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Toga Collection (page 8)

"Toga: A Glimpse into Ancient Rome's Rich Tapestry of Art and History" Step back in time and immerse yourself in the captivating world of ancient Rome

Background imageToga Collection: I Quattro Coronati, from the niche of the stonemasons and carpenters guild, c

I Quattro Coronati, from the niche of the stonemasons and carpenters guild, c
LEE241029 I Quattro Coronati, from the niche of the stonemasons and carpenters guild, c.1415 (marble) by Nanni di Banco (c.1384-1421); Orsanmichele Church and Museum, Florence, Tuscany

Background imageToga Collection: Altar dedicated to the lares of Augustus (63 BC-AD 14) (stone)

Altar dedicated to the lares of Augustus (63 BC-AD 14) (stone)
ALG218217 Altar dedicated to the lares of Augustus (63 BC-AD 14) (stone) by Roman; Galleria degli Uffizi, Florence, Tuscany

Background imageToga Collection: Isadora Duncan (1877-1927) and her pupils, early 20th century (b / w photo)

Isadora Duncan (1877-1927) and her pupils, early 20th century (b / w photo)
CHT239517 Isadora Duncan (1877-1927) and her pupils, early 20th century (b/w photo) by German Photographer (20th Century); Private Collection; (add.info)

Background imageToga Collection: Isadora Duncan (1877-1927) and her pupils from the Grunewald School, 1908 (b / w photo)

Isadora Duncan (1877-1927) and her pupils from the Grunewald School, 1908 (b / w photo)
CHT239516 Isadora Duncan (1877-1927) and her pupils from the Grunewald School, 1908 (b/w photo) by Berger, Paul (20th century); Bibliotheque des Arts Decoratifs, Paris

Background imageToga Collection: Isadora Duncan (1877-1927) c. 1903-04 (b / w photo)

Isadora Duncan (1877-1927) c. 1903-04 (b / w photo)
CHT239521 Isadora Duncan (1877-1927) c.1903-04 (b/w photo) by Elvira Studio (19th-20th century); Bibliotheque de l Opera Garnier, Paris

Background imageToga Collection: Relief depicting the death of Meleager, detail from the Sarcophagus of Meleager (marble

Relief depicting the death of Meleager, detail from the Sarcophagus of Meleager (marble
XIR267143 Relief depicting the death of Meleager, detail from the Sarcophagus of Meleager (marble) (b/w photo) by Roman; Louvre, Paris

Background imageToga Collection: Stela with two human figures, High Imperial Period (27 BC-395 AD) (stone)

Stela with two human figures, High Imperial Period (27 BC-395 AD) (stone)
GDG267041 Stela with two human figures, High Imperial Period (27 BC-395 AD) (stone) by Roman Imperial Period (27 BC-476 AD); Djemila

Background imageToga Collection: Stela, High Imperial Period (27 BC-395 AD) (stone)

Stela, High Imperial Period (27 BC-395 AD) (stone)
GDG267019 Stela, High Imperial Period (27 BC-395 AD) (stone) by Roman Imperial Period (27 BC-476 AD); Timgad, Algeria; (add.info)

Background imageToga Collection: Bust of Quintilian (marble)

Bust of Quintilian (marble)
BAT254054 Bust of Quintilian (marble) by Italian School; Galleria degli Uffizi, Florence, Tuscany, Italy; (add.info.: Marcus Fabius Quintilianus (35-95AD); Roman rhetorician

Background imageToga Collection: Promotional card for Cacao van Houten drinking chocolate illustrating

Promotional card for Cacao van Houten drinking chocolate illustrating
CHT221510 Promotional card for Cacao van Houten drinking chocolate illustrating the burning of Rome in 64 AD, c.1910 (colour litho) by French School

Background imageToga Collection: Comedy of Errors, Act III, scene ii (engraving)

Comedy of Errors, Act III, scene ii (engraving)
971628 Comedy of Errors, Act III, scene ii (engraving) by Meadows, Joseph Kenny (1770-1874) (after); Private Collection; (add.info.: Comedy of Errors, Act III, scene ii)

Background imageToga Collection: Le Monde Illustre (chromolitho)

Le Monde Illustre (chromolitho)
961387 Le Monde Illustre (chromolitho) by French School, (19th century); Private Collection; (add.info.: Le Monde Illustre. French trade card, 19th century weekly.); © Look and Learn

Background imageToga Collection: The thrushes (chromolitho)

