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Tripod Collection (page 5)

"Capturing the Unseen: A Tripod's Journey through Time and Space" In the bustling streets of London, a Metropolitan Police air raid siren blares

Background imageTripod Collection: Photographer and model

Photographer and model
Photographer shooting model with building under construction, London. Date: circa 1950s

Background imageTripod Collection: Photographer setting up shot, London

Photographer setting up shot, London
Photographer in Newburgh Street, Soho, Central London setting up a shot in a shop doorway. Date: circa 1960s

Background imageTripod Collection: Comic postcard, offer from a photographer Date: 20th century

Comic postcard, offer from a photographer Date: 20th century

Background imageTripod Collection: A Businessman at the Photographers Studio, 1860 (w / c)

A Businessman at the Photographers Studio, 1860 (w / c)
BAL87529 A Businessman at the Photographers Studio, 1860 (w/c) by Shmel kov, Petr Mikhailovich (1819-90); Tretyakov Gallery, Moscow, Russia; Russian, out of copyright

Background imageTripod Collection: Portrait of a photographer in the studio of Henri de Toulouse-Lautrec (1864-1901

Portrait of a photographer in the studio of Henri de Toulouse-Lautrec (1864-1901
CHT202667 Portrait of a photographer in the studio of Henri de Toulouse-Lautrec (1864-1901) (b/w photo) by French Photographer, (19th century); Private Collection; eArchives Charmet; French

Background imageTripod Collection: Skillet with green glaze and hollow handle (earthenware)

Skillet with green glaze and hollow handle (earthenware)
AMQ182793 Skillet with green glaze and hollow handle (earthenware) by English School, (16th century); Ashmolean Museum, University of Oxford, UK; eAshmolean Museum; English, out of copyright

Background imageTripod Collection: Consequences of a Successful French Invasion, or We come to recover your long lost

Consequences of a Successful French Invasion, or We come to recover your long lost
NCO189768 Consequences of a Successful French Invasion, or We come to recover your long lost Liberties, 1798 (hand-coloured etching) by Gillray

Background imageTripod Collection: Cup (Tazza), marquetry by Ferdinand Duvinage, second half of the 19th century

Cup (Tazza), marquetry by Ferdinand Duvinage, second half of the 19th century
476613 Cup (Tazza), marquetry by Ferdinand Duvinage, second half of the 19th century (silvered & gilt bronze, ivory and wood) (see also 476612) by Giroux

Background imageTripod Collection: 985993

985993

Background imageTripod Collection: Wedgwood red ware Egyptian-style tripod (autotype)

Wedgwood red ware Egyptian-style tripod (autotype)
6014480 Wedgwood red ware Egyptian-style tripod (autotype) by English Photographer, (19th century); Private Collection; (add.info.: Wedgwood red ware Egyptian-style tripod)

Background imageTripod Collection: Photographing two women on countryside fence

Photographing two women on countryside fence
Photographer photographing two women on a countryside fence. circa 1900

Background imageTripod Collection: Photographer with camera and tripod

Photographer with camera and tripod in an outdoor setting. circa 1890

Background imageTripod Collection: Chair and tripod (engraving)

Chair and tripod (engraving)
5200964 Chair and tripod (engraving) by English School, (19th century); Private Collection; (add.info.: Chair and tripod. Illustration for Costume of the Ancients by Thomas Hope (Henry G Bohn)

Background imageTripod Collection: Bulldog Getting His Picture Taken by a Frog, 1909 (colour litho)

Bulldog Getting His Picture Taken by a Frog, 1909 (colour litho)
3034899 Bulldog Getting His Picture Taken by a Frog, 1909 (colour litho) by American School, (20th century); (add.info.: Vintage illustration of a bulldog posing in a photographers studio)

Background imageTripod Collection: Signals by Fire (engraving)

Signals by Fire (engraving)
816274 Signals by Fire (engraving) by English School, (19th century); Private Collection; (add.info.: Signals by Fire. People signal to each other using torches and smoke)

Background imageTripod Collection: Tripod from the Tomb of Bernardini da Palestrina (bronze)

Tripod from the Tomb of Bernardini da Palestrina (bronze)
704089 Tripod from the Tomb of Bernardini da Palestrina (bronze) by Roman; Museo Nazionale Etrusco, Villa Giulia, Rome, Lazio, Italy; out of copyright

Background imageTripod Collection: HMS Cardiff, British cruiser, with film crew at work on deck

HMS Cardiff, British cruiser, with film crew at work on deck
HMS Cardiff, British Ceres class cruiser, with film crew at work on deck -- the ship was involved in the production of the 1927 British documentary film, The Battles of Coronel and Falklands

Background imageTripod Collection: Photographer gets baby to smile

Photographer gets baby to smile
A photographer is trying to entertain a baby and make them laugh so he can capture a portrait photograph in a studio. The camera is set on a wooden tripod

Background imageTripod Collection: Woman poses for a photograph in a studio

Woman poses for a photograph in a studio
A woman poses besides a fire place as she has her photograph captured in a photographic studio. She is being illuminated by the large windows beside and above her

