Textile Collection (page 14)

Collegiate church (Sint-Walburgakerk). Interior. Tapestry. Verdure from Oudenaarde. Wood landscape
7207231 Collegiate church (Sint-Walburgakerk). Interior. Tapestry. Verdure from Oudenaarde. Wood landscape. End 17th-begin 18th century

Nude with white Sheet, 1937 (oil on canvas)
7332550 Nude with white Sheet, 1937 (oil on canvas) by Brusselmans, Jean (1884-1953); Museum voor Schone Kunsten, Ghent, Belgium; (add.info.: Jean Brusselmans (1884-1953)

Chinese False Colours Flag, c.1926 (cotton)
7340523 Chinese False Colours Flag, c.1926 (cotton) by Chinese School (20th century) ; 119.4x106.7 cm; National Maritime Museum, London

Burgee of Pirate Yacht Club, Bridlington, c.1898 (wool, linen, machine sewn, printed)
7295737 Burgee of Pirate Yacht Club, Bridlington, c.1898 (wool, linen, machine sewn, printed) by Unknown Artist, (19th century); 38.1x63.5 cm; National Maritime Museum, London

Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)
8701690 Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk) by Chinese School, Ming Dynasty (1368-1644); 335.3x213.4 cm; Private Collection; (add.info)

Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)
8701681 Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk) by Chinese School, Ming Dynasty (1368-1644); 335.3x213.4 cm; Private Collection; (add.info)

Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)
8701674 Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk) by Chinese School, Ming Dynasty (1368-1644); 335.3x213.4 cm; Private Collection; (add.info)

Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)
8701673 Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk) by Chinese School, Ming Dynasty (1368-1644); 335.3x213.4 cm; Private Collection; (add.info)

Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk)
8701663 Detail of Imperial Embroidered Silk Thangka, 1402-24 (silk) by Chinese School, Ming Dynasty (1368-1644); 335.3x213.4 cm; Private Collection; (add.info)

A silk spinning workshop, 19th century, 1864
7125180 A silk spinning workshop, 19th century, 1864; (add.info.: A silk spinning workshop, 19th century. From Le Savant du Foyer ou Notions Scientifiques Sur Les Objets Usuels de la Vie)

Workers using a hemp and flax scutching machine, 19th century, 1864
7125179 Workers using a hemp and flax scutching machine, 19th century, 1864; (add.info.: Workers using a hemp and flax scutching machine)

Workers shredding flax using a hackle or heckle, 19th century, 1864
7125178 Workers shredding flax using a hackle or heckle, 19th century, 1864; (add.info.: Workers shredding flax, 19th century)

Collegiate church ("Parochiekerk Sint-Walburga"). Interior. Tapestry. Verdure from Oudenaarde
7208869 Collegiate church ("Parochiekerk Sint-Walburga"). Interior. Tapestry. Verdure from Oudenaarde. Scene with lovers in a garden

Collegiate church ("Parochiekerk Sint-Walburga"). Interior. Tapestry. Verdure from Oudenaarde
7208867 Collegiate church ("Parochiekerk Sint-Walburga"). Interior. Tapestry. Verdure from Oudenaarde. Scene with lovers in a garden

Collegiate church ("Parochiekerk Sint-Walburga"). Interior. Tapestry. Verdure from Oudenaarde
7208866 Collegiate church ("Parochiekerk Sint-Walburga"). Interior. Tapestry. Verdure from Oudenaarde. Scene with lovers in a garden

Soviet Budenovka Winter Army Cap, 1920s-1930s (object)
7177609 Soviet Budenovka Winter Army Cap, 1920s-1930s (object); Private Collection; (add.info.: Famous style of Cap worn by the Red Army during the Russian Civil War and later); © Don Troiani

Castle (Petegem-aan-de-Schelde, kasteel van Petegem). Interior. Flemish tapestry (Oudenaarde)
7142776 Castle (Petegem-aan-de-Schelde, kasteel van Petegem). Interior. Flemish tapestry (Oudenaarde). "Dutch peasants or Dutch conversation: the flower sellers". First half 18th century

Museum collection (Tresor de la cathedrale). Chasuble (Chasuble de Jean Chevrot). 15th century. Rear end. Detail
7142449 Museum collection (Tresor de la cathedrale). Chasuble (Chasuble de Jean Chevrot). 15th century. Rear end. Detail.; (add.info.: Tresor de la cathedrale, Tournai, Hainaut)

A stumpwork basket or toilet box, mid 17th century (stumpwork)
7141194 A stumpwork basket or toilet box, mid 17th century (stumpwork); 16.5x23.5x19.5 cm; Parham House, West Sussex, UK; (add.info)

An engraving depicting a woman spinning wool, while her mother reels the yarn, 19th century
5311617 An engraving depicting a woman spinning wool, while her mother reels the yarn, 19th century; (add.info.: Date: 1814); Universal History Archive/UIG.

