Thomas Malton Ii Collection

Chelsea Hospital, from A Picturesque Tour through the Cities of London
986055 Chelsea Hospital, from A Picturesque Tour through the Cities of London and Westminster Illustrated, 1792-1801 (hand and machine coloured aquatint) by Malton Jnr

Figures Outside an Elegant Country House, (pencil, pen and grey ink
651967 Figures Outside an Elegant Country House, (pencil, pen and grey ink, watercolour heightened with white) by Malton Jnr

Oriel College, Oxford, with St. Marys Church in the Distance
651885 Oriel College, Oxford, with St. Marys Church in the Distance, (pen and ink and watercolour) by Malton Jnr. Thomas (1748-1804); 32x46 cm; Private Collection; (add.info.: Oriel College, Oxford)

French Barracks, August 12, 1791. August 12, 1791. Creators: Thomas Rowlandson
French Barracks, August 12, 1791

Bank of England, c1781, (1925). Creator: Hare
Bank of England, c1781, (1925). View of the Bank of England in the City of London, and the churches of St Christopher-le-Stocks and St Bartholomew-by-the-Exchange

Old Palace Yard, Westminster, London, 1793. Artist: Thomas Malton II
Old Palace Yard, Westminster, London, 1793. View with figures and a coach in the street

Old Palace Yard, Westminster, London, 1782. Artist: Thomas Malton II
Old Palace Yard, Westminster, London, 1782. View of Old Palace Yard from Margaret Street, with figures, horsedrawn carriages and a sedan chair on the street

New Palace Yard and the entrance to Westminster Hall, London, 1782. View with carriages outside

Bank of England, St Christopher-le-Stocks and St Bartholomew-by-the-Exchange, London, c1775
Bank of England and the churches of St Christopher-le-Stocks and St Bartholomew-by-the-Exchange, London, c1775. Both churches wer rebuilt by Sir Christopher Wren after the Great Fire of London

View of the Church of St George, Bloomsbury, London, 1799. Artist: Thomas Malton II
View of the Church of St George, Bloomsbury, London, 1799. The church was built by Nicholas Hawksmoor between 1716 and 1731

Interior view of the new chapel, Royal Naval Hospital, Greenwich, London, c1790. Artist
Interior view of the new chapel, Royal Naval Hospital, Greenwich, London, c1790

West front of St Pauls Cathedral, City of London, 1780. Artist: Thomas Malton II
West front of St Pauls Cathedral, City of London, 1780

Ludgate Hill, Church of St Martin within Ludgate and St Pauls Cathedral, City of London, 1795. View with figures and horse-drawn vehicles on the street

Church of St Mary-le-Bow, Cheapside, City of London, 1798. Artist: Sir Christopher Wren
Church of St Mary-le-Bow, Cheapside, City of London, 1798. View of St Mary-le-Bow looking east along Cheapside with a street scene and horse-drawn carriages

College of Arms, City of London, 1768. Artist: William Sherwin
College of Arms, City of London, 1768

Blackfriars Bridge, London, 1797. Artist: Thomas Malton II
Blackfriars Bridge, London, 1797. View of Blackfriars Bridge looking north showing St Pauls Cathedral in the background. Also showing boats on the River Thames

Church of St Benet Fink, Threadneedle Street, City of London, 1797. Rebuilt by Sir Christopher Wren after it was destroyed by the Great Fire of London

View of the north front of the Bank of England, City of London, 1797; with figures

Westminster Bridge, London, (c1925?) Artist: Thomas Malton II
Westminster Bridge from the Bishops Walk by Lambeth Palace, London, (c1925?); showing part of the gateway. On the left a figure can be seen inspecting goods on a street sellers barrow

View of the Royal Hospital, Chelsea, London, 1775. Artist: Peter Mazell
View of the Royal Hospital, Chelsea, London, 1775. The facade of the Royal Hospital, with figures walking in the foreground

Monument, London, 1795. Artist: Thomas Malton II
View south along Fish Street Hill, London, 1795 with Monument and the tower of St Magnus the Martyr on left. Also showing figures, carts, horses and coaches

