Tricorn Collection (page 5)

Habit of an English Gentleman about 1700 (engraving)
3640617 Habit of an English Gentleman about 1700 (engraving) by English School, (18th century); Private Collection; (add.info.: Habit of an English Gentleman about 1700)

The three allied rulers at the Battle of Leipzig in 1813. (colour litho)
725470 The three allied rulers at the Battle of Leipzig in 1813. (colour litho) by Rohling, Carl (1849-1922); Private Collection; (add.info.: The three allied rulers at the Battle of Leipzig in 1813)

The Blue Bells of Scotland, illustration from A Picture Song Book
IL314850 The Blue Bells of Scotland, illustration from A Picture Song Book, 1910 (colour litho) by Howard, George, 9th Earl of Carlisle (1843-1911); Private Collection; English, out of copyright

Lieutenant Colonel Francis Smith (1723-91) 1764 (oil on canvas)
NAM237766 Lieutenant Colonel Francis Smith (1723-91) 1764 (oil on canvas) by Cotes, Francis (1726-70); National Army Museum, London; eNational Army Museum; English, out of copyright

The Dey of Algiers, 1799 (colour litho)
CHT268749 The Dey of Algiers, 1799 (colour litho) by French School, (18th century); Musee de la Ville de Paris, Musee Carnavalet, Paris

Portrait of John Moody (c. 1712-1821) as Father Foigard in the Beaux Stratagem
LST203745 Portrait of John Moody (c.1712-1821) as Father Foigard in the Beaux Stratagem, by George Farquhar (1678-1701) (oil on canvas) by Zoffany

The Caneing in Conduit Street, published by Hannah Humphrey in 1796
NCO191729 The Caneing in Conduit Street, published by Hannah Humphrey in 1796 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

Ci-devant Occupations, or Madame Talian and the Empress Josephine Dancing Naked before
NCO190178 Ci-devant Occupations, or Madame Talian and the Empress Josephine Dancing Naked before Barrass in the Winter of 1797

Last days of life, 1786 (colour litho)
STC434396 Last days of life, 1786 (colour litho) by Knoetel, Richard (1857-1914); Private Collection; (add.info.: Frederick the Great (1712-86) King of Prussia; Letzte Lebenstage (1796);

Night falling in Hochkirch, August 1758 (colour litho)
STC429776 Night falling in Hochkirch, August 1758 (colour litho) by Rochling, Carl (1855-1920); Private Collection; (add.info.: the armies of Frederick the Great (1712-86) King of Prussia

Sculpture of Diedrich Knickerbocker which stood in Knickerbocker Hall in New York City, c
NYH182470 Sculpture of Diedrich Knickerbocker which stood in Knickerbocker Hall in New York City, c.1850-67 (painted wood) by American School

Study of the uniform of a marine stationed at Le Havre, 1718 (pencil
CHT177266 Study of the uniform of a marine stationed at Le Havre, 1718 (pencil, bodycolour and w/c on brown paper) by French School, (18th century); Private Collection; eArchives Charmet; French

Study of the uniform of a marine captain stationed at Le Havre, 1718 (pencil
CHT177267 Study of the uniform of a marine captain stationed at Le Havre, 1718 (pencil, bodycolour and w/c on brown paper) by French School

The First Kiss this Ten Years! Or the meeting of Britannia & Citizen Francois, pub
2490889 The First Kiss this Ten Years! Or the meeting of Britannia & Citizen Francois, pub. 1803 (hand coloured engraving) by Gillray

What Dreadful Weather (chromolitho)
734902 What Dreadful Weather (chromolitho) by European School, (19th century); Private Collection; (add.info.: What Dreadful Weather)

Bombardinian, conferring upon State Affairs with one in Office, pub
2962520 Bombardinian, conferring upon State Affairs with one in Office, pub. 1779 (hand coloured engraving) by Gillray, James (1757-1815); Private Collection; (add.info.: Sir Grey Cooper (c)

Portrait of Thomas Fortescue, M. P. Standing, three quarter length
652175 Portrait of Thomas Fortescue, M.P. Standing, three quarter length, Wearing a Green Coat and Waistcoat, Leaning His Right Arm on a Pedestal and Holding a Tricorn Hat in His Left Hand

The Passage to the Left against the Wall (top) and The Courvette etc
GG128237 The Passage to the Left against the Wall (top) and The Courvette etc, tis the Ground of all High Airs (bottom), c.1750 (oil on canvas) by Butler, Thomas, of Pall Mall (fl.1750-59) (attr)

The Passage to the Right (top) and The Capriole (bottom), c
GG128235 The Passage to the Right (top) and The Capriole (bottom), c.1750 (oil on canvas) by Butler, Thomas, of Pall Mall (fl.1750-59) (attr)

