Terra Cotta Collection (page 2)

Plaque en terre cuite montrant Thesee soulevant un enorme rocher sous lequel son pere Egee
AIS5373419 Plaque en terre cuite montrant Thesee soulevant un enorme rocher sous lequel son pere Egee, roi d'Athenes avait cache l'epee et les sandales

Fragment of Late Geometric krater, From Lacco Ameno, Mezzavia hill area Mazzola
LRI741030 Fragment of Late Geometric krater, From Lacco Ameno, Mezzavia hill area Mazzola; height: 9 cm; Museo Archeologico Nazionale, Pithecusa, Italy; Luisa Ricciarini

Romania, Hunedoara. Corvin Castle, Gothic-Renaissance castle, one of the largest castles in Europe

Romania, Hunedoara. Corvin Castle, Gothic-Renaissance castle, one of the largest castles in Europe

Romania, Hunedoara. Corvin Castle, Gothic-Renaissance castle, one of the largest castles in Europe

Romania, Hunedoara. Corvin Castle, Gothic-Renaissance castle, one of the largest castles in Europe

Romania, Hunedoara. Corvin Castle, Gothic-Renaissance castle, one of the largest castles in Europe

Romania, Hunedoara. Corvin Castle, Gothic-Renaissance castle, one of the largest castles in Europe

Romania, Hunedoara. Corvin Castle, Gothic-Renaissance castle, one of the largest castles in Europe

Romania, Hunedoara. Corvin Castle, Gothic-Renaissance castle, one of the largest castles in Europe

Romania, Hunedoara. Corvin Castle, Gothic-Renaissance castle, one of the largest castles in Europe

Standing Female, 5th century BC. Creator: Unknown
Standing Female, 5th century BC

Appliqué in the Form of a Griffin, 330-320 B.C.. Creator: Unknown
Applique in the Form of a Griffin, 330-320 B.C

Oil-Jar (Askos) in the Form of a Foot Wearing a Sandal, 2nd century BC. Creator: Unknown
Oil-Jar (Askos) in the Form of a Foot Wearing a Sandal, 2nd century BC

Figure of a Reclining Satyr, 1st century BCE-1st century CE. Creator: Unknown
Figure of a Reclining Satyr, 1st century BCE-1st century CE

Figurine, 14th-12th century B.C.. Creator: Unknown
Figurine, 14th-12th century B.C

Corpus of the Expiring Christ, between c.1675 and c.1700. Creator: Unknown
Corpus of the Expiring Christ, between c.1675 and c.1700

Head and Torso of a Male, Ptolemaic Period-Roman Period (332 BCE-337 CE). Creator: Unknown
Head and Torso of a Male, Ptolemaic Period-Roman Period (332 BCE-337 CE)

Head, Ptolemaic Period-Roman Period (332 BCE-337 CE). Creator: Unknown
Head, Ptolemaic Period-Roman Period (332 BCE-337 CE)

Head with Headdress, Ptolemaic Period-Roman Period (332 BCE-337 CE). Creator: Unknown
Head with Headdress, Ptolemaic Period-Roman Period (332 BCE-337 CE)

Male Torso, Ptolemaic Period-Roman Period (332 BCE-337 CE). Creator: Unknown
Male Torso, Ptolemaic Period-Roman Period (332 BCE-337 CE)

Head, Ptolemaic Period-Roman Period (332 BCE-337 CE). Creator: Unknown
Head, Ptolemaic Period-Roman Period (332 BCE-337 CE)

Draped Male, Ptolemaic Period-Roman Period (332 BCE-337 CE). Creator: Unknown
Draped Male, Ptolemaic Period-Roman Period (332 BCE-337 CE)

Head with Phrygian Helmet, Ptolemaic Period-Roman Period (332 BCE-337 CE). Creator: Unknown
Head with Phrygian Helmet, Ptolemaic Period-Roman Period (332 BCE-337 CE)

Head with Phrygian Helmet, Ptolemaic Period-Roman Period (332 BCE-337 CE). Creator: Unknown
Head with Phrygian Helmet, Ptolemaic Period-Roman Period (332 BCE-337 CE)

Elephant, Ptolemaic Period-Roman Period (332 BCE-337 CE). Creator: Unknown
Elephant, Ptolemaic Period-Roman Period (332 BCE-337 CE)