St Lawrence Jewry, London, 1798. Artist: Thomas Malton II
View of St Lawrence Jewry and Guildhall, London, 1798; with a street scene and horse drawn carriages

The Transfer Offices at the Bank of England, City of London, c1790
Interior view of the Transfer Offices at the Bank of England, City of London, c1790; with figures

The Four Percent Reduced Annuity Office at the Bank of England, City of London, c1790
Interior view of the Four Percent Reduced Annuity Office at the Bank of England, City of London, c1790; with figures

Interior view of the Brokers Exchange at the Bank of England, City of London, c1790; with figures

Interior view of the court room at the Bank of England, City of London, c1790; with figures

Principal front of the Bank of England, City of London, 1790
Principal front of the Bank of England, City of London, c1790, with figures and horse-drawn carriage

West quadrangle of the Bank of England, City of London, 1790. Artist: Thomas Malton II
View of the west quadrangle at the Bank of England, City of London, 1790; showing the court room and figures

Arcade on the north front of the Royal Exchange, City of London, 1797. View with figures, including an orange seller and a coach and horses in the street

Bank of England, Threadneedle Street, London, c1790. Artist: Thomas Malton II
Interior view of the Brokers Exchange, Bank of England, Threadneedle Street, London, c1790

Bank of England, Threadneedle Street, London, 1781. Artist: Thomas Malton II
View of the Bank of England and St Christopher-le-Stocks, Threadneedle Street, London, 1781; with a street scene

Royal Exchange (2nd) interior, London, 1798
View of the interior courtyard from the north east corner of the Royal Exchange; London, 1798, also with figures

View on Westminster Bridge, 1792. Artist: Thomas Malton II
View on Westminster Bridge, 1792. From A Catalogue of the Pictures and Drawings in the collection of Frederick John Nettleford Volume III. - I to S, by C. Reginald Grundy and F. Gordon Roe

A Field Day in Hyde Park, 1789, (1914). Artist: Thomas Malton II
A Field Day in Hyde Park, 1789. Coloured aquatint by Thomas Malton (1748-1804), after Thomas Rowlandson (1756-1827). From The Connoisseur Vol. XXXIX [Otto Limited, London, 1914.]

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Thomas Malton II was a talented artist who captured the essence of London in his stunning works. From the grandeur of the Bank of England on Threadneedle Street to the picturesque Chelsea Hospital, he brought these iconic landmarks to life with his brushstrokes. In "Figures Outside an Elegant Country House, " Malton showcased his mastery of pencil, pen, and grey ink, creating a scene that exuded elegance and charm. Not limited to London alone, Malton also ventured beyond its borders. His depiction of Oriel College in Oxford, with St. Mary's Church standing proudly in the distance, showcased his ability to capture architectural beauty outside the bustling cityscape. In collaboration with Thomas Rowlandson, Malton created "French Barracks" - a vivid portrayal that transported viewers back to August 12th, 1791. This piece offered a glimpse into military life during that time period and highlighted their joint talent for capturing historical moments. Malton's fascination with the Bank of England extended further as he depicted it again in 1781 alongside St Christopher-le-Stocks and St Bartholomew-by-the-Exchange - showcasing not only architectural prowess but also an eye for detail. His love for Westminster is evident through various pieces such as "Old Palace Yard" from both 1793 and 1782 editions. These artworks beautifully showcase this historic location through different lenses - one capturing its timeless beauty while another portrays it during an earlier era. Another masterpiece by Malton is "New Palace Yard and the entrance to Westminster Hall. " This artwork transports viewers back to London in 1782 when grandeur met everyday life at this iconic entrance. Malton's talents were not confined solely to buildings; he also captured churches like St George's Bloomsbury in all its glory - emphasizing intricate details that made each structure unique. Lastly, his interior view of Royal Naval Hospital's new chapel at Greenwich offers a glimpse into the serene and sacred space that provided solace to those seeking comfort.