The thrushes (chromolitho)
961347 The thrushes (chromolitho) by French School, (19th century); Private Collection; (add.info.: The thrushes. Anecdotal history of food)

Background imageToga Collection: The famous English divers (b / w photo)

The famous English divers (b / w photo)
3095878 The famous English divers (b/w photo) by French Photographer, (20th century); Private Collection; (add.info.: The famous English divers)

Background imageToga Collection: Native of Ethiopia, c. 1900 (b / w photo)

Native of Ethiopia, c. 1900 (b / w photo)
XIR213154 Native of Ethiopia, c.1900 (b/w photo) by Chusseau-Flaviens, C. (fl.1900-14); Private Collection; out of copyright

Background imageToga Collection: Attic red-figure cup depicting Achilles and Hector fighting in the presence of Athena and Apollo

Attic red-figure cup depicting Achilles and Hector fighting in the presence of Athena and Apollo (pottery) (b / w photo)
ALI213053 Attic red-figure cup depicting Achilles and Hector fighting in the presence of Athena and Apollo (pottery) (b/w photo) by Greek, (5th century BC); Museo Gregoriano Etrusco

Background imageToga Collection: Statue of Antonia the Younger (d. 37 AD) (stone)

Statue of Antonia the Younger (d. 37 AD) (stone)
XIR212886 Statue of Antonia the Younger (d.37 AD) (stone) by Roman, (1st century AD); Musee d Archeologie, Nice, France; (add.info.: wife of Nero Claudius Drusus; ); out of copyright

Background imageToga Collection: Reading, 1871

Reading, 1871
658395 Reading, 1871 () by Poynter, Edward John (1836-1919); 20x20 cm; Private Collection; (add.info.: Reading. Sir Edward John Poynter (1836-1919). Oil on panel. Dated 1871

Background imageToga Collection: Roman Senator wearing the Toga (engraving)

Roman Senator wearing the Toga (engraving)
670301 Roman Senator wearing the Toga (engraving) by English School, (19th century); Private Collection; (add.info.: Roman Senator wearing the Toga)

Background imageToga Collection: The Roman Wine-Tasters (w / c on paper)

The Roman Wine-Tasters (w / c on paper)
CH139902 The Roman Wine-Tasters (w/c on paper) by Alma-Tadema, Lawrence (1836-1912); 40.6x19 cm; Private Collection; Photo eChristies Images; English, out of copyright

Background imageToga Collection: Saint Paul, from the Piccolomini Altar, 1501-4 (marble) (see 134171 & 134173)

Saint Paul, from the Piccolomini Altar, 1501-4 (marble) (see 134171 & 134173)
BEN134172 Saint Paul, from the Piccolomini Altar, 1501-4 (marble) (see 134171 & 134173) by Buonarroti, Michelangelo (1475-1564); 127 in height cm; Duomo, Siena

Background imageToga Collection: Saint Paul, from the Piccolomini Altar, 1501-4 (marble) (see 134172 & 134173)

Saint Paul, from the Piccolomini Altar, 1501-4 (marble) (see 134172 & 134173)
BEN134171 Saint Paul, from the Piccolomini Altar, 1501-4 (marble) (see 134172 & 134173) by Buonarroti, Michelangelo (1475-1564); 127 in height cm; Duomo, Siena

Background imageToga Collection: Plato Conversing with his Pupils, from the House of T. Siminius

Plato Conversing with his Pupils, from the House of T. Siminius
XIR103401 Plato Conversing with his Pupils, from the House of T. Siminius, Pompeii (mosaic) (see also 156873) by Roman, (1st century BC); Museo Archeologico Nazionale, Naples, Campania

Background imageToga Collection: Head of Emperor Augustus (63 BC-14 AD) crowned with an oak wreath (stone) (detail)

Head of Emperor Augustus (63 BC-14 AD) crowned with an oak wreath (stone) (detail)
XIR156599 Head of Emperor Augustus (63 BC-14 AD) crowned with an oak wreath (stone) (detail) by Roman; Louvre-Lens, France; out of copyright

Background imageToga Collection: Natives of Abyssinia, engraved by Aumont, c. 1840 (colour litho)

Natives of Abyssinia, engraved by Aumont, c. 1840 (colour litho)
CHT169371 Natives of Abyssinia, engraved by Aumont, c.1840 (colour litho) by Dillon and Vignaud (19th century) (after); Bibliotheque des Arts Decoratifs, Paris, France; eArchives Charmet; French

