Trojan Prince Collection

Aeneas in the Underworld (oil on panel)
NGW186825 Aeneas in the Underworld (oil on panel) by Rubens, Peter Paul (1577-1640); 47x32 cm; National Museum Wales; National Museums & Galleries of Wales

Lunette depicting Aeneas Fleeing from Burning Troy Carrying his Father Anchises Followed by Ascanius Carrying his
BEN124350 Lunette depicting Aeneas Fleeing from Burning Troy Carrying his Father Anchises Followed by Ascanius Carrying his Mother, from the Camerino, 1596 (fresco) by Carracci

Aeneas and Anchises escaping from Troy, c. 1587 (pen & ink and oil with white heightening)
ALI412343 Aeneas and Anchises escaping from Troy, c.1587 (pen & ink and oil with white heightening) by Barocci or Baroccio, Federico Fiori (c.1535-1612); 33.9x46.1 cm; Galleria Borghese, Rome, Lazio

Aeneas and Anchises (marble) (see also 277549 & 277550)
ALI277548 Aeneas and Anchises (marble) (see also 277549 & 277550) by Bernini, Gian Lorenzo (1598-1680); Galleria Borghese, Rome, Lazio, Italy; Alinari

Aeneas and Anchises followed by Ascagne, by Pierre Lepautre (1660-1744)
XIR346076 Aeneas and Anchises followed by Ascagne, by Pierre Lepautre (1660-1744), Jardin des Tuileries, 1921-22 (b/w photo) by Giraudon, studio (1912-53); 264x114x110 cm; Paris

Ms 493 fol. 123v Meeting of Aeneas and Anne, the sister of Dido
XIR192861 Ms 493 fol.123v Meeting of Aeneas and Anne, the sister of Dido, from The Aeneid with commentary by Servius, 1469 (vellum) by French School, (15th century); Bibliotheque Municipale, Dijon

Mirror depicting Aphrodite persuading Helen to follow Paris to Troy
XIR197143 Mirror depicting Aphrodite persuading Helen to follow Paris to Troy, from Palestrina (bronze) by Etruscan, (5th century BC); height: 22 cm; Museo Nazionale Etrusco, Villa Giulia, Rome

The Reconciliation of Paris and Helen (w / c and gouache on paper)
LMG100083 The Reconciliation of Paris and Helen (w/c and gouache on paper) by Westall, Richard (1765-1836); 49.3x38 cm; Leeds Museums and Galleries (Leeds Art Gallery)

Aeneas and Anchises, from the Campetti Sanctuary, Veies (stone) (b / w photo)
XIR223693 Aeneas and Anchises, from the Campetti Sanctuary, Veies (stone) (b/w photo) by Etruscan, (5th century BC); Museo Nazionale Etrusco, Villa Giulia, Rome, Lazio, Italy; Etruscan

Aeneas and Anchises (marble) (see also 277549 & 277550)
ALI277553 Aeneas and Anchises (marble) (see also 277549 & 277550) by Bernini, Gian Lorenzo (1598-1680); Galleria Borghese, Rome, Lazio, Italy; Alinari

Aeneas and Anchises (marble) (see also 277548 & 277549)
ALI277550 Aeneas and Anchises (marble) (see also 277548 & 277549) by Bernini, Gian Lorenzo (1598-1680); Galleria Borghese, Rome, Lazio, Italy; Alinari

Aeneas and Anchises (marble) (see also 277548 & 277550)
ALI277549 Aeneas and Anchises (marble) (see also 277548 & 277550) by Bernini, Gian Lorenzo (1598-1680); Galleria Borghese, Rome, Lazio, Italy; Alinari

Venus Presenting Helen to Paris (oil on canvas)
BBC193316 Venus Presenting Helen to Paris (oil on canvas) by Hamilton, Gavin (1723-98); Museo Nazionale Romano, Rome, Italy; Scottish, out of copyright

Aeneas and Dido in Carthage, 1675 (oil on canvas)
XKH147760 Aeneas and Dido in Carthage, 1675 (oil on canvas) by Claude Lorrain (Claude Gellee) (1600-82); 120x149.2 cm; Hamburger Kunsthalle, Hamburg, Germany; French, out of copyright

Arrival of Aeneas in Italy, the Dawn of the Roman Empire (oil on canvas)
BAL134903 Arrival of Aeneas in Italy, the Dawn of the Roman Empire (oil on canvas) by Claude Lorrain (Claude Gellee) (1600-82); 101x136 cm; Pushkin Museum, Moscow, Russia; French, out of copyright

Venus Arming Aeneas, 1639 (oil on canvas)
XIR214597 Venus Arming Aeneas, 1639 (oil on canvas) by Poussin, Nicolas (1594-1665); 105x142 cm; Musee des Beaux-Arts, Rouen, France; (add.info.: pointing in direction of Didos palace; ); French

Lake Avernus: Aeneas and the Cumaean Sibyl, c. 1814-5 (oil on canvas)
XYC111959 Lake Avernus: Aeneas and the Cumaean Sibyl, c.1814-5 (oil on canvas) by Turner, Joseph Mallord William (1775-1851); 71.8x97.2 cm; Yale Center for British Art, Paul Mellon Collection

Rosebud, or the Judgement of Paris, 1791 (w / c and bodycolour over graphite on paper)
XYC150259 Rosebud, or the Judgement of Paris, 1791 (w/c and bodycolour over graphite on paper) by Westall, Richard (1765-1836); 32.4x39.1 cm; Yale Center for British Art, Paul Mellon Collection

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"The Trojan Prince: A Tale of Heroic Escape and Divine Intervention" In the ancient city of Troy, amidst the chaos and destruction of war, a noble prince named Aeneas emerges as a symbol of resilience and determination. Depicted in various works of art throughout history, his story unfolds with captivating detail. One such portrayal is found in the exquisite Lunette depicting Aeneas fleeing from burning Troy. With unwavering strength, he carries his father Anchises on his back while young Ascanius follows closely behind, carrying their mother. This powerful image captures the essence of familial love and sacrifice amidst utter devastation. Another artwork showcases Aeneas and Anchises escaping from Troy through pen & ink sketches infused with oil and white heightening. The intricate details bring to life their perilous journey as they navigate through treacherous landscapes, guided by divine intervention. Marble sculptures also immortalize this legendary duo - Aeneas and Anchises - in all their glory. Pierre Lepautre's masterpiece reveals them followed by Ascagne, embodying generations bound together by destiny. The meeting between Aeneas and Anne, sister to Dido, is captured in Ms 493 fol. 123v - a moment that foreshadows future alliances forged amid tragedy. It hints at the complexities faced by our hero as he navigates not only physical obstacles but also matters of the heart. A mirror depicts Aphrodite herself persuading Helen to follow Paris to Troy - an act that sets into motion events leading to its eventual downfall. In contrast, "The Reconciliation of Paris and Helen" portrays a momentary respite from turmoil; watercolors delicately convey emotions intertwined with hope for redemption. Photographs reveal remnants from Veies' Campetti Sanctuary where stone carvings depict Aeneas embracing Anchises once more – an eternal bond transcending time itself. Lastly, "Venus Presenting Helen to Paris" captures the pivotal moment that sparks the Trojan War.