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Théodore Gericault Collection

Théodore Géricault, a renowned French artist of the 19th century, left an indelible mark on the art world with his powerful and emotive works

Background imageThéodore Gericault Collection: The Raft of the Medusa - oil on canvas, 1818-1819

The Raft of the Medusa - oil on canvas, 1818-1819
LRI4353719 The Raft of the Medusa - oil on canvas, 1818-1819 by Gericault, Theodore (1791-1824); 491x716 cm; Louvre, Paris

Background imageThéodore Gericault Collection: The Flemish Farrier, 1822. Creator: Theodore Gericault

The Flemish Farrier, 1822. Creator: Theodore Gericault
The Flemish Farrier, 1822

Background imageThéodore Gericault Collection: Evening: Landscape with an Aqueduct, 1818. Creator: Theodore Gericault

Evening: Landscape with an Aqueduct, 1818. Creator: Theodore Gericault
Evening: Landscape with an Aqueduct, 1818

Background imageThéodore Gericault Collection: The Water Carrier (recto), c. 1815-16 (pen and brown ink over black and red chalk and watercolor)

The Water Carrier (recto), c. 1815-16 (pen and brown ink over black and red chalk and watercolor)
8736083 The Water Carrier (recto), c. 1815-16 (pen and brown ink over black and red chalk and watercolor) by Gericault, Theodore (1791-1824); Private Collection; (add.info)

Background imageThéodore Gericault Collection: Polish Trumpeter 1813-14 (painting)

Polish Trumpeter 1813-14 (painting)
7269654 Polish Trumpeter 1813-14 (painting) by Gericault, Theodore (1791-1824); (add.info.: Polish Trumpeter 1813-14, by Jean Louis Andre Theodore Gericault)

Background imageThéodore Gericault Collection: Jean Baptiste Kleber in Saint Jean d'Acre,19th century (drawing)

Jean Baptiste Kleber in Saint Jean d'Acre,19th century (drawing)
1759077 Jean Baptiste Kleber in Saint Jean d'Acre,19th century (drawing); (add.info.: Jean Baptiste Kleber (1753-1800) GeneralBonaparte's Egyptian army commander (1798-1799)

Background imageThéodore Gericault Collection: The Death of Lucretia (verso), c. 1815-16, (pen and brown ink over black)

The Death of Lucretia (verso), c. 1815-16, (pen and brown ink over black and red chalk on prepared paper)
8736082 The Death of Lucretia (verso), c. 1815-16, (pen and brown ink over black and red chalk on prepared paper) by Gericault

Background imageThéodore Gericault Collection: Theodore Gericault 1824 (engraving)

Theodore Gericault 1824 (engraving)
1755846 Theodore Gericault 1824 (engraving); (add.info.: Theodore Gericault (1791-1824) drawing by Colin, 1824, after a 1816 portrait); Photo: Tallandier.

Background imageThéodore Gericault Collection: Study of a Dead Horse, early 19th century. Creator: Theodore Gericault

Study of a Dead Horse, early 19th century. Creator: Theodore Gericault
Study of a Dead Horse, early 19th century

Background imageThéodore Gericault Collection: The Death of Gericault, c1824. Creator: Ary Scheffer

The Death of Gericault, c1824. Creator: Ary Scheffer
The Death of Gericault, c1824

Background imageThéodore Gericault Collection: Brown horse in a stable, 1818. Creator: Theodore Gericault

Brown horse in a stable, 1818. Creator: Theodore Gericault
Brown horse in a stable, 1818

Background imageThéodore Gericault Collection: Italian landscape at the tomb, c1818. Creator: Theodore Gericault

Italian landscape at the tomb, c1818. Creator: Theodore Gericault
Italian landscape at the tomb, c1818

Background imageThéodore Gericault Collection: Italian landscape at the tomb, c1818. Creator: Theodore Gericault

Italian landscape at the tomb, c1818. Creator: Theodore Gericault
Italian landscape at the tomb, c1818

Background imageThéodore Gericault Collection: The Scottish, between 1800 and 1825. Creator: Theodore Gericault

The Scottish, between 1800 and 1825. Creator: Theodore Gericault
The Scottish, between 1800 and 1825

