Theatrical Performance Collection (page 10)

Italy, Milan, Set design sketch for La Gioconda by Amilcare Ponchielli
Amilcare Ponchielli (1834 - 1886), La Gioconda, 1876. Set design sketch for a performance in 1876

France, Paris, costume sketch for Don Giovanni for performance Don Giovanni or the rake punish d, at Opera Comique
Wolfgang Amadeus Mozart (1756-1791), Don Giovanni ossia Il dissoluto punito, (Don Giovanni or the rake punish d), K 527, 1787

France, Paris, Reconstruction of the scenes (Act3) of first performance of opera Carmen by Georges Bizet
France, 19th century. Carmen by Georges Bizet. Reconstruction by Emile Bertier of the scenes (Act 3rd) of the first performance of the opera at the National Theater Opera Comique in Paris (March 1875)

France, Paris, Poster of The Valkyrie by Richard Wagner
Richard Wagner (1813-1883), Der Ring des Nibelungen - Die Walkure (The Ring of the Nibelung - The Valkyrie). Poster by Grasset, 1893

Czech Republic, Prague, Costume sketch for one of three boys in The Magic Flute by Wolfgang Amadeus Mozart for
Wolfgang Amadeus Mozart (1756-1791), Die Zauberflote (The Magic Flute), 1791. Costume sketch for one of the three boys by Kvetoslav Bubenik for the performance at Prague National Theatre in 1976

France, Paris, Costume sketch for the King in Aida by Giuseppe Verdi for the Premiere at Khedivial Opera House in Cairo
Giuseppe Verdi (1813-1901), Aida, 1871. Costume sketch for the King by Auguste Mariette (1821-1881) for the Premiere at Khedivial Opera House in Cairo, December 24, 1871

Germany, Bayreuth, Scene form The Ring of the Nibelung - The Rhinegold by Richard Wagner, print
Richard Wagner (1813-1883), Der Ring des Nibelungen - Das Rheingold (The Ring of the Nibelung - The Rhinegold), 1869. Print, early 1900 s

Czech Republic, Prague, Set design for performance The Marriage of Figaro by Wolfgang Amadeus Mozart
Wolfgang Amadeus Mozart (1756-1791), Le nozze di Figaro, ossia la folle giornata (The Marriage of Figaro or the Day of Madness) K 492, 1786

France, Paris, Costume sketch for a knight in The Troubadour by Giuseppe Verdi
Giuseppe Verdi (1813-1901). Il trovatore (The Troubadour). Costume sketch for a knight by Alfred Albert, January 12, 1857

France, The musical jury of the Opera, print, 19th century
Francia, 19th century. The musical jury of the Opera (Jury Musical du Grand Opera). Print

Italy, Milan, Costume sketch for Mefistofele (Mefistopheles)
Arrigo Boito (1842-1918), Mefistofele (Mephistopheles), 1868. Costume sketch for Mefistofele, act I, part I

Italy, Milan, Set design for Andromeda by Ascanio Pio di Savoia performed at Ferrara carnival in 1638
Theatre, Italy, 17th century. Set design for " Andromeda" (text by Ascanio Pio di Savoia) performed at Ferrara carnival in 1638

Austria, Theatre performance, caricature, 19th century
Theatre, Austria, 19th century. Caricature of a theatre performance

France, Paris, Costume sketch for Suiskij in Boris Godunov by Modest Petrovic Musorgskij
Modest Petrovic Musorgskij (1839-1881), Boris Godunov, 1874. Costume sketch for Suiskij by Y. Bonnat for a performance in 1953

France, Paris, Costume sketch for Amonasro in Aida by Giuseppe Verdi for the performance at Paris, Salle Garnier
Giuseppe Verdi (1813-1901), Aida, 1871. Costume sketch for Amonasro by Pierre Eugene Lacoste (1818-1908) for the performance at Paris, Salle Garnier, March 22, 1880

France, Paris, Set change during a performance of Giuseppe Verdis Aida, photography
Theatre, 20th century - Set change during a performance of Giuseppe Verdis Aida in 1911

France, Paris, Act II of Samson and Delilah by Charles Camille Saint-Saens, performance at Paris Eden Theatre
Charles Camille Saint-SaA

Austria, Vienna, Costume sketch for Mortimer in Mary Stuart by Gaetano Donizetti
Gaetano Donizetti (1797-1848), Maria Stuarda (Mary Stuart), 1835. Costume sketch for Mortimer

France, Paris, Costume sketch for Ortlinde valkyrie in The Ring of the Nibelung - The Valkyrie by Richard Wagner for
Richard Wagner (1813-1883), Der Ring des Nibelungen - Die Walkure (The Ring of the Nibelung - The Valkyrie), 1870. Costume sketch for Ortlinde valkyrie by Charles Bianchini (1860-1905)

