Tied Up Collection (page 4)

Ruggiero Rescuing Angelica, 1841 (oil on canvas)
XIR182582 Ruggiero Rescuing Angelica, 1841 (oil on canvas) by Ingres, Jean Auguste Dominique (1780-1867); Musee Ingres, Montauban, France

Ruggiero rescuing Angelica, illustration from Canto X of Orlando Furioso by Ludovico Ariosto (1474-1533)
CHT239758 Ruggiero rescuing Angelica, illustration from Canto X of Orlando Furioso by Ludovico Ariosto (1474-1533) published 1888, Paris (engraving) by Dore

The Deliverance: Ruggiero and Angelica, 1876 (oil on canvas)
XIL212533 The Deliverance: Ruggiero and Angelica, 1876 (oil on canvas) by Blanc, Joseph Paul (1846-1904); 334x225 cm; Musee des Beaux-Arts, Lille, France

The Scarlet Pimpernel to the Rescue, illustration for The Scarlet Pimpernel by Baroness Orczy (1865-1947) (colour litho)
IL193482 The Scarlet Pimpernel to the Rescue, illustration for The Scarlet Pimpernel by Baroness Orczy (1865-1947) (colour litho) by Michael, Arthur C

Flagellation, 1519 (fresco)
2562737 Flagellation, 1519 (fresco) by Romanino, Girolamo (c.1485-c.1566); Duomo (Cattedrale Santa Maria dell Assunta), Cremona, Lombardy, Italy; (add.info.: Cremona, Duomo (the Cathedral of S)

Flagellation, 1519 (fresco)
2562736 Flagellation, 1519 (fresco) by Romanino, Girolamo (c.1485-c.1566); Duomo (Cattedrale Santa Maria dell Assunta), Cremona, Lombardy, Italy; (add.info.: Cremona, Duomo (the Cathedral of S)

Jesus in front of Pontius Pilate and the Flagellation, 1519 (fresco)
2562734 Jesus in front of Pontius Pilate and the Flagellation, 1519 (fresco) by Romanino, Girolamo (c.1485-c.1566); Duomo (Cattedrale Santa Maria dell Assunta), Cremona, Lombardy

Robin Hood meets the Bishop of Hereford, illustration from Robin Hood and his Life in the Merry Greenwood
IL197702 Robin Hood meets the Bishop of Hereford, illustration from Robin Hood and his Life in the Merry Greenwood, told by Rose Yeatman Woolf, published by Raphael Tuck

A Footnote, 1896. Creator: Aubrey Beardsley
A Footnote, 1896. From The Savoy No. 2. A self portrait [of Aubrey Beardsley] in which the artist has fatefully bound himself to the god of Nature

Alberich, from The Savoy No. 8, 1896. Creator: Aubrey Beardsley
Alberich, from The Savoy No. 8, 1896. Another drawing for Das Rheingold. It has the charm of a Japanese netsuke and reminds one of an earlier drawing

A Monumental Portrait of a Monkey, c. 1705-1710. Creator: Unknown
A Monumental Portrait of a Monkey, c. 1705-1710

Mold-Made Female Figurine Wrapped in Cloth and Tied with String, c. A. D. 100 / 600
Mold-Made Female Figurine Wrapped in Cloth and Tied with String, c. A.D. 100/600

Mold-Made Figurine Wrapped in Wool String, A. D. 100 / 600. Creator: Unknown
Mold-Made Figurine Wrapped in Wool String, A.D. 100/600

Foundation Deposit: Bound Ox, Egypt, New Kingdom, Dynasties 18-19 (about 1550-1069 BCE)

Foundation Deposit: Bound Ox, Egypt, Late Period, Dynasty 25-30 (780-343 BCE)

Vessel Depicting a Bound Prisoner Facing a Jaguar, A. D. 250 / 500. Creator: Unknown
Vessel Depicting a Bound Prisoner Facing a Jaguar, A.D. 250/500

