Triumph Of Love Collection

Recueil des modes de la cour de France, Habits des Nymphes de la Suitte d'Orithie du... 1703-04
Recueil des modes de la cour de France, Habits des Nymphes de la Suitte d'Orithie du Balet du Triomphe de l'Amour, Bound 1703-1704

Recueil des modes de la cour de France, Habit d'Indienne du Balet du Triomphe de l'Amour, 1703-04
Recueil des modes de la cour de France, Habit d'Indienne du Balet du Triomphe de l'Amour, Bound 1703-1704

Title page of Triumohs and Rhymes, from an edition of the poem by Francesco Petrarch (1304-74)
ACI64867 Title page of Triumohs and Rhymes, from an edition of the poem by Francesco Petrarch (1304-74), illuminated by Giovanni Varnucci (vellum) by Italian School

Triumph of Love: four horses draw a carriage with Cupid standing upon a smoking platform, preceded by gods and goddesses on foot, a temple with gabled pediment at crest of hill beyond

The Triumph of Divinity or Eternity from The Triumphs of Petrarch, ca. 1548-49

The Triumph of Love from The Triumphs of Petrarch, ca. 1548-49. Creator: Unknown
The Triumph of Love from The Triumphs of Petrarch, ca. 1548-49

Fete Organized to Celebrate the Marriage of the Emperor Joseph II to Princess Marie-Josephe of Bavar Artist: Weikert
Fete Organized to Celebrate the Marriage of the Emperor Joseph II to Princess Marie-Josephe of Bavaria. Detail: Marie Antoinette, 1765

The Triumph of Love, c15th century, (1937). Artist: Emile- Aurele Van Moe
The Triumph of Love, c15th century, (1937). From Verve - Vol.1, No. 1, December 1937. [Verve, France, 1937]

ZIEGFELD FOLLIES, 1923. Ziegfeld Follies chorus girls in The Triumph of Love at the New Amsterdam Theatre in New York. Photograph, 1923

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Love's eternal victory triumphs through the ages, as depicted in art and literature. From The Slaves and the Furies of Love painting, to the title page of Petrarch's Triumphs and Rhymes, and the illustrious Triumph of Love scene with Cupid, we witness the enduring power of love's passion. The triumphant carriage drawn by four horses in The Triumphs of Petrarch, and the grand celebrations of Emperor Joseph II and Princess Marie-Josephe's marriage, echo the timeless theme of love's conquest. Emile-Aurele Van Moe's 15th century interpretation and the Ziegfeld Follies' lively rendition further emphasize the triumph of love in various forms, proving that love's victory remains an enduring and cherished symbol of human emotion.