Background imageThéodore Gericault Collection: A Wagon with Harnessed Horses, 1821 (lithograph)

A Wagon with Harnessed Horses, 1821 (lithograph)
XOS5881533 A Wagon with Harnessed Horses, 1821 (lithograph) by Gericault, Theodore (1791-1824); Cleveland Museum of Art, OH, USA; (add.info.: From Various Subjects Drawn from Life and on Stone)

Background imageThéodore Gericault Collection: Pity the Sorrows of a Poor Old Man!... 1821 (lithograph in black on ivory wove paper)

Pity the Sorrows of a Poor Old Man!... 1821 (lithograph in black on ivory wove paper)
5860311 Pity the Sorrows of a Poor Old Man!... 1821 (lithograph in black on ivory wove paper) by Gericault, Theodore (1791-1824); The Art Institute of Chicago, IL

Background imageThéodore Gericault Collection: Le Dressage Man training (breaking) a horse, 19th century Watercolour

Le Dressage Man training (breaking) a horse, 19th century Watercolour
542668 Le Dressage Man training (breaking) a horse, 19th century Watercolour. by Gericault, Theodore (1791-1824); (add.info.: Le Dressage Man training (breaking) a horse with docked tail

Background imageThéodore Gericault Collection: Sketches: Reclining Nude, Man Supporting the Body of, 1818-1819 (graphite, on cream wove paper)

Sketches: Reclining Nude, Man Supporting the Body of, 1818-1819 (graphite, on cream wove paper)
5860103 Sketches: Reclining Nude, Man Supporting the Body of, 1818-1819 (graphite, on cream wove paper, perimeter mounted on cream wove paper) by Gericault

Background imageThéodore Gericault Collection: Horsewoman, 1820 or later. Creator: Theodore Gericault

Horsewoman, 1820 or later. Creator: Theodore Gericault
Horsewoman, 1820 or later

Background imageThéodore Gericault Collection: The Raft of the Medusa, 1819 (oil on canvas)

The Raft of the Medusa, 1819 (oil on canvas)
JLJ4662684 The Raft of the Medusa, 1819 (oil on canvas) by Gericault, Theodore (1791-1824); 490x710 cm; Louvre, Paris, France; (add.info.: The Raft of the Medusa)

Background imageThéodore Gericault Collection: Retreat from Moscow, 1812, 19th century (print)

Retreat from Moscow, 1812, 19th century (print)
7315200 Retreat from Moscow, 1812, 19th century (print) by Gericault, Theodore (1791-1824) (after); Private Collection; (add.info.: Retreat from Moscow, 1812)

Background imageThéodore Gericault Collection: The Giaour (A Turkish tale) c. 1822-23 (w/c over graphite)

The Giaour (A Turkish tale) c. 1822-23 (w/c over graphite)
7312269 The Giaour (A Turkish tale) c.1822-23 (w/c over graphite) by Gericault, Theodore (1791-1824); 21.1 -- 23.8 cm; J. Paul Getty Museum, Los Angeles

Background imageThéodore Gericault Collection: Mamluk dismounting (pen & ink and wash on paper)

Mamluk dismounting (pen & ink and wash on paper)
954928 Mamluk dismounting (pen & ink and wash on paper) by Gericault, Theodore (1791-1824); Private Collection; Photo © Agnew s, London

Background imageThéodore Gericault Collection: Theodore Gericault on His Deathbed, 1824 (oil on canvas)

Theodore Gericault on His Deathbed, 1824 (oil on canvas)
5859764 Theodore Gericault on His Deathbed, 1824 (oil on canvas) by Champmartin, Charles Emile Callande de (1797-1883); 45.6--55.6 cm; The Art Institute of Chicago, IL

Background imageThéodore Gericault Collection: Three Lovers, 1817-20 (oil on canvas)

Three Lovers, 1817-20 (oil on canvas)
3077093 Three Lovers, 1817-20 (oil on canvas) by Gericault, Theodore (1791-1824); 22.5x29.8 cm; J. Paul Getty Museum, Los Angeles, USA

Background imageThéodore Gericault Collection: Nymph and Satyr (pencil on paper)

