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The Ophile Alexandre Steinlen Collection

Theophile Alexandre Steinlen, a renowned artist of the late 19th and early 20th centuries, left an indelible mark on the art world with his diverse range of works

Background imageThe Ophile Alexandre Steinlen Collection: Shepherdess fourth quarter 19th century first quarter 20th century

Shepherdess fourth quarter 19th century first quarter 20th century
The Shepherdess, fourth quarter 19th century or first quarter 20th century. Theophile Alexandre Steinlen (Swiss, 1859-1923). Graphite; sheet: 37.5 x 27.4 cm (14 3/4 x 10 13/16 in.)

Background imageThe Ophile Alexandre Steinlen Collection: Culprit 1896 Theophile Alexandre Steinlen

Culprit 1896 Theophile Alexandre Steinlen
The Culprit, 1896. Theophile Alexandre Steinlen (Swiss, 1859-1923). Lithograph

Background imageThe Ophile Alexandre Steinlen Collection: Helle - Opera en 4 actes 1896 Theophile Alexandre Steinlen

Helle - Opera en 4 actes 1896 Theophile Alexandre Steinlen
Helle - Opera en 4 actes, 1896. Theophile Alexandre Steinlen (Swiss, 1859-1923). Lithograph

Background imageThe Ophile Alexandre Steinlen Collection: Compagnie Francaise des Chocolate et des Thé

Compagnie Francaise des Chocolate et des Thé
Compagnie Francaise des Chocolate et des Thes, 1895. Theophile Alexandre Steinlen (Swiss, 1859-1923). Lithograph; sheet: 30.7 x 23.2 cm (12 1/16 x 9 1/8 in.)

Background imageThe Ophile Alexandre Steinlen Collection: Mothu et Doria - Scenes impressionistes

Mothu et Doria - Scenes impressionistes, 1893. Theophile Alexandre Steinlen (Swiss, 1859-1923). Lithograph

Background imageThe Ophile Alexandre Steinlen Collection: Ten Assassinations Penny 1897 Theophile Alexandre Steinlen

Ten Assassinations Penny 1897 Theophile Alexandre Steinlen
Ten Assassinations for a Penny, 1897. Theophile Alexandre Steinlen (Swiss, 1859-1923). Lithograph; sheet: 60.6 x 46.5 cm (23 7/8 x 18 5/16 in.); image: 60.6 x 46.5 cm (23 7/8 x 18 5/16 in.)

Background imageThe Ophile Alexandre Steinlen Collection: Three Figures 1900s Theophile Alexandre Steinlen

Three Figures 1900s Theophile Alexandre Steinlen
Three Figures, 1900s. Theophile Alexandre Steinlen (Swiss, 1859-1923). Black and colored crayons; sheet: 19.6 x 26.8 cm (7 11/16 x 10 9/16 in.)

Background imageThe Ophile Alexandre Steinlen Collection: Academie Nationale de Musique Dream 1891 Theophile Alexandre Steinlen

Academie Nationale de Musique Dream 1891 Theophile Alexandre Steinlen
Academie Nationale de Musique: The Dream, 1891. Theophile Alexandre Steinlen (Swiss, 1859-1923), G. Hartmann & Cie Editeurs, 20 rue Daunou, Paris

Background imageThe Ophile Alexandre Steinlen Collection: Helle 1896 Theophile Alexandre Steinlen

Helle 1896 Theophile Alexandre Steinlen
Helle, 1896. Theophile Alexandre Steinlen (Swiss, 1859-1923). Color lithograph; sheet: 39.9 x 28.5 cm (15 11/16 x 11 1/4 in.); image: 26.9 x 20.3 cm (10 9/16 x 8 in.)

Background imageThe Ophile Alexandre Steinlen Collection: L Estampe Moderne Bal de Barriere 1898 Theophile Alexandre Steinlen

L Estampe Moderne Bal de Barriere 1898 Theophile Alexandre Steinlen
L Estampe Moderne: Bal de Barriere, 1898. Theophile Alexandre Steinlen (Swiss, 1859-1923), Imprimerie Champenois; print tipped into volume along top edge

Background imageThe Ophile Alexandre Steinlen Collection: Gil Blas Illustre Une Curiosite par Alexandre Hepp

Gil Blas Illustre Une Curiosite par Alexandre Hepp
Gil Blas Illustre: Une Curiosite, par Alexandre Hepp, 1897. Theophile Alexandre Steinlen (Swiss, 1859-1923). Lithograph; sheet: 35.6 x 25 cm (14 x 9 13/16 in.)