Background imageToga Collection: Portrait of Mademoiselle George (1787-1867) (oil on canvas)

Portrait of Mademoiselle George (1787-1867) (oil on canvas)
CHT163169 Portrait of Mademoiselle George (1787-1867) (oil on canvas) by Courtat, Louis (c.1850-1909); Theatre de l Odeon, Paris

Background imageToga Collection: Plato conversing with his pupils, from the House of T. Siminius

Plato conversing with his pupils, from the House of T. Siminius
ALG156873 Plato conversing with his pupils, from the House of T. Siminius. Pompeii (mosaic) (see also 103401) by Roman, (1st century BC); Museo Archeologico Nazionale, Naples, Campania

Background imageToga Collection: Detail of Orpheus charming the animals, from the site of Blanzy (mosaic) (see also 173716

Detail of Orpheus charming the animals, from the site of Blanzy (mosaic) (see also 173716
XIR37337 Detail of Orpheus charming the animals, from the site of Blanzy (mosaic) (see also 173716) by Roman, (4th century AD); Musee Municipal, Laon, France; out of copyright

Background imageToga Collection: The Greek Play (litho)

The Greek Play (litho)
TRI173697 The Greek Play (litho) by Waterhouse, John William (1849-1917) (after); The Royal Institution, London, UK; eRoyal Institution; English, out of copyright

Background imageToga Collection: Statue of a tutelary goddess (marble)

Statue of a tutelary goddess (marble)
XIR177450 Statue of a tutelary goddess (marble) by Roman, (2nd century AD); height:223 cm; Musee Lapidaire, Vienne, France; (add.info)

Background imageToga Collection: Agate Cameo, bearing the portrait of Emperor Claudius (10BC-54AD), in high relief (agate)

Agate Cameo, bearing the portrait of Emperor Claudius (10BC-54AD), in high relief (agate)
XAM66741 Agate Cameo, bearing the portrait of Emperor Claudius (10BC-54AD), in high relief (agate) by Roman; Kunsthistorisches Museum, Vienna

Background imageToga Collection: Punch cartoon: Sir Andrew Clarke, British doctor, physician to William Ewart Gladstone (engraving)

Punch cartoon: Sir Andrew Clarke, British doctor, physician to William Ewart Gladstone (engraving)
6034992 Punch cartoon: Sir Andrew Clarke, British doctor, physician to William Ewart Gladstone (engraving) by Sambourne, Edward Linley (1844-1910) (after); Private Collection; (add.info)

Background imageToga Collection: Marcus (photo)

Marcus (photo)
5986849 Marcus (photo) by English Photographer, (20th century); Private Collection; (add.info.: Marcus. Postcard, early 20th century.); © Look and Learn

Background imageToga Collection: Ara Pacis Augustae or Augustus Peace Altar

Ara Pacis Augustae or Augustus Peace Altar
AIS5336631 Ara Pacis Augustae or Augustus Peace Altar by Roman, (1st century BC); Museum of the Ara Pacis, Rome, Italy; (add.info)

Background imageToga Collection: Plate 429. Toilet; Two Models, 1 Disrobing 8, 1872-85 (collotype on paper)

Plate 429. Toilet; Two Models, 1 Disrobing 8, 1872-85 (collotype on paper)
3950252 Plate 429. Toilet; Two Models, 1 Disrobing 8, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 20.6x35.2 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageToga Collection: Plate 428. Toilet; Two Models, 1 Disrobing 8, 1872-85 (collotype on paper)

Plate 428. Toilet; Two Models, 1 Disrobing 8, 1872-85 (collotype on paper)
3950251 Plate 428. Toilet; Two Models, 1 Disrobing 8, 1872-85 (collotype on paper) by Muybridge, Eadweard (1830-1904); 16x44.3 cm; Addison Gallery of American Art, Phillips Academy, Andover, MA

Background imageToga Collection: Comedy of Errors, Act IV, Scene ii (engraving)

Comedy of Errors, Act IV, Scene ii (engraving)
971629 Comedy of Errors, Act IV, Scene ii (engraving) by Meadows, Joseph Kenny (1770-1874) (after); Private Collection; (add.info.: Comedy of Errors, Act IV, Scene ii)

Background imageToga Collection: Toga (engraving)

Toga (engraving)
3634610 Toga (engraving) by English School, (19th century); Private Collection; (add.info.: Toga. The characteristic dress of the Roman citizen)

Background imageToga Collection: Boreas, 1886 (stained glass)

