Thomson Hugh 1860 1920 Collection

Jane Austen Persuasion. Austen's last novel published 1818, 1897 (engraving)
534401 Jane Austen Persuasion. Austen's last novel published 1818, 1897 (engraving) by Thomson, Hugh (1860-1920); (add.info.: Captain Wentworth giving Anne Elliot his note of declaration)

Illustration for Jane Austen's Persuasion, 1897 (engraving)
534398 Illustration for Jane Austen's Persuasion, 1897 (engraving) by Thomson, Hugh (1860-1920); (add.info.: Austen's last novel published 1818)

Illustration for Evelina by Fanny Burney (litho)
7152281 Illustration for Evelina by Fanny Burney (litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: The violence of their mirth)

Illustration for Evelina by Fanny Burney (litho)
7152209 Illustration for Evelina by Fanny Burney (litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: A copy of verses had been dropped in the pump-room)

Illustration for Evelina by Fanny Burney (litho)
7152239 Illustration for Evelina by Fanny Burney (litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: We were moved on between them)

Illustration for Jane Austens Emma (engraving)
7164681 Illustration for Jane Austens Emma (engraving) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Deeply occupied about her spectacles)

Illustration for Cranford by Mrs Gaskell (engraving)
7164572 Illustration for Cranford by Mrs Gaskell (engraving) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: The proof sheet of a great placard)

Illustration for Cranford by Mrs Gaskell (coloured engraving)
7164526 Illustration for Cranford by Mrs Gaskell (coloured engraving) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: The Father of the Faithful)

Mr Pickwick invites Mr Jingle to Dinner at the Bull, Rochester (colour litho)
7168989 Mr Pickwick invites Mr Jingle to Dinner at the Bull, Rochester (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info)

At the Cross-Roads, which Way? (colour litho)
7168988 At the Cross-Roads, which Way? (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: At the Cross-Roads, which Way)

Illustration for Jane Austens Emma (engraving)
7164697 Illustration for Jane Austens Emma (engraving) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: He stopped to look the question)

List of illustrations for Evelina by Fanny Burney (litho)
7152347 List of illustrations for Evelina by Fanny Burney (litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: List of illustrations for Evelina)

Illustration for Jane Austens Emma (engraving)
7164678 Illustration for Jane Austens Emma (engraving) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: He stopt to look in)

David Copperfield and the Waiter at Yarmouth (colour litho)
7168990 David Copperfield and the Waiter at Yarmouth (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: David Copperfield and the Waiter at Yarmouth)

Illustration for J M Barries The Admirable Crichton (colour litho)
5223701 Illustration for J M Barries The Admirable Crichton (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Catherine: " Father, you have boots." Act II)

Illustration for Shakespeares As You Like It (colour litho)
5217931 Illustration for Shakespeares As You Like It (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Act III, Scene II. Touchstone. Learn of the wise, and perpend)

Illustration for Shakespeares As You Like It (colour litho)
5217919 Illustration for Shakespeares As You Like It (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Act I, Scene III. Rosalind)

Richard Brinsley Sheridans The School for Scandal
3777356 Richard Brinsley Sheridans The School for Scandal by Thomson, Hugh (1860-1920); (add.info.: Richard Brinsley Sheridans play- The School for Scandal. Act 1, Scene 1- Lady Frizzles feather)

Knocked off his Horse by a Brickbat (engraving)
3625612 Knocked off his Horse by a Brickbat (engraving) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Knocked off his Horse by a Brickbat)

Give ear, give ear! O rats, appear! and follow, follow me! (engraving)
3625596 Give ear, give ear! O rats, appear! and follow, follow me! (engraving) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Give ear, give ear! O rats, appear! and follow, follow me)

Richardson Reading to his "Muses and Graces"(engraving)
3625592 Richardson Reading to his " Muses and Graces" (engraving) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Richardson Reading to his " Muses and Graces")

Preached before some Judge (engraving)
3625590 Preached before some Judge (engraving) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Preached before some Judge)

Mrs Elton was First Seen at Church, Curiosity in regard to the vulgar bride of a vulgar clergyman (engraving)
3625585 Mrs Elton was First Seen at Church, Curiosity in regard to the vulgar bride of a vulgar clergyman (engraving) by Thomson

Hester Prynne (colour litho)
3624593 Hester Prynne (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Hester Prynne. Illustration for Hugh Thomson by M H Spielmann and Walter Jerrold (A&C Black)

Jane Austen Northanger Abbey
3753305 Jane Austen Northanger Abbey by Thomson, Hugh (1860-1920); (add.info.: Louisa Musgrove and Captain James Benwick in Jane Austens novel Persuasion -Written 1816 and Published 1818)

J M Barrie Quality Street
3750158 J M Barrie Quality Street by Thomson, Hugh (1860-1920); (add.info.: J M Barrie Quality Street comedy first performed in 1901, New York. Act III (The Ball)

Illustration for The Merry Wives of Windsor (colour litho)
3650424 Illustration for The Merry Wives of Windsor (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info)

The arrival of John Lydgate (litho)
3641971 The arrival of John Lydgate (litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: The arrival of John Lydgate)