Background imageThe Ophile Alexandre Steinlen Collection: Les Moutons de Boisdeffre 1898 Theophile Alexandre Steinlen

Les Moutons de Boisdeffre 1898 Theophile Alexandre Steinlen
Les Moutons de Boisdeffre, 1898. Theophile Alexandre Steinlen (Swiss, 1859-1923). Lithograph; sheet: 64.5 x 50 cm (25 3/8 x 19 11/16 in.); image: 36 x 28 cm (14 3/16 x 11 in.)

Background imageThe Ophile Alexandre Steinlen Collection: Bread Carrier fourth quarter 19th century first quarter 20th century

Bread Carrier fourth quarter 19th century first quarter 20th century
The Bread Carrier, fourth quarter 19th century or first quarter 20th century. Theophile Alexandre Steinlen (Swiss, 1859-1923)

Background imageThe Ophile Alexandre Steinlen Collection: Drawings Prints, Print, Un, poilu, a, Petain, Artist, Theophile-Alexandre Steinlen

Drawings Prints, Print, Un, poilu, a, Petain, Artist, Theophile-Alexandre Steinlen
Drawings and Prints, Print, Un poilu a Petain, Artist, Theophile-Alexandre Steinlen, French (born Switzerland), Lausanne 1859-1923 Paris, Steinlen, Theophile-Alexandre, 1859, 1923, 1916, 1916

Background imageThe Ophile Alexandre Steinlen Collection: Drawings Prints, Print, Pour, les, Familles, Dispersees, Artist, Theophile-Alexandre Steinlen

Drawings Prints, Print, Pour, les, Familles, Dispersees, Artist, Theophile-Alexandre Steinlen
Drawings and Prints, Print, Pour les Familles Dispersees, Artist, Theophile-Alexandre Steinlen, French (born Switzerland), Lausanne 1859-1923 Paris, Steinlen, Theophile-Alexandre, 1859, 1923, 1915

Background imageThe Ophile Alexandre Steinlen Collection: Drawings Prints, Programme, Casino de Paris, Dimanche, 43053, 1915, Matinee Extraordinaire

Drawings Prints, Programme, Casino de Paris, Dimanche, 43053, 1915, Matinee Extraordinaire
Drawings and Prints, Programme for Casino de Paris Dimanche 14 Nov. 1915 Matinee Extraordinaire, Artist, Theophile-Alexandre Steinlen, French (born Switzerland), Lausanne 1859-1923 Paris, Steinlen

Background imageThe Ophile Alexandre Steinlen Collection: Poster for les Scenes impressionistes, Mothu et Doria. Theophile Alexandre Steinlen

Poster for les Scenes impressionistes, Mothu et Doria. Theophile Alexandre Steinlen, 1859 a 1923, a Swiss-born French Art Nouveau painter and printmaker

Background imageThe Ophile Alexandre Steinlen Collection: Poster for Chocolat de la Compagnie Francaise

Poster for Chocolat de la Compagnie Francaise. Theophile Alexandre Steinlen, frequently referred to as just Steinlen 1859 a 1923, a Swiss-born French Art Nouveau painter and printmaker

Background imageThe Ophile Alexandre Steinlen Collection: Poster for the book le Coupable, by Francois Coppee, published by le Journal

Poster for the book le Coupable, by Francois Coppee, published by le Journal. Theophile Alexandre Steinlen, frequently referred to as just Steinlen 1859 a 1923

Background imageThe Ophile Alexandre Steinlen Collection: Poster for Lait pur sterilise de la Vingeanne

Poster for Lait pur sterilise de la Vingeanne. Theophile Alexandre Steinlen, frequently referred to as just Steinlen 1859 a 1923, a Swiss-born French Art Nouveau painter and printmaker

Background imageThe Ophile Alexandre Steinlen Collection: Poster for Motocycles Comiot. Theophile Alexandre Steinlen, frequently referred to