Boreas, 1886 (stained glass)
3475508 Boreas, 1886 (stained glass) by Holmes Jewitt, Edward (1849-1929); Pownall Hall Farm, Wilmslow, Cheshire, UK; (add.info.: Pownall Hall, S&H, EH Jewitt, Boreas)

Background imageToga Collection: The great party on the Tiber to commemorate the glorious episode of Premuda (colour litho)

The great party on the Tiber to commemorate the glorious episode of Premuda (colour litho)
2808913 The great party on the Tiber to commemorate the glorious episode of Premuda (colour litho) by Beltrame, Achille (1871-1945); Private Collection; (add.info)

Background imageToga Collection: An Idyll of Marriage (oil on canvas)

An Idyll of Marriage (oil on canvas)
744770 An Idyll of Marriage (oil on canvas) by Picou, Henri Pierre (1824-95); 60x92 cm; Private Collection; Photo eChristies Images; French, out of copyright

Background imageToga Collection: Augustus in the Toga (engraving)

Augustus in the Toga (engraving)
663043 Augustus in the Toga (engraving) by English School, (19th century); Private Collection; (add.info.: Augustus in the Toga)

Background imageToga Collection: The poet Homer (marble)

The poet Homer (marble)
LRI662319 The poet Homer (marble) by Greek, (4th century BC); Museo Archeologico Nazionale, Naples, Campania, Italy; (add.info.: In the Western classical tradition)

Background imageToga Collection: Relief of an Apostle, the ambulatory (marble)

Relief of an Apostle, the ambulatory (marble)
MAE413545 Relief of an Apostle, the ambulatory (marble) by French School, (11th century); St. Sernin, Toulouse, France; ePaul Maeyaert; French, out of copyright

Background imageToga Collection: Attic red-figure cup depicting Dionysos bringing Hephaestus back to Mount Olympus, c

Attic red-figure cup depicting Dionysos bringing Hephaestus back to Mount Olympus, c
698898 Attic red-figure cup depicting Dionysos bringing Hephaestus back to Mount Olympus, c.480 BC (pottery) (b/w photo) by Douris, (c.500-460 BC); 12x31 cm; Bibliotheque Nationale, Paris

Background imageToga Collection: Procession, south wall of the Ara Pacis (marble)

Procession, south wall of the Ara Pacis (marble)
704387 Procession, south wall of the Ara Pacis (marble) by Roman, (1st century BC); Museum of the Ara Pacis, Rome, Italy; (add.info.: The Ara Pacis Augustae, or Altar of Augustan Peace)

Background imageToga Collection: Roundel depicting Hadrian, from the Arch of Constantine (marble)

Roundel depicting Hadrian, from the Arch of Constantine (marble)
704043 Roundel depicting Hadrian, from the Arch of Constantine (marble) by Roman, (4th century AD); Private Collection; (add.info.: Hadrian (Latin)



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"Toga: A Glimpse into Ancient Rome's Rich Tapestry of Art and History" Step back in time and immerse yourself in the captivating world of ancient Rome, where the toga reigned supreme as a symbol of power, status, and tradition. From intricate sculptures to mesmerizing paintings, this iconic garment has left an indelible mark on Roman art. Marvel at the Roman statue of Asclepius, depicting the god of medicine wearing a flowing toga that exudes elegance and authority. The Death of Socrates, immortalized on canvas by Jacques-Louis David in 1787, showcases the philosopher draped in a white toga as he faces his demise with stoic grace. Intriguing frescoes transport us to 1st-century AD Rome; one such masterpiece portrays a young woman gathering flowers while gracefully adorned in her toga. Meanwhile, Jean Leon Gerome Ferris' painting captures Aristotle tutoring Alexander the Great during their illustrious encounter - both figures clad in dignified togas that signify their intellectual prowess. The bust of Marcus Tullius Cicero stands as a testament to his influential oratory skills; his noble features framed by meticulously carved folds of fabric from his regal attire. The Gracchi brothers emerge from history's annals with their revolutionary ideas for social reform encapsulated within their togas - symbols of political influence and dissent. Phaedra's tragic tale unfolds through an illustration from Act III Scene 5 of Phedré; she is portrayed donning an ethereal white toga that accentuates her inner turmoil. Julius Caesar himself takes center stage refusing Marc Antony's crown - captured forever in late 19th-century engravings showcasing Caesar resolute amidst swirling togas. The Consular diptych reveals Boethius' prominence through its intricately carved ivory relief featuring him draped elegantly in his ceremonial robe.