Background imageTripod Collection: Studio arranged for multiphotography

Studio arranged for multiphotography
A studio is arranged for a multiphotography portrait to be captured of a woman. The lady is sat with her back towards the camera facing mirrors which are positioned perpendicular to each other

Background imageTripod Collection: Edward VII is photographed with the King and Queen of Greece

Edward VII is photographed with the King and Queen of Greece
A photographer captures a formal portrait of Edward VII (1841 1910) stood beside the King and Queen of Greece in a studio in Athens

Background imageTripod Collection: Bride being photographed on her wedding day

Bride being photographed on her wedding day
Bride holding a bouquet being photographed in a photographic studio as the perfect wedding souvenir on her wedding day. The photographer is carefully arranging the shot. Date: 1888

Background imageTripod Collection: Photographer Jessie Tarbox Beals (1871-1942), c. 1902 (b / w photo)

Photographer Jessie Tarbox Beals (1871-1942), c. 1902 (b / w photo)
SLS249166 Photographer Jessie Tarbox Beals (1871-1942), c.1902 (b/w photo) by American Photographer, (20th century); Schlesinger Library, Radcliffe Institute

Background imageTripod Collection: Three vases in different forms

Three vases in different forms
Tripod form vase with goats heads, globular vase with festoons, with vase with reliefs of Cupid under a tree. Chromolithograph by W

Background imageTripod Collection: Three-legged Kuei jug, from Weifang, Shandong, Longshan Culture

Three-legged Kuei jug, from Weifang, Shandong, Longshan Culture
XIR224973 Three-legged Kuei jug, from Weifang, Shandong, Longshan Culture, 3rd-2nd millennium BC (clay) by Chinese School, (3rd century BC); height: 31.8 cm; Peoples Republic of China; Chinese

Background imageTripod Collection: Queen Dido of Carthages banquet for the poet Aeneas

Queen Dido of Carthages banquet for the poet Aeneas. Dido in a tiara is flanked by Aeneas and her sister Anna on a raised platform, while servants bring food and drink to a platter on a tripod

Background imageTripod Collection: Bacchus with thyrsus, tripod horn and crown of leaves

Bacchus with thyrsus, tripod horn and crown of leaves standing in a forest. He stands on a drunken satyr in front of a statue of Priapus

Background imageTripod Collection: Pythia, High Priestess of the Temple of Apollo at Delphi (engraving)

Pythia, High Priestess of the Temple of Apollo at Delphi (engraving)
3647009 Pythia, High Priestess of the Temple of Apollo at Delphi (engraving) by Leutemann, Heinrich (1824-1905); Private Collection; (add.info.: Pythia)

Background imageTripod Collection: Nadar. Pub. 1867 (coloured lithograph)

Nadar. Pub. 1867 (coloured lithograph)
2962407 Nadar. Pub. 1867 (coloured lithograph) by Gill, Andre (1840-85); Private Collection; (add.info.: Gaspard-Felix Tournachon, known as Nadar (6 April 1820 A- 23 March 1910)

Background imageTripod Collection: Photography in the 19th century, from Les Merveilles de la Science, published c

Photography in the 19th century, from Les Merveilles de la Science, published c
2619038 Photography in the 19th century, from Les Merveilles de la Science, published c.1870 (engraving) by French School, (19th century); Private Collection; French, out of copyright

Background imageTripod Collection: cartoon of Nadar, c. 1878 (hand-coloured engraving)

cartoon of Nadar, c. 1878 (hand-coloured engraving)
2646289 cartoon of Nadar, c. 1878 (hand-coloured engraving) by Gill, Andre (1840-85); Private Collection; (add.info.: Frontpage of french paper " Les hommes d Aujourd hui" november 1st)

Background imageTripod Collection: Looking at the moon -- Evening Hours

Looking at the moon -- Evening Hours. Date: circa 1850s

Background imageTripod Collection: Bedouin women making butter in a goatskin, Arabia

Bedouin women making butter in a goatskin, Arabia. Date: 1922

Background imageTripod Collection: Cat photographer and clients on a French postcard

Cat photographer and clients on a French postcard
Cat photographer and three clients on a French postcard. Date: circa 1904

Background imageTripod Collection: Les Voyeurs, (oil on canvas)

Les Voyeurs, (oil on canvas)
651302 Les Voyeurs, (oil on canvas) by Adan, Louis Emile (1839-1937); 52x84 cm; Private Collection; (add.info.: Les Voyeurs. Louis Emil Adan (1839-1937). Oil on canvas

Background imageTripod Collection: The Quarrymen of Grisante, from Italian Scenery, representing the Manners

The Quarrymen of Grisante, from Italian Scenery, representing the Manners
3258437 The Quarrymen of Grisante, from Italian Scenery, representing the Manners, Customs and Amusements of the different States of Italy, pub. 1806 (hand coloured engraving) by Lerberghi, P

Background imageTripod Collection: Photographing the Dodo, New Year Card (chromolitho)