Nymph and Satyr (pencil on paper)
BBC192617 Nymph and Satyr (pencil on paper) by Gericault, Theodore (1791-1824); Musee des Beaux-Arts, Rouen, France

Background imageThéodore Gericault Collection: A Male Nude Pulled by Another Male, (pencil and brown ink on brown paper)

A Male Nude Pulled by Another Male, (pencil and brown ink on brown paper)
658726 A Male Nude Pulled by Another Male, (pencil and brown ink on brown paper) by Gericault, Theodore (1791-1824); 12.6x19.8 cm; Private Collection; (add.info.: A Male Nude Pulled by Another Male)

Background imageThéodore Gericault Collection: Turkish Cavalier in Combat, c. 1818 (brown wash, heightened with gouache on paper)

Turkish Cavalier in Combat, c. 1818 (brown wash, heightened with gouache on paper)
5861695 Turkish Cavalier in Combat, c.1818 (brown wash, heightened with gouache on paper) by Gericault, Theodore (1791-1824); 28--22 cm; The Art Institute of Chicago, IL

Background imageThéodore Gericault Collection: Nymph and Satyr (pencil on paper)

Nymph and Satyr (pencil on paper)
BBC192618 Nymph and Satyr (pencil on paper) by Gericault, Theodore (1791-1824); Musee des Beaux-Arts, Rouen, France

Background imageThéodore Gericault Collection: Nymph and Satyr (pencil on paper)

Nymph and Satyr (pencil on paper)
BBC192616 Nymph and Satyr (pencil on paper) by Gericault, Theodore (1791-1824); Musee des Beaux-Arts, Rouen, France

Background imageThéodore Gericault Collection: The raft of the Medusa (pen & ink)

The raft of the Medusa (pen & ink)
CH23310 The raft of the Medusa (pen & ink) by Gericault, Theodore (1791-1824); Private Collection; Photo © Christies Images

Background imageThéodore Gericault Collection: Nymph and Satyr (pencil on paper)

Nymph and Satyr (pencil on paper)
BBC192615 Nymph and Satyr (pencil on paper) by Gericault, Theodore (1791-1824); Musee des Beaux-Arts, Rouen, France

Background imageThéodore Gericault Collection: Study of Feet and Hands, c. 1818-19 (oil on canvas)

Study of Feet and Hands, c. 1818-19 (oil on canvas)
869957 Study of Feet and Hands, c.1818-19 (oil on canvas) by Gericault, Theodore (1791-1824); 52x64 cm; Musee Fabre, Montpellier, France

Background imageThéodore Gericault Collection: Trompetiste a cheval de la garde imperiale de Napoleon. Peinture de Theodore Gericault (1791-1824)

Trompetiste a cheval de la garde imperiale de Napoleon. Peinture de Theodore Gericault (1791-1824), 1813-1814
AIS5384941 Trompetiste a cheval de la garde imperiale de Napoleon. Peinture de Theodore Gericault (1791-1824), 1813-1814. Huile sur toile. Washington. National Gallery of Art

Background imageThéodore Gericault Collection: Study of a Nude Woman (pencil and watercolour on paper)

Study of a Nude Woman (pencil and watercolour on paper)
902606 Study of a Nude Woman (pencil and watercolour on paper) by Gericault, Theodore (1791-1824); Musee des Beaux-Arts, Rouen, France; (add.info.: Naked woman (study))

Background imageThéodore Gericault Collection: Prancing Horse, 1808 / 12. Creator: Unknown

Prancing Horse, 1808 / 12. Creator: Unknown
Prancing Horse, 1808/12. By a follower of Jean Louis Andre Theodore Gericault

Background imageThéodore Gericault Collection: The Sleeping Fish Seller, (pen and black ink on paper)

The Sleeping Fish Seller, (pen and black ink on paper)
989696 The Sleeping Fish Seller, (pen and black ink on paper) by Gericault, Theodore (1791-1824); 25.6x34.8 cm; Private Collection; (add.info)

Background imageThéodore Gericault Collection: Gericault, portrait (engraving)

Gericault, portrait (engraving)
5238564 Gericault, portrait (engraving) by French School, (19th century); Private Collection; (add.info.: Jean-Louis Andre Theodore Gericault)