Mesh of a woman's stocking (b/w photo)
8625935 Mesh of a woman's stocking (b/w photo) by Henning, Paul (1898-1953); Private Collection; (add.info.: Magnified detail of the mesh of a woman's stocking)

A Louis XV savonnerie carpet, 1736-62 (textile)
8683136 A Louis XV savonnerie carpet, 1736-62 (textile) by Perrot, Pierre Josse (fl.1740-1750); 526x332 cm; Private Collection; (add.info.: DESIGNED BY PIERRE-JOSSE PERROT)

19th century drawing of a Mule spinning shed lit by gas flares
5311730 19th century drawing of a Mule spinning shed lit by gas flares; (add.info.: 19th century drawing of a Mule spinning shed lit by gas flares)

An engraving depicting the drilling of needle eyes: in this operation, the punched eye was drilled smooth so that it
5311326 An engraving depicting the drilling of needle eyes: in this operation, the punched eye was drilled smooth so that it did not cut the thread

An engraving depicting a woman spinning, 19th century
5311205 An engraving depicting a woman spinning, 19th century; (add.info.: Date: 1851); Universal History Archive/UIG.

An engraving depicting a young girl learning to sew in a cottage kitchen, 19th century
5311134 An engraving depicting a young girl learning to sew in a cottage kitchen, 19th century; (add.info.: Date: 1879); Universal History Archive/UIG.

Cartoon commenting on the teething problems in the development of the sewing machine, 19th century
5308961 Cartoon commenting on the teething problems in the development of the sewing machine, 19th century; (add.info.: Cartoon commenting on the teething problems in the development of the sewing)

Portrait of a seated nude child, posing with his legs crossed
3561444 Portrait of a seated nude child, posing with his legs crossed; (add.info.: Italy 1890 - 1900 ca. Photographer: Bovi, Michele;Rosenberg & Sellier); Alinari Archives, Florence.

COSTUME: coat: pelisse, 1825, overall: 1380x520mm (silk, cotton, hand-stitched)
3548561 COSTUME: coat: pelisse, 1825, overall: 1380x520mm (silk, cotton, hand-stitched); 138x52 cm; Glasgow Museums, UK; (add.info.: E.1956.1.b COSTUME coat: pelisse 1825 silk, cotton)

COSTUME: umbrella, Royal Drooko, Wright, Joseph, Scotland, Glasgow (place of manufacture), c
3548554 COSTUME: umbrella, Royal Drooko, Wright, Joseph, Scotland, Glasgow (place of manufacture), c. 1895-1910 (silk, mother-of-pearl, gold); 85 cm; Glasgow Museums

COSTUME: WORLD CULTURES, fan, Asia, China, Canton (place of manufacture), c. 1850-1860s (ivory, paper, silk)
3548546 COSTUME: WORLD CULTURES, fan, Asia, China, Canton (place of manufacture), c. 1850-1860s (ivory, paper, silk); 28.4x52 cm; Glasgow Museums

COSTUME: dress: wedding dress, Miss Armour, Scotand, Glasgow, 335 Bath Street, 1878 (silk, cotton, metal)
3548545 COSTUME: dress: wedding dress, Miss Armour, Scotand, Glasgow, 335 Bath Street, 1878 (silk, cotton, metal); Glasgow Museums

COSTUME: women's wear: dress: robe a l'Anglaise: England, London, Spitalfields (probably), c
3548543 COSTUME: women's wear: dress: robe a l'Anglaise: England, London, Spitalfields (probably), c. 1775-1780 (silk, wool, hand-stitched); Glasgow Museums

COSTUME: women's wear: dress: robe a l'Anglaise, England, London, Spitalfields, c
3548538 COSTUME: women's wear: dress: robe a l'Anglaise, England, London, Spitalfields, c. 1740-1742 (material) (silk, linen, hand-stitched); Glasgow Museums

COSTUME: dress, R Simpson & Sons, Scotland, Glasgow (place of manufacture), c. 1883-1885 (silk, cotton, linen, metal)
3548529 COSTUME: dress, R Simpson & Sons, Scotland, Glasgow (place of manufacture), c. 1883-1885 (silk, cotton, linen, metal); 90x100 cm; Glasgow Museums

COSTUME: WORLD CULTURES, fan, Asia, Japan (place of manufacture), c. 1870-1880 (tortoiseshell, ivory, silk)
3548517 COSTUME: WORLD CULTURES, fan, Asia, Japan (place of manufacture), c. 1870-1880 (tortoiseshell, ivory, silk); 27x44.5 cm; Glasgow Museums

COSTUME: dress, Scotland, Ayrshire (place associated), c. 1850-1860, length 1200mm (Ayrshire embroidery, cambric)
3548492 COSTUME: dress, Scotland, Ayrshire (place associated), c. 1850-1860, length 1200mm (Ayrshire embroidery, cambric, cotton); 120x118 cm; Glasgow Museums

