Treasure Collection (page 8)

Long John Silver and Hawkins: To me he was kind and always glad to see me in the galley
1218840 Long John Silver and Hawkins: To me he was kind and always glad to see me in the galley (colour litho) by Wyeth, Newell Convers (1882-1945); Private Collection; (add.info)

Jim Hawkins leaves home: I said good bye to my mother and the cove (colour litho)
1218839 Jim Hawkins leaves home: I said good bye to my mother and the cove (colour litho) by Wyeth, Newell Convers (1882-1945); Private Collection; (add.info)

Hernan Cortes makes Montezuma a hostage in 1519 (colour litho)
PNP344503 Hernan Cortes makes Montezuma a hostage in 1519 (colour litho) by Spanish School; Private Collection; (add.info)

The funerary mask of Tutankhamun (c. 1370-1352 BC) New Kingdom, c
XBP324492 The funerary mask of Tutankhamun (c.1370-1352 BC) New Kingdom, c.1336-1327 BC (gold inlaid with semi-precious stones) (see also 228800) by Egyptian 18th Dynasty (c.1567-1320 BC)

Laban Seeking his Idols (oil on canvas)
LMG128878 Laban Seeking his Idols (oil on canvas) by Bellucci, Antonio (1654-1726); 204.5x257.2 cm; Leeds Museums and Art Galleries (Temple Newsam House) UK; eLeeds Museums and Galleries; Italian

Detail from the ceremonial footstool of Tutankhamun (c. 1370-52 BC) New Kingdom (wood)
XZL149478 Detail from the ceremonial footstool of Tutankhamun (c.1370-52 BC) New Kingdom (wood) by Egyptian 18th Dynasty (c.1567-1320 BC); Egyptian National Museum, Cairo

Chest with a boat decorated with two heads of a Syrian ibex
XZL149418 Chest with a boat decorated with two heads of a Syrian ibex and two female figures thought to be Princess Mutnedjmet

Funerary bedhead in the form of the sacred cow, from the tomb of Tutankhamun (c
XZL149402 Funerary bedhead in the form of the sacred cow, from the tomb of Tutankhamun (c.1370-52 BC) New Kingdom (gilded & stuccoed wood) by Egyptian 18th Dynasty (c.1567-1320 BC)

Lamp in the form of three lotus flowers, from the tomb of Tutankhamun (c
XZL149481 Lamp in the form of three lotus flowers, from the tomb of Tutankhamun (c.1370-52 BC) New Kingdom (alabaster) by Egyptian 18th Dynasty (c.1567-1320 BC); height

The throne of Tutankhamun (c. 1370-52 BC) New Kingdom (gold-plated wood inlaid with
XZL149477 The throne of Tutankhamun (c.1370-52 BC) New Kingdom (gold-plated wood inlaid with semi-precious stones) (see 59231) by Egyptian 18th Dynasty (c.1567-1320 BC)

The kings two daggers, from the tomb of Tutankhamun (c
XZL149453 The kings two daggers, from the tomb of Tutankhamun (c.1370-52 BC) New Kingdom (gold & iron) by Egyptian 18th Dynasty (c.1567-1320 BC); Egyptian National Museum, Cairo, Egypt; Egyptian

Mirror case in the form of an ankh, from the tomb of Tutankhamun (c
XZL149425 Mirror case in the form of an ankh, from the tomb of Tutankhamun (c.1370-52 BC) New Kingdom (gilt wood inlaid with glass paste) by Egyptian 18th Dynasty (c.1567-1320 BC); length

Bowl from one of the Chamber Tombs, Mycenae, c. 1300 BC (bronze)
XZL151570 Bowl from one of the Chamber Tombs, Mycenae, c.1300 BC (bronze) by Mycenaean; National Archaeological Museum, Athens, Greece; Mycenaean, out of copyright

Lid of an unguent jar in the form of an ibex, from the tomb of Tutankhamun (c
XZL148195 Lid of an unguent jar in the form of an ibex, from the tomb of Tutankhamun (c.1370-52 BC) New Kingdom (painted alabaster) by Egyptian 18th Dynasty (c.1567-1320 BC)

Copy of a bracelet from the Tomb of a Princess of Vix (gold)
XIR159004 Copy of a bracelet from the Tomb of a Princess of Vix (gold) by Celtic, (6th century BC); 20x23 cm; Musee Archeologique, Chatillon Sur Seine, France; out of copyright

Reliquary of the Crown of Thorns, 26th October 1804 (gold)
XIR251698 Reliquary of the Crown of Thorns, 26th October 1804 (gold) by French School, (19th century); Notre Dame, Paris, France; (add.info.: tresor de la cathedrale; ); French, out of copyright

The royal shrine within the tomb of Tutankhamen
Entrance of the burial chamber of Tutankhamen with the immense gilt shrine built to cover and protect the sarcophagus. Its roof, with cornice top and torus moulding