Austria, Vienna, Costume sketch for Altoum, Emperor of China in Turandot by Giacomo Puccini
Giacomo Puccini (1858-1924), Turandot, 1920-1924. Costume sketch for Altoum, Emperor of China

France, Paris, Playbill for performance Boris Godunov by Modest Petrovic Musorgskij the Paris Opera
Modest Petrovic Musorgskij (1839-1881), Boris Godunov, 1874. Playbill for the Paris OpA

Italy, Milan, The Force of Destiny by Giuseppe Verdi. Terzianis first performance interpreters: Teresa Stolz
Giuseppe Verdi (1813-1901). La forza del destino (The Force of Destiny). Terzianis first performance interpreters: Teresa Stolz, Ida Benza, Mario Tiberini, Giacomo Rota, Luigi Colonnese, Marcel Junca

Germany, Berlin, frontispiece of first edition of music for production of Sophocless Antigone, 1842
Felix Mendelssohn Bartholdy (1809 - 1847), Music for a production of Sophocless " Antigone". Frontispiece of first edition, 1842

Italy, Milan, Set design sketch for Mefistopheles
Arrigo Boito (1842-1918), Mefistofele (Mephistopheles), 1868. Set design sketch

France, Paris, Set design for The Ring of the Nibelung - The Rhinegold by Richard Wagner for performance at Paris Opera
Richard Wagner (1813-1883), Der Ring des Nibelungen - Das Rheingold (The Ring of the Nibelung - The Rhinegold), 1869. Set design by Bellont, Mouveau and Demoget, for the performance at Paris OpA

France, Paris, Set design sketch for Stravinskys Petruchka, Act III, At the Moor s
Alexandre Benois, set design sketch for Stravinskys " Petruchka", 1947. Act III, At the Moor s

France, Paris, Tamara Platonovna Karsavina and Waslaw Nijinsky performing The Firebird by Stravinsky
Ballet, 20th century - Tamara Platonovna Karsavina and Waslaw Nijinsky performing " The Firebird", by Stravinsky

Germany, Bayreuth, Scene from The Ring of the Nibelung - The Valkyrie by Richard Wagner, Siegmunds death, print
Richard Wagner (1813-1883), Der Ring des Nibelungen - Die Valkure (The Ring of the Nibelung - The Valkyrie). Siegmunds death; print, early 1900 s

France, Paris, Helene Bouvier as Amneris in Aida by Giuseppe Verdi, Performance at Paris Palais Garnier
Giuseppe Verdi (1813-1901), Aida, 1871. Helene Bouvier as Amneris. Performance at Paris Palais Garnier, April 12, 1952

Italy, Venice, Set design for Norma by Vincenzo Bellini for performance at Teatro La Fenice in Venice
Vincenzo Bellini (1801-1835), Norma, 1831. Set design by Bertoja for the performance at Venice, Teatro La Fenice

France, Paris, Costume sketch for Amneris in Aida by Giuseppe Verdi for the performance at Paris, Salle Garnier
Giuseppe Verdi (1813-1901), Aida, 1871. Costume sketch for Amneris by Pierre Eugene Lacoste (1818-1908) for the performance at Paris, Salle Garnier, March 22, 1880

France, Paris, Costume sketch for Fenton in Falstaff by Giuseppe Verdi for performance at Paris Opera Comique
Giuseppe Verdi (1813-1901), Falstaff, 1893. Costume sketch for Fenton by Jean Aujame (1905-1965) for the performance at Paris, Opera Comique, May 16, 1952

France, Paris, Costume sketch for Count di Luna in The Troubadour by Giuseppe Verdi
Giuseppe Verdi (1813-1901). Il trovatore (The Troubadour). Costume sketch for Count di Luna by Alfred Albert for the performance at Paris OpA

Germany, Bayreuth, Set design for performance Parsifal by Richard Wagner
Richard Wagner (1813-1883), Parsifal. Set design by Paul Jouko, act III, 1882

France, Paris, Set design for The Song of the Nightingale by Igor Fedorovic Stravinsky
Igor Fedorovic Stravinsky (1882-1971), The Song of the Nightingale (Le chant du rossignol), 1920. Set design by Henry Matisse

Austria, Vienna, Costume sketch for performance The Clemency of Titus by Wolfgang Amadeus Mozart in Vienna
Wolfgang Amadeus Mozart (1756-1791), La clemenza di Tito (The Clemency of Titus), K 621, 1791. Costume sketch for a performance in Vienna, 1806

France, Paris, Set design for act I of The Ring of the Nibelung - The Rhinegold by Richard Wagner
Richard Wagner (1813-1883), Der Ring des Nibelungen - Das Rheingold (The Ring of the Nibelung - The Rhinegold), 1869. Set design for act I by Max Bruckner, 1906