COSTUME: shawl, Asia, Kashmir (place of manufacture), c. 1800-1810, overall: 3100x3100mm (wool)
3548565 COSTUME: shawl, Asia, Kashmir (place of manufacture), c. 1800-1810, overall: 3100x3100mm (wool); 310x130 cm; Glasgow Museums, UK; (add.info.: E.1962.17 COSTUME shawl Asia)

COSTUME: women's wear: outerwear: shaw, France, Ile-de-France, Paris (place of association), 1855 (wool)
3548524 COSTUME: women's wear: outerwear: shaw, France, Ile-de-France, Paris (place of association), 1855 (wool); 375x160 cm; Glasgow Museums

COSTUME: purse, France (place of manufacture), mid 18th century (glass)
3548514 COSTUME: purse, France (place of manufacture), mid 18th century (glass); Glasgow Museums, UK; (add.info.: E.1943.71.a COSTUME purse France (place of manufacture)

ARCHAEOLOGY: COSTUME: HISTORY: men's wear: coat, late 18th century
3548484 ARCHAEOLOGY: COSTUME: HISTORY: men's wear: coat, late 18th century; Glasgow Museums, UK; (add.info.: A.1955.96.[1] ARCHAEOLOGY: COSTUME: HISTORY men's wear: main garments)

COSTUME: dress: evening dress, c. 1862 (silk, cotton)
3548481 COSTUME: dress: evening dress, c. 1862 (silk, cotton); Glasgow Museums, UK; (add.info.: 1934.7 COSTUME dress: evening dress circa 1862 silk)

COSTUME: dress: evening dress, c. 1862 (silk, cotton)
3548480 COSTUME: dress: evening dress, c. 1862 (silk, cotton); Glasgow Museums, UK; (add.info.: 1934.7 COSTUME dress: evening dress circa 1862 silk)

COSTUME: skirt, England, London (place of manufacture), c. 1610-1620 (silk, silk, metal, hand-stitched)
3548476 COSTUME: skirt, England, London (place of manufacture), c. 1610-1620 (silk, silk, metal, hand-stitched); 91x313 cm; Glasgow Museums, UK; (add.info.: 29.314 COSTUME skirt England)

COSTUME: bag: great seal bag, England (place of manufacture), c. 1682-1685, 430mm (silk, metal, wood)
3548473 COSTUME: bag: great seal bag, England (place of manufacture), c. 1682-1685, 430mm (silk, metal, wood); 43x40.5 cm; Glasgow Museums

COSTUME: bag: great seal bag, England (place of manufacture), c. 1682-1685, 430mm (silk, metal, wood)
3548472 COSTUME: bag: great seal bag, England (place of manufacture), c. 1682-1685, 430mm (silk, metal, wood); 43x40.5 cm; Glasgow Museums

COSTUME: falconry set, c. 1600-1620
3548471 COSTUME: falconry set, c. 1600-1620; Glasgow Museums, UK; (add.info.: 29.151 COSTUME falconry set circa 1600-1620 Group of falconry accessories consisting of pouch, glove)

COSTUME: cap: nightcap, England (place of manufacture), c. 1769-1780 (linen, wool, hand-stitched)
3548458 COSTUME: cap: nightcap, England (place of manufacture), c. 1769-1780 (linen, wool, hand-stitched); 18.4x28.6 cm; Glasgow Museums

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"From ancient battles to spiritual realms, textile art weaves stories of culture and history. The Bayeux Tapestry, created between 1066-1077, vividly depicts scenes from the Battle of Hastings, transporting us back in time. In Bardo Mandala, a Thangka painting showcasing the period between death and reincarnation, intricate textiles capture the ethereal journey of the soul. Even advertisements have utilized textiles to captivate audiences throughout history. A Singer sewing machine ad from the 1890s showcases how these machines revolutionized textile production and empowered individuals with their own creative abilities. Across continents, traditional textile techniques reflect unique cultural identities. Kuna Indian traditional molas from Cristobal in Central America's Panama showcase vibrant patterns that tell stories passed down through generations. Textiles also find their way into artistic interpretations of legends and visions. "The Attainment; The Vision of the Holy Grail" brings Sir Galahad, Sir Bors, and Sir Percival's quest to life through intricately woven fabrics. Traveling further afield reveals stunning street scenes captured on fabric canvases. Charles Robertson's "A Street Scene in Cairo" transports us to bustling markets filled with colorful textiles that epitomize Egyptian culture. Maps too can be transformed into works of art using textiles as seen in a Buenos Aires map where threads create an intricate representation of city streets. In Costa Rican art, vibrant colors blend seamlessly with indigenous motifs representing Central American heritage while flags of the German Empire showcase national pride through carefully crafted fabrics. Throughout history, fabric design has been celebrated for its beauty and innovation. Art Gout Beaute's 1924 collection exemplifies this creativity by combining bold patterns with luxurious materials. Finally, Ghana's Ashanti Region offers a glimpse into West African textile traditions where skillful craftsmanship meets storytelling through cloth weaving techniques. "