Head of a Man, Ptolemaic Period-Roman Period (305 BCE-337 CE). Creator: Unknown
Head of a Man, Ptolemaic Period-Roman Period (305 BCE-337 CE)

Antefix in the Form of a Female Head, Ptolemaic Period-Roman Period (305 BCE-337 CE). Creator: Unknown
Antefix in the Form of a Female Head, Ptolemaic Period-Roman Period (305 BCE-337 CE)

Concave Terracotta Sculpture, Ptolemaic Period-Roman Period (305 BCE-337 CE). Creator: Unknown
Concave Terracotta Sculpture, Ptolemaic Period-Roman Period (305 BCE-337 CE)

Human Head, Ptolemaic Period-Byzantine Period (332 BCE-641 CE). Creator: Unknown
Human Head, Ptolemaic Period-Byzantine Period (332 BCE-641 CE)

Bust of a Man, Probably Hellenistic (332-31 BCE). Creator: Unknown
Bust of a Man, Probably Hellenistic (332-31 BCE)

Foot, Hellenistic Period (400-150 BCE). Creator: Unknown
Foot, Hellenistic Period (400-150 BCE)

Head of a Nobleman, early 6th century. Creator: Unknown
Head of a Nobleman, early 6th century

Benjamin Franklin (1706-1790), 1777. Creator: Giovanni Battista Nini
Benjamin Franklin (1706-1790), 1777

Head of a Goddess, 1st century BC. Creator: Unknown
Head of a Goddess, 1st century BC

Bust of a Goddess, 1st century BC. Creator: Unknown
Bust of a Goddess, 1st century BC

Toy Horse, 1st century B.C.-1st century A.D.. Creator: Unknown
Toy Horse, 1st century B.C.-1st century A.D

Fertility Goddess (image 1 of 2), 1st century. Creator: Unknown
Fertility Goddess (image 1 of 2), 1st century

Fertility Goddess (image 1 of 2), 1st century. Creator: Unknown
Fertility Goddess (image 1 of 2), 1st century

Fertility Goddess, 1st century. Creator: Unknown
Fertility Goddess, 1st century

Animal, 1st century. Creator: Unknown
Animal, 1st century

A Goddess or Deified Queen, 14th-15th century. Creator: Unknown
A Goddess or Deified Queen, 14th-15th century

Monster in Foliage, 14th century. Creator: Unknown
Monster in Foliage, 14th century

Female Bust, 14th century. Creator: Unknown
Female Bust, 14th century

Amorous Couple, 14th century. Creator: Unknown
Amorous Couple, 14th century

Head of Deified King (?), 14th century. Creator: Unknown
Head of Deified King (?), 14th century

Bowl with Bird, 13th century. Creator: Unknown
Bowl with Bird, 13th century

Kala Head, 13th century. Creator: Unknown
Kala Head, 13th century

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Terra cotta, a material with a rich history and diverse cultural significance, is showcased in various forms around the world. From the ancient Rhubarb forcing pot used for cultivating this tangy plant to the intricate Sarcophagus from Cerveteri dating back to 520 BC, it has been utilized by civilizations throughout time. One cannot ignore the awe-inspiring Terracotta Army Warrior found in Xian, Shaanxi Province, China. These close-up figures stand tall as a testament to the craftsmanship of their creators and offer a glimpse into China's past. Similarly, at Lalji Temple in Kalna, West Bengal, India, terracotta figures adorn its walls with intricate designs that tell stories of devotion and spirituality. Moving westward to Seville in Andalucia, Spain; one can appreciate how terra cotta adds warmth and charm to architectural elements. The city's vibrant hues are complemented by these clay tiles that have stood the test of time. In Prague's Castle Stairs engraving from the 19th century or within Medersa Ben Yousef's patio built-in 1570 with calligraphy and zellige artistry; we witness how terra cotta seamlessly blends into historical settings while adding an element of elegance. Returning once again to Xi'an's Terracotta Army Museum in Shaanxi Province, China; it becomes evident why these warriors continue captivating visitors worldwide. Their stoic presence serves as a reminder of ancient dynasties' power and legacy. Not limited only to grand structures or sculptures; even Pantanassa Monastery or Modernist House Downshire Hill incorporate touches into their design aesthetics - proving its versatility across different architectural styles. With such an extensive range of applications spanning continents and centuries alike; it is no wonder that terra cotta remains cherished for its enduring beauty and timeless appeal.