Jesus Mocked by the Soldiers, 1865. Creator: Edouard Manet
Jesus Mocked by the Soldiers, 1865

Polycrates Crucifixion, c. 1664. Creator: Salvator Rosa
Polycrates Crucifixion, c. 1664

Christ Carrying the Cross, 1420 / 25. Creator: Master of the Worcester Carrying of
Christ Carrying the Cross, 1420/25

Saint Christopher Meets Satan; Saint Christopher before the King of Lycia, 1480 / 85
Saint Christopher Meets Satan; Saint Christopher before the King of Lycia, 1480/85

Portrait of Pierre Seguier, 1672. Creator: Gerard Audran
Portrait of Pierre Seguier, 1672

Saint Sebastian being tied to a tree, 1625-50. Creator: Girolamo Pedrignani
Saint Sebastian being tied to a tree, 1625-50. After (attributed to) Pietro Testa

Ecce Homo with three angels, 1634-86. Creator: Gilles Rousselet
Ecce Homo with three angels, 1634-86. [Man of Sorrows. Angeli pacis amare flebunt - the angels of peace shall weep bitterly]

The Flagellation of Christ who is tied to a column at center set within an arcade, 1509

The Martyrdom of Saint Christopher, "Secondo Quadro", 1776
The Martyrdom of Saint Christopher, " Secondo Quadro", 1776. The king of Samos had Christopher tied to a pillar, and ordered four thousand soldiers to shoot arrows at him

Woman in casual hairdo reading a fashion magazine, 1801 (handcoloured copperplate engraving)
5986629 Woman in casual hairdo reading a fashion magazine, 1801 (handcoloured copperplate engraving) by French School, (19th century); (add.info.: Fashionable woman with a casual hairdo, 10 May 1801)

Prometheus Freed by Hercules, 1781-1785 (oil on canvas)
1766412 Prometheus Freed by Hercules, 1781-1785 (oil on canvas) by Fuseli, Henry (Fussli, Johann Heinrich) (1741-1825); 63x75 cm; Private Collection; (add.info.: Prometheus Freed by Hercules)

The Sacrifice of Isaac, (oil on canvas)
651228 The Sacrifice of Isaac, (oil on canvas) by Champaigne, Philippe de (1602-74); 179.8x149.5 cm; Private Collection; (add.info.: The Sacrifice of Isaac. Philippe de Champaigne (1602-1624)

Roger et Angelique, (pencil on calque laid down on wove paper)
990004 Roger et Angelique, (pencil on calque laid down on wove paper) by Ingres, Jean Auguste Dominique (1780-1867); 47x37.2 cm; Private Collection; (add.info.: Roger et Angelique)

The Martyrdom of Saint Bartholomew, (oil on canvas)
659337 The Martyrdom of Saint Bartholomew, (oil on canvas) by Badalocchio, Sisto (1581/5-1647); 119.3x155.5 cm; Private Collection; (add.info.: The Martyrdom of Saint Bartholomew)

"The Monkeys wound many coils around his body. "from
3614747 A" The Monkeys wound many coils around his body.A" from A The Wonderful Wizard of OzA by L. Frank Baum by Denslow

The Mocking of Christ, 1637 (woodblock print)
880693 The Mocking of Christ, 1637 (woodblock print) by Chinese School (17th century); Minneapolis Institute of Arts, MN, USA; (add.info.: The Mocking of Christ)

Mars Bound by Cupid, c. 1515-1520 (drypoint)
883708 Mars Bound by Cupid, c.1515-1520 (drypoint) by Master of 1515 (fl.1515-20); 17.5x13.2 cm; Minneapolis Institute of Arts, MN

Little John and the Forester
LLM455729 Little John and the Forester by Crane, Walter (1845-1915); Private Collection; (add.info.: Little John and the Forester)

Twenty two prisoners brought in one band from Colchester to London
STC469255 Twenty two prisoners brought in one band from Colchester to London, illustration from Foxes Martyrs c.1703 (litho) by English School

