Tiger Skin Collection (page 2)

The Handsome Dance - Goo-a-give, 1854 / 1869. Creator: George Catlin
The Handsome Dance - Goo-a-give, 1854/1869. Three women covered in clay dance without moving their feet. Venezuela

Cartouche Formed by a Tiger Skin Flanked by Two Centaurs, 1647

Rama, Sita, and Lakshmana at the Hermitage of Bharadvaja: Illustrated folio from... ca
Rama, Sita, and Lakshmana at the Hermitage of Bharadvaja: Illustrated folio from a dispersed Ramayana series, ca. 1780

Shiva and Parvati Playing Chaupar: Folio from a Rasamanjari Series, dated 1694-95

Odalisque. Creator: Jean Joseph Benjamin Constant
Odalisque

Princess Helene of Orleans, late 19th-early 20th century. Artist: L Varney & Son
Princess Helene of Orleans, late 19th-early 20th century. Portrait of British-born Helene d Orleans, Duchess of Aosta (1871-1951) who married Emanuele Filiberto, Duke of Aosta

Welcome Footsteps (Well-known Footsteps), May 7, 1883. Creator: Leopold Lowenstam
Welcome Footsteps (Well-known Footsteps), May 7, 1883

Plate 4 cartouche formed tiger skin flanked two centaurs
Artokoloro

Louis Signorino seated in his study (oil on canvas)
BAL20743 Louis Signorino seated in his study (oil on canvas) by Bourgain, Gustave (c.1855-1921); Private Collection; French, out of copyright

Sweet Dreams, 1901 (oil on canvas)
BAL11012 Sweet Dreams, 1901 (oil on canvas) by Godward, John William (1861-1922); Private Collection; English, out of copyright

Mischief and Repose, 1895 (oil on canvas)
XOS1077633 Mischief and Repose, 1895 (oil on canvas) by Godward, John William (1861-1922); 60.6x133 cm; J. Paul Getty Museum, Los Angeles, USA; English, out of copyright

Sumatran tiger skin C013 / 6653
Sumatran tiger (Panthera tigris sumatrae) skin. Collection number 1935.4.6.3 - Animal

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"Tiger Skin: A Captivating Symbol of Power, Beauty, and Mystery" The mesmerizing allure of the tiger skin has been captured in various forms of art throughout history. From Circe's enchanting gaze in the 1889 oil painting by Circe to Caesar's regal presence depicted in the 1875 oil on canvas masterpiece, this iconic pattern evokes a sense of strength and elegance. In Venus Binding her Hair, the tiger skin serves as a luxurious backdrop for the goddess' graceful beauty. Its rich texture adds depth to the scene, highlighting her divine aura. Similarly, Kali/Tara portrays an enigmatic figure draped in a tigerskin cloak created by Calcutta Art Studio. The juxtaposition between ferocity and femininity creates an intriguing narrative. Moving beyond paintings, we find an ascetic meditating on a tigerskin in gouache on paper—an image that symbolizes spiritual enlightenment amidst nature's raw power. Meanwhile, Harem: After the Bath captures sensuality through color lithography with hints patterns adorning its subjects. Even portraiture embraces this captivating motif; Colonel A. G. Lucas proudly poses on horseback against a backdrop reminiscent of his bravery—his steely gaze mirrored by the fierce stripes beneath him. Beyond visual arts lies literature; Idylls of the King illustrates how even kings are captivated by its allure as they pass blankly before it—a testament to its magnetic appeal transcending time and place. Lastly, theater immortalizes this captivating design through The Actor Sakata Hangoro III as Takechi Mitsuhide in "The Banquet. " As he dons his character's costume embellished with tiger motifs, he embodies both cunning and charisma. Whether portrayed as a symbol of royalty or used metaphorically to represent untamed desires lurking within human nature—the tiger skin continues to fascinate artists across different mediums. Its timeless charm reminds us that true beauty lies in embracing the wild and mysterious aspects of life.