Sea chest, from Nuremberg (metal)
XIR210275 Sea chest, from Nuremberg (metal) by German School, (16th century); Musee d Histoire de la Ville, Saint-Malo, France; German, out of copyright

Sea Chest from Nuremberg (wood and metal)
XVM201587 Sea Chest from Nuremberg (wood and metal) by German School, (16th century); Musee du Vieux-Marseille, Marseille, France; German, out of copyright

Lid of a krater, from the Tomb of a Princess of Vix (bronze)
XIR184065 Lid of a krater, from the Tomb of a Princess of Vix (bronze) by Iron Age, (6th century BC); Musee Archeologique, Chatillon Sur Seine, France; out of copyright

Interior of the grotto of Nam Hou, Laos, from Atlas du Voyage d
STC175863 Interior of the grotto of Nam Hou, Laos, from Atlas du Voyage d Exploration de Indo-Chine effectue pendant les Annees 1866, 1867 & 1868 par une Commission Francaise, by Francis Garnier

Native Indian in a landscape with animals (oil on canvas)
MAE176552 Native Indian in a landscape with animals (oil on canvas) by Jesus, Jose Teofilo de; Museu de Arte Sacra, Salvador da Bahia, Bahia, Brazil; ePaul Maeyaert; Brazilian, out of copyright

Base of the Cross of St. Bertin, from the Abbaye Saint-Bertin, c
XIR232839 Base of the Cross of St. Bertin, from the Abbaye Saint-Bertin, c.1180 (gilded bronze & champleve enamel) (see also 204570 & 232624-25) by Godefroid de Huy (fl. 1130-50) (attr)

Scribes case for writing reeds, from the Tomb of Tutankhamun (c
XBP228566 Scribes case for writing reeds, from the Tomb of Tutankhamun (c.1370-1352 BC) New Kingdom (gilded wood inlaid with semi-precious stones) (see also 149435)

Chalice (quartz, enamel & gilded silver)
XIR61009 Chalice (quartz, enamel & gilded silver) by Byzantine, (11th Century); Treasury of San Marco, Venice, Italy; out of copyright

La defense de Cadix (Cadiz, Espagne) contre les anglais
FIA5403097 La defense de Cadix (Cadiz, Espagne) contre les anglais. Les troupes anglaises se sont emparees de la Tour de Cadix le 1er Novembre 1625 dans le but d intercepter l or et l argent venu d

Asmund bringing Home Silver and Gold - Munthe, Gerhard (1849-1929
FIA5399732 Asmund bringing Home Silver and Gold - Munthe, Gerhard (1849-1929) - 1902-1904 - Oil on canvas - 62x122 - National Museum of Art, Oslo by Munthe

B. O. Holtermann (standing) and Louis Beyers (seated), Hawkins Hill Ridge, Hill End
6257117 B.O. Holtermann (standing) and Louis Beyers (seated), Hawkins Hill Ridge, Hill End, 1870-75 (b/w photo) by Australian Photographer, (19th century); Mitchell Library

The Age of Bronze (oil on canvas) (pair to 3055225)
3055226 The Age of Bronze (oil on canvas) (pair to 3055225) by Fiammingo, Paolo (Franck, Pauwels) (1540-96); 128.2x195 cm; Private Collection; (add.info)

The Joseph and Bathsheba Pope carved and applied valuables cabinet, Salem, Massachussetts
CH465381 The Joseph and Bathsheba Pope carved and applied valuables cabinet, Salem, Massachussetts, 1679 (oak) (see also 465380) by Symonds, James (1633-1714) (attr)

Chamoniere with galante scene, 14th century (silk embroidery and gold thread)
7110422 Chamoniere with galante scene, 14th century (silk embroidery and gold thread); Cathedral of St. Etienne, Sens, France; (add.info)

Angel organist. Tapestry of the Three Coronations, 1476-1488
7110403 Angel organist. Tapestry of the Three Coronations, 1476-1488 (wool silk threads of gold and silver); Cathedral of St. Etienne, Sens, France; (add.info.: Angel organist)

An angel wing. Tapestry of the Three Coronations, 1476-1488
7110401 An angel wing. Tapestry of the Three Coronations, 1476-1488 (wool silk threads of gold and silver); Cathedral of St. Etienne, Sens, France; (add.info.: An angel wing)

Seraphin of the mandorla. Tapestry of the Three Coronations
7110392 Seraphin of the mandorla. Tapestry of the Three Coronations, 1476-1488 (wool silk threads of gold and silver); Cathedral of St. Etienne, Sens, France; (add.info.: Seraphin of the mandorla)

Solomon crowns his mother Bethsabee. Tapestry of the Three Coronations
7110387 Solomon crowns his mother Bethsabee. Tapestry of the Three Coronations, 1476-1488 (wool silk threads of gold and silver); Cathedral of St