Poster for Motocycles Comiot. Theophile Alexandre Steinlen, frequently referred to as just Steinlen 1859 a 1923, a Swiss-born French Art Nouveau painter and printmaker

Background imageThe Ophile Alexandre Steinlen Collection: Poster or art work for Maitres de l Poster

Poster or art work for Maitres de l Poster. Theophile Alexandre Steinlen, frequently referred to as just Steinlen 1859 a 1923, a Swiss-born French Art Nouveau painter and printmaker

Background imageThe Ophile Alexandre Steinlen Collection: Poster for l opera Helle, represente au Theatre national de l Opera, Theophile

Poster for l opera Helle, represente au Theatre national de l Opera, Theophile Alexandre Steinlen, frequently referred to as just Steinlen 1859 a 1923

Background imageThe Ophile Alexandre Steinlen Collection: Theophile Alexandre Steinlen (Swiss, 1859 - 1923). Morning (Aubade Pour Elle), 1901

Theophile Alexandre Steinlen (Swiss, 1859 - 1923). Morning (Aubade Pour Elle), 1901. From Chansons d Atelier. Lithograph printed in brown on buff Asian wove paper. Image: 225 mm x 170 mm (8.86 in)

Background imageThe Ophile Alexandre Steinlen Collection: Theophile Alexandre Steinlen (Swiss, 1859 - 1923)

Theophile Alexandre Steinlen (Swiss, 1859 - 1923). Bal de Barriere, ca. 1898. Collotype on wove paper. Sheet: 405 mm x 308 mm (15.94 in. x 12.13 in.)

Background imageThe Ophile Alexandre Steinlen Collection: Theophile Alexandre Steinlen, Return from the Wash House (Retour de lavoir), Swiss

Theophile Alexandre Steinlen, Return from the Wash House (Retour de lavoir), Swiss, 1859-1923, 1912, color soft-ground etching and aquatint, zinc

Background imageThe Ophile Alexandre Steinlen Collection: Theophile Alexandre Steinlen, In the Rain: Mother and Children (Sous la pluie: La

Theophile Alexandre Steinlen, In the Rain: Mother and Children (Sous la pluie: La mere et les enfants), Swiss, 1859-1923, 1915, etching and aquatint

Background imageThe Ophile Alexandre Steinlen Collection: Theophile Alexandre Steinlen, Girls Coming from School (Gamines sortant de l ecole)

Theophile Alexandre Steinlen, Girls Coming from School (Gamines sortant de l ecole), Swiss, 1859-1923, 1911, etching, copper


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Theophile Alexandre Steinlen, a renowned artist of the late 19th and early 20th centuries, left an indelible mark on the art world with his diverse range of works. From his captivating portrayal of Shepherdess in the fourth quarter of the 19th century to his intriguing Culprit piece from 1896, Steinlen's talent knew no bounds. One of his notable creations was Helle - Opera en 4 actes, also completed in 1896. This masterpiece showcased Steinlen's ability to capture emotion and drama through his brushstrokes. Another remarkable work by him was Mothu et Doria - Scenes impressionistes, which displayed his keen eye for detail and skillful use of color. Steinlen's artistic prowess extended beyond painting as he ventured into other mediums such as printmaking. His Ten Assassinations Penny from 1897 exemplified this aspect of his creativity. Additionally, Three Figures from the early 1900s highlighted Steinlen's ability to convey movement and expression through sculpture. Not limited to visual arts alone, Steinlen also contributed to theatrical productions like Academie Nationale de Musique Dream in 1891 and Helle in the same year. These collaborations demonstrated his versatility as an artist who could bring stories to life both visually and theatrically. In collaboration with Compagnie Francaise des Chocolate et des Thé, Steinlen created L'Estampe Moderne Bal de Barriere in 1898 – a testament to how he seamlessly blended commercial art with fine art. His illustrations for Gil Blas Illustre Une Curiosite par Alexandre Hepp further showcased his ability to captivate audiences through storytelling. Les Moutons de Boisdeffre is yet another example that highlights Steinlen's affinity for capturing everyday scenes with great attention to detail. Through this artwork from 1898, he immortalized moments that might otherwise have gone unnoticed.