Shoeing the Bay Mare, c. 1885-90 (oil on canvas)
TW426913 Shoeing the Bay Mare, c.1885-90 (oil on canvas) by Hedley, Ralph (1848-1913); 66x64 cm; Laing Art Gallery, Newcastle-upon-Tyne

Program for Banquet, Die Zukunft (The Future), 1905 (photogravure on menu card)
XYC311163 Program for Banquet, Die Zukunft (The Future), 1905 (photogravure on menu card) by Herkomer, Hubert von (1849-1914); 24.1x16.5 cm; Yale Center for British Art, Paul Mellon Fund; English

Study for Jean d Air, from the Burghers of Calais, c. 1905-10 (bronze)
NUL120324 Study for Jean d Air, from the Burghers of Calais, c.1905-10 (bronze) by Rodin, Auguste (1840-1917); height: 68.5 cm; Private Collection; (add.info)

The Martyrdom of St Thecla, detail from the High Altar (alabaster)
XJL186917 The Martyrdom of St Thecla, detail from the High Altar (alabaster) by Johan, Pere (1398-1458); Tarragona Cathedral, Catalonia, Spain; Spanish, out of copyright

Martyrdom of St. Sebastian, 1565
FTB60653 Martyrdom of St. Sebastian, 1565 by Veronese, (Paolo Caliari) (1528-88); San Sebastiano, Venice, Italy; Italian, out of copyright

Christ before Caiaphas. 1512 (Burin engraving on copper)
5890592 Christ before Caiaphas. 1512 (Burin engraving on copper) by DAorer or Duerer, Albrecht (1471-1528); 11.8x7.5 cm; Private Collection; (add.info.: Joseph ben Caiaphas was)

Saint Sebastian, (oil on panel)
827756 Saint Sebastian, (oil on panel) by Caroto, Giovanni Francesco (c.1478/82-1555); 166.5x73 cm; Private Collection; (add.info.: Saint Sebastian. Giovanni Francesco Caroto (c.1480-1555)

The Flagellation of Christ (oil on panel)
990401 The Flagellation of Christ (oil on panel) by Baco, Jacomart (Jacomart, Jaime) (c.1413-61) (studio of); 94.5x70.3 cm; Private Collection; (add.info.: The Flagellation of Christ)

Chap delighted with his parcel (Peak Freans Biscuit Box!)
A Young chap delighted to discover a parcel has arrived for him, containing a Peak Freans Biscuit Box! (or so says the hand-written message!!) Date: circa 1900s

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"Bound by Fate: Exploring the Ties That Bind" "Behold the Reward of those Who Meddle in Other Peoples Affairs, c1900-1950: A cautionary tale of interference and its consequences. " "Saint Sebastian, 1642: Guercino's masterpiece capturing the strength and resilience of a martyr bound by arrows. " "Convict Ship: Unveiling the haunting history behind these vessels that transported prisoners to distant lands. " "Andromeda, 1869 (oil on canvas): The captivating story of a princess tied up as an offering to a sea monster, immortalized through art. " "Fasces: Symbolizing power and authority, these bound bundles remind us of both unity and control throughout history. " "Film: Nameless Men, 1928 - A gripping narrative exploring the lives entangled in anonymity and societal expectations. " "The Sacrifice of Isaac, 1616 (oil on panel): Delving into biblical lore where Abraham is tested with his son's life hanging by a thread. " "Boats tied up on a river in the old town of Fenghuang, Hunan Province, China, Asia - An enchanting glimpse into traditional riverside life amidst ancient architecture. " "Foynes Harbour, River Shannon, County Limerick Ireland - Tracing maritime heritage through boats tethered along this picturesque Irish harbor. " "The Crow, 1849 (oil on panel) - Edgar Allan Poe's iconic poem brought to life through haunting brushstrokes depicting a raven perched upon despair. " "Martyrdom of St. Sebastian ca. 1600 : Jan Muller captures Sebastian's unwavering faith even when bound by ropes awaiting his fate. " “Punishment of female debtors in Abyssinia (Ethiopia).