characters from the Idylls (engraving) by Dore, Gustave (1832-83) (after); Private Collection; (add.info.: Frontispiece)

Background imageTennyson Collection: Front Cover design (The May Queen), illustration from Tennyson Pictures published by E P

Front Cover design (The May Queen), illustration from Tennyson Pictures published by E P
3787608 Front Cover design (The May Queen), illustration from Tennyson Pictures published by E P Dutton & Co, c.1900 (colour litho) by Paget, Walter (1863-1935); Private Collection; British

Background imageTennyson Collection: The meeting of Garibaldi and Tennyson (engraving)

The meeting of Garibaldi and Tennyson (engraving)
728367 The meeting of Garibaldi and Tennyson (engraving) by English School, (19th century); Private Collection; (add.info.: The meeting of Garibaldi and Tennyson at Faringford House, Isle of Wight)



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"Tennyson: A Journey through Art and Poetry" Step into the enchanting world of Tennyson, where art and poetry intertwine to create timeless masterpieces. From the hauntingly beautiful "Lady of Shalott" in 1888 by John William Waterhouse to the introspective "I am half sick of shadows" in c1911, Tennyson's words have captivated generations. In Vanity Fair's portrayal as a caricatured ape, we glimpse his influence on society. His poems echoed through time, resonating with readers who sought solace or inspiration within his verses. Tennyson himself was no stranger to war's impact, as seen in the wood engraving depicting the infamous Charge of the Light Brigade during the Crimean War. His poem immortalized their bravery and sacrifice forever etched in history. Max Beerbohm captured a poignant moment when Mr. Tennyson read In Memoriam to his sovereign in 1904. The depth of emotion conveyed speaks volumes about Tennyson's ability to touch hearts with his words. Waterhouse's evocative painting portrays The Lady of Shalott looking longingly at Lancelot, capturing her yearning for love amidst her tragic fate. Another illustration shows her setting out on her boat for Camelot, embarking on an uncertain journey towards destiny. The forbidden love between Sir Lancelot and Queen Guinevere is vividly brought to life in a colored illustration from The Gateway To Tennyson published in 1910. It serves as a reminder that even great knights can succumb to desire and its consequences. Florence Harrison's depiction of Night sliding down adds an ethereal quality to Tennyson's poem "The Gardener. " Her artwork beautifully complements his words, enhancing our understanding and appreciation for nature’s wonders. Julia Margaret Cameron captures Vivien and Merlin locked in a captivating embrace, showcasing the complexities of power and manipulation.