The Coronation of the Virgin. Tapestry of the Three Coronations
7110386 The Coronation of the Virgin. Tapestry of the Three Coronations, 1476-1488 (wool silk threads of gold and silver); Cathedral of St

The Coronation of the Virgin. Tapestry of the Three Coronations
7110381 The Coronation of the Virgin. Tapestry of the Three Coronations, 1476-1488 (wool silk threads of gold and silver); Cathedral of St

Shaped of St. Victor Byzantium, VII-8th century (silk)
7110376 Shaped of St. Victor Byzantium, VII-8th century (silk); Cathedral of St. Etienne, Sens, France; (add.info.: Shrine of St. Victor Byzantium VII-VIII silk)

Virgin and Child, 17th century (polychrome terracotta)
7110371 Virgin and Child, 17th century (polychrome terracotta) by Delabarre, Gervais (1570-1644) (attr. to); Poitiers Cathedral, Poitiers

case for a cross reliquary late 12th brass. Treasure of the cathedral Saint-Pierre de
7110363 case for a cross reliquary late 12th brass. Treasure of the cathedral Saint-Pierre de Poitiers; Poitiers Cathedral, Poitiers, France; (add.info.: case for a cross reliquary late 12th brass)

statue of Saint Denis, 1853 (plaster)
7110348 statue of Saint Denis, 1853 (plaster) by Geoffroy-Dechaume, Adolphe Victor (1816-1892); Notre Dame, Paris, France; (add.info)

lectorin, 1863 (bronze and gilded iron)
7110345 lectorin, 1863 (bronze and gilded iron) by Poussielgue-Rusand, Placide (1824-1889); Notre Dame, Paris, France; (add.info.: lecterin by Placide Poussiegle-Rusand (1824-1889)

lectorin, 1863 (bronze and gilded iron)
7110343 lectorin, 1863 (bronze and gilded iron) by Poussielgue-Rusand, Placide (1824-1889); Notre Dame, Paris, France; (add.info.: lecterin by Placide Poussiegle-Rusand (1824-1889)

black virgin of the cathedral of Moulins 12th century (painted wood)
7110313 black virgin of the cathedral of Moulins 12th century (painted wood); Moulins Cathedral, Allier, France; (add.info.: black virgin of the cathedral of Moulins XIIth painted wood stumbled)

Suzanne de Bourbon, detail. Triptych of the master of Moulins, 1502 (tgempera on wood)
7110305 Suzanne de Bourbon, detail. Triptych of the master of Moulins, 1502 (tgempera on wood) by Hey, Jean (fl.1494); Moulins Cathedral, Allier, France; (add.info.: Suzanne de Bourbon, detail)

Virgin and Child, 1679 (sculpture)
7110225 Virgin and Child, 1679 (sculpture) by Degoullons, Jean (Dugoulon) (d.1687); Cathedral of St. Peter, Angouleme, France; (add.info.: lapidary room Virgin and Child by Jean Degoullons ()

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"Unveiling the Mysteries of Treasure: A Journey through Time and Culture" Embark on a captivating adventure as we delve into the world of treasure, where hidden riches await to be discovered. From ancient civilizations to thrilling tales, these hints offer glimpses into the allure and enchantment that surround treasures throughout history. The William Smith Geological Map leads us deep beneath the Earth's surface, where precious gems and minerals lie concealed, waiting for intrepid explorers to unearth their beauty. Meanwhile, the Treasure Island Map beckons with its promise of buried chests overflowing with gold doubloons and shimmering jewels. Intrigue takes center stage as we encounter RUSSELL: STAGE ROBBER, a gripping scene capturing both danger and fortune. The shotgun-wielding robber guards his ill-gotten treasure box while a lifeless messenger lies in his wake—a reminder that wealth often comes at a great cost. Pressed seaweed specimens C016/6127 remind us that nature herself holds her own treasures—delicate marine flora preserved like precious secrets within each delicate specimen. And what could be more regal than The King's Two Daggers—one adorned with golden splendor, the other forged from sturdy iron—symbols of power wielded by those who seek dominion over land and sea? Venturing further back in time, we discover ornate relics from ancient Egypt—the gilt shrine depicting goddess Isis reveals an opulence fit for pharaohs while Tutankhamun's tomb unveils wonders beyond imagination. The Chalice with a paten crafted by Cabot workshop exudes elegance in vermeil—an embodiment of craftsmanship transformed into treasure. The ivory diptych of Stilicho transports us to an era when artistry met devotion—a masterpiece etched upon ivory surfaces telling stories untold. And then there is Ankhesenamun seated at Tutankhamun's gold-plated throne—an intimate glimpse into royal rituals and the meticulous care taken in every aspect of a king's life.