France, Paris, Costume sketch for Venus in Tannhauser by Richard Wagner for performance at Paris Palais Garnier
Richard Wagner (1813-1883), Tannhauser. Costume sketch for Venus by Charles Bianchini (1860-1905). Performance at Paris Palais Garnier, May 13, 1895

Czech Republic, Prague, Costume sketch for Queen of the night in The Magic Flute by Wolfgang Amadeus Mozart for
Wolfgang Amadeus Mozart (1756-1791), Die Zauberflote (The Magic Flute), 1791. Costume sketch for the Queen of the night by Kvetoslav Bubenik for the performance at Prague National Theatre in 1976

France, Paris, Vertical section model of Paris Opera, 1862-1875
Charles Garnier (1825-1898), Vertical section model of Paris OpA

Monaco, Set design for The Mastersingers of Nuremberg by Richard Wagner
Richard Wagner (1813-1883), Die Meistersinger von Nurnberg (The Mastersingers of Nuremberg). Set design by Michael Echter

Italy, Milan, Costume sketch for Laura in La Gioconda by Amilcare Ponchielli
Amilcare Ponchielli (1834 - 1886), La Gioconda. Act I. Costume sketch for Laura by Giuseppe Palanti (1881-1946), 1907

Italy, Milan, Performance Simon Boccanegra by Giuseppe Verdi at the Teatro alla Scala in Milan
Giuseppe Verdi (1813-1901), Simon Boccanegra. Performance at the Teatro alla Scala, Milan, 1881

France, Paris, Reconstruction of the scenes (Act4) of first performance of opera Carmen by Georges Bizet
France, 19th century. Carmen by Georges Bizet. Reconstruction by Emile Bertier of the scenes (Act 4th) of the first performance of the opera at the National Theater Opera Comique in Paris (March 1875)

France, Paris, Costume sketch for Wolfram in Tannhauser by Richard Wagner for performance at Paris Palais Garnier
Richard Wagner (1813-1883), Tannhauser. Costume sketch for Wolfram by Charles Bianchini (1860-1905), act III. Performance at Paris Palais Garnier, May 13, 1895

Italy, Campania, Pompeii, Theatre scene, fresco 1st Century A.D. Italy, Naples, Museo Archeologico Nazionale (Archaeological Museum), Roman art

Roman civilization, 1st century A. D. Fresco depicting a scene from a comedy by Menander
Roman civilization, 1st century A.D. Fresco depicting a scene from a comedy by Menander, The Possessed Girl: itinerant musicians, 30-40 A.D. painting on plaster, 29x38 cm, from Stabiae, Italy

Roman civilization, relief of theatre scene from comedy Andria, by Publius Terentius Afer
Roman civilization, 2nd century b.C. Relief of a theatre scene from the comedy Andria, by Terence (Publius Terentius Afer 185 b.C. - 159 b.C.)

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"Captivating the Stage: A Journey through Theatrical Performances" Step into a world of grace and elegance as Prima Ballerina Anna Pavlova mesmerizes audiences with her breathtaking talent in the Russian Ballet. From the grandeur of the stage to the enchanting Beach Ballet, she effortlessly glides across each performance, leaving spectators spellbound. Witness Pavlova's ethereal presence come alive in "Pavlova In Giselle, " where she embodies both beauty and tragedy, captivating hearts with every delicate movement. As an illustration for Giuseppe Verdi's opera Otello, Italy becomes a backdrop for passion and betrayal as Desdemona, Othello, and Iago entwine their fates on stage. Travel to Germany's Berlin where set designs transport us into a whimsical realm in "The Magic Flute. " The Queen of the Night reigns supreme amidst intricate scenery that enchants both eye and soul. Meanwhile, France's Saint-Germain-en-Laye unveils Vaslav Nijinsky in Claude Debussy's L'Apres Midi d'un Faune – an iconic portrayal that forever etches itself into our memories. Delve deeper into theatrical brilliance with George Bernard Shaw’s thought-provoking plays that challenge societal norms while Shakespeare’s timeless masterpiece "The Tempest" comes alive through vivid illustrations. Henri de Toulouse-Lautrec captures May Milton's vivacity on canvas at La Scala - a testament to art imitating life within this legendary theater. Finally, let Tennessee Williams guide you through his evocative narratives filled with raw emotions and complex characters who grapple with love, loss, and desire on stage. Each performance is a symphony of emotions orchestrated by talented artists who bring stories to life under dazzling lights. In these moments suspended between reality and imagination lies the magic of theatrical performances – an escape from everyday life into worlds created by visionaries who dare to dream.