Oliver Goldsmiths play She Stoops to Conque
3777332 Oliver Goldsmiths play She Stoops to Conque by Thomson, Hugh (1860-1920); (add.info.: Oliver Goldsmiths play- She Stoops to Conquer or The Mistakes of a Night)

Illustration for Northanger Abbey by Jane Austen (litho)
5211491 Illustration for Northanger Abbey by Jane Austen (litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Illustration for Northanger Abbey by Jane Austen (Macmillan)

Illustration for Persuasion by Jane Austen (litho)
5211946 Illustration for Persuasion by Jane Austen (litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Illustration for Persuasion by Jane Austen (Macmillan)

The Loves and Jealousies of Two Jolly Postboys (chromolitho)
1046872 The Loves and Jealousies of Two Jolly Postboys (chromolitho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: The Loves and Jealousies of Two Jolly Postboys)

Mr Jollyboys Bachelor Party (colour litho)
1036640 Mr Jollyboys Bachelor Party (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Mr Jollyboys Bachelor Party)

"Thats Ended!"(colour litho)
727731 " Thats Ended!" (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: " Thats Ended)

Here sat Eppie (colour litho)
727726 Here sat Eppie (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Here sat Eppie. Illustration for Silas Marner by George Eliot (Macmillan)

The Young Squire leading off Wi Miss Nancy for Partners (colour litho)
727723 The Young Squire leading off Wi Miss Nancy for Partners (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: The Young Squire leading off Wi Miss Nancy for Partners)

Dr. Kimble making himself Agreeable to his Feminine Patients (colour litho)
727722 Dr. Kimble making himself Agreeable to his Feminine Patients (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Dr)

Arrivals at the Red House (colour litho)
727719 Arrivals at the Red House (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Arrivals at the Red House)

Series of illustrations depicting the Hollydale Hunt (colour litho)
726975 Series of illustrations depicting the Hollydale Hunt (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Series of illustrations depicting the Hollydale Hunt)

Reading "John Gilpin"(engraving)
2781957 Reading " John Gilpin" (engraving) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Reading " John Gilpin." Illustration for The English Illustrated Magazine)

Illustration for Quality Street (colour litho)
2794586 Illustration for Quality Street (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Maid with Tea)

Illustration for Amos Barton by George Eliot (litho)
3098341 Illustration for Amos Barton by George Eliot (litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Illustration for Amos Barton by George Eliot)

Illustration for Janets Repentance by George Eliot (colour litho)
3098336 Illustration for Janets Repentance by George Eliot (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Illustration for Janets Repentance by George Eliot)

Illustration for Mr Gilfils Love Story by George Eliot (colour litho)
3098332 Illustration for Mr Gilfils Love Story by George Eliot (colour litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Illustration for Mr Gilfils Love Story by George Eliot)

Illustration for Northanger Abbey by Jane Austen (litho)
5211490 Illustration for Northanger Abbey by Jane Austen (litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Illustration for Northanger Abbey by Jane Austen (Macmillan)

Illustration for Northanger Abbey by Jane Austen (litho)
5211482 Illustration for Northanger Abbey by Jane Austen (litho) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Illustration for Northanger Abbey by Jane Austen (Macmillan)

Covent Garden - an auction (engraving)
820387 Covent Garden - an auction (engraving) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Covent Garden - an auction; from a drawing by Hugh Thomson)

Hogarth in his study (engraving)
606874 Hogarth in his study (engraving) by Thomson, Hugh (1860-1920); Private Collection; (add.info.: Hogarth in his study); Look and Learn / Peter Jackson Collection

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Thomson Hugh (1860-1920) was a talented illustrator known for his captivating engravings and lithographs that brought classic literary works to life. His illustrations were not only visually stunning but also captured the essence of the stories they depicted. One of Thomson Hugh's notable works includes an engraving for Jane Austen's Persuasion, Austen's last novel published in 1818. With intricate details and delicate lines, he beautifully portrayed the characters and settings from this beloved story. In 1897, Thomson Hugh created another enchanting engraving as an illustration for Evelina by Fanny Burney. The lithograph showcased a pivotal moment in the narrative, capturing the emotions and atmosphere with great skill. His talent extended beyond Austen and Burney's novels. Thomson Hugh also created an exquisite engraving for Jane Austen's Emma, showcasing his ability to capture both the elegance of Regency society and the complexity of its characters. Mrs Gaskell's Cranford was yet another literary work that benefited from Thomson Hugh's artistic touch. He produced both colored engravings and regular engravings for this charming tale, each one bringing out different aspects of its delightful world. Not limited to illustrating novels alone, Thomson Hugh also ventured into creating lithographs depicting scenes from everyday life. In "Mr Pickwick invites Mr Jingle to Dinner at the Bull, " he used vibrant colors to portray a lively gathering full of humor and camaraderie. Similarly, "At the Cross-Roads, which Way?" showcased his ability to capture moments filled with anticipation and decision-making. Throughout his career, Thomson Hugh left an indelible mark on literature through his evocative illustrations. Whether it was bringing Jane Austen or Fanny Burney's words to life or capturing ordinary moments with extraordinary artistry, he had a unique ability to transport readers into different worlds through his visual storytelling.