Photographing the Dodo, New Year Card (chromolitho)
731398 Photographing the Dodo, New Year Card (chromolitho) by English School, (19th century); Private Collection; (add.info.: Photographing the Dodo)

Background imageTripod Collection: Apollo, Chiron and Aesculapius, from Pompeii (fresco) (b / w photo)

Apollo, Chiron and Aesculapius, from Pompeii (fresco) (b / w photo)
ALI242789 Apollo, Chiron and Aesculapius, from Pompeii (fresco) (b/w photo) by Roman; Museo Archeologico Nazionale, Naples, Campania

Background imageTripod Collection: Officials of the British Broadcasting Corporation, preparing to broadcast noises from

Officials of the British Broadcasting Corporation, preparing to broadcast noises from
STC344697 Officials of the British Broadcasting Corporation, preparing to broadcast noises from the aviary at London Zoo (sepia photo) by English Photographer

Background imageTripod Collection: La Photographie, Nadar (1820-1910) le grand (

La Photographie, Nadar (1820-1910) le grand (
REV217574 La Photographie, Nadar (1820-1910) le grand (!!!... ), caricature from Le Journal amusant, 1861 (engraving) (b/w photo) by Grevin, Alfred (1827-1892) (after); Bibliotheque Forney

Background imageTripod Collection: Tripod Base, 100-1 BC (bronze)

Tripod Base, 100-1 BC (bronze)
500206 Tripod Base, 100-1 BC (bronze) by Roman Imperial Period (27 BC-476 AD); 77x32.3x28 cm; Cleveland Museum of Art, OH, USA; Given in honor of Arthur Fleischman by his parents

Background imageTripod Collection: Portrait of Jean Charles Deburau (1829-73) as Pierrot, c. 1850-60 (b / w photo)

Portrait of Jean Charles Deburau (1829-73) as Pierrot, c. 1850-60 (b / w photo)
CHT163453 Portrait of Jean Charles Deburau (1829-73) as Pierrot, c.1850-60 (b/w photo) by Nadar (Gaspard Felix Tournachon) (1820-1910); Musee de la Ville de Paris, Musee Carnavalet, Paris

Background imageTripod Collection: The Hemlock, from Les Fleurs Animees, engraved by Charles Goeffroy (1819-82)

The Hemlock, from Les Fleurs Animees, engraved by Charles Goeffroy (1819-82)
CHT163280 The Hemlock, from Les Fleurs Animees, engraved by Charles Goeffroy (1819-82), 1847 (colour engraving) by Grandville (Jean Ignace Isidore Gerard) (1803-47) (after)

Background imageTripod Collection: Sketches and Hints on Landscape Gardening, 1794 (aquatint)

Sketches and Hints on Landscape Gardening, 1794 (aquatint)
CH378521 Sketches and Hints on Landscape Gardening, 1794 (aquatint) by Repton, Humphry (1752-1818); 25.9x36 cm; Private Collection; (add.info.: from REPTON, Humphry)

Background imageTripod Collection: Design for a camera advertisement (gouache on paper)

Design for a camera advertisement (gouache on paper)
425810 Design for a camera advertisement (gouache on paper) by Gash, Walter Bonner (1869-1928); 61x48 cm; Private Collection; eLiss Fine Art; English, out of copyright



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"Capturing the Unseen: A Tripod's Journey through Time and Space" In the bustling streets of London, a Metropolitan Police air raid siren blares, signaling an era of uncertainty. Meanwhile, in a dimly lit seance room at the National Laboratory of Psychical Research, a tripod stands silently witness to attempts to communicate with the other side. Venturing out to Woking, Surrey, England, we find ourselves face-to-face with a magnificent War of the Worlds sculpture. This towering creation reminds us of H. G. Wells' vivid imagination and its impact on popular culture. On the tranquil waters off Porthgwarra in Cornwall lies Bill Harvey's fishing boat Alpha from 1903 - a testament to man's enduring connection with nature and his quest for sustenance. But our journey takes an intriguing turn as we stumble upon Harry Price's ghost hunting kit. With this collection of tools designed to explore supernatural phenomena, one can only wonder what mysteries it has unraveled throughout history. A leap forward brings us to Great Western Beach in Newquay on that fateful day - June 24th, 1910. The sun shines brightly as beachgoers enjoy their leisurely pursuits while unknowingly becoming subjects captured by cameras mounted on tripods; frozen moments preserved forever. Flipping through Popular Science Magazine covers reveals how tripods have been instrumental in documenting scientific breakthroughs and technological advancements over time - from forecasting weather patterns to unraveling secrets hidden within our vast universe. G. H. Wilkins returns triumphant from his expedition aboard The Quest alongside Sir Ernest Shackleton – an epic tale etched into history thanks to photographs taken using sturdy tripods that stood firm amidst treacherous conditions. Traveling further back in time now finds us standing beside Alexander the Great on the eve of Gaugamela – his trusted tripod-mounted camera ready to capture pivotal moments that would shape empires and legacies.