Tibaldi Pellegrino Collection

Venus and Minerva, c.1590-c.1620. Creator: Unknown
Venus and Minerva, c.1590-c.1620

Visitation (Meeting of Mary and Elizabeth in the Presence of Saints Joseph and Jerome), 1550-1600

Warrior Seen From the Back, n.d. Creators: Filippo Napoletano, Pellegrino Tibaldi
Warrior Seen From the Back, n.d

Seated Male Nude with Outstretched Left Arm, n.d. Creator: Unknown
Seated Male Nude with Outstretched Left Arm, n.d

Design of a fireplace, 1756. Creator: Giovanni Battista Brostoloni
Design of a fireplace, 1756

Plate 4: cross-section of the Hall of the Institute of Bologna, with the entrance to the room, 1756. [Spaccato quarto di questa Sala

Plate 6: Ulysses driving a burning stake into Polyphemus eye, 1756

Plate 1: cross-section of the Hall of the Institute of Bologna, which served as the residence for the Clementine Academy, with fresco paintings by Pellegrino Tibaldi in the vault, 1756

Plate 7: the blinded Polyphemus, guarding the entrance of his cavern, with Ulysses and his companions escaping below by covering themselves with ram skins, 1756

Plate 27: Ulysses received by Alcinous king of Phoeacia and his Queen Areta after his ship... 1756
Plate 27: Ulysses received by Alcinous king of Phoeacia and his Queen Areta after his shipwreck, 1756

Plate 26: Ulysses escaping on a raft with the aid of the sea deity Leucothea, 1756

Plate 24: Ulysses's companions stealing the oxen sacred to Apollo, 1756

Plate 22: two nude figures wearing veils, 1756. Creators: Bartolomeo Crivellari
Plate 22: two nude figures wearing veils, 1756

Plate 19: figure seen from behind with left hand raised, 1756

Plate 18: two nude figures wearing veils, seen from behind, 1756

Plate 17: two nude figures wearing veils, 1756. Creators: Bartolomeo Crivellari
Plate 17: two nude figures wearing veils, 1756

Plate 20: bearded figure, half clothed, 1756. Creators: Bartolomeo Crivellari
Plate 20: bearded figure, half clothed, 1756

Plate 15: mythological figure wearing a helmet and holding a shield, 1756

Plate 5: view of the ceiling with its ornaments and frescoed paintings, 1756

Plate 16: mythological figure holding a mirror, 1756. Creators: Bartolomeo Crivellari
Plate 16: mythological figure holding a mirror, 1756

Plate 8: Ulysses receiving the winds in a leather bag from Aeolus, 1756

Plate 34: Auriga, the charioteer, falls from the chariot at center, with three horses at l... 1756
Plate 34: Auriga, the charioteer, falls from the chariot at center, with three horses at left, 1756

Three bearded men, one wearing fur, 1756. Creators: Bartolomeo Crivellari, Gabriel Soderling
Three bearded men, one wearing fur, 1756

A standing man in a niche reaching forward with one arm, 1756. Creators: Bartolomeo Crivellari, Gabriel Soderling
A standing man in a niche reaching forward with one arm, 1756

Plate 40: the division of the elect from the reprobate, 1756. Creators: Bartolomeo Crivellari, Gabriel Soderling
Plate 40: the division of the elect from the reprobate, 1756

Plate 41: Saint John the Baptist preaching to a large crowd and baptizing children, 1756

Seated satyr, with enlarged head of same (recto); head of a woman (verso), 1527-96

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Tibaldi Pellegrino: A Journey Through Myth and Beauty Step into the world of Tibaldi Pellegrino, a captivating artist who transports us to ancient times through his intricate designs. One such masterpiece is the design of a fireplace from 1756, created by Giovanni Battista Brostoloni. The attention to detail in this piece is astounding, with every curve and carving telling its own story. Plate 4 takes us on a cross-section tour of the Hall of the Institute of Bologna. As we delve deeper into this architectural wonder, we are mesmerized by its grandeur and elegance. Each room holds secrets waiting to be discovered. In Plate 6, Ulysses drives a burning stake into Polyphemus' eye, capturing an intense moment from Greek mythology. The sheer power emanating from this scene leaves us breathless as we witness Ulysses' bravery against all odds. Moving on to Plate 1, another cross-section reveals the magnificence of the Hall of the Institute of Bologna. Its vastness seems endless as it stretches before our eyes, inviting us to explore further. Plate 7 presents Polyphemus guarding the entrance of his cavern after being blinded by Ulysses. His imposing figure reminds us that even those who seem invincible can be brought down by their own arrogance. The artistic duo Bartolomeo Crivellari and Gabriel Soderling bring forth Plate 27 - Ulysses received by Alcinous king of Phoeacia and his Queen Areta after his shipwreck. Their delicate strokes depict hospitality and compassion amidst adversity. In Plate 26, Ulysses escapes on a raft with Leucothea's aid - an enchanting portrayal crafted by Crivellari and Soderling. This image captures both danger and hope as they navigate treacherous waters towards freedom.