Background imageThéodore Gericault Collection: The Death of Gericault (chromolitho)

The Death of Gericault (chromolitho)
1094025 The Death of Gericault (chromolitho) by Scheffer, Ary (1795-1858) (after); Private Collection; (add.info.: The Death of Gericault)

Background imageThéodore Gericault Collection: A Rider and His Rearing Horse; Un Cavalier Cabrant Son Cheval

A Rider and His Rearing Horse; Un Cavalier Cabrant Son Cheval
827622 A Rider and His Rearing Horse; Un Cavalier Cabrant Son Cheval, (black chalk and watercolour) by Gericault, Theodore (1791-1824); 22.3x27.3 cm; Private Collection; (add.info)

Background imageThéodore Gericault Collection: Theodore Gericault (chromolitho)

Theodore Gericault (chromolitho)
667052 Theodore Gericault (chromolitho) by French School, (19th century); Private Collection; (add.info.: Theodore Gericault. French educational card, late 19th century.); © Look and Learn

Background imageThéodore Gericault Collection: The Coal Waggon, from Various Subjects Drawn from Life on Stone, 1821 (litho)

The Coal Waggon, from Various Subjects Drawn from Life on Stone, 1821 (litho)
996345 The Coal Waggon, from Various Subjects Drawn from Life on Stone, 1821 (litho) by Gericault, Theodore (1791-1824); 19.6x31.1 cm; Art Gallery of Ontario, Toronto

Background imageThéodore Gericault Collection: Turk Mounted on Chestnut Coloured Horse, c. 1810 (oil on canvas)

Turk Mounted on Chestnut Coloured Horse, c. 1810 (oil on canvas)
1197554 Turk Mounted on Chestnut Coloured Horse, c. 1810 (oil on canvas) by Gericault, Theodore (1791-1824); 37.7x45.7 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageThéodore Gericault Collection: Scene from the Race of the Barberi Horses (brown ink & graphite on laid paper lined with tissue)

Scene from the Race of the Barberi Horses (brown ink & graphite on laid paper lined with tissue)
995914 Scene from the Race of the Barberi Horses (brown ink & graphite on laid paper lined with tissue) by Gericault, Theodore (1791-1824); 35.4x48.5 cm; Art Gallery of Ontario, Toronto

Background imageThéodore Gericault Collection: Study of a Man in Profile, c. 1812 (oil on canvas)

Study of a Man in Profile, c. 1812 (oil on canvas)
1197505 Study of a Man in Profile, c.1812 (oil on canvas) by Gericault, Theodore (1791-1824); 35x36.3 cm; Private Collection; Photo eChristies Images; French, out of copyright



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Théodore Géricault, a renowned French artist of the 19th century, left an indelible mark on the art world with his powerful and emotive works. One of his most famous masterpieces is "The Raft of the Medusa, " an oil on canvas painting created between 1818 and 1819. This monumental piece depicts the harrowing shipwreck of the Meduse in vivid detail, capturing both the desperation and resilience of its survivors. Géricault's artistic prowess extended beyond this iconic work. Collaborating with Nicolas-Toussaint Charlet, he also produced "Shipwreck of the Meduse" in 1820, further exploring themes of tragedy and human suffering. In "The Flemish Farrier" from 1822, Géricault showcases his ability to capture everyday scenes with remarkable precision and depth. Not limited to dramatic narratives or realistic portrayals, Géricault also delved into landscapes such as "Evening: Landscape with an Aqueduct" from 1818. Here, he demonstrates his mastery over light and atmosphere while evoking a sense of tranquility amidst nature's grandeur. In addition to these notable pieces, Géricault ventured into various subjects throughout his career. From equestrian studies like "Horsewoman" (1820 or later) to historical events such as "Retreat from Moscow" (1812), he showcased versatility in both medium and subject matter. Géricault's exploration extended even further into psychological realms through works like "Portrait of a Kleptomaniac" (c. 1820-24). With meticulous brushstrokes and keen observation skills, he captured not only physical appearances but also inner turmoil within his subjects' souls. His fascination with storytelling led him to illustrate literary works like Lord Byron's poem "The Giaour. " Through watercolor over graphite techniques employed in c.