King George V
XCR27148 King George V by Cope, Arthur Stockdale (1857-1940); The Crown Estate; English, out of copyright

A Portrait of a Young Boy holding a hat beneath his arm (oil on canvas)
RAF132022 A Portrait of a Young Boy holding a hat beneath his arm (oil on canvas) by Colson, Jean Francois (1733-1803); Private Collection; Photo eRafael Valls Gallery, London, UK; French

The Sign Painter, 1872 (oil on canvas)
XKH141433 The Sign Painter, 1872 (oil on canvas) by Meissonier, Jean-Louis Ernest (1815-91); 73x62 cm; Hamburger Kunsthalle, Hamburg, Germany; French, out of copyright

A walk in the Tuileries Gardens. A dandy of the Year VIII, 1800. Incroyable in coat, breeches, hose and slippers
5913035 A walk in the Tuileries Gardens. A dandy of the Year VIII, 1800. Incroyable in coat, breeches, hose and slippers, with tricorn and cockade. Handcoloured lithograph by R.V

An equestrian servant, France, 18th century, from a painting by Carle Van Loo
5855370 An equestrian servant, France, 18th century, from a painting by Carle Van Loo. by Lechevallier-Chevignard, Edmond (1825-1902); (add.info.: An equestrian servant, France, 18th century)

The Rendez-vous, (oil on canvas)
989676 The Rendez-vous, (oil on canvas) by Pinchart, Emile August (b.1842); 64.8x48.9 cm; Private Collection; (add.info.: The Rendez-vous. Emile August Pinchart (1842-1924). Oil on canvas

Le Sacre - Portrait of King Louis XVI in Coronation Regalia
883753 Le Sacre - Portrait of King Louis XVI in Coronation Regalia, engraved by Charles-Clement Bervic (1756-1822), 1790 (engraving & etching) by Callet

The Archbold Children: A Group Portrait of a Little Boy, Full Length Wearing a Beige Coat
824248 The Archbold Children: A Group Portrait of a Little Boy, Full Length Wearing a Beige Coat, Dark Blue Gold-Embroidered Waistcoat, and Tricorn Hat and Playing a Violin, and His Sister

A Gentleman in a tricorn Hat holding a Cane, a Gentleman in a black Phrygian Bonnet
827688 A Gentleman in a tricorn Hat holding a Cane, a Gentleman in a black Phrygian Bonnet and a young woman with a Mouche in a red Dress, (pastel on paper laid on canvas) by Tiepolo

Portrait of a Nobleman, small full-length on Horseback (oil on canvas)
827927 Portrait of a Nobleman, small full-length on Horseback (oil on canvas) by Morier, David (1705-70) (attr. to); 126.3x101.6 cm; Private Collection; (add.info.: Portrait of a Nobleman)

An Equestrian Portrait of Francis, Duke of Lorraine (1708-1769)
827903 An Equestrian Portrait of Francis, Duke of Lorraine (1708-1769), later Emperor Francis I of Austria, full length in a landscape (oil on canvas, an oval made up into rectangle) by Liani

The Antiquarian; El Anticuario, 1872 (oil on panel)
827182 The Antiquarian; El Anticuario, 1872 (oil on panel) by Peralta del Campo, Francisco (1845-96); 39.4x52.1 cm; Private Collection; (add.info.: The Antiquarian; El Anticuario)

Waddling In (litho)
2775110 Waddling In (litho) by English School, (19th century); Private Collection; (add.info.: Waddling In.); Look and Learn / Valerie Jackson Harris Collection

Don Jose Monino y Redondo, Conde de Floridablanca, c. 1776 (oil on canvas)
2970747 Don Jose Monino y Redondo, Conde de Floridablanca, c.1776 (oil on canvas) by Batoni, Pompeo Girolamo (1708-87); 99.7x75 cm; The Art Institute of Chicago, IL

The Battle of the Nile, from Greenwich Hospital, a Series of Naval Sketches
2637000 The Battle of the Nile, from Greenwich Hospital, a Series of Naval Sketches, Descriptive of a Life of a Man-of-Wars Man, pub

On the Eilmarsche from Kustrin, August 1758 (colour litho)
STC429774 On the Eilmarsche from Kustrin, August 1758 (colour litho) by Rochling, Carl (1855-1920); Private Collection; (add.info.: the armies of Frederick the Great (1712-86) King of Prussia

Drafting the Declaration of Independence in 1776, 1859 (engraving) (b / w photo)
AKM210033 Drafting the Declaration of Independence in 1776, 1859 (engraving) (b/w photo) by Chappel, Alonzo (1828-87); Philadelphia History Museum at the Atwater Kent; (add.info)

Lord Robert Clive (1725-74) in General Officers uniform, c. 1764 (oil on canvas)
NAM237719 Lord Robert Clive (1725-74) in General Officers uniform, c.1764 (oil on canvas) by Gainsborough, Thomas (1727-88); National Army Museum

Field Marshal Jean Louis Ligonier (1680-1770) c. 1755 (oil on canvas)
NAM237710 Field Marshal Jean Louis Ligonier (1680-1770) c.1755 (oil on canvas) by Reynolds, Joshua (1723-92); National Army Museum

The manufacture of hats and hat designs, from the Encyclopedie des Sciences et
STC243947 The manufacture of hats and hat designs, from the Encyclopedie des Sciences et Metiers by Denis Diderot (1713-84) published c.1770 (engraving) by French School

Captain William Raymond, 22nd Regiment of Foot, c. 1790 (oil on canvas)
NAM237724 Captain William Raymond, 22nd Regiment of Foot, c.1790 (oil on canvas) by Chester, G.F. (fl.1790s); 83.8x67.3 cm; National Army Museum, London; (add.info.: painting enlarged by G.F)

The Gust of Wind (colour litho)
STC259086 The Gust of Wind (colour litho) by Vernet, Antoine Charles Horace (Carle) (1758-1836) (after); Private Collection; (add.info.: Le Coup de Vent; ); The Stapleton Collection; French

Portrait of Harry Morgan (engraving)
982065 Portrait of Harry Morgan (engraving) by English School, (18th century); Private Collection; (add.info.: Harry Morgan, centenarian, now lives at Lewes in Sussex, 1737. After Lewis Hubner)

Bill poster, 1750 (chromolitho)
1093715 Bill poster, 1750 (chromolitho) by French School, (19th century); Private Collection; (add.info.: Bill poster, 1750)

Double Portrait of Thomas Somers Cocks and Richard Cocks of Castleditch
652129 Double Portrait of Thomas Somers Cocks and Richard Cocks of Castleditch, Both Small Full-Length, the Former in a Blue Coat and Waistcoat Holding a Black Tricorn

Two Gentlemen in a Library (oil on canvas)
RAF132013 Two Gentlemen in a Library (oil on canvas) by Horemans, Peter Jacob (1700-76); Private Collection; Photo eRafael Valls Gallery, London, UK; Flemish, out of copyright

Plymouth porcelain shepherd and shepherdess, c. 1770 (porcelain)
BAL35399 Plymouth porcelain shepherd and shepherdess, c.1770 (porcelain) by English School, (18th century); City Museum and Art Gallery, Plymouth, Devon, UK; English, out of copyright

The Triumph of Quassia, published by Hannah Humphrey in 1806 (hand-coloured etching)
NCO193108 The Triumph of Quassia, published by Hannah Humphrey in 1806 (hand-coloured etching) by Gillray, James (1757-1815); Courtesy of the Warden and Scholars of New College

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"Tricorn: A Journey Through Time and Artistic Perspectives" Step into a world where art meets satire, as depicted in Hogarth's steel engraving from 1860. The tricorn takes center stage, symbolizing the absurdities that arise when design lacks knowledge of perspective. Travel further back in time to witness Frederick the Great of Prussia donning his vintage tricorn. This painting captures the elegance and grandeur of a bygone era. In 1818 Paris, amidst the lush gardens of Luxembourg, an exciting scene unfolds with velocipedes racing past. Amongst the riders, tricorns bob up and down as they speed through history. Switching gears to fencing, a copper engraving from mid-18th century France showcases a precise thrust executed by skilled fencers wearing their distinctive tricorns, and is an art form that demands both grace and precision. The Bank of England stands tall as dividends are distributed to those who have invested wisely. Tricorns dotting the crowd signify prosperity and success in this financial hub. A poignant image emerges - "A boy away from home" painted by Florence Hardy. Amidst unfamiliar surroundings, he clings onto his tricorn hat for comfort and familiarity during his journey towards self-discovery. George Washington himself surveys Lord Fairfax's land in an American wood engraving from 1881. His iconic presence is accentuated by his trusty tricorn hat - a symbol of leadership and determination. French soldiers march proudly across history dressed in their distinct uniforms adorned with tricorns during the tumultuous 1790s. Each step represents valor intertwined with tradition. Witness the triumphal entrance of a Peck loaf into Grandchester circa 1787 – an event shrouded in mystery but immortalized through unknown hands' creation. Tricorns peppered throughout hint at celebrations steeped in tradition. Martha and George Washington come alive on paper through a watercolor and ink